A Special Connection

Today, February 19th, marks the 94th anniversary of Hugh Morton’s birth.  Nine days from today, February 28th, would have been legendary Tar Heel basketball coach Dean Smith’s 84th birthday.  As many if not most of you know, Smith passed away earlier this month on February 7th.

In between those two birthday observances will be a third celebration.  On Sunday afternoon, February 22nd, there will be a very special gathering in the Dean Smith Student Activity Center on the UNC campus to celebrate the life of Dean E,. Smith.  There will be players and former players . . . coaches and former coaches . . . students and former students.  And I choose to believe there will be a very special section that will not be visible to those of us in the arena—and Smith, Bill Friday, and Hugh Morton will be seated there.  All present will come together to honor the man who symbolizes what is known as “The Carolina Way.”

To mark all three occasions, Hugh Morton collection volunteer Jack Hilliard takes a look at the special connection that exists between Hugh Morton and Dean Smith.

Dean Smith signaling "Four Corners" during his 879th, and last, victory as head basketball coach at UNC.  Hugh Morton photographed this scene during the Eastern Regional championship game played against Louisville at Syracuse, New York.

Dean Smith signaling “Four Corners” during his 879th, and last, victory as head basketball coach at UNC. Hugh Morton photographed this scene during the Eastern Regional championship game played against Louisville at Syracuse, New York.

Dean Smith, Coach, Teacher, Role Model

—chapter title in Making a Difference in North Carolina by Hugh M. Morton and Edward L. Rankin, Jr.

Soon after Dean Smith arrived on the UNC campus in 1958, he was introduced to Hugh Morton, a longtime friend of the university and its basketball program.  Three years later, when Smith was appointed head coach by Chancellor William Aycock, Smith continued the free photographic access policy that the previous head coach, Frank McGuire, had offered Hugh Morton.  Morton took advantage of that access.  Over the years Morton came up from the North Carolina coast and down from the North Carolina mountains to Chapel Hill to photograph Smith and his championship program.

At the present time, there are nearly 200 images of Smith and hundreds more Carolina basketball action shots in the online collection of photographs by Morton.

For the book Making a Difference in North Carolina, Hugh Morton contributed an eight-page chapter about his friend Dean Smith.  The piece contains eleven pictures of Smith, including one that was to become a Morton favorite.  [Editor’s note: for this occasion, we rescanned Morton’s favorite negative of Smith using our high-end Hasselblad film scanner. It’s much improved!]

Hugh Morton's favorite photograph of Dean Smith, cropped as it appears in the book Making a Difference in North Carolina. Clicking on the image will take you to the scan of the entire negative.  From there you can see other shots made by Morton in the same room, and then explore other photographs of Dean Smith.

Hugh Morton’s favorite photograph of Dean Smith, cropped as it appears in the book Making a Difference in North Carolina. Clicking on the image will take you to the scan of the entire negative. From there you can see other shots made by Morton in the same room, and then explore other photographs of Dean Smith.

In his 1996 book Sixty Years with a Camera, Morton described that famous Smith image:

My favorite picture of Dean Smith is this one (above) made right after UNC won the national championship in 1982 in New Orleans. Except for that net around James Worthy’s neck, you wouldn’t know that Carolina had won.  Everybody was wrung out and fatigued.”

Then, seven years later in his 2003 book Hugh Morton’s North Carolina, Morton further described the picture adding, “Sports Information Director Rick Brewer is looking at his watch, fearful that the story will not make East Coast sports page deadlines, and Coach Smith and Jimmy Black are just plain tired.  They were waiting to be interviewed by the media.”

At a slide show during UNC’s “Graduation/Reunion Weekend” in May of 1989, Morton explained how he got in position to take the famous picture.

There was mass confusion on the floor after the 1982 Championship game as the security folks tried to get Coach Smith and his team off the court.  Coach Smith grabbed me by the arm and said ‘stick with me.’ He then turned to the security guard…pointed at me and said ‘he’s with us.

An earlier blog post recounts the closing moments of that game and includes a link to the broadcast (that’s now no longer functioning) where near the very end you can see Morton on the court near Smith.

Roy Williams, Dean Smith, Bill Guthridge, and Matt Doherty during the 1993 "Final Four" NCAA tournament.

Roy Williams, Dean Smith, Bill Guthridge, and Matt Doherty during the 1993 “Final Four” NCAA tournament.

Another Hugh Morton favorite slide show photograph can be found in Hugh’s 2003 book on page 200.  The image shows Coach Smith with three other coaches that would eventually be UNC head coaches: Bill Guthridge, Matt Doherty and Roy Williams.  This photograph is discussed the blog post “Back at the Top . . . Back in the Bayou.”  On page 198 of the same book, is the opening photograph of this article, taken at the final game Dean Smith won as a Tar Heel—his final victory, number 879.

Of the many books published about Dean Smith and his basketball program, I think it’s safe to say that Hugh Morton played a part in the finished product of most of them.  An excellent example would be Barry Jacobs’s 1998 book, The World According to Dean:  Four Decades of Basketball as seen by Dean Smith.  The book contains 23 Morton photos and the front cover image. (Judging from Smith’s tie on the cover photograph, it also looks to be from his final victory game.)

On June 2, 2006, the evening following Hugh Morton’s death, WBTV, Channel 3, in Charlotte presented a special Morton tribute.  Veteran BTV broadcaster Paul Cameron anchored the program.  During the show several of Morton’s friends were interviewed including Dean Smith, live by telephone from his home in Chapel Hill. Coach spoke of Morton’s loyalty to his University and the basketball program and said, no matter what the weather, Morton always seemed to be courtside and ready for game day.  In addition, Coach Smith paid tribute to Morton’s family, his wife Julia in particular, and said he called often during Morton’s illness and spoke with him when he was able.

Since Coach Smith’s death on February 7th, there have been dozens and dozens of beautiful tributes written in newspapers and delivered on TV . . . many of which were supported by Morton images.  I choose to believe that there will be additional Morton images of Dean Smith taken Sunday afternoon.

You may use the search box at the top of the blog to search for additional  A View to Hugh blog posts that include Dean Smith.

Coach “K” wins number 1000

Composite of three Hugh Morton photographs of Duke Head Basketball Coach Mike Krzyzewski in recognition of his 1,000 career victory.

Composite of three Hugh Morton photographs of Duke Head Basketball Coach Mike Krzyzewski in recognition of his 1,000 career victory.

With Duke’s win over St. John’s on January 25th, Mike Krzyzewski, the winningest head coach in NCAA Division I men’s basketball history, became the first head coach to reach 1,000 victories: 927 at Duke and 73 at Army.  Coach “K” has been the head basketball coach at Duke University since 1980.  He has four NCAA National Championships on his resume and was enshrined in the Naismith Memorial Basketball Hall of Fame in 2001.

Over the years Krzyzewski has often been a photo subject of Hugh Morton. In addition to the three photographs used for the composite above, there are thirteen additional photographs in the online collection.  A View to Hugh sends sincere congratulations to Coach Krzyzewski on this career milestone victory.

From the wing to the T . . . (shirt, that is)

Happy New Year from “A View to Hugh.”  On the Heels of last week’s post that included mention of SMU standout running back Doak Waker, Jack Hilliard recounts some additional Justice–Walker memories from 1950.  For some perspective, I added the excerpts from The State, and some tidbits found while looking for any use of the photographs.

UNC All America football player Charlie "Choo Choo" Justice (L) and SMU All America Doak Walker posing together, each wearing t-shirts celebrating the other's All America honors.

UNC All America football player Charlie “Choo Choo” Justice (L) and SMU All America Doak Walker posing together, each wearing t-shirts celebrating the other’s All America honors. Photograph by Hugh Morton, cropped by blog editor. The time and place of this photograph and the one below is unknown, but the most likely candidate would be early April 1950 during the Azalea Festival weekend. Walker arrive in Wilmington in the late afternoon of March 31st. Walker and Justice were together in Jacksonville, Florida as opponents in the first ever Senior Bowl on January 7, 1950, but there is no evidence that Morton attended the game. Another possibility could have been sometime around the 1950 Cotton Bowl in Dallas in late December 1949 or early January 1950, prior to announcing their business arrangement.

When UNC played Wake Forest on October 15, 1949 my dad and I were there. We arrived in Chapel Hill about 10 o’clock on that Saturday morning and visited on Franklin Street as we always liked to do. We stopped by The Varsity Shop at 149 East Franklin.  In those days as I recall, they offered three different UNC T-shirts: one with the University logo, one that said UNC Class of 19??, and one with a Charlie Justice image that included Art Weiner, Walt Pupa, and Hosea Rodgers.  The shirts were white with Carolina blue lettering, a major contrast to the hundreds of designs today at Johnny T-shirt, Chapel Hill Sportswear, or the Shrunken Head, among others on today’s Franklin Street.  As I stood looking at the Justice shirt, my dad said “I’ll talk to Santa about one of those.”  He must have, because on Christmas morning I got one.

As the 1949 season came to a close, Justice with his brother Jack along with his good friend SMU All America Doak Walker, partnered with former Greensboro businessman George Edwards, who was president of Quality Textiles in Greenville, South Carolina, to take that T-shirt idea across North Carolina and Texas.  Both Justice and Walker were triple-threat tailbacks—Justice in Coach Carl Snavely’s single wing, and Walker in Coach Matty Bell’s double wing.  The white T-shirts came in three designs: running, passing, and kicking, with Carolina blue lettering for Charlie and SMU red lettering for Doak.

