The best of times: the “Golden Era” at UNC (1945-1950)

With the title caption "A New 'Shot' of the Old Well and South Building" in the October 1946 issue of The Alumni Review, this is Hugh Morton's first UNC scene published in that magazine after WWII—with the columns vertically straightened, its edges cropped on all sides for publication,  and accompanied by a long caption about Morton war service. This scan shows the entire negative. This was also on the magazine cover of The State for its October 5th issue, cropped even more tightly at the base of the well to accommodate magazine's masthead.

With the title caption “A New ‘Shot’ of the Old Well and South Building” in the October 1946 issue of The Alumni Review, this is Hugh Morton’s first UNC scene published in that magazine after WWII—with the columns vertically straightened, its edges cropped on all sides for publication, and accompanied by a long caption about Morton war service. This scan shows the entire negative. This was also on the magazine cover of The State for its October 5th issue, cropped even more tightly at the base of the well to accommodate magazine’s masthead.

A View to Hugh has been on a summer vacation of sorts as other projects have pressed to the fore.  This week marks the start of another school year at UNC, and the resumption of more frequent posts.  Today, Hugh Morton collection volunteer Jack Hilliard looks back 68 years to another time that many believe “the best of times” at UNC.

But first . . . some background on the photographs used for this post.  Above is Morton’s first post World War II photograph of a UNC scene published in The Alumni Review. Along with a long caption about Morton’s war service, the image filled an entire page inside the October 1946 issue.  The November issue featured the photograph below on its cover, and its caption states that Morton had recently “presented to the Alumni Office a half dozen new pictures of familiar campus scenes.”  Those photographs, most of which are not in the online Morton collection, illustrate this blog post. (If you are counting, however, you’ll come up with seven after the one above.)

The November 1946 issue of The Alumni Review featured on its cover a cropped version of this photograph of the Morehead-Patterson Bell Tower.

The November 1946 issue of The Alumni Review featured on its cover a cropped version of this photograph of the Morehead-Patterson Bell Tower.

It was a heterogeneous group of different ages and experiences—all due to a terrible war which had interrupted or affected the lives of most of us. . . We developed a tremendous school spirit in a very short time, and we were pretty charged up about changing the world and making it better.

Class of 1947 “Revised Yackety Yack” 25th Reunion Edition, May 1972 by Sibyl Goerch Powe

Most UNC alumni consider their time in Chapel Hill as the best.  I grew up in North Carolina during the late 1940s and early ‘50s and I remember that period as being the best.  Many at Carolina, however, describe the years between VJ-Day (“Victory over Japan Day” celebrated on 2 September 1945 in the United States) and the Korean War—the years 1945 through 1950—as UNC’s “Golden Era.”  World War II was finally over and Tar Heels everywhere could look ahead to the better times.

This era was born near the end of WWII when, on June 22, 1944, President Franklin Roosevelt signed the Servicemen’s Readjustment Act of 1944—forever to be known as the “GI Bill.”  Among its many provisions, Title II Chapter IV revolutionized education in the United States, especially for those returning from service during World War II, because it empowered the federal government to reimburse colleges and other approved educational institutions for “the customary cost of tuition, and such laboratory, library, health, infirmary, and other similar fees as are customarily charged, and may pay for books, supplies, equipment, and other necessary expenses” of qualifying veterans—not to exceed $500 for “an ordinary school year.”  The bill also allotted subsistence provisions of $50 per month for single veterans and $75 per month for those with dependents.

This night photograph of South Building appeared in the November 1946 issue of The Alumni Review with the caption title "Columns of South." The caption writer described this photograph as being "symbolic of the University--old and new" showing "the 'new' side, looking south toward the area of greatest physical expansion of the campus in the years since the building period of the 'Twenties."

This night photograph of South Building appeared in the November 1946 issue of The Alumni Review with the caption title “Columns of South.” The caption writer described this photograph as being “symbolic of the University–old and new” showing “the ‘new’ side, looking south toward the area of greatest physical expansion of the campus in the years since the building period of the ‘Twenties.”

In the seven years following enactment of the GI Bill, approximately 8 million veterans received educational benefits, and of that number about 2.3 million attended colleges and universities. Enrollment at UNC rose to 6,800 which was 2,400 more than any time before.

As one would imagine, this jump in enrollment caused some housing and classroom-size issues.  An interesting article in October 1945 issue of the The Alumni Review discussed the anticipated effects of armistice on UNC’s student housing.  “The exodus of the U. S. Navy Pre-Flight School on October 15 left the University with a surplus of dormitory space for men students for the first time since Pearl Harbor,” the magazine wrote.  “A particular need that developed with the influx of veterans was accommodations for married students.”  The article also noted that Lenoir Dining Hall, which had been reserved for the cadets, could now become “an All-University cafeteria.”

The December 1946 issue of The Alumni Review used this photograph of Manning Hall with a caption that explained the conditions on campus. "Like many other University buildings now, Manning Hall (home of the University's Law School) is crowded with students.  Enrollment in the school is now 217, a sharp rise from the student body of 13 to which the school dropped during the war."

The December 1946 issue of The Alumni Review used this photograph of Manning Hall with a caption that explained the conditions on campus. “Like many other University buildings now, Manning Hall (home of the University’s Law School) is crowded with students. Enrollment in the school is now 217, a sharp rise from the student body of 13 to which the school dropped during the war.”

Quonset huts, trailers and pre-fabs became a way of life, despite the departure of pre-flight school cadets who had occupied ten dormitories.  On south campus, the federal government constructed Victory Village in less than a year on 65-acres at a cost $1.25 million. Many of the returning vets who were married lived there.  The Victory Village address book reads like a who’s who at UNC.  Terry Sanford, William Friday, and William Aycock, along with 349 other families made up the extended neighborhood, which lasted until 1972 when it was torn down to make room for expansion of UNC Hospitals.

For others on campus, cots were set up in the Tin Can and under the seats at Emerson Stadium while many other students lived with Chapel Hill families. The returning veterans along with a normal compliment of high school students presented a conflict of personalities on campus.  Never before had so many students had so little in common—and got along so smoothly together.  Students held dances on special weekends along with fraternity parties and gatherings at the Student Union, which at that time was Graham Memorial. The Big Band Era was still around although winding down and Tommy Dorsey made a return to campus.  He had been a guest, along with Frank Sinatra, in May 1941 prior to our country’s entry into the war.

