FDR’s ‘concentration camp for all Americans’?

“The Nazi metaphors reached their zenith in May 1945, when a freshman North Carolina congressman called [FDR’s Fair Employment Practices Commission]  ‘a concentration camp for all Americans.’ Speaking for over an hour, Joseph Wilson Ervin warned that the FEPC  ‘would operate with the weapon of fear’ by hauling off employers to trial at the hands of ‘carpetbagger personnel.’

“Noting that the majority of FEPC employees were black, the younger brother of North Carolina judge and future senator Samuel James Ervin added that most of the agency’s white staff belonged to the ‘lunatic fringe.’ He read the FEPC employees’ names aloud, noting the preponderance of ‘interesting’ surnames such as Asepha, Castenada, Wazem and Zeidman. ‘How would you like one of these birds to try your case?’ he asked his colleagues.”

— From “Defending White Democracy: The Making of a Segregationist Movement and the Remaking of Racial Politics, 1936-1965” by Jason Morgan Ward (2011)

Eight months later Joe Ervin committed suicide. Sam Ervin was elected to complete his brother’s term in Congress, but he did not run for election.

 

Segregationist cause welcomed ‘unreconstructed’ Ervin

“Weeks after the Brown [vs. Board of Education decision in 1954], the press hailed the latest poster boy for the ‘soft Southern approach’…. Samuel J. Ervin, a Harvard-educated state Supreme Court justice, arrived in Washington ready to lend his legal expertise and ‘country lawyer’  charm to the segregationist cause.

“Governor William Umstead tapped Ervin to complete the term of Clyde Hoey, who died in his office…. Ervin privately boasted that he was as ‘unrepentant and unreconstructed’ as Hoey, a Confederate captain’s son….

“Leaders of the Southern opposition saw in Ervin a fresh face that could elevate the segregationist defense above the white supremacist rhetoric of their fathers’ generation.”

— From “Defending White Democracy: The Making of a Segregationist Movement and the Remaking of Racial Politics, 1936-1965” by Jason Morgan Ward (2011)