P081_NTBS3_003338Hugh Morton was hired to take publicity pictures.  Morton and Justice had been friends for a long time, and Justice and Walker had become friends while on several All America teams in ’48 and ’49.  Morton always included one of the T-shirt shots in his slide shows.

Following the ’49 bowl season, the two Saturday heroes started a series of personal appearance autograph parties. They were very careful not to enter into any kind of business venture until they had finished their college playing careers and were no longer under NCAA regulations.

Justice made his first stop at Meyer’s Department Store in downtown Greensboro on Monday January 9, 1950, one week after leading UNC in the 1950 Cotton Bowl in Dallas, and two days after leading the South team to victory over Walker’s North team in the first annual Senior Bowl played in Jacksonville, Florida.  Charlie and Sarah arrived at the store about 2:15 for the 2:30 signing party.  There was already a line.  As Charlie began to sign the shirts, the line grew longer and by 3:30 with the school kids out of class, the line stretched out the door and down the sidewalk.  By 4:30, the sidewalk was filled as far as one could see and overflowed into Elm Street.  At 5:00 o’clock an estimated crowd between 2,500 and 3,000 people that were either in line or had been through the line since 2:15. Justice had worn out 6 pens signing his name. It was at this point that the Greensboro Police Department had to be called in.  I didn’t even get close to Charlie that day, but I did get a shirt which I still have.  Finally, at 5:30, they cleared the store and locked the doors.  The store created a mail order form and advertised it in the Greensboro Daily News. (No web sites in those days). The shirts sold for one dollar each and the postage was fifteen cents.

A headline in the Greensboro Daily News the next morning read, “Choo Choo Mobbed by Adoring Fans.” A front page, four-column story by Daily News staff writer Larry Hirsch was accompanied by two pictures, one of which was titled “The Meyer’s Bowl.” There is also a picture of the Greensboro signing party in the 1958 Bob Quincy–Julian Scheer book Choo Choo: The Charlie Justice Story.  In a 1984 interview Justice recalled, “I had hoped to sign a few autographs and help Ken Blair, manager over at Meyer’s sell a few T-shirts.”

Charlie "Choo-Choo" Justice autographing a T-shirt at J. C. Penny's department store, Burlington, N. C. , on 11 January 1950.  Photograph by Edward J. McCauley, cropped by blog editor.

Charlie “Choo-Choo” Justice autographing a T-shirt at J. C. Penny’s department store, Burlington, N. C. , on 11 January 1950. Photograph by Edward J. McCauley, cropped by blog editor.

Two days later, on January 11, Justice was at the J. C. Penney Company in Burlington for another autograph party—a party that was documented by Morton photographic contemporary Edward J. McCauley and his images from that day are also in the North Carolina Collection at UNC.  Woody Durham, the “Voice of the Tar Heels,” likes to tell about being at that party in Burlington.

Crowd of children waiting for Charlie Justice for an autograph.  Photograph by Edward J. McCauley.

Crowd of children waiting to see Charlie Justice for an autograph. Photograph by Edward J. McCauley, cropped by blog editor.

In the 14 January 1950 issue of The State, the magazine’s editorial staff asked readers for nominations for their “North Carolina’s Man of the Year” award for 1949.  They wrote,

Pick out some man and then weigh him in the balance.  Compare the good things he has done with others that might not be so good.  Decide whether he has been an influence for those things which tend to promote the welfare of North Carolina and its people.  It is on that basis that the selection should be made.

Two weeks later, the January 28th issue of the The State hit magazine racks and mail boxes across North Carolina.  On the cover: the Charlie Justice family, photographed by Hugh Morton.

TheState_19500128_coverInside the magazine, editors noted that Justice and Governor W. Kerr Scott received the most mention from readers.  The editors expounded on their selection of Justice (which you can read in its entirety by clicking on the magazine cover above):

. . . there are two major classes of people in North Carolina—the young and the old.  Both are important.  Perhaps the young are more important because they still have the major portion of their lives ahead of them.  Charlie Justice has been an inspiration to many thousands of boys and girls in North Carolina.  You’d be surprised to know how many of them keep scrap-books about him.  They actually swap pictures, just as we used to swap cigarette pictures fifty years or so ago.

Summarizing they listed their reasons for their selection:

  1. He has been the finest kind of an inspiration and example to the youth of North Carolina.
  2. He has provided many hours of pleasurable entertainment to hundreds of thousands of people.
  3. He has given North Carolina national publicity of a most favorable nature.
  4. He has been unselfish in his willingness to be of service in may worthy causes.
  5. He has never been to busy to be nice to kids.

A few days after the Man-of-the-Year issue of The State, on February 3rd, Justice attended another autograph party, this one at Belk-Tyler’s in Rocky Mount.

A bit later in 1950, Doak Walker was having similar successful autograph parties in the Dallas–Fort Worth area of Texas.  On April 14, 1950, he appeared on the evening news on KBTV, Channel 8 in Dallas promoting his autograph party at Titche-Goettinger the following day. The store also set up a mail order and phone-in ad in the Dallas Morning News. A. Harris & Company set up a mail-order blank for the shirts in the “News” as well.  The Robert I. Cohen department store place an advertisement in the April 15th edition of the Galveston Daily News that read, “Hey Fellas, (gals, too) Be the first in your gang to wear a DOAK WALKER TEE SHIRT $1.” The advertisement gave a description of the three pictures styles, included a drawing of a lad wearing the running shirt and a note that “Phone and Mail Orders Accepted”—plus an announcement they would be giving away ten autographed footballs when “The Doaker will be here personally for an autograph party Saturday, April 19th.  Don’t miss him.”  Another advertisement with a drawing of a kid wearing the passing T-shirt ran in the 23rd issue of the newspaper.  Several weeks later, a May 27th Cohen advertisement for a one-day, end-of-the-month clearance sale priced the T-shirts at 88¢.

It not clear how widely Morton’s photographs were used for publicity.  I have pasted in one of my Charlie Justice scrapbooks, a newspaper picture of the Morton image that shows both wearing the shirt with both player pictures and the caption reads:

Two pals certain to succeed when their classes graduate in June are Charlie Justice left the Carolina All America, and Doak Walker right SMU’s All America. They’ve already gone into business for themselves as witness the shirts. They plan a personal appearance tour together after graduation.

I can’t tell which newspaper or the date of the clipping. Likely it would have been The Greensboro Daily News, sometime after January 2nd and before June of 1950.  I don’t believe the joint tour took place because it was scheduled to begin after Carolina’s final regular season game with Virginia on November 26th, but since they got the ’50 Cotton Bowl bid, the joint tour was canceled. I don’t believe it was ever rescheduled. Surveying various Texas and North Carolina newspapers for 1950 that are available online did not yield an answer.

The Justice jerseys were available into the following football season, too.  Quality Textiles placed advertisements in game-day programs that listed stores in North Carolina and Virginia that sold the shirts.  Rather than using the Justice/Walker photographs, the ad used photograph of a young boy and girl holding hands while wearing Justice jerseys.  The photograph shows that the manufacturer also made a long sleeve polo shirt, which may explain why they choose to make different image.

Thirty-four years after the T-shirt’s debut, in August of 1984, I was assigned to direct a Charlie Justice documentary produced by Winston-Salem TV producer David Solomon.  (Many may remember Solomon as having worked with Hugh Morton on the 1994 PBS documentary The Search for Clean Air.) As part of the promotion campaign for the Justice program, the 1949 Choo Choo T-shirt was replicated and given to the media to promote the program, “All the Way Choo Choo.”  This time I got Charlie to autograph my shirt.

Dismal Day in Dallas

Head Coach Larry Fedora’s 2014 Tar Heels are going bowling.

For the 31st time, going back to 1947, UNC’s football team will play in a post season bowl game—this time it’s the “Quick Lane Bowl” in Detroit on Friday, December 26th at 4:30 PM (ET).  The game will be on ESPN.

Of the 30 bowl games played, the Tar Heels have been victorious 14 times.  Of the 16 losses, the one on January 2, 1950 was one of the toughest.  Morton collection volunteer Jack Hilliard looks back on that dismal day in Dallas, almost 65 years ago.

The Apache Belles majorettes from Tyler, Texas during the 1950 Cotton Bowl festivities.  A caption in the Greensboro News identified the majorette as Iwanna Burk, sister of Baylor star quarterback Adrian Burk.

The Apache Belles majorettes from Tyler, Texas during the 1950 Cotton Bowl festivities. A caption in the Greensboro News identified the majorette as Iwanna Burk, sister of Baylor star quarterback Adrian Burk.

When UNC Head Football Coach Carl Snavely arrived at his 215 Wollen Gym office on Wednesday, November 23, 1949, a New Year’s bowl game was not on his radar. After all, Carolina had lost 3 games during the season and two of those losses were decisive: Notre Dame 42 to 6 in Yankee Stadium and Tennessee 35 to 6 in Kenan Stadium.

Coach was concentrating on the upcoming game with Virginia three days away.  Then, the phone rang and everything changed. It was Dan Rogers, Chairman of the Board, Cotton Bowl Athletic Association, calling from Dallas.  He told Coach Snavely that Carolina was on a short list for a Cotton Bowl invitation.  He then added, Virginia is on that list also. So the UNC vs. UVA game on Saturday, November 26, 1949 would now become the “Cotton Bowl Invitational,” with the winner going to the top of the list and getting the bid.

Snavely told his team about the phone call when the varsity was traveling by bus to the Duke–Carolina freshmen game in Durham on Thursday, the 24th. The next day the team voted to accept the bid if offered.

The Greensboro Daily News on Saturday morning featured a large Hugh Morton photograph of UNC All-Americas Charlie Justice and Art Weiner.  The headline caption read “Heading for the Last Roundup.”