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This negative is almost identical to the one used for the January 1947 cover of The Alumni Review. The only difference is the hands on the clock, which stand at 6:30. Morton made the negative used for the cover at 6:20. The latter negative survives, but it suffers from severe acetate negative deterioration. Morton use two different film types; this is a film pack negative. Shown in its entirety here, the cover image cropped the bit of light at the spire’s top and the lower portion of the clock and portions of both sides. The light at the top of the tower appears in both negatives, but it is blackened on the magazine’s cover.

The common denominator for all on campus, however, was sports.  Leading the Carolina Spirit was Head Cheerleader Norman Sper, Jr.  Leading the Carolina Band was Professor Earl Slocum with featured bandsman Andy Griffith.  And the man on the sideline and court-side with the camera was Hugh Morton.  It was during this post-war period that Morton’s photography blossomed.  Interestingly, Morton did not return to Chapel Hill to finish his final year of college despite the GI Bill.  Instead, he entered his grandfather’s real estate business, Hugh McRae & Co., in Wilmington—but a camera was always close at hand.

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This scan shows the full negative of the scene used by The Alumni Review for its March 1947 cover. Given the vertical format of the magazine, however, they cropped off the right side of the image. The caption reads in part, “We are indebted again to Hugh Morton ’43 for this month’s cover. With the magic of the camera he has pictured Graham Memorial building (at left) and the trees which line the walk toward Old East Building in a romantic scene.”

Many years later, on May 13, 1989, as part of UNC’’s Graduation/Reunion Weekend, the General Alumni Association offered its annual presentation of “Saturday Morning in Chapel Hill.”  The ’89 edition featured a panel discussion consisting of ten Tar Heel athletes from the Golden Era, led by Robert V. “Bob” Cox, UNC Class of ’49, and a Hugh Morton slide show.  The title of the program was “Why Did We Have it So Good and What Made US different?” It played to a near full-house in Memorial Hall on the UNC campus).

Wilson Library, now the home of the Hugh Morton collection, when it was known as the University Library.  The Alumni Review cropped off the right side of this photograph to create a vertical for the cover of its April 1947 issue.

Wilson Library, now the home of the Hugh Morton collection, when it was known as the University Library. The Alumni Review cropped off the right side of this photograph to create a vertical for the cover of its April 1947 issue.

With Coaches like Carl Snavely (football), Bunn Hearn (baseball), Tom Scott and Ben Carnevale (basketball), and Chuck Erickson (Golf)—all under the leadership of Athletics Director Robert Fetzer,—Carolina won 32 Southern Conference Championships for the years 1945 through 1950 . . . plus 10 National Champions, 3 basketball and 3 football All Americas, 3 major bowls games and a football National Player of the Year. With names like Bones (McKinney), Hook (Dillon), Harvey (Ward), Vic (Seixas), Art (Weiner), Chunk (Simmons) and Sara (Wakefield) along with the Blind Bomber (George Glamack), Carolina’s athletes became household words.  And of course the poster boy for the era was nicknamed “Choo Choo” (Charlie Justice).

Stellar athletes mingled with the regular student population along Franklin Street, just as they do today.  However, the Franklin Street of 1946 was a lot different than the one the class of 2018 will come to know and love,  One of those businesses from 1946 survives today at 138 East Franklin.  It’s the Carolina Coffee Shop.  Also back in ’46 there was Danziger’s with pizza on the menu,  The Porthole “with rolls to die-for,” says Charly Mann on the web site “Chapel Hill Memories,” and Harry’s, with food, New York style.  Also along Franklin was the Varsity Shop, Huggins Hardware, Foister’s Camera Store, and the Intimate Book Shop (the original one with the squeaky wooden floors).  And you could go to the movies for $1.20 at the Carolina Theatre and see Hollywood’s top movie from 1946, “The Best Years of Our Lives,” from Director William Wyler and starring Myrna Loy and Fredrick March.

This photograph of South Building appeared full-page in the April 1947 issue of The Alumni Review with a caption that noted that the building had been renovated in 1925. "Of the University's 40,000 matriculates and ex-matriculates" it continued, "three-fourths of them knew this view of South Building in their student days." The photograph as published is cropped significantly and rotated slightly clockwise to make the columns more vertical.

This photograph of South Building appeared full-page in the April 1947 issue of The Alumni Review with a caption that noted that the building had been renovated in 1925. “Of the University’s 40,000 matriculates and ex-matriculates” it continued, “three-fourths of them knew this view of South Building in their student days.” The photograph as published is cropped significantly and rotated slightly clockwise to make the columns more vertical.

A Sidebar:
UNC’s great All America football player Charlie Justice was a Navy veteran and was eligible for the GI Bill. UNC also offered him a football scholarship. So Charlie asked UNC’s Athletics Director Robert Fetzer if his football scholarship could be transferred to his wife. Fetzer said he didn’t know but would check with the Southern Conference and the NCAA to make sure it would be OK.  Turns out it was, and the Justices enrolled at UNC on February 14, 1946.  Sarah Alice Justice became the first and possibly the only female to study at Carolina on a football scholarship.

Spider, Gumdrop, and the “Morton Mystery” of Apollo 9

Today, July 16, 2014, marks the 45th anniversary of the launch of Apollo 11 carrying the first men to land on the lunar surface. One of the primary stepping-stones for that mission was the launch and flight of Apollo 9.  Like the Apollo 11 launch, there is an Apollo 9–Hugh Morton connection.  So, on this special anniversary, Morton Collection volunteer Jack Hilliard relates a possible scenario for Morton’s Apollo 9 slides.

Apollo9_SlideBoxes

On a recent visit to the Hugh Morton Collection at the Wilson Library on the UNC campus, Photographic Archivist Stephen Fletcher showed me a recent group of slides to be added to the huge Morton photo collection.  Of particular interest were two boxes of color slides marked “Apollo 9.” While I didn’t attend the launch of Apollo 9 from NASA’s Kennedy Space Center, I remember well following the progress on television.

Apollo 9 was the third manned mission of the Apollo program and the first flight of the Command Service Module (CSM) with the Lunar Excursion Module (LEM).  The Command Module was named “Gumdrop” because it arrived at the Kennedy Space Center wrapped in blue cellophane. The Lunar Module was named “Spider,” because of its awkward, gangly appearance. The mission was the second launch of a Saturn V (Five) rocket.  The three-person crew, Commander James McDivitt, Command Module Pilot David Scott and Lunar Module Pilot Rusty Schweickart, all trained at the Morehead Planetarium on the UNC campus.

The Apollo 9 preliminary countdown began at 5 am on Saturday, February 22, 1969 and proceeded without problems.  The terminal count started on February 27th at 10 pm.  Twelve hours into that count, there was a three hour built-in hold.  During this hold NASA decided to recycle the count to T minus 42 hours which would put the launch no earlier than Monday, March 3rd at 11 am.  The reason for the delay: the Apollo 9 crew had developed colds.  The delay gave the crew time to recover in time for a March 3rd launch.

