We don’t know much about this photograph, other than what is in the record for the online collection (click the image to see.).
A few weeks ago I received a friendly call from Mr. Bob Martin, an Avery County resident, author, admirer of Hugh Morton, and former director of the Crossnore School, a private, non-profit home and school in the NC mountains serving (primarily) abused and neglected children. Bob’s call triggered a memory of a set of Morton images that had caught my interest a while back—two circa 1940s portraits of Dr. Eustace H. Sloop, co-founder (with his wife Mary Martin Sloop) of the Crossnore School.
While perhaps not the most aesthetically pleasing example of Morton’s work, I like these Sloop portraits because they show him engaged in his primary calling, medicine. Both Eustace and his wife Mary were trained as doctors, and arrived in Crossnore in 1913 planning to provide much-needed medical assistance in the Appalachian Mountains. Mary soon devoted herself to improving public education as well, founding the live-in school in 1917; it was re-incorporated in 1939 as “a child-caring institution, whose purpose shall be to provide a home and industrial and vocational training for orphan, half-orphan, and deserted children . . . preference being given to mountain children” (from p. 8 of Philis Alvic’s 1998 history, The Weaving Room of Crossnore School).
You can learn about Mary T. Martin Sloop’s remarkable life through her 1953 memoir Miracle in the Hills: The lively personal story of a woman doctor’s forty-year crusade in the mountains of North Carolina, written with LeGette Blythe. As Blythe described Sloop, “no mold shaped her, no die stamped her out. . . . She is one of our last examples of the sturdy, energetic pioneer women who played such an important role in the settling of America.”
I wish I had more illustrative material for this post, e.g. a portrait of Mary Sloop — but Morton doesn’t seem to have taken any. Bayard Wootten, however, did; she took this shot of the Sloops performing surgery in the field, circa 1917. (It was included in a 2005 exhibit put on by the North Carolina Collection Gallery entitled “Sour Stomachs, Galloping Headaches,” along with a few other early images from the Crossnore School, including Wootten’s photograph of outdoor surgery.)
This is a question I was asking myself from the time I started working on the Morton collection until recently, when I happily discovered the answer. A particular batch of Morton negatives labeled “Singleton C. Anderson, Rocky Pt.” caught my attention when I was making my first survey of Morton’s photographs. I noticed them because 1) they were striking black-and-white images from the circa 1950 period, and 2) they depicted African Americans in a non-athletic setting (somewhat unusual in Morton’s work).
Some quick Google searches at the time were fruitless; I suspected the images showed scenes from a Rosenwald School, but I didn’t have time to look into it any further. But the images, and Anderson, stuck with me. I just had a feeling they were important. So when I came upon them again recently during processing, I figured “what the heck,” and tried another Google search. Jackpot!
The site I found, Under the Kudzu, is run by educator and writer Claudia Stack, who is now in the process of creating a feature-length documentary film focused on the Rosenwald school movement as shown through two schools in Pender County, NC: the Canetuck Rosenwald School, a primary school, and the Pender County Training School, a high school. PCTS was located in, yes, Rocky Point. I emailed Claudia immediately and attached jpegs of the images included in this blog post. The next day, I got this reply:
I am ASTOUNDED at these images . . . I have been researching PCTS and Singleton C. Anderson’s profound impact on the region for the past six years, but images are very hard to come by. That is partly, I think, because he was a humble man, and partly because a tragic house fire claimed the life of his wife, Vanetta Anderson, and also all of their papers and pictures.
So, who in fact WAS Singleton C. Anderson?