19491126_GreensboroNews_Sec2page2On Saturday, November 26, 1949, the largest football crowd in Chapel Hill to date—48,000—gathered in ideal football weather to see Justice and Weiner play their final varsity game in Kenan Stadium.  Veteran CBS Radio broadcaster Red Barber was in town to call the game.

Tar Heel fans were not disappointed.

After a scoreless first quarter . . . two plays into the second quarter, it was Justice on a typical, zigzagging run off left guard for a 14-yard touchdown and Carolina led 7 to 0 following Abie Williams’ point after.  At the 13:30 mark it was Justice again, this time a 63-yard touchdown pass to Weiner.  Williams was true again on the PAT and Carolina led 14 to 0 at the half.

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Until yesterday, this photograph was only identified as a Charlie Justice negative amid hundreds of UNC football negatives. This photograph of Justice’s 14-yard touchdown run against the University of Virginia appeared in the Wilmington Star-News on Sunday, November 27th, page 12-A.

Twelve high school bands were on hand to entertain during halftime.  The game was dedicated to William Rand Kenan, Jr., who had donated the stadium in 1927.  He was a special guest on this day.

The third quarter, like the first, was scoreless, but in the fourth quarter, Virginia was able to put together a 43-yard drive and was finally on the scoreboard with 2:30 remaining in the game.  Carolina accidentally touched Virginia’s on-side kick and UVA took over at their own 48.  Four plays and two first-downs later, Virginia was at the Carolina 7-yard line with 0:32 on the clock. Three Cavalier passes failed; on fourth down they tried a double-reverse play, but Tar Heels Art Weiner and Roscoe Hansen stopped the ball carrier back on the 8-yard line to seal the victory.

Following the game, Sports Information Director Jake Wade made the announcement: the Heels had been invited to play in the Cotton Bowl, and the team and the University administration had approved.  Carolina, the Southern Conference Champion, would play Rice Institute (Rice University today), the Southwest Conference Champion on January 2, 1950.

Snavely ordered a break for his troops from November 28th until December 3rd.  A week of practice followed, then a break for exams.  Preparation for Rice would resume on December 16th and continue until the Christmas break on December 21st.

The Tar Heel team reassembled in Chapel Hill on December 26th and held one final practice on the 27th before departing for Big D.

It was cold and clear at Raleigh-Durham Airport at 9:35 AM on December 28, 1949, when the first of two planes carrying the Tar Heel football team took off for Dallas.  The Capital Airlines DC-4 was labeled “Cotton Bowl Special,” and carried Justice and Weiner plus 46 other UNC players and part of the coaching staff. Then at 2 PM, the second plane carrying the remainder of the team and staff took off.  On hand for both takeoffs was Chapel Hill Mayor Ed Lanier.

The first flight arrived in Dallas at 4:25 PM and was greeted by 3,000 Tar Heel fans and coeds from SMU plus Mr. SMU himself, Doak Walker.  Originally, Charlie and Sarah Justice were going to stay at the Melrose Hotel with the coaches and team, but Justice got a letter a week earlier from Doak Walker inviting them to spend the week at the Walker home.

UNC's Charlie Justice and SMU's Doak Walker inside Dal-Hi Stadium, Dallas, Texas.

UNC’s Charlie Justice and SMU’s Doak Walker inside Dal-Hi Stadium, Dallas, Texas.

December 29th was a practice day for Carolina . . . a workout at Dal-Hi stadium in the morning and movie viewing in the afternoon.  Walker was present for both sessions, adding coaching suggestions along the way since he had already played Rice earlier in the season.  Morton’s picture of Justice, Walker, and Snavely viewing game movies made the papers back in North Carolina on December 30th.

Carl Snavely, Charlie Justice reviewing football filmAlso, early on the morning of the 30th, the football team got the good news from Chapel Hill that Carolina’s basketball team had upset Duke 59 to 52 in the first annual Dixie Classic back in Raleigh the night before.

Following an afternoon practice, Coach Snavely said:  “Right now we are in the best condition for the ball game this season.  The boys are in good spirit and I know they are having a good time here in Dallas.”

UNC football team practice session at Dal-Hi Stadium.

UNC football team practice session at Dal-Hi Stadium.

The Carolina team and coaches along with photographer Hugh Morton attended the annual Cotton Bowl luncheon put on by the local Optimist Club on Saturday the 31st.  The keynote speaker was Supreme Court Justice Tom C. Clark, a native of Dallas.

The Sunday papers predicted clouds and a 7-point win for Rice on Monday.  Back home, The Greensboro Daily News published on the front page of the Sports section a picture of Justice and Bob Gantt at work on the practice field.  It was now time to get serious about the 14th Annual Cotton Bowl.

Monday, January 2, 1950 was a cold, damp day in Asheboro, North Carolina.  I remember sitting with my best buddy on the front steps listening to the game on his portable radio that he had gotten for Christmas.  Legendary NBC sports broadcaster Bill Stern was the play-by-play announcer with analysis and color by Kern Tips. We were listening to station WBIG in Greensboro. (The game was also on WSJS radio in Winston-Salem).  The Greensboro Daily News headline that morning read:

“JUSTICE ERA COMES TO AN END AS TAR HEELS BATTLE OWLS IN COTTON BOWL”

Charlie Justice runs onto the field for the last time for Carolina at the Cotton Bowl on January 2, 1950, Dallas, Texas.

Charlie Justice runs onto the field for the last time for Carolina at the Cotton Bowl on January 2, 1950, Dallas, Texas.

The University of North Carolina Band, under the direction of Prof. Earl Slocum was part of the pre-game festivities as Charlie Justice ran onto the field for the final time in a Carolina varsity uniform.  Morton’s image of Justice and the band is the first picture in the 1958 Quincy-Scheer Justice biography (on page 3).

Then as 75,347 fans watched, UNC Captain Charlie “Choo Choo” Justice met at midfield with Rice Co-Captains James “Froggy” Williams and Gerald Weatherly for Referee Ray McCullock’s coin toss.  Hugh Morton documented that scene as well before returning to his Carolina sideline position.

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Gloomy skies prevailed as neither team could do much in the first quarter of play which ended with neither team on the scoreboard.  Early in the second quarter, Rice quarterback Tobin Rote passed to Billy Burkhalter for a 44-yard touchdown.  Later in the quarter, Rice took possession at midfield and drove for a second score with fullback Bobby Lantrip going the final three-yards to make the halftime score 14 to 0.

Rice right halfback Billy Burkhalter (#12), UNC right tackle Bill Kuhn (#51), and UNC Right End Ed Bilpuch (#47).  Crop from Morton's original negative for this blog post, the image appeared evern more tightly cropped—and without credit—in the January 4th issue of the Wilmington Morning Star.

Rice right halfback Billy Burkhalter (#12), UNC right tackle Bill Kuhn (#51), and UNC Right End Ed Bilpuch (#47). Crop from Morton’s original negative for this blog post, the image appeared evern more tightly cropped—and without credit—in the January 4th issue of the Wilmington Morning Star.

The halftime show, directed by Frank Malone, Jr. featured the Rice Institute Band plus nine high school bands from the Dallas-Fort Worth area.  The highlight of the show was a performance by the Apache Bells of Tyler Texas Junior College and finally the presentation of the 1950 Cotton Bowl Queen, Miss Eugenia Harris from Houston.

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When the third quarter began, Rice picked up where they left off, this time it was a 17-yard pass from Tobin Rote to “Froggy” Williams to make the score 21 to 0 with 15 minutes to play.

Early in quarter number four, following an interception at the Carolina 15, Rice, on two plays, scored their final points of the day when Burkhalter scored his second touchdown of the afternoon.  With 9 minutes remaining, the score was Rice 27 – Carolina 0.

At this point, Carolina seemed to come alive.  They drove 65 yards—the final 7 yard a touchdown pass from Justice to Paul Rizzo.  During this drive, Morton took one of his most famous Charlie Justice pictures.  The image is part of the North Carolina Collection Photographic Archives exhibit, “Photographs by Hugh Morton: An Uncommon Retrospective.”

P081_NTBF3_005643_07_fused_print1_13 copyThen Carolina put on another drive—this one 80 yards— and fullback Billy Hayes accounted for 41 of them.  The final play of the drive came when Justice went off left tackle, but Rice defensive end Billy Taylor grabbed him by the sleeve.  Justice tossed the ball to his left where Rizzo caught it and raced into the end zone.  Abie Williams’ extra point made the final score 27 to 13.  The Carolina comeback was too little, too late.

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The post-game handshake between Rice head coach Jess Neely—joined by his daughter’s Joan (left) and Mary– and UNC head coach Carl Snavely (right). This Morton photograph appeared in the January 4th issue of the Greensboro Record,

Following the traditional coaches handshake at midfield, each coach commented on the game.  Rice head coach Jess Neely simply said, “I had figured we could run against North Carolina.”  And run they did—226 yards to 174 for UNC.  Tar Heel head coach Carl Snavely said, “We simply did not have a bowl team this year.”

Charlie Justice, in a 1995 interview with biographer Bob Terrell, said, “We didn’t deserve the bowl trip.  The Cotton Bowl invited us so my playing could be measured against Doak Walker, who had a great season at SMU.  Texans had seen Doak play all season but hadn’t seen me, so this gave them the opportunity.”

Carolina and Rice each got a check for $125,951, while the players each got engraved Cotton Bowl watches and beautiful Cotton Bowl blankets.

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On Wednesday, January 6th, Hugh Morton’s post-game picture of Charlie Justice and Paul Rizzo graced the sports page in The Greensboro Daily News.  The picture also turned up in the 1950 UNC yearbook, the “Yackety Yack” on page 271.