The crew spent 10 days in low Earth orbit testing and docking the two spacecrafts. At one point, McDivitt and Schweickart flew the Lunar Module 100 miles away from the Command Module.  On board Apollo 9 were special lightweight, lint-free wash cloths and towels developed by the textile school at North Carolina State.

The 152-orbit mission ended in the calm Atlantic, in sight of the recovery carrier USS Guadalcanal, on March 13, 1969.  That final day in orbit, however, was a busy one. The crew took pictures of the United States from coast to coast.  The picture taken of the North Carolina Outer Banks has become a classic.

OuterBanks_fromApollo9

From the two boxes of Morton slides shown above, plus two others, we can determine that Hugh and Julia made a trip to Florida about mid-February, 1969.  Morton labelled a third box of slides “Busch Gardens / Tampa horse races”; Kodak processed and date stamped those slides “Feb 69.”  The fourth box, processed in March like the two shown above, Morton labeled “Cypress Gardens / Homosossa River.”  The Homosossa River is on the Gulf Coast not far north of Tampa. Among the Cypress Gardens slides is the scene below.

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The date stamps and frame numbers on the slides suggest the Mortons traveled from the Gulf Coast to Cypress Gardens mid-state near Winter Haven, and then to the Kennedy Space Center.  They took one of the visitor center bus tours of the complex, and there are 34 slides taken at the Space Center.

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On pad A at launch complex 39, Apollo 9 was in place and preparing for a February 28th launch.  The Apollo/Saturn vehicle had been rolled to the pad on January 3rd.  The Mortons were at the pad A press site on February 27th because the Mobile Service Structure (MSS) has been rolled back and the launch vehicle is standing free, and that event occurs the day before a scheduled launch.

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There were about 1,000 other members of the media at the press site and about 10,000 space watchers along the Florida coast.  Among the special invited guests was North Carolina Governor Robert Scott, but his schedule back in Raleigh didn’t permit a KSC visit.

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Now, the mystery part of our story.

While writing posts and comments for A View to Hugh, I have often said, there is an interesting story for each of Hugh’s pictures and the Apollo 9 photographs are no exception.  What makes this set of images interesting is what’s not there.

There are no pictures of Apollo 9 blasting off, instead there are seven slides of a NASA news conference.

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Prominent in Hugh’s news conference images, is Alan Shepard (far left in the photograph above), America’s first astronaut who, in 1969, was head of the astronaut office.  Also, at the new conference desk is Dr. Charles A. Berry (on Shepard’s left), medical director of the US space program and Dr. George E. Mueller, NASA Associate Director of Manned Spaceflight. (There is no name plate for Mueller, so he might be the person holding the microphone, but hidden behind the curtain on the far right).

Dr. Berry, in explaining the delay, said:  “I could guarantee that we would have three sick crewmen on our hands if we launched.”  Dr, Mueller added, “We’d like to launch them when they are well. If there’s any question. I’d rather wait.”

The February 28th launch delay of Apollo 9 was the first time after 18 US man-in-space flights that a launch had been delayed due to crew illness rather than technical issues, and it was “a difficult decision to make,” Berry said.

So, one possible reason for no Morton Apollo 9 launch pictures is that Hugh and Julia got caught up in that delay and were not able to stay through the weekend for the Monday morning launch.

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“The soul of the beholder will determine the revelation of its meaning.”

A landmark on the UNC campus celebrate its 101st birthday today, June 2, 2014.  Morton collection volunteer Jack Hilliard and I take a combined look at this Tar Heel icon.

Silent Sam in silhouette

Stephen Fletcher:

Perspective and context are two hallmarks of photography—just as they are with all the arts.  The photographer’s viewpoint shapes a photograph’s subject and how he or she frames the subject (by what it contains and eliminates) narrows the story or emotions that subject conveys.  As a UNC student and alumnus, Hugh Morton photographed UNC’s Confederate Monument, only a sampling of which appears in the online collection.

The Confederate Monument, commonly known as “Silent Sam,” is a controversial landmark on the UNC campus.  Last year—Sunday, June 2nd, 2013—marked its 100th anniversary.  There was no official recognition of this milestone.  All, however, was not quiet for afternoon saw nearly 100 people attend a Real Silent Sam Committee protest rally.  The Friday before, the University Archives blog For the Record posted two documents: a letter written by then-UNC president Francis P. Venable to James G. Keenan expressing his desire that its design not be a monument to the dead “but to a noble idea,” and two pages from Julian S. Carr’s dedication speech laced with Anglo Saxon supremacy and racial violence.

As you approach the statue today, its context is vastly different from those who knew the landscape in 1913.  The monument sets near the edge of wooded McCorkle Place, at the time the only campus quadrangle.  As Jack writes below, “In its park-like setting, many only see Silent Sam as a nice place to sit on a warm spring day and enjoy the beauty of William Meade Prince’s ‘Southern Part of Heaven.’”  As one looks deeper, however, one finds more meaning in the monument’s geographical context and the perspective of those who built it in their place in time.

In 1913 University leaders erected the northwest–facing statue near the northernmost point on the campus. Nearby to the monument’s southwest are three buildings, architecturally connected, named Pettigrew Hall, Vance Hall, and Battle Hall—all completed the previous year.  James Johnson Pettigrew, UNC class of 1843, was a Brigadier General in the Civil War, shot and killed while retreating less than two weeks after playing a major role in the Battle of Gettysburg.  Zebulon Vance was North Carolina’s Civil War governor.  Kemp Plummer Battle, during the Civil War era, was a delegate to the Secession Convention in 1861, president of the Chatham Railroad that hauled coal from mines in Chatham County to Confederate armament factories, and a trustee of the university.  He would later become university president.  The monument, in contextual words, was symbolically set before three Confederate stalwarts.

Jack Hilliard:

More than 1,000 university men fought in the war.  At least forty percent of the students enlisted—a record unequaled by any other institution, North or South.  At their convention in 1909, the North Carolina Division of the United Daughters of the Confederacy decided to honor the 321 UNC alumni who died in the Civil War, as well all students who joined the Confederate Army.  Supporters raised $7,500 to erect a seven-foot statue, commissioning Canadian sculptor John A. Wilson to do the work.

The dedication and unveiling was held 101 years ago on June 2, 1913 with University President Francis P. Venable pulling off the concealing curtain and North Carolina Governor Locke Craig, UNC class of 1880, as principal speaker.  The statue’s dedication plaque reads:  “To the sons of the university who answered the call to their country in the War of 1861-1865, and whose lives taught the lesson of their great commander that Duty is the sublimest word in the English language.”

