“I heard tell there was a colored woman’s ghost who walked the Ridge. She was what old-timers called a story-catcher. Her job was to set life stories straight, ‘cause the Lord only knew how many were all twisted in a knot.”
Ann Hite’s The Storycatcher is a Southern Gothic that will keep readers awake at night tracing the interconnections between the different families and characters. Hite’s novel is lush, complex and ambitious in style. She splits the tale between location: Black Mountain, North Carolina and Darien, Georgia and time: the action occurs in the 1930s but there are letters and recollections from the late 1800s. Like any true Gothic, Hite incorporates paranormal elements. A few of the primary characters are no longer living. They are known as “haints” to the people of Black Mountain. Essentially, they are ghosts who are waiting for their stories to be finished.
Although the story has several voices, it centers around two young girls named Shelly Parker and Faith Dobbins. Shelly is a servant to the Dobbins family. As a rule, she dislikes the Dobbins clan. Pastor Dobbins, the patriarch of the family, exerts his influence over the town. The mountain people of the area relent before Pastor Dobbins’ divine authority. Although his title gives him power however, the locals doesn’t respect Pastor Dobbins so much as fear him. Pastor Dobbins is a fire and brimstone preacher who speaks of eternal damnation. Regardless of his theological trade, he is an evil man motivated by secrets and violence. But Shelly has greater initial contempt for Pastor Dobbins’ spoiled daughter, Faith, who orders her around on silly tasks. “Miss Prissy” Faith is “the neediest white girl,” who, in Shelly’s eyes, doesn’t lift a finger. What truly agitates Shelly is Faith’s closeness to her mother, Amanda, and her brother, Will.
However, when shrouded secrets emerge and point toward Pastor Dobbins, the girls investigate. In fact, they are forced together out of necessity. Shelly can see spirits; Faith is haunted by spirits, namely Arleen Brown who died during childbirth five years prior and was buried with her infant boy. Arleen alludes to the fact that she did not become pregnant of her own accord. Arleen occupies Faith’s body and compels the novel forward. What stories will Shelly and Faith find that are left to be told?
The Storycatcher dwells on the theme of retribution. Hite adopts a splintered narrative that features multiple perspectives, specifically six female point-of-view characters. She also braids in mountain superstitions and pieces of folklore, including charm quilts, death quilts, and hoodoo. These traditions, along with the racially-charged environment of the South during the 1800s and 1930s, reiterate the sense of interrelation and the desire for vengeance to adjust past inequities.
Check this title’s availability in the UNC-Chapel Hill Library catalog.