The game was not national televised, but even if it had been, North Carolina’s two TV stations at the time, in Greensboro and Charlotte, would not have been able to carry it because the AT&T cable had not been completed in the state.  That would come nine months later on September 30, 1950.

So WFMY-TV in Greensboro made arrangements to get NBC-TV to film the game, then fly the film back to Greensboro for showing. WFMY Sports Director Charlie Harville would narrate the film. The showing was scheduled for 9:30 PM on Wednesday, January 4th.  However, rainy, foggy weather in Dallas prevented the plane carrying the film from taking off, so the showing had to be delayed until 9:30 PM on Thursday.  Folks from all across the state came into Greensboro to watch.  It turned out to be the largest single audience in the history of television in North Carolina at that time. The program was so popular, the station repeated the film on Friday, January 6th.  If Carolina could have won, the station probably could have made an unprecedented third showing.

Happy 90th Birthday, Rameses!

This Hugh Morton photograph of Rameses likely dates from 1970.  The scanned item is an interpositive trimmed from a 4x5 sheet film.  The images is very much like 120 roll film negatives on file, that do not include this frame, dated 1970.

This Hugh Morton photograph of Rameses likely dates from 1970.

Today the UNC community celebrates the 90th birthday of its mascot Rameses.  The UNC website has a feature story on the 1924 origin of Rameses, with a link to a video story, too.

Here at A View to Hugh, we can contribute to the anniversary by sharing photographs of Rameses made by Hugh Morton that are included in the online Morton collection.  Currently there are eleven images online, ranging from Morton’s earliest in 1941 through 1989.  Since it’s a special anniversary, I dug a little deeper and found the portrait above, likely made in 1970, which is not in the online collection.  The year comes from a roll of film containing very similar 120 roll film negatives dated 1970, but not with the actual day Morton made them.  Also missing is the original color negative.  The scan above comes from an interpositive, trimmed from a sheet of 4″ x 5″ color film. The interpositive (in this case, a negative exposed onto negative film, which creates a positive), is larger that the original 2 1/4″-square negative, suggesting this was to be made into a big enlargement.  Does any one know what that might have been?

Rameses V roamed the playing field during the autumns of 1939 through 1942 during Morton’s student years—the final year cut short by his enlistment in the United States Army during Wold War II.  Today, Rameses XX munches on Kenan Stadium grass.  What incarnation of Rameses lived in 1970?

In his own words: Johnpaul Harris, artist and dear friend

Today, November 5, 2014 marks a very special anniversary on the UNC campus. It was ten years ago, on a beautiful Hugh Morton photo-post-card-day, that the magnificent Charlie Justice statue was dedicated just outside the Justice Hall of Honor at the Kenan Football Center.  On that day, the dedication ceremony included several people representing the university, plus friends and teammates—but we didn’t hear from the man who made it all possible: sculptor Johnpaul Harris. So, today on the tenth anniversary, Morton Collection volunteer Jack Hilliard shares some of Harris’ thoughts about that day and his work with his friend Hugh Morton.

I didn’t want to make him [Justice] too much of a pretty boy, but I didn’t want to make him this mean, killer football player either. —Johnpaul Harris in the February 6, 2005 issue of the High Point Enterprise.

Johnpaul Harris with model of Charlie Justice statue, ca. 2004.

Johnpaul Harris with model of Charlie Justice statue, ca. 2004. Photograph by Hugh Morton.

Shortly after Charlie Justice’s death on October 17, 2003, teammate Joe Neikirk approached Hugh Morton with an idea for a statue.  Morton, who had worked with his friend Sculptor Johnpaul Harris on other projects like the Mildred and cubs statue and the deer habitat at Grandfather Mountain, immediately called his friend to see if he would be interested in a football statue.  Harris described his reaction in a 2005 letter to Hugh Morton:

“I probably more than anybody know how Coach (Carl) Snavely felt when Charlie turned up at Chapel Hill.  If it wasn’t a gift from God for Snavely it was certainly one for me.  You called me late in 2003 to see if it was the kind of project I would be interested in.  I think you knew the answer, but maybe not the extent of it.  It was the ultimate project for a man who was an OK football player who in high school knew nothing of Charlie Justice other than that he was the first famous ball player that I or any of my generation remember.”

In an interview with Annette Dunlap in the November 19, 2004 issue of Asheboro’s The Courier-Tribune, Harris said, “I jumped on it.”  Morton then became the linchpin between the university and Harris.  “There’s a lot of red tape established on the Chapel Hill campus for the installation of artworks,” Harris continued in his Dunlap interview.  “I just had to wait for it to run its course.”

Envelope, labeled by Hugh Morton, containing photographs used by Johnpaul Harris to create the Charlie Justice statue.

Envelope, labeled by Hugh Morton, containing photographs used by Johnpaul Harris to create the Charlie Justice statue.

While he waited, Harris and Morton started to work on the project . . . as Harris continues in his letter to Morton:

“. . . you started sending pictures from your fantastic collection of Carolina images.  I treasure each one for several reasons, but at the time they were just full of information that was vital to the project.  When I asked for more particular angles, you always came through for me.  It was like Christmas every time I opened the mail box to find a big white envelope with Grandfather Logo in the corner.  I had enough information to do the job, but I never saw a picture that didn’t further my understanding of who Charlie Justice was.

Justice_photos_used_by_JohnpaulHarris_585px

“. . . Then one day the phone rang and it was Willie Scroggs (Senior Associate Athletic Director for Facilities at UNC) saying that they wanted me to do the Charlie Justice statue.  It was the sweetest moment of my life as a sculptor, until the team reviews, and the unveiling.”

It was now time for serious work.  Harris and Morton’s UNC committee selected the walking pose rather than an action shot and Harris prepared a 26-inch-model for Athletics Director Dick Baddour to reviewa review that came on the day of the 2004 Blue-White game at Kenan Stadium.  Harris was a special guest at the game.

Sculptor Johnpaul Harris poses with the clay Charlie Justice statue in his Ashboro, North Carolina studio during the second Justice-era player review on June 22, 2004. The original negatives for this view, and the installation and dedication images below have not yet been located within the Moron collection. Scans made for this article come from inkjet prints provided by the author.

Sculptor Johnpaul Harris poses with the clay Charlie Justice statue in his Ashboro, North Carolina studio during the second Justice-era player review on June 22, 2004. The original negatives for this view, and the installation and dedication images below have not yet been located within the Moron collection. Scans made for this article come from inkjet prints provided by the author.

Next up, on June 1, 2004, was the first of two Justice-era player reviews. This was my introduction to Johnpaul Harris.  We have remained good friends and get together for lunch every few weeks.

Harris continues with his letter to Morton:

I thought Charlie looked pretty good when the teammates came over to critique it.

The players offered suggestions and Harris took lots of notes.  Three weeks later, the players had a second review in Harris’ Asheboro studio.  Harris made final adjustments,  then a final mold before Charlie was off to the foundry.  On January 7, 2005 Johnpaul Harris was a guest on the UNC-TV program North Carolina People with William Friday.  Harris explained the process of taking four, 30-gallon-barrels of North Carolina clay and making it into a work of art to be cast at the foundry.

As Harris wrote to Morton,

It felt really good to have Charlie in place and out of my hands for a change.  I still enjoy seeing the pictures you made that day.

Johnpaul Harris making a final adjustment during installation of the Charlie Justice statute near Kenan Memorial Stadium, November 3, 2004.

Johnpaul Harris making a final adjustment during installation of the Charlie Justice statute near Kenan Memorial Stadium, November 3, 2004.

On Tuesday morning, November 2, 2004, I got a call from Hugh Morton.  He said, “We’re going to put the Charlie Justice statue in place tomorrow morning.  We’d like to have you there.”

Wednesday, November 3rd was a beautiful day in Chapel Hill as Johnpaul Harris directed a crew from  Architect Glenn Corley, and placed the 950 pound, 8 foot, 6 inch work of art into its final position.  When all of the installation work was done, Hugh Morton said to Harris, “You did a magnificent job.  It looks just like Charlie.”

Johnpaul Harris and Barbara (Justice) Crews, daughter of Charlie Justice, pose during dedication day for the Charlie Justice statue, November 5, 2004.

Johnpaul Harris and Barbara (Justice) Crews, daughter of Charlie Justice, pose during dedication day for the Charlie Justice statue, November 5, 2004.

On November 5, 2004 the Morton-Harris team was once again prepared to impress with the dedication of the Charlie Justice statue.

In his letter to Morton, Harris continued:

For me, days don’t come any better than unveiling day.  The weather was perfect.  There were so many friends and family, there was not enough time to do all the visiting I would have liked, not to mention catching up with Charlie’s teammates that I have come to know.
“It was great to see everybody enjoying Charlie after the unveiling.  Barbara Crews (Charlie and Sarah’s daughter) seemed to enjoy it more than anyone else and for longer periods.  I saw her staring up into the face and remarking that she hadn’t seen her Daddy from that perspective since she was a little girl.  I’m sure it sparked a deep well of memories for her.  She also mentioned that she had never seen his hands as open as they were, since they had suffered so many injuries (probably from pro ball).  Thanks, Hugh, for introducing us.  I did miss getting the definitive picture of you and me standing before the thing that we had spent so much time and energy on in the past two or three seasons.  Maybe we can do that on some nice crisp Saturday before a home game.”

Unfortunately, that pictured never got taken.

