A few weeks ago, Elizabeth pointed out a few unidentified jazz photographs and asked me if I could write up a post on them to see who they might be. One photograph, seen here, ended up being easily identified: it is big band leader Tony Pastor (1907-1969), “The Man Who Pastorized Swing.”
The background was the giveaway. On the upper left are the bottom of the numbers “941,” and on the right are an “R” and the rounded edge of another letter. A quick check through the UNC yearbook Yackety Yack revealed the bands who played at UNC dances for that year. That tidbit and some name “Googling” matched the face in the Morton photograph with the face of Pastor in other portraits on the Web for the easy ID.
Pastor’s band was the headline act for the Spring 1941 Junior and Senior dances on Friday and Saturday, 16-17 May 1941. Pastor’s troupe performed four dance sets, and the 5:00-5:25 dance was broadcast “coast-to-coast” over the NBC radio network via WPTF in Raleigh. As far as we can tell, this is the only surviving negative of Pastor’s performances at Chapel Hill. Pastor also performed three gigs at the Carolina Theater in Durham that Thursday at 3:00, 7:00, and 9:30. The tickets for the matinee shows were 28 cents, while the evening show cost 44 cents.
The drummer in the background of Morton’s photograph is either Johnny Morris or Morrison (I’ve see both in print but I think it’s Morris). One of Pastor’s signature tunes was “Paradiddle Joe,” which featured the drummer. YouTube has a version with Henry “Riggs” Guidotti on the kit. Not pictured is Eugenie Baird, who joined Pastor’s band just two weeks before coming to Durham and Chapel Hill.
How did the students rate Pastor? Well, the Daily Tar Heel wrote a review on 1 June 1941 of the bands who came to campus for dances. They decided that Pastor, “even to those addicted to Paradiddle Joe and Let’s Do It, was disappointing. By Saturday night his blasting, commercial arrangements were grating on everybody near enough to the bandstand to hear him.”