The youths, buoyant and hopeful that had thronged these halls, and made this campus ring with shouts of boyish sports, had gone.  The University mourned in silent desolation.  Her children had been slain . . . this statue is a memorial to their chivalry and devotion, an epic poem in bronze.  The soul of the beholder will determine the revelation of its meaning. —Governor Locke Craig, from his dedication speech.

Also speaking at the dedication was the chair-person of the monument committee, Mrs. Bettie Jackson London.  In her speech she said: “In honoring the memory of our Confederate heroes, we must not be misunderstood as having in our hearts any hatred to those who wore the Blue, but we do not wish to forget what has been done for us by those who wore the Gray.”

Representing the Confederate veterans was Gen. Julian Shakespeare Carr, UNC Class of 1866. Carr, namesake of nearby Carrboro and whose name is on at least one UNC campus building, captured the spirit of the times in his speech.

“The present generation, I am persuaded, scarcely takes note of what the Confederate soldier meant to the welfare of the Anglo Saxon race during the four years immediately succeeding the war, when the facts are, that their courage and steadfastness saved the very life of the Anglo Saxon race in the South.”  Carr went on to say that the “purest strain” of white blood was still to be found in the South at the time, because of the duty performed by Confederate soldiers.

After the speeches, a quartet sang “Tenting on the Old Campground Tonight,” while the estimated crowd of one thousand got a close-up look at the work of art.

In his 101 years, Silent Sam has often been the subject of controversy.  There are those who think the statue is a symbol of racial oppression and there are those who believe it to be a symbol of regional pride.

On his 100th birthday, on June 2, 2013, Silent Sam had to once again endure some shots . . . this time verbal shots from a group of protestors from “The Real Silent Sam Movement,” who said the statue represents a racist past that continues in some places today.

“The reality is that Sam has never been silent,” state NAACP President Rev. Dr. William J. Barber told the crowd of about 85.  “He speaks racism.  He speaks hurt to women—particularly black women.  And he continues just by his presence to attempt to justify the legacy of the religion of racism.”

From time to time the statue has been covered with graffiti calling for an end to violence and war, as evidenced by Hugh Morton’s photographs from April 1968.  It has often been covered with dark blue paint from Duke or red from State.  Through controversy and vandalism, Silent Sam endures, continuing his watchful eye.  The area around the statue has often been and continues to be a place where students can gather and speak out on issues of the day.  And then there are those who view Silent Sam as simply a nice place to sit on a warm spring day and enjoy the beauty of William Meade Prince’s “Southern Part of Heaven.”

Stephen Fletcher:

Last year when University Archives posted documents from Carr’s speech, then University Archivist Jay Gaidmore wrote: “Over the recent decades, Silent Sam has become a symbol of controversy, caught between those that believe that it is an enduring symbol of racism and white supremacy and defenders who contend that it is a memorial to those UNC students who died and fought for the Confederate States of America. Could it be both?”
At the time of the unveiling, it would seem not.  H. A. London was a one of those students who left UNC to fight for the South.  On June 2nd, 1913 he introduced Governor Craig at the dedication ceremony as Major H. A. London (and husband of Betty Jackson London).  As he concluded his introduction, London harkened the students who pursued their “devotion to duty.”  Of their duty London said, “We thought we were right, and now we know it.
Hopefully in our time we can acknowledge that there are indeed very different perspectives about this monument—especially respecting those whose viewpoints were, by the very nature of their exclusion from speaking at the dedication ceremony, kept silent.

Back in the (Memorial) Day

Tomb of Unknown Soldier monument, with guard, at Arlington National Cemetery, Arlington, Virginia, circa late 1930s or early 1940s.

Tomb of Unknown Soldier monument, with guard, at Arlington National Cemetery, Arlington, Virginia, circa late 1930s or early 1940s.

Following the Civil War through 1968, Americans observed Decoration Day, which eventually became known as Memorial Day, on May 30th.  On June 28, 1968 Lyndon Baines Johnson signed “An Act To provide for uniform annual observations of certain legal public holidays on Mondays, and for other purposes.”  The act, more commonly know as the “Uniform Monday Holiday Act,” shifted the observance of Memorial Day to the last Monday in May.

Hugh Morton likely photographed the above scene at the Tomb of the Unknown Soldier at Arlington National Cemetery dating as early as the late 1930s or early 1940s, an estimated date range based upon a period of time that we know Morton used that film format (negative film pack measuring 3 15/16 x 3 3/16 inches).  The trees are without leaves, so Morton would have made the photograph sometime during late autumn through the winter months.  The only other possible clue about the possible creation date would be the soldier’s uniform.

 

Thomas Wolfe in Hugh Morton’s time

The hands of Thomas Wolfe's mother Julia frame an array of portraits of her departed son, author Thomas Wolfe.
The hands of Julia Wolfe frame photographs of her departed son, noted North Carolina born author Thomas Wolfe.

While a student at Chapel Hill, Hugh Morton was given the assignment by a student publication to make photographs of Tom Wolfe’s mother, Julia, in Asheville.  The famous novelist had been dead about two years, and as every reader of Look Homeward Angel knows, Wolfe’s treatment of his mother in the book was not kind.  She had not welcomed the news media attention which resulted. When Morton appeared at the “Old Kentucky Home” and asked to make photographs, he was summarily dismissed by Mrs. Wolfe.  The next day he returned, was given a more promising audience and his entreaties gained her permission to make these two pictures. She also rode out to the cemetery to show Morton where her son was buried but she did not get out of the car.  Morton’s recollections of Julia Wolfe: “She was obviously proud of her son, proud of the success his works enjoyed … but she had mixed feelings about what he had written about her. Perhaps she didn’t know whether to laugh or cry.”  —Edward L. Rankin, Jr. in Making a Difference in North Carolina

The 36th Annual Conference of the Thomas Wolfe Society kicked off this Friday afternoon at the Carolina Inn in Chapel Hill, North Carolina, where it continues on Saturday.  This year’s conference theme is “Wolfe in his time, Wolfe in our time.”  As you might imagine, Hugh Morton photographed Wolfe-related images during Morton’s time.

Thomas Wolfe died on September 15th, 1938—around the time Morton would have been starting his senior year in high school.  When he was a junior in college—by then an accomplished photographer—The Carolina Magazine “especially sent” staff photographer Morton to Asheville on assignment to make photographs to illustrate an article by Don Bishop (Donald Edwin Bishop, class of 1941).  Simply titled “Thomas Wolfe,” Bishop wrote about Wolfe during his student years at UNC.  The magazine’s editors dubbed that particular issue, March 1942, as its “Baby-Esquire” and the cover donned the temporary title The New Carolina Magazine. [You may read either Bishop's entire article (it's very good), the full March issue, or the complete volume for 1941-1942 by clicking this link, then use the "Search inside" box just above the magazine or the sliding scroll bar below the magazine to navigate to Bishop's article.]