I thought my football life was behind me.  I never expected to tell anyone that I had been an All Central Tar Heel Conference player.  But the most perfect completion of the circle of my gridiron days has been realized.  A pretty good footballer from Troy (NC) was chosen to honor in bronze the memory of the greatest football legend of the 20th century from North Carolina.  I was part of the team that was Charlie’s team and by extension, I became a part of Charlie’s team.  Finally, I had to live up to your faith in me and then if there was anything else I had to satisfy my own demands for my work.  Thank you for making it all possible.  Without the superb record that you shared with me, the work would have come far short of what we achieved.  And thank you for your friendship, which started with our collaboration on Mildred.  For my part I know that it will never end.

 —Johnpaul Harris, February 5, 2005

Epilog

Sculptor Johnpaul Harris posing with his statue of Mildred the Bear and cubs in the Nature Museum at Grandfather Mountain, NC.

Sculptor Johnpaul Harris posing with his statue of Mildred the Bear and cubs in the Nature Museum at Grandfather Mountain, N. C.

Morton and Harris had worked together about fifteen years before the Justice statue when Morton commissioned Harris to create a statue of Mildred the Bear, the loveable people-friendly mascot of Grandfather Mountain, with her cubs. That effort is now in the Grandfather Mountain Nature Museum.  During a 2005 interview with Jimmy Tomlin in the High Point Enterprise, Harris remembered working inside Mildred’s habitat getting precise measurements.  “She was great.  Of course, they were keeping her happy with apple pieces while I was in there.”  Harris also got to pet the cubs.  “They’d put their paws around your neck and lick you in the face, just like a puppy.”

In addition to Mildred and Charlie, you can see other Johnpaul Harris sculptures at the North Carolina Zoo in Asheboro where there is an 11-foot Rhino statue.  UNC Alumnus Charles Loudermilk funded for the city of Atlanta a Johnpaul Harris statue of former mayor Andrew Young for the city’s Walton Spring Park (now Andrew Young Plaza), installed in 2008.

Postscript

As Harris was driving his truck home from Chapel Hill following the review of his Justice model in May of 2004, the odometer tripped 222,222.2.  When Johnpaul told Hugh the story about the 2s, He smiled and said, “Maybe somebody was trying to tell you something.”

I agree with Hugh.  I feel sure that #22 saw that and smiled.

William B. Aycock at 99: always on the correct side of history

99 years ago today, on October 24, 1915, William Brantley Aycock was born in Lucama, North Carolina.  He went on to serve the University of North Carolina for almost 40 years, from a faculty appointment in the School of Law in 1948 until his retirement as Kenan Professor in 1985.  During the years 1957 until 1964, he served as Chancellor of UNC-Chapel Hill.  On this special day, Morton collection volunteer Jack Hilliard recalls Chancellor Aycock’s words from 1957 on a timely campus topic in today’s news.

UNC Chancellor William Aycock pictured speaking at podium, with UNC System President Bill Friday, President John F. Kennedy, and Dr. James L. Godfrey at University Day, October 12, 1961, at the University of North Carolina at Chapel Hill.

UNC Chancellor William Aycock pictured speaking at podium, with UNC System President Bill Friday, President John F. Kennedy, and Dr. James L. Godfrey at University Day, October 12, 1961, at the University of North Carolina at Chapel Hill.

When I look at my UNC diploma, two things always grab my attention . . . aside from the fact that it says I earned a degree.  There are two signatures on the document that always remind me that I was part of a very special time.  William C. Friday was President of the Consolidated University and William B. Aycock was Chancellor of UNC-Chapel Hill when I was there from September of 1958 until January of 1963.  These men of integrity signed my diploma and led the University of North Carolina to a place at the top of the top.

On Thursday, July 15, 2010, my wife Marla and I attended the 90th birthday party for Bill Friday at the UNC Alumni Center on the UNC campus.  What a special day . . . honoring the man who defines the word integrity.  The following morning, as I opened the Greensboro News & Record, looking for a story of Friday’s birthday party, I was struck by the headline which read, “NCAA Investigates UNC Athletes.”  As I read the story, I kept thinking about my time at UNC and how Bill Friday and Bill Aycock would have never let anything like this happen.  Unfortunately, that story from July 16, 2010 is still with us.

As we celebrate Bill Aycock’s 99th today, here, in his own words from a talk to UNC alumni in Washington, D. C. in May 1957, is his take on intercollegiate athletics:

I am not disturbed that alumni groups have a strong interest in athletics because I believe that the interest manifested by most alumni in intercollegiate athletics is but a symbol of a deeper interest in the totality of the programs, hopes and aspirations of the whole institution.

I believe that those alumni whose affection for the University both begins and ends with intercollegiate athletics are few in number. Unfortunately, there are some among those few who seem to entertain a misguided notion that in athletics the means are not too important if the end is victory on the scoreboard.  In those institutions, including ours, which have undertaken an extensive intercollegiate athletic program, it is not realistic in my judgment to try to separate athletics and education. A grant-in-aid program enables students with athletic ability to secure a college education.  It is only on this basis that a University can justify such a program.  Since the University is involved in the rewarding of scholarships, it is very essential that grants-in-aid be administered in accordance with the letter and spirit of the rules and regulations.  Further, a student who is an athlete should not be treated differently from a student who is not an athlete.  There must be no double standard.  Moreover, no program in the University, including athletics, should be conducted in such a manner as to lower either moral or academic standards.  He, who would insist on practices which nibble at and dilute the integrity and educational standards of this institution, is no friend of athletics or of his institution.  The two are not to be separated because, in matters fundamental, athletics and the University must rise or fall together.  I regard this to be of such importance that I shall in the days to come frequently discuss the administration of our athletic programs with our alumni groups.”

Six months later in a statement to the Durham Morning Herald on November 27, 1957, Bill Aycock added this:

There are now, as there have been in the past, many people within and without the university who believe that intercollegiate football should not be part of the university. On the other hand, many people within and without the university believe intercollegiate football is an important part of modern university life.  Regardless of the merits of this question, it is clear that the University of North Carolina at Chapel Hill carries on an extensive intercollegiate football program.

The precise values of this program are difficult to determine.  Once committed to an extensive intercollegiate athletic program of fundamental principle is to regard each member of the student body as a student first and his athletic participation as secondary to his primary mission of securing a university education.

In order to accomplish this, a large body of rules and regulations has developed within the institution and within various conferences in which we are members.  Adherence to these rules and regulations is the most tangible means to insure that the primary role of the university is not superseded by secondary activities.

Further, admission standards and rules controlling eligibility to remain in the university must be made without regard to the effect which they would have on the admission and retention of athletes.

In the light of the foregoing criteria, I think that intercollegiate football is playing its proper role in the country.

The question of bigness is a relative one and must be judged in light of particular circumstances. Theoretically, the larger the program the greater the temptation to depart from the rules and regulations and principles set forth above.   However, realistically, it simply means that greater care on the part of everyone concerned is essential to insure that excesses do not prevail.

Notwithstanding the size of the program, in this university we shall adhere to the standards and rules and regulations in intercollegiate athletics and insist that scholarship and academic excellent is paramount.

Former UNC Chancellor William Aycock and UNC Head Basketball Coach Dean Smith posed together for Hugh Morton's camera in January 1990. This photograph appears in Art Chansky's THE DEAN'S LIST published in 1996, though cropped more tightly here. Ironically, it illustrates the chapter "The Writing on the Wall," which recounts the story surrounding NCAA infractions under head coach Frank McGuire during the 1960-61 season. In that same chapter, Chansky describes Aycock's small office in the Van Hecke-Wettach Hall where Aycock worked as professor emeritus in the law school. On one of the walls was "a picture of him with Dean Smith taken a few years ago by honored photographer Hugh Morton. Aycock received a copy of the picture from Smith with a personal note on the back . . . It says simply, 'This is the only picture of me in my office.'" That photograph is likely the one shown here. [Clicking on this image will take you to a scan in the online Morton collection for a different pose from the same photographic session.]

Former UNC Chancellor William Aycock and UNC Head Basketball Coach Dean Smith posed together for Hugh Morton’s camera in January 1990. This photograph appears in Art Chansky’s THE DEAN’S LIST published in 1996, though cropped more tightly here. Ironically, it illustrates the chapter “The Writing on the Wall,” which recounts the story surrounding NCAA infractions under head coach Frank McGuire during the 1960-61 season. In that same chapter, Chansky describes Aycock’s small office in the Van Hecke-Wettach Hall where Aycock worked as professor emeritus in the law school. On one of the walls was “a picture of him with Dean Smith taken a few years ago by honored photographer Hugh Morton. Aycock received a copy of the picture from Smith with a personal note on the back . . . It says simply, ‘This is the only picture of me in my office.'” That photograph is likely the one shown here. [Clicking on this image will take you to a scan in the online Morton collection for a different pose from the same photographic session.]

At the end of the 1960-61 UNC basketball season, Chancellor Aycock forced head basketball coach Frank McGuire to resign following allegations of recruiting violations.  Aycock then promoted 30-year-old assistant coach Dean Smith, whom he had hired three years before, to the head coaching position and told him “wins and losses do not count as much as running a clean program and representing the University well.”

This past May during Graduation/Reunion weekend, the UNC General Alumni Association presented a program honoring the legacy of both Friday and Aycock. GAA President Doug Dibbert related a Bill Aycock story that resonated with a full house in the UNC Blue Zone.
The story goes something like this.  During the 1961-62 basketball season, Dean Smith’s team won only 8 games.  When the season ended, two or three prominent alumni called and asked to meet with Chancellor Aycock about the 8-win-basketball season. They told the chancellor he needed to replace Smith as soon as his contract was up. After listening to the alums for several minutes, Aycock excused himself and left the room.  When he returned he said: “Gentlemen I’d like to inform you that I just extended Dean Smith’s contract.  Now, are we done here?”

