Ellery Adams. Poisoned Prose. New York: Berkley Prime Crime, 2013.

Poisoned ProseOlivia Limoges is stuck. Lately, progress on her novel has stalled and Olivia feels uninspired in her writing. At the latest meeting of the Bayside Book Writers, Olivia’s friends and closest critics complain that her protagonist, Kamila is limp and dull. The exact opposite of what you’d expect from an Egyptian courtesan wooing a pharaoh. Fellow member Laurel Hobbs suggests that the band of writers spend the upcoming Saturday together at the annual Oyster Bay Cardboard Regatta, grab some dinner, and then catch the main highlight of the day: performances by the Southern Storytellers Network at the town’s library. Famed storyteller Violetta Devereux has top-billing at the event. Violetta’s storytelling has reportedly inspired artists of all varieties, and the Bayside Book Writers are excited to experience her stories firsthand.

But Olivia doesn’t mention to her friends that she helped sponsor the event. As a wealthy restaurateur, Olivia juggles several irons in the fire around Oyster Bay. A few weeks earlier, Flynn McNulty, Olivia’s former boyfriend and proprietor of Through the Wardrobe, Oyster Bay’s independent bookshop, approached Olivia about the storytellers’ retreat. Flynn and the local paper, the Gazette, partnered to host the event. But when their grant funding fell through at the last second, Flynn appealed to Olivia for a little bit of last minute help. Olivia hesitated at first, but after she encountered a powerful instance of storytelling in a dive bar, she signed on as a sponsor. Just like Laurel predicts, the storytelling event turns out to be a quite memorable night.

Violetta Devereux was born to a poor Appalachian farmer. But her gift of captivating storytelling and her striking appearance helped her escape her roots and make a name for herself as a master storyteller. The night of the storytelling event, Violetta is characteristically hypnotic. She opens with the cryptic story of her own impending death. After the performance, Olivia goads Violetta’s manager, Lowell, for a private interview with Violetta to learn the secrets behind her storytelling skills. Apparently Violetta does not give interviews and she only performs in partial darkness. But, unexpectedly, Violetta consents to Olivia’s request. During their conversation, Violetta mentions a hidden treasure that will die with her. And, as it turns out, Violetta’s meeting with Olivia is her last.

Not long after their conversation, Lowell finds Violetta strangled in the library conference room. Olivia and her current beau, Oyster Bay Police Chief Sawyer Rawlings, begin investigating Violetta’s death immediately. Their primary suspect is Lowell because of his questionable past. But their initial suspicious subside when Lowell appears more spooked than anyone else. He is convinced that a ghost is behind Violetta’s murder, and he fears he might be next. As Olivia and Rawlings examine the case, they find a trickle of odd clues leading them to a surprising conclusion with unexpected interconnections. The secret to Violetta’s death, they learn, resides in her stories and her personal history.

Stories are at the heart of novelist Ellery Adams’ fifth volume in the Books by the Bay mystery series. Olivia recognizes the potential for stories to unite people. Adams also takes the time to develop the lives of the central characters further beyond the one-off murder-mystery plot. Relationships change over the course of Poisoned Prose, some for the better and some for the worse. Characters succeed – Bayside Book Writers member Millay finds literary