The Carolina Magazine published three of Morton’s photographs: Wolfe’s gravestone, a portrait of his mother Julia Wolfe, and photographs of Thomas Wolfe on a table with his mother’s hands on the table’s edge (seen above).  “Returning with more photographs than could fill these pages,” the caption reads “our staff photographer confirmed the amazing similarity between parts of ‘Look Homeward’ and parts of Asheville itself.  Mrs. Wolfe generously took out all of Tom’s photos she possessed and permitted Morton to take the pictures above.”

Elizabeth Hull wrote a post about Morton’s Thomas Wolfe related images back in 2009 using a few images, including one of two close-up portraits Morton made of Julia Wolfe.  The second portrait she included depicted Mrs. Wolfe from farther back, a full length view as she stands on the porch of “Our Kentucky Home.”  Both of these portraits appear in Morton and Rankin’s book, Making a Difference in North Carolina.  The closeup portrait used by Hull, Morton, and Rankin however, is not the one published in The Carolina Magazine.  That portrait is below, which I scanned for this post.

Full negative scan of Hugh Morton's portrait of Julia Wolfe that appeared (cropped) in the March 1942 issue of The Carolina Magazine.

Full negative scan of Hugh Morton’s portrait of Julia Wolfe that appeared (cropped) in the March 1942 issue of The Carolina Magazine.

The main difference between the portraits in Making a Difference in North Carolina and The Carolina Magazine is Morton’s lighting.  Morton made the portrait above using an artificial light source placed to Mrs. Wolfe’s left, while he exposed the other negative using natural, available light.  You can tell by comparing the shadows: in the above portrait Wolfe’s shadow is behind and to her right, while the shadows in her portrait printed in the Morton/Rankin book fall beneath her chin and nose.

The photograph shown at the opening of this post was the largest of the three Morton images used with Bishop’s article—but, similar to the portrait above, the scanned negative viewable in the online Morton collection is a different pose made during the same sitting.  I cropped the opening photograph above as it was in The Carolina Magazine; the full negative can be seen in the scan below. P081_NTBS3_015401

The third and final published Morton photograph was Thomas Wolfe’s gravestone.  The cropping is mine, which gives the marker a bit more room around the edges of the frame than it has in the magazine’s crop.  You may see the full view of the negative by clicking on the photograph.  A link to all of the Wolfe related images scanned and available on line thus far can be seen by clicking here or the linked text in the opening paragraph.  For a complete list of all the images related to Thomas and Julia Wolfe, you may search the complete finding aid.

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There’s still a certain magic in the very name

On this day, May 18, 2014, UNC’s great All America football player, Charlie “Choo Choo” Justice, would have turned 90 years old.  Justice was magical on the football field during the seasons 1946 through 1949 and that magic continued in his life after football.  He has been featured in many posts here at A View to Hugh, and currently there are ninety-nine images in the online collection of Hugh Morton photographs that include or relate to Charlie Justice.  Morton Collection volunteer and blog contributor Jack Hilliard looks at how the magic has evolved—and continues still.

A 1948 portrait of Tar Heel football star Charlie "Choo Choo" Justice in uniform at Kenan Memorial Stadium, Chapel Hill, NC.

A 1948 portrait of Tar Heel football star Charlie “Choo Choo” Justice in uniform at Kenan Memorial Stadium, Chapel Hill, NC.

When UNC’s classes of 1949 and 1950 held their respective 50th reunion celebrations in 1999 and 2000, they replicated their senior yearbooks, Yackety Yack.  As part of the yearbooks, the reunion committees sent out questionnaires and asked the question, “What experience, event, place or time during your years at Carolina brings back particularly fond memories?”  Of the 315 graduates who responded to the question, 126 mentioned the football team and 70 others mentioned Charlie Justice by name.

As part of the graduation ceremony on May 21, 2000, Charlie Justice was awarded the University’s highest honor, the degree of Doctor of Laws.  The award citation contains the following quote from Charlie’s dear friend Hugh Morton:

No person will ever know the benefits that have come to our University as the result of the loyalty which Charlie Justice kindled in thousands of our alumni.  The best thing about Charlie Justice, however, and the reason he deserves this honor, is that he has been a model citizen since college.  He has contributed his fame to hundreds of drives and worthy causes and has generally and consistently served as a wholesome example to impressionable youth.

Due to his declining health, Justice was not able to attend the graduation ceremony, but his Tar Heel teammate Paul Rizzo accepted the honor for him.

In 1999, forty-nine years after he played his final varsity game as a Tar Heel, Charlie Justice was honored as “athlete of the century at UNC,” by readers of The Daily Tar Heel.  Ten years later in 2009 he was declared the “Mount Rushmore of Tar Heel Football” by ESPN and was inducted in the inaugural class of the Southern Conference Hall of Fame.
Two days after Justice’s 70th birthday, on May 20, 1994, Ron Greene, Sr., writing in The Charlotte Observer, said, “None has worn the mantle of hero more gracefully. . . . His name remains magic.”

Thirty-seven seasons had come and gone since UNC freshman Justice led his Tar Heels over Navy 21 to 14 in Baltimore Stadium on October 19, 1946; however, when Navy came into Chapel Hill on September 15, 1984, the Midshipmen’s radio network had only one request of Carolina Sports Information Director Rick Brewer.  They wanted Charlie Justice as a halftime guest.

Hugh Morton and Ed Rankin, in their 1988 book Making a Difference in North Carolina, included the following quote from Legendary Tar Heel broadcaster Woody Durham:
“In all my associations in sports over the years, I have never known a person to wear the mantle of fame any better than Charlie Justice has. His story to me is one of the most amazing stories in all of sports when you think about the fact that it was 40 years ago when he achieved the stardom that he did, and today his name is still magic.”

Author Bob Terrell, in the 2002 edition of his Justice biography All Aboard: The fantastic story of Choo Choo Justice and the football team that put North Carolina in the big time! says, “Charlie Justice became a legend because of talent but also because of character and sportsmanship.”