Epilog

Wednesday, October 22, 2014 saw the release of the long-awaited “Wainstein Report,” formally titled “Investigation of Irregular Classes in the Department of African and Afro-American Studies at the University of North Carolina at Chapel Hill.”  The 136-page report links individuals in the “Academic Support Program for Student Athletes” to fake “paper classes” in that department between 1993 and 2011.  The UNC website devoted to this topic is called “Our Commitment: Taking Action and Moving Forward Together,” which includes links to a video of the press conference and a PDF of the report.

 

The eight-game season of 1952

On this day 62 football seasons ago, October 18, 1952, the UNC football team kicked off the 1952 season for a second time. Morton collection volunteer Jack Hilliard explains how that happened and how a series of unique events made the ’52 season unlike any other.

UNC Football Blue Books are available for reading online.  You can read the 1952 issue by clicking on the cover image.

Many UNC football media guides, known as “blue books,” are available online. You can read the 1952 issue by clicking on the cover image.

When the February 4, 1950 issue of The State, with Duke Chapel pictured on its cover, arrived in Hugh Morton’s mailbox in Wilmington, his immediate reaction was to quickly supply publisher Carl Goerch an “equal-time” photograph from UNC.  The magazine printed Morton’s shot of the Morehead-Patterson Bell Tower on its February 25th cover.  In the early summer of 1952, when UNC Sports Information Director Jake Wade and his assistant Julian Scheer were preparing the ’52 football media guide (called a “blue book” in those days), they remembered Morton’s bell tower shot and decided to use it for the front cover of the ’52 guide.  Inside, Wade talked about UNC’s chances for the upcoming football season, and Head Coach Carl Snavely’s switch from the single-wing to the split T-formation.

Snavely said, “We lacked the speedy, shifty tailbacks, tough blocking backs and interfering linemen so vital to the single-wing.  We probably should have made the change a year ago.”  Smith Barrier, writing in the 1952 Illustrated Football Annual, picked up the Snavely quote and added that twenty lettermen from the 1951 team had graduated.

Carolina began the 1952 season without much fanfare.

On Saturday, September 27th, the Texas Longhorns came into Chapel Hill for the first time since that “never-to-be-forgotten” day in 1948 when the Tar Heels were victorious 34 to 7 in a game many Tar Heels to this day call the greatest Carolina win . . . ever.

Dougal Cameron running for a touchdown, as UNC's Billy Williams (20) sets up to attempt a tackle.   This scan shows the full negative, which was cropped for Wilmington's Sunday Star-News.

Dougal Cameron running for a touchdown, as UNC’s Billy Williams (20) sets up to attempt a tackle. This scan shows the full negative, which was tightly cropped on those two players in the photograph run the next day in Wilmington’s Sunday Star-News.

A sign hanging from Old East dorm read “Remember ’48,” but the events of September 25, 1948 were only a memory.  Irwin Smallwood, writing in the Greensboro Daily News, on Sunday, September 28th, said, “Carolina’s hopes of a repeat of that great ’48 victory over Texas . . . lasted exactly five plays—no more.”  Five plays into the game, Carolina fumbled.  Texas recovered and never looked back, posting a 28 to 7 victory.   40,000 cheering Tar Heels, led by new UNC Head Cheerleader Bo Thorpe, along with the Elizabeth City Marching Band, and with Tar Heel football great Charlie Justice in the stands, and UNC All America Art Weiner at Snavely’s side on the bench.  All that was not enough.

Next on the schedule was Georgia in Athens, but that encounter would never happen.

The front-page headline in the Greensboro Daily News on October 3rd read, “University Cancels Two Grid Contests as Polio Strikes.”  The games with Georgia and NC State were canceled when UNC fullback Harold (Bull) Davidson came down with polio. Four additional students, all athletes, came down with the disease. Daily Tar Heel editor, Barry Farber, said, “the news is very depressing, but the only sensible step the University could take.”

Down in Athens, Georgia Head Coach Wally Butts said, “we are very disappointed that our traditional game with North Carolina can’t be played.  We feel they were right to cancel the game under the circumstances.”

During the next two weeks, students were urged to stay on campus and long distant telephone calls to and from Chapel Hill doubled as students and anxious parents kept in touch.

In the end, all five students, football player “Bull” Davidson, cross country teammates John Robert Barden, Jr. and Richard Lee Bostain, swimmer Robert Nash “Pete” Higgins, and freshman football player Samuel S. Sanders, all recovered quickly and none suffered any paralysis.

So, on October 18th, it was time to kickoff the ’52 football season for a second time, with Wake Forest coming to town for the 49th meeting between the two schools, a series dating back to 1888.

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Bruce Hillenbrand of Wake Forest tackled by UNC’s Dick Lackey (30). This photograph, tightly cropped on the action on the left, ran in Monday’s Morning Star in Wilmington. It’s caption identified George Norris (#69) and Fred Satangelo (#60).

Despite losing 6 of 11 fumbles, the Tar Heels led Wake 7 to 6 with 1:16 left in the game.  But at that point Wake’s Sonny George kicked a game-winning- 22-yard field goal.  New mascot Rameses VIII and 30,000 Tar Heel fans left Kenan Stadium dejected.

Next it was on to South Bend and a fourth meeting with Notre Dame. This one turned out just as the previous three had been…a Tar Heel loss. This time it was 34 to 14.

This interesting side-bar story appeared in the Greensboro Daily News on October 30, 1952:

It may be bad . . . but really, it’s not all that bad.  Today (October 29th) Bo Thorpe reported to Coach Carl Snavely for football practice.  Snavely appraised his new candidate as very fast and shifty.  Thorpe is head cheerleader for Carolina’s Tar Heels, who have yet to win a game this season.

Time picked up the Thorpe story and ran it in its November 17th issue on page 132.

Here’s another interesting sidebar.  Henry Benton (Bo) Thorpe started his first band in 1978. He and his band played for five presidential and gubernatorial inaugural balls, the National Symphony Ball, the Kentucky Colonel’s Derby Ball and for the annual June German, a traditional dance held in Rocky Mount.  In all . . . at least 60 concerts a year.

For Carolina’s Tar Heels, a trip to Knoxville was next where they would be a three-touchdown underdog.  Only 22,000 fans turned out for the game that saw the Volunteers swamp the Heels 41 to 14. The losing streak, going back to October 13, 1951 was now at 10—longest among the nation’s major colleges.

Len Bullock running for a 69-yard touchdown run versus the University of Virginia.  This photograph, tightly cropped to focus on the action on the left, appeared in Wilmington's Sunday Star-News, 9 November 1952.

Len Bullock running for a 69-yard touchdown run versus the University of Virginia. This photograph, tightly cropped to focus on Bullock, appeared in Wilmington’s Sunday Star-News, 9 November 1952.

The University of Virginia was Carolina’s homecoming opponent on November 8, 1952.  Their trip to Chapel Hill would be their only out-of-state venture in ’52, and they obviously made it count…a 34 to 7 blowout.  A South Carolina homecoming game in Columbia was just ahead.

Flo Worrell, who starred in the South Carolina match-up, sits dejectedly during the UNC vs. Duke contest.

Flo Worrell, who starred in the South Carolina match-up, sits dejectedly during the UNC vs. Duke contest. A tightly cropped head-shot noting his new chinstrap was one of two photographs published in Wilmington’s Sunday Star-News—Worrell’s hometown newspaper.

UNC freshman Flo Worrell, who had played on Carolina’s junior varsity team most of the ’52 season, stepped up and led the Heels to a much-needed victory over USC, 27 to 19.  The losing streak was halted at 11 and Carolina fans looked forward to the traditional “battle of blues” slated for Saturday, November 22nd.

The weatherman promised 50-degrees and cloudy skies for the 39th meeting between Carolina and Duke . . . but he was wrong.  42,000 chilled fans saw Duke win the Southern Conference championship by shutting out the Tar Heels, 34 to 0.  Carolina was never in the game.

Duke head football coach Bill Murray being carried on shoulders of Duke football players, while UNC head football coach Carl Snavely shakes his hand at UNC-Chapel Hill versus Duke University football game at Kenan Memorial Stadium, Chapel Hill, NC. Duke players: #64 End Joe Hands, #39 Back David Lerps, #66 Guard Bobby Burrows, and #53 Center John Palmer.

Duke head football coach Bill Murray being carried on shoulders of Duke football players, while UNC head football coach Carl Snavely shakes his hand at UNC-Chapel Hill versus Duke University football game at Kenan Memorial Stadium, Chapel Hill, NC. Duke players: #64 End Joe Hands, #39 Back David Lerps, #66 Guard Bobby Burrows, and #53 Center John Palmer. This photograph appeared in the November 24th Charlotte News.

With one game remaining, the Heels were 1 and 6.  It had truly been a Tar Heel season out of focus.  In seven games Carolina had scored five times on the ground and six times through the air—a total of eleven touchdowns. (In 1948, Charlie Justice personally scores 11 times in 10 games and passed for 12 more touchdowns).

The final game of the 1952 season was a Friday night affair in Miami’s Orange Bowl against the Miami Hurricanes.  20,222 fans came out and saw Carolina play its best game since a 40 to 7 win over William & Mary in October of 1950. During a 13- minute span in the second quarter, Carolina scored 27 points.  The Alumni Review headline read, “34-7 Win Over Miami Provides Pleasing Finale.”

