Worth 1,000 words

If there’s one thing “A View to Hugh” has made clear, it’s that every photograph has a story behind it—especially if it was taken by Hugh Morton. My recent visit with Hugh’s wife Julia, daughters Judy and Catherine, and grandson Crae really impressed this point upon me. Mrs. Morton could barely finish telling me one story before launching into another (I tried to take notes, but eventually gave up). I do remember one set of photos she mentioned, of the “Cat Girl,” a New Orleans burlesque performer Hugh went to see on one of his trips to the Sugar Bowl with the Charlie Justice team in 1947. Here she is:

“Cat Girl” performing, New Orleans French Quarter, 1947 or 1949

The website FrenchQuarter.com has a tidbit about “exotic dancer Lilly Christine the Cat Girl”—that must be her! According to Mrs. Morton, Hugh didn’t care for cheesecake photography, and “wasn’t good at it”—he was apparently pressured, against his will, to go see the Cat Girl by a group of friends that included then-mayor of Chapel Hill, Robert W. Madry.

This is just one example. As great as the stories are, the difficulty is that 500,000 images in the Morton collection equals a heck of a lot of stories—a lifetime’s worth, from a very full lifetime. (Using the “1,000 words” estimate, that’s 500 million words!!) Uncovering and documenting all these stories is one of the major processing challenges we face.

Fortunately, we have people to draw on, like Hugh’s family, friends, acquaintances, and other readers of this blog. And we have other sources, too, like one I just got around to looking at—that fabulous magazine The State (now known as Our State), in which Morton photos were very frequently featured. Here in the North Carolina Collection, we’re lucky enough to have not only the entire run of the magazine, but also subject indexes, and (thanks to some wonderful guy named Robert M. Topkins) a 1976 index to pictures appearing in The State.

Morton was friends with the original publisher Carl Goerch, as well as his successor Bill Sharpe, whom Morton has described as “the one person who most whetted my interest for making pictures of and for the state [of North Carolina].” This photo of Goerch, Sharpe, and Sharpe’s wife appeared on page 7 of the August 19, 1950 issue of The State, along with the text quoted below.

Mrs. Sally Sharpe, Carl Goerch, and Bill Sharpe on the beach in Wilmington, 1950

As you look at this picture you can almost guess the words that might have been spoken:

Says the lady: “You numbskull! You nit-wit! You’ve got no business on this beach. Now get yourself away from here just as quickly as you can, before I call a policeman. Git, I tell you; git!”

Says the man in the bathing trunks: “But lady, I didn’t mean any harm! Goodness knows I didn’t. When you were stooping over, picking up shells, I thought you were my wife. That’s the reason I spanked you.”

Says the lady: “I don’t want to hear anything further from you. On your way before I call a cop!”

Says the man with the marine cap, the dark glasses, the checkered shirt, the rolled-up trousers and the slightly protruding stomach: “That’s tellin’ him, mamma: that’s tellin’ him!”

The lady happens to be Mrs. Bill Sharpe. The man in the bathing trunks happens to be the editor of this publication. The man with the marine cap and all the other accessories, including the slightly protruding stomach, happens to be Bill Sharpe. And Hugh Morton of Wilmington just happened to be around just in time to take the picture.

I guess if you don’t know the story behind a picture, you can always make one up . . .

3 thoughts on “Worth 1,000 words

  1. Elizabeth: During graduation/reunion weekend in 1989, as part of the “Saturday Morning in Chapel Hill” series, Hugh Morton presented a slide show celebrating UNC’s greatest athletes of the 1940’s and 1950’s.
    The slide show was called: “Why Did We Have It So Good And What Made Us Different.” During the course of the show several slides of the 1947 Sugar Bowl trip were shown. (That game was Carolina’s first bowl trip). Most of the audience in Memorial Hall that morning was former students, athletes, and media from the era 1945 to 1955. When the Cat Girl slide came up on the screen, there was laughter and scattered applause from the audience. For several seconds Hugh didn’t say anything…then he said, “this is the famous Cat Girl from Bourbon Street. It is said that she had more moves than any of the Carolina running backs.”

    Hugh Morton participated in the “Saturday Morning in Chapel Hill” series again in 2004, 2005 and was scheduled to be a part of 2006 event, but his failing health prevented him from being there on May 13, 2006.

    19 days later, “Hugh slipped peacefully away from all of us,” as Dr. William Friday would say at Hugh’s Memorial Service in Greensboro.

  2. One final comment, Elizabeth, on the Cat Girl. Bob Quincy and Julian Scheer, in their 1958 book, “Choo Choo: The Charlie Justice Story,” mentioned her on pages 21 and 22. Here’s the comment:

    “A number of Tar Heels became students of architecture during this sojourn (at Mardi Gras), chiefly that of the Cat Girl, a lady on unusual structure who was on exhibit each night in the French Quarter.”

  3. There is an interesting advertisement in the December, 1950 issue of “Tarnation” magazine (page 12). It’s for The Rendezvous Room restaurant in Chapel Hill and it uses Morton’s Cat Girl image.

Leave a Reply

Your email address will not be published.

You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>