In 1950, after his magical four years at Carolina, Charlie wanted to offer some kind of payback to his University, so he took a job with his friend and admirer Billy Carmichael at the North Carolina Medical Foundation.  At the time, the Foundation was raising money to complete North Carolina Memorial Hospital. (That would be accomplished the following year).  During his time at the foundation, Justice was pursued by George Preston Marshall of the Washington Redskins.  At one point Marshall offered to send Justice a signed, blank check.  “Fill in the amount,” he told Charlie.  But Justice turned down the offer, saying he owed his University.  Justice later joined the Redskins, but for a modest salary.

On the weekend before the 1979 football season kicked off, Tom Northington of the Greensboro Daily News interviewed Justice in his Greensboro office.  Justice talked about how the game had changed during the 30 years since he played his final season as a Tar Heel.

“Something is missing,” said Justice.  “Team spirit is not what it once was, there’s too much of this ‘I’ thing, too much individualism.”

When Charlie Justice scored a touchdown, there were no “look-at-me” celebrations . . . no throwing the ball into the stands . . . no dunks over the goal post—and in those days, spikes were things that fastened railroad ties.  I recall a 60-yard Justice touchdown in the 1950 College All-Star game before 88,885 fans at Soldiers’ Field in Chicago.  After he crossed the goal line, he handed the ball to the official, and then trotted back up the field to shake hands with guard Porter Payne from the University of Georgia who had thrown the block that made the play possible.

On October 18, 1986 Charlie and Sarah Justice, along with some family members and friends, were in Kenan Stadium for a sold-out NC State game. As the group walked around the stadium other friends joined in and by the time they got up to the gate, Charlie realized he was one ticket short. At that point Justice could have made one of those signs that reads “Need One,” but Charlie didn’t do that.  According to UNC General Alumni President, Doug Dibbert, Justice “could have walked into the stadium without tickets or placed a call to any number of people who would have provided him tickets, but Charlie would never want to impose upon anyone.”  So, Charlie Justice made sure that all in the group got seated in section 19B, row AAA, and he then returned to the Carolina Inn and watched the game on TV.

On September 28, 1996 the actual 50th anniversary of the beginning of the “Charlie Justice Era” at Carolina, A.J Carr of Raleigh’s News & Observer, wrote a three-page profile of Justice.  Said Carr: “He walked humbly on campus but ran historically on the football field, lifting the spirits of a school, a town, and an entire region.”

Carr interviewed then UNC Chancellor Michael Hooker who said: “There was a quality of magic about his name as I was growing up.”

In 1949, the Christian Athletes Federation honored Justice for his “humility in the face many honors.”

The 1973 football season marked the 25th anniversary of the magical Tar Heel season of 1948, a season that saw the Heels ranked number one in the country for the first and only time—an undefeated season with wins over Texas, LSU, Tennessee, and Georgia plus wins over NC State, Wake, Duke, Maryland and Virgina.  Justice and Art Weiner were consensus All America with Justice as first runner-up for the Heisman Memorial Trophy and named national player of the year, and a team invitation to the Sugar Bowl on January 1, 1949 in New Orleans.

To celebrate that 25th anniversary, Ed Hodges did a Justice feature in the Durham Morning Herald on July 22nd.  In the piece, Hodges said, “he (Justice) has in some magic way interwoven the past with the present.”

Woody Durham, then Sports Director at WFMY-TV in Greensboro, presented a two-part Justice documentary on September 16th and 23rd. That program not only aired on WFMY, but was also broadcast on WRAL-TV in Raleigh.

And Ron Fimrite, writing in the October 15, 1973 issue of Sports Illustrated, described the reaction to the famous 43-yard Justice TD run in the ’48 Duke game:

(As Justice crossed the goal), a fan, in the temporary end-zone seats was so excited by the amazing run that he fell forward onto the field.  The crowd was alive, roaring, slapping each other.  Coach Snavely, normally an impassive man, rushed from the bench to grab Charlie by both shoulders and shake him. ‘Great,’ he kept saying. ‘Great.’  Charlie could hear only the cheers—‘Choo Choo, Choo Choo.  He knew then that for him they would never really stop.  And . . . they have not stopped.  They never will.

One of those 1950 graduates who responded to the revised Yackety Yack survey question back in 2000, Walter Hobson Kirk, Jr. from Durham, said it best: “Charlie Choo Choo Justice – accepting fame with honor and humility.”

North Carolina’s Tribute to President John F. Kennedy

Back in 2007, I wrote a brief post about the fundraising event held at Kenan Memorial Stadium for the John F. Kennedy Presidential Library.  Today marks the fiftieth anniversary of the event—North Carolina’s Tribute to President John F. Kennedy for the benefit of John Fitzgerald Kennedy Library.

Governor Terry Sanford with Hugh Morton and Andy Anderson during a John F. Kennedy Memorial Library Fundraising Committee meeting, 16 April 1964.

North Carolina Governor Terry Sanford with Hugh Morton and E. G. “Andy” Anderson (county chair from Martin County) during a John F. Kennedy Memorial Library Fundraising Committee meeting, 16 April 1964. Hugh Morton chaired the state’s committee. The governor posed for a portrait with each of the county chairs in attendance.  UNC Photo Lab photograph by Jerry Markatos.

Every spring for the past several years, I have pulled together a slideshow for UNC’s Alumni Reunion Weekend for visitors to watch during Wilson Library’s Saturday afternoon open house.  To create the slideshow, I go through the negatives in the University of North Carolina at Chapel Hill Photographic Laboratory Collection (the UNC “Photo Lab”) for that particular year’s fiftieth anniversary class and select about 100 negatives to be scanned.  This year I came across a familiar face while surveying negatives made during the 1963-1964 academic year.  I used the above image in the slideshow, but not the one below.

Hugh Morton in conversation with then former Governor Luther Hodges, Jr.

Hugh Morton in conversation with former Governor Luther H. Hodges, Jr. (left) and an unidentified person in the Morehead Planetarium. On the far right is UNC Chapel Hill Chancellor William B. Aycock.  UNC Photo Lab photograph by Robert Arndt.

Hugh Morton was the chair of the state’s fundraising efforts—a logical choice given his highly successfully efforts to bring the USS North Carolina to Wilmington.  The North Carolina Collection holds a few items from the state’s tribute to JFK.  Within the Hugh Morton collection are several color slides made by an unknown photographer.  Five of these slides can be seen in the online Morton collection, as can three black-and-white photographs of Governor Terry Sanford and Hugh Morton presenting North Carolina’s $250,000 contribution to Jacqueline Kennedy on December 22nd.

There is a black-and-white image of Lyndon Baines Johnson with Governor Sanford examining a copy of the tri-fold pamphlet made to raise funds trough ticket orders to the event. The North Carolina Collection has copies of the flyer, the front cover of which seen below.

Flyer announcing North Carolina's Tribute to John F. Kennedy.