About 11:30 PM on Friday, November 28, 1952, the long ‘52 nightmare-season—a season like no other—was finally over.  It was unique, as the record book shows:

  • A 2-6 won-lost record
  • No wins in Kenan Stadium
  • 2 games canceled due to polio outbreak
  • Midway through the season, Head Cheerleader Bo Thorpe turns in his megaphone for a football helmet
  • Final game in the Southern Conference (the ’53 Tar Heels would play in the new Atlantic Coast Conference)
  • Carolina scores 27 points in 13 minutes at Miami

The unofficial record book shows that world class photographer Hugh Morton documented all four of Carolina’s home games during the 1952 season.  (He also photographed Duke’s home game against Georgia Tech.)

The University Athletic Council met at 8 PM on December 2 to decide the fate of Head Coach Carl Snavely.  The coach had turned in his letter of resignation earlier in the afternoon.  After 2 hours of discussion, the council accepted the resignation.  Dean A.W. Hobbs, Chairman of the Council said, “The Council wishes to go on record as appreciating sincerely the fine services that Mr. Snavely has rendered the athletic association at the University of North Carolina.”

Carl Snavely left Chapel Hill in early 1953 and would not return to the campus until the “Charlie Justice Era” reunion during the weekend of October 29-31, 1971.

The good news from Chapel Hill in late 1952 was that new Head Basketball Coach Frank McGuire won his first game with the Tar Heels…a 70 to 50 win over The Citadel on December 1st.

From courtside to trackside

Many people remember world class photographer Hugh Morton for his majestic scenes from the North Carolina coast and his beloved Grandfather Mountain.  Others recall his portraits of North Carolina governors and other state leaders. Still others, like me, like to recall his sports photography.

It was 43 years ago, on October 10, 1971 that Morton traveled to Charlotte for a NASCAR race.  Collection volunteer Jack Hilliard takes a look at that event at the Charlotte Motor Speedway.

1971 National 500 at Charlotte Motor Speedway; Car #71 (K & K Insurance Dodge) driven by Bobby Isaac and Car #43 (Petty Enterprises Plymouth) driven by Richard Petty.

1971 National 500 at Charlotte Motor Speedway; Car #71 (K & K Insurance Dodge) driven by Bobby Isaac and Car #43 (Petty Enterprises Plymouth) driven by Richard Petty.

My dad was an avid sports fan and a voracious newspaper reader; so I grew up with several North Carolina daily newspapers.  The little line of 8-point- type enclosed in parentheses proclaiming “Photo by Hugh Morton” was familiar as I looked at the sports sections each day.  Pictures of UNC football and basketball were items to be clipped out of the paper and placed in special scrapbooks and on bedroom bulletin boards.  Although I didn’t know him yet, Hugh Morton became a “special friend.”

It wasn’t until 2008, when I started volunteer work at the North Carolina Collection at Wilson Library, that I discovered Morton’s sports portfolio was far more than football and basketball pictures.  There were baseball, golf, swimming, tennis and track pictures. And then one day in early 2011 we found pictures from the Kentucky Derby and a NASCAR race. Elizabeth Hull and I were able to identify which Derby and which race Morton had photographed, and I did a “View to Hugh” post on the Derby on May 4, 2011.

It’s now time to recall that NASCAR race that Morton photographed.

Rain covered the area around the Charlotte Motor Speedway in the early morning hours of Sunday, October 10, 1971.  The National 500, the 42nd event of NASCAR’s 48 race schedule for 1971 seemed in doubt.  The rain continued as the 12:30 PM race time approached, so a delay was in order.  Finally, one hour and fifty-five minutes later, at 2:25, the rain let up, and the race was underway, to the delight of the 52,000 race fans who had braved the weather.  The drivers ran five unofficial laps to help dry the track, then the first 10 official laps were under caution.  Only one lap was completed under green, before the yellow caution flag was out again as driver Jim Vandiver scraped the wall.

Pole sitter Charlie Glotzback remained in the lead when the real racing got underway and led the first 11 laps.  Then on lap number 12 Buddy Baker took over the lead for the next 12 laps as the sun came out for the first time.  Baker and Glotzback swapped the lead back and forth until caution came out again on lap 120 when Earle Canavan crashed his car which caught fire.  Morton was there to capture the image of the burning car.

Car #01, driven by Earle Canavan, on fire during race at The National 500 at Charlotte Motor Speedway, October 10, 1971.

Car #01, driven by Earle Canavan, on fire during The National 500 at Charlotte Motor Speedway, October 10, 1971.

Following that yellow flag, crowd favorite Richard Petty took over the lead on lap number 126. At that point it appeared to be a four-car race between Petty, Glotzback, Bobby Allison, and Bobby Issac. At one point, Issac and Petty dueled for several laps as Morton snapped away.

Car #71 (K & K Insurance Dodge) driven by Bobby Isaac and Car #43 (Petty Enterprises Plymouth) driven by Richard Petty.

Car #71 (K & K Insurance Dodge) driven by Bobby Isaac and Car #43 (Petty Enterprises Plymouth) driven by Richard Petty.

On lap 158, Bobby Allison, another crowd favorite, took the lead but for only 8 laps as Glotzback recaptured the lead on lap 166.  11 laps later, Allison took over the lead again on lap 177. Of course no one knew it at the time, but that lead change would be the final one of the day.  As the race approached the 350 mile mark, dark clouds began forming at the South end of the one and one-half mile track and minutes later rain returned. On lap 237, NASCAR’s official starter Johnny Bruner, Jr. surprised the drivers and the crowd by flying the white flag instead of a yellow caution or a red rain delay.  The white flag meant that Allison was on the final lap of the race and would win if he could maintain his lead which at that point was 5 seconds over Glotzback.  Allison took the checkered flag on lap 238 completing only 357 miles of the 500 mile race. His 126.140 miles-per-hour speed earned him $19,450 for his day’s work.  It was his 9th win of the ’71 season; however, Richard Petty would go on to win the 1971 NASCAR championship.

I recall a Julia Morton “View to Hugh” comment from May 7, 2010 when she said “I remember how anxious Hugh was to have Stock Car Racing declared a sport.”

Morton’s image of the Richard Petty—Bobby Issac duel at the Charlotte Motor Speedway that opens this blog post is one of the header images for the web site North Carolina Miscellany.  The press banner says “World 600″ but the date on the slide mount reads “Oct 71.”

A closing note from Stephen

CHECKING UNDER THE HOOD—A man with a Mohawk-style haircut lifts the lid of a bald man wearing a toupee during the 1971 National 500 at the Charlotte Motor Speedway.

CHECKING UNDER THE HOOD—A man with a Mohawk-style haircut lifts the lid of a bald man wearing a toupee during the 1971 National 500 at the Charlotte Motor Speedway.

I made a last-minute discovery while assembling this blog post for Jack.  Hugh Morton was in “campaign mode” at The National 500, so there are not that many images of the race itself.  In a recent post about the “Governor’s Down-East Jamboree” I dug behind the making of an informal group portrait that included Chapel Hill mayor Howard Lee, photographed in mid September 1971.  In doing so I discovered that Hugh Morton attended that event as one of several unofficial candidates for the Democratic Party primary for 1972.  The National 500 NASCAR race was less than one month after the jamboree.

There are 23 black-and-white negatives listed in the Morton collection finding aid (35mm folder 2.5.1-3-11 and 120 format folder 2.5.1-5-6) described as “Hugh Morton at National 500, TOR Speedway, 10 October 1971.”  That information likely comes from one of the negative frames in which a person is reading a race program that is folded in half.  The person is looking at the page that probably reads at the top “CHARLOTTE MO,” while the page facing the camera reads “TOR SPEEDWAY: We’ll fix the finding aid to read Charlotte Motor Speedway, soon.

Most of these negatives depict Hugh Morton wearing suit and tie, posed with different individuals and small groups.  There are, however, a few scenes from pit row: two 35mm frames made while a pit crew services A. J. Foyt’s car #27, and one frame on the 120 film of Bobby Isaac’s car and pit crew during a pit stop.  A frame adjacent to the Isaac exposure is a scene of the Mohawk/toupee shot shown above.

The best of times: the “Golden Era” at UNC (1945-1950)

With the title caption "A New 'Shot' of the Old Well and South Building" in the October 1946 issue of The Alumni Review, this is Hugh Morton's first UNC scene published in that magazine after WWII—with the columns vertically straightened, its edges cropped on all sides for publication, and accompanied by a long caption about Morton war service. This scan shows the entire negative. This was also on the magazine cover of The State for its October 5th issue, cropped even more tightly at the base of the well to accommodate the magazine's masthead.

With the title caption “A New ‘Shot’ of the Old Well and South Building” in the October 1946 issue of The Alumni Review, this is Hugh Morton’s first UNC scene published in that magazine after WWII—with the columns vertically straightened, its edges cropped on all sides for publication, and accompanied by a long caption about Morton war service. This scan shows the entire negative. This was also on the magazine cover of The State for its October 5th issue, cropped even more tightly at the base of the well to accommodate the magazine’s masthead.

A View to Hugh has been on a summer vacation of sorts as other projects have pressed to the fore.  This week marks the start of another school year at UNC, and the resumption of more frequent posts.  Today, Hugh Morton collection volunteer Jack Hilliard looks back 68 years to another time that many believe was “the best of times” at UNC.

But first . . . some background on the photographs used for this post.  Above is Morton’s first post World War II photograph of a UNC scene published in The Alumni Review. Along with a long caption about Morton’s war service, the image filled an entire page inside the October 1946 issue.  The November issue featured the photograph below on its cover, and its caption states that Morton had recently “presented to the Alumni Office a half dozen new pictures of familiar campus scenes.”  Those photographs, most of which are not in the online Morton collection, illustrate this blog post. (If you are counting, however, you’ll come up with seven after the one above.)

The November 1946 issue of The Alumni Review featured on its cover a cropped version of this photograph of the Morehead-Patterson Bell Tower.

The November 1946 issue of The Alumni Review featured on its cover a cropped version of this photograph of the Morehead-Patterson Bell Tower.

It was a heterogeneous group of different ages and experiences—all due to a terrible war which had interrupted or affected the lives of most of us. . . We developed a tremendous school spirit in a very short time, and we were pretty charged up about changing the world and making it better.

Class of 1947 “Revised Yackety Yack” 25th Reunion Edition, May 1972 by Sibyl Goerch Powe

Most UNC alumni consider their time in Chapel Hill as the best.  I grew up in North Carolina during the late 1940s and early ‘50s and I remember that period as being the best.  Many at Carolina, however, describe the years between VJ-Day (“Victory over Japan Day” celebrated on 2 September 1945 in the United States) and the Korean War—the years 1945 through 1950—as UNC’s “Golden Era.”  World War II was finally over and Tar Heels everywhere could look ahead to the better times.

This era was born near the end of WWII when, on June 22, 1944, President Franklin Roosevelt signed the Servicemen’s Readjustment Act of 1944—forever to be known as the “GI Bill.”  Among its many provisions, Title II Chapter IV revolutionized education in the United States, especially for those returning from service during World War II, because it empowered the federal government to reimburse colleges and other approved educational institutions for “the customary cost of tuition, and such laboratory, library, health, infirmary, and other similar fees as are customarily charged, and may pay for books, supplies, equipment, and other necessary expenses” of qualifying veterans—not to exceed $500 for “an ordinary school year.”  The bill also allotted subsistence provisions of $50 per month for single veterans and $75 per month for those with dependents.

This night photograph of South Building appeared in the November 1946 issue of The Alumni Review with the caption title "Columns of South." The caption writer described this photograph as being "symbolic of the University--old and new" showing "the 'new' side, looking south toward the area of greatest physical expansion of the campus in the years since the building period of the 'Twenties."

This night photograph of South Building appeared in the November 1946 issue of The Alumni Review with the caption title “Columns of South.” The caption writer described this photograph as being “symbolic of the University–old and new” showing “the ‘new’ side, looking south toward the area of greatest physical expansion of the campus in the years since the building period of the ‘Twenties.”

In the seven years following enactment of the GI Bill, approximately 8 million veterans received educational benefits, and of that number about 2.3 million attended colleges and universities. Enrollment at UNC rose to 6,800 which was 2,400 more than any time before.

As one would imagine, this jump in enrollment caused some housing and classroom-size challenges.  An interesting article in October 1945 issue of The Alumni Review discussed the anticipated effects of armistice on UNC’s student housing.  “The exodus of the U. S. Navy Pre-Flight School on October 15 left the University with a surplus of dormitory space for men students for the first time since Pearl Harbor,” the magazine wrote.  “A particular need that developed with the influx of veterans was accommodations for married students.”  The article also noted that Lenoir Dining Hall, which had been reserved for the cadets, could now become “an All-University cafeteria.”

The December 1946 issue of The Alumni Review used this photograph of Manning Hall with a caption that explained the conditions on campus. "Like many other University buildings now, Manning Hall (home of the University's Law School) is crowded with students.  Enrollment in the school is now 217, a sharp rise from the student body of 13 to which the school dropped during the war."

The December 1946 issue of The Alumni Review used this photograph of Manning Hall with a caption that explained the conditions on campus. “Like many other University buildings now, Manning Hall (home of the University’s Law School) is crowded with students. Enrollment in the school is now 217, a sharp rise from the student body of 13 to which the school dropped during the war.”

Quonset huts, trailers and pre-fabs became a way of life, despite the departure of pre-flight school cadets who had occupied ten dormitories.  On south campus, the federal government constructed Victory Village in less than a year on 65-acres at a cost $1.25 million. Many of the returning vets who were married lived there.  The Victory Village address book reads like a who’s who at UNC.  Terry Sanford, William Friday, and William Aycock, along with 349 other families made up the extended neighborhood, which lasted until 1972 when it was torn down to make room for expansion of UNC Hospitals.

For others on campus, cots were set up in the Tin Can and under the seats at Emerson Stadium while many other students lived with Chapel Hill families. The returning veterans along with a normal compliment of high school students presented a conflict of personalities on campus.  Never before had so many students had so little in common—and got along so smoothly together.  Students held dances on special weekends along with fraternity parties and gatherings at the Student Union, which at that time was Graham Memorial. The Big Band Era was still around although winding down and Tommy Dorsey made a return to campus.  He had been a guest, along with Frank Sinatra, in May 1941 prior to our country’s entry into the war.

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This negative is almost identical to the one used for the January 1947 cover of The Alumni Review. The only difference is the hands on the clock, which stand at 6:30. Morton made the negative used for the cover at 6:20. The latter negative survives, but it suffers from severe acetate negative deterioration. Morton use two different film types; this is a film pack negative. Shown in its entirety here, the cover image cropped the bit of light at the spire’s top and the lower portion of the clock and portions of both sides. The light at the top of the tower appears in both negatives, but it is blackened on the magazine’s cover.

The common denominator for all on campus, however, was sports.  Leading the Carolina Spirit was Head Cheerleader Norman Sper, Jr.  Leading the Carolina Band was Professor Earl Slocum with featured bandsman Andy Griffith.  And the man on the sideline and court-side with the camera was Hugh Morton.  It was during this post-war period that Morton’s photography blossomed.  Interestingly, Morton did not return to Chapel Hill to finish his final year of college despite the GI Bill.  Instead, he entered his grandfather’s real estate business, Hugh McRae & Co., in Wilmington—but a camera was always close at hand.

P081_NTBF3_015528

This scan shows the full negative of the scene used by The Alumni Review for its March 1947 cover. Given the vertical format of the magazine, however, they cropped off the right side of the image. The caption reads in part, “We are indebted again to Hugh Morton ’43 for this month’s cover. With the magic of the camera he has pictured Graham Memorial building (at left) and the trees which line the walk toward Old East Building in a romantic scene.”

Many years later, on May 13, 1989, as part of UNC’’s Graduation/Reunion Weekend, the General Alumni Association offered its annual presentation of “Saturday Morning in Chapel Hill.”  The ’89 edition featured a panel discussion consisting of ten Tar Heel athletes from the Golden Era, led by Robert V. “Bob” Cox, UNC Class of ’49, and a Hugh Morton slide show.  The title of the program was “Why Did We Have it So Good and What Made US Different?” It played to a near full-house in Memorial Hall on the UNC campus.

Wilson Library, now the home of the Hugh Morton collection, when it was known as the University Library.  The Alumni Review cropped off the right side of this photograph to create a vertical for the cover of its April 1947 issue.

Wilson Library, now the home of the Hugh Morton collection, when it was known as the University Library. The Alumni Review cropped off the right side of this photograph to create a vertical for the cover of its April 1947 issue.

With coaches like Carl Snavely (football), Bunn Hearn (baseball), Tom Scott and Ben Carnevale (basketball), and Chuck Erickson (Golf)—all under the leadership of Athletics Director Robert Fetzer—Carolina won 32 Southern Conference Championships for the years 1945 through 1950 . . . plus 10 National Champions, 3 basketball and 3 football All Americas, 3 major bowls games and a football National Player of the Year. With names like Bones (McKinney), Hook (Dillon), Harvey (Ward), Vic (Seixas), Art (Weiner), Chunk (Simmons) and Sara (Wakefield).  And of course the poster boy for the era was nicknamed “Choo Choo” (Charlie Justice).

Stellar athletes mingled with the regular student population along Franklin Street, just as they do today.  However, the Franklin Street of 1946 was a lot different than the one the class of 2018 will come to know and love,  One of those businesses from 1946 survives today at 138 East Franklin: it’s the Carolina Coffee Shop.  Also back in ’46 there was Danziger’s with pizza on the menu,  The Porthole “with rolls to die-for,” says Charly Mann on the web site “Chapel Hill Memories,” and Harry’s, with food, New York style.  Also along Franklin was the Varsity Shop, Huggins Hardware, Foister’s Camera Store, and the Intimate Book Shop (the original one with the squeaky wooden floors).  And you could go to the movies for $1.20 at the Carolina Theatre and see Hollywood’s top movie from 1946, The Best Years of Our Lives, from director William Wyler and starring Myrna Loy and Fredrick March.

This photograph of South Building appeared full-page in the April 1947 issue of The Alumni Review with a caption that noted that the building had been renovated in 1925. "Of the University's 40,000 matriculates and ex-matriculates" it continued, "three-fourths of them knew this view of South Building in their student days." The photograph as published is cropped significantly and rotated slightly clockwise to make the columns more vertical.

This photograph of South Building appeared full-page in the April 1947 issue of The Alumni Review with a caption that noted that the building had been renovated in 1925. “Of the University’s 40,000 matriculates and ex-matriculates” it continued, “three-fourths of them knew this view of South Building in their student days.” The photograph as published is cropped significantly and rotated slightly clockwise to make the columns more vertical.

A Sidebar:
UNC’s great All America football player Charlie Justice was a Navy veteran and was eligible for the GI Bill. UNC also offered him a football scholarship. So Charlie asked UNC’s Athletics Director Robert Fetzer if his football scholarship could be transferred to his wife. Fetzer said he didn’t know but would check with the Southern Conference and the NCAA to make sure it would be OK.  Turns out it was, and the Justices enrolled at UNC on February 14, 1946.  Sarah Alice Justice became the first and possibly the only female to study at Carolina on a football scholarship.