Flyer announcing North Carolina’s Tribute to John F. Kennedy. (North Carolina Collection)

The Daily Tar Heel, in its last issue of the year, gave a 50/50 chance that LBJ would be able to attend.  Newspaper articles from the Charlotte News and the Durham Morning Herald make no mention of LBJ being in attendance.  Currently we have this image categorized with those made during the tribute on May 17th, 1964.  I think, however, that that photograph is likely from a different event because, if you zoom in, you can see that Sanford is wearing a pin back button that says “MY BRAND’S LBJ”—hardly appropriate to wear during a tribute to JFK.

Also in the North Carolina Collection is a DVD copy of the 16mm film made about the day’s event as a gift for Jacqueline Kennedy.  Additionally, the North Carolina Collection also has two copies of the program from the event.  Copy two of this item also contains several letters and announcements to county chairmen from Hugh Morton.

 

“Mighty Mites,” Morton, and millions of azaleas

The 67th Annual North Carolina Azalea Festival will be presented in Wilmington April, 9 – 13, 2014.  World class entertainment and millions of azaleas will combine to welcome spring to the Tar Heel state again.  Wilmington’s celebration of spring began in 1948 and each year celebrity guests have been an important part of the festivities. Morton collection volunteer/contributor Jack Hilliard takes a look at a special group of celebrities that came to the New Hanover County port city back in the 1950s.

1949 Queen of the North Carolina Azalea Festival, actress Martha Hyer, with her court.

1949 Queen of the North Carolina Azalea Festival, actress Martha Hyer, with her court.

A Prologue:

When the 1950 College All-Star football team reported to training camp at St. John’s Military Academy in Delafield, Wisconsin on Thursday, July 20, 1950, UNC’s great All America football star Charlie Justice met up with his old friend Doak Walker from Southern Methodist University (SMU) and new friend Eddie LeBaron from College of the Pacific (COP), which is now University of the Pacific.  Justice and Walker had become friends over the years when both were on most of the 1948 and 1949 All America teams and both had been pictured on the cover of Life.  Walker had been selected for the 1948 Heisman Trophy while Justice was first runner up.  And when UNC was in Dallas for the 1950 Cotton Bowl, Walker had helped the Tar Heels prepare for a game with Rice Institute (now Rice University).  Walker’s SMU team had played and lost to Rice, 41 to 27, on October 21st. Hugh Morton photographed Justice, Walker and UNC Head Coach Carl Snavely during one of the film screening sessions at the Melrose Hotel.  Also, Justice and Walker had gotten into the T-shirt business in early 1950 and Morton had done their publicity pictures.  Quarterback Eddie LeBaron had been selected All America in 1949 as well, and the three “country boys” hit it off.  All three loved watermelon and on the first day of camp they staked out a small country store which sold melons. “Put one on ice every afternoon,” Charlie told the store owner, “and we’ll come by and pick it up.” So every afternoon after practice the trio walked to the store, purchased their chilled melon, took it outside and sat on the curb enjoying the treat.

When game day arrived on August 11, 1950, the three “Mighty Mites,” as they were called (each was under six feet tall and weighed less than180 pounds) took the World Champion Philadelphia Eagles down by a score of 17 to 7. Hugh Morton didn’t attend the All-Star game, but he always included a wire photo from it in his slide shows.

❀ ❀ ❀ ❀ ❀ ❀ ❀

Back in Wilmington after the War, I left town for a week, and while I was gone the local folks elected me chairman of the first Azalea Festival in 1948. —Hugh Morton, 1996

The Dallas Morning News issue of Saturday, March 18, 1950 featured the storybook, Friday night wedding of Doak Walker and his college sweetheart Norma Peterson.  The story said the couple would leave for a wedding trip to Canada “early next week . . . and will take another trip to North Carolina soon after they return.”  That North Carolina trip would be to the 1950 Azalea Festival in Wilmington, held March 30th through April 2nd.

Hal Love, president of the Azalea Festival Committee; Mrs. Norma Walker; Doak Walker; former Wilmington mayor E. L. White; and Cherokee leader McKinley Ross (with "Unto These Hills" program in pocket) at Bluethenthal Airport, Wilmington N. C., 31 March 1950.

Hal Love, president of the Azalea Festival Committee; Mrs. Norma Walker; Doak Walker; former Wilmington mayor E. L. White; and Cherokee leader McKinley Ross (with “Unto These Hills” program in pocket) at Bluethenthal Airport, Wilmington N. C., 31 March 1950.

Hugh Morton photographed Doak and Norma soon after they arrived in Wilmington.  Hugh’s wife Julia said in A View Hugh comment back in 2009, “I do remember that Doak and Norma and Charlie and Sarah (Justice) stayed with Hugh and me.  The festival didn’t have as much available money back in those days, and they were our friends.”

Charlie and Sarah Justice had been part of the 1949 festival. Charlie had crowned Queen Azalea II who was movie star Martha Hyer and many remember how the photographers covering that event had insisted that Justice kiss the Queen and he very obligingly followed through on the request.  Morton’s photograph in The State for April 16, 1949 (page 5) showed Justice with lipstick on his face.  (The original negative for this shot is no longer extant, but there is a similar negative made moments apart.)

Walter Doak during the 1950 North Carolina Azalea Festival

Charlie Justice and Doak Walker during the 1950 North Carolina Azalea Festival parade.  This scan of Morton’s negative shows the entire scene, which is usually cropped in publications.

During the 1950 festival, Morton took several pictures of Doak and Charlie, and Norma and Sarah: a beautiful shot of both couples at Arlie Gardens, and a shot from the parade on Saturday, April 1st. The parade image was reproduced in the 1958 Bob Quincy–Julian Scheer book, Choo Choo; The Charlie Justice Story, on page 112.  The same picture was also included in the 2002 Bob Terrell book All Aboard, but with an incorrect caption.  That image is on page 182. And of course, The State magazine issue of April 15, 1950 (page 3) included a Morton picture of Justice and Walker at the crowing ceremony where Justice passed the crown to Walker who crowned Gregg Sherwood as Queen Azalea III.

When Charlie and Sarah arrived in Wilmington for the 1951 festival, Hugh Morton had put in place a new event. On Saturday afternoon, March 31st, there was a special golf match at the Cape Fear Country Club.  It was called “Who Crowns the Azalea Queen?” and it pitted broadcasters Harry Wismer and Ted Malone against football greats Charlie Justice and Otto Graham—nine holes—winners crown Queen Margaret Sheridan Queen Azalea IV. And the winners . . . Charlie Justice and Otto Graham.

The day following the 1950 All-Star game, Eddie LeBaron left for Camp Pendleton and Marine duty. He would spend nine months in Korea and would receive a letter of commendation for heroism, a Bronze Star and a purple heart. Lt. Eddie LeBaron was back home in time to accept Hugh Morton’s invitation to the 1952 Azalea Festival. Again, as in 1951, there was a “Who Crowns the Azalea Queen?” golf match. This time with ABC broadcaster Harry Wismer, writer Hal Boyle, bandleader Tony Pastor, and football greats Justice, LeBaron, and Otto Graham.  The football guys won and would be part of the crowning ceremony for Queen Azalea V, Cathy Downs. A tightly cropped version of Morton’s crowning shot is also in Chris Dixon’s 2001 book Ghost Wave (unnumbered center picture page).

Later, in November, 1952, Hugh Morton took in a Washington Redskins game and photographed Justice, LeBaron, and Graham at Old Griffith Stadium.

In March of 1953, Charlie and Sarah Justice made their fifth Festival appearance as Alexis Smith became Queen Azalea VI on Saturday, March 28th.

Eddie LeBaron would return to Wilmington for the ‘58 Festival, along with Andy Griffith who crowned Queen Azalea XI, Esther Williams on March 29, 1958. Morton photographed LeBaron with Andy and NC Governor Luther Hodges.

The “Mighty Mites” were special Azalea Festival guests and were special friends of Hugh Morton, who in 1997, at the 50th Festival was honored with a star on the Wilmington Riverfront Walk of Fame and was the Festival Grand Marshal.

An Epilogue:
Doak Walker’s marriage to Norma Peterson ended in divorce in 1965 and four years later he married Olympic skier Skeeter Werner.  They lived in Steamboat Springs, Colorado until his death as a result of paralyzing injuries suffered in a skiing accident. Walker’s death on September 27, 1998 came ironically 50 years to the day of his Life magazine cover issue.

Prior to the planning sessions for the Charlie Justice statue, which now stands outside the Kenan Football Center on the UNC campus, Hugh Morton visited the Doak Walker statue at SMU.  Morton decided, unlike the Walker statue, that Charlie would not wear his helmet so everyone could easily recognize him.

Charlie Justice passed away on October 17, 2003 following a long battle with Alzheimer’s.  Charlie’s wife Sarah died four months later.

Hugh Morton “slipped peacefully away from us all on June 1, 2006.”  Those words from Morton’s dear friend Bill Friday.

Eddie LeBaron played professional football with Charlie Justice for two seasons with the Washington Redskins.  After Charlie’s retirement, the two remained close friends.  LeBaron participated in a Multiple Sclerosis Celebrity Roast for Charlie in 1980, and both were Hugh Morton’s guests at the Highland Games in 1984. Justice and LeBaron were also celebrity guests at the Freedom Classic Celebrity Golf Tournament in Charlotte in 1989 and 1990.  LeBaron lives in Sacramento, California and continues to play golf in his retirement.  Due to his diminutive size, 5 feet, 7 inches, and his leadership skills from his military service, he is often called the “Littlest General.”

Restless Raleigh

“‘Fortune’s Tennis Ball’: Sir Walter Raleigh as Writer and Subject” will be the topic of a discussion by three speakers at Wilson Library today, Tuesday April 1st, at 3:00 p.m.  The panel will include Christopher M. Armitage, UNC Professor of English and Comparative Literature—who served as the editor to the recently published book Literary and Visual Ralegh (that’s not a typo), published last year by Manchester University Press—and two contributors to the book: Thomas Herron, Associate Professor in the Department of English at East Carolina University, and Julian Lethbridge, Lecturer, English Language and Literature, at the University of Tübingen in Germany.  The North Carolina Collection is sponsoring the talk and will be displaying Raleigh’s History of the World (published at London, and printed for Walter Bvrre, in 1614) and his The history of the world: in five books (one set of this edition belonged to Edward Gibbon, who wrote The History of the Decline and Fall of the Roman Empire.  In diary entries from 1762 and 1763 Gibbon documented his reading of books by and about Raleigh.)  Other items from the NCC’s Sir Walter Raleigh Collection will also be on display.

Statue of Sir Walter Raleigh in downtown Raleigh, N. C.

Statue of Sir Walter Raleigh in downtown Raleigh, N. C. photographed by Hugh Morton in April 1979.

With that shameless plug out of the way . . . here at A View to Hugh, I couldn’t pass up the chance to show Hugh Morton’s photographs of Sir Walter Raleigh.  Well, not the gent born more than 200 years before the conception of photography, but more recent incarnations caught by Morton’s camera.

First up—the statue of Sir Walter in downtown Raleigh, photographed in 1979.  Talk about a tennis ball . . . this statue has been relocated several times since its dedication on December 3rd, 1976.  You can learn some of its history by reading this statue’s entry in “Commemorative Landscape,” a website published by UNC Library’s Documenting the American South.  Seems like the London’s statue of Raleigh has had to endure relocation, too.  Maybe better heads will prevail and these statues will continue to stand statuesquely in their final resting places.

Andy Griffith as Sir Walter Raleigh with other cast members of "The Lost Colony" outdoor drama, circa late 1940s-early 1950sNext . . . Sir Walter, Mount Airy style.  Andy Griffith played the role of Raleigh in The Lost Colony, which we blogged about back in 2012.

There’s also a photograph of the British queen receiving Raleigh.

Luther Hodges presents statue of Sir Walter Raleigh to Qeen Elizabeth IIThere are a couple handfuls of other related “Raleigh” images by Morton in the online collection.  Take a gander!

 

Photographs by Hugh Morton: An Uncommon Retrospective opens tonight at Western Carolina University

Farm Shack with Bear Skin

Hugh Morton photographed “Farm Shack with Bear Skin” near Waynesville, N. C.  This photograph is part of the Morton retrospective exhibit that opens  tonight in nearby Western Carolina University’s Mountain Heritage Center in Cullowhee, N.C.

I’m sitting in a friendly coffee shop in Cullowhee, N. C. going over my presentation for this evening at the exhibit opening of “Photographs by Hugh Morton: An Uncommon Retrospective” at the Mountain Heritage Center at Western Carolina University.  I’ll be talking with a museum studies class this afternoon, too, and I’m really looking forward to that.  If you are reading this on March 27th 2014 and are visiting or living in the western NC part of the state, I do hope you can make it this evening . . . and that you do say hello if you do!

P081_NTBR1_006318_08

I’m hoping to take the scenic route back home via highway U. S. 64 around Cashiers and Highlands for some “photo ops.”  I suspect I’ll see the sign above (or its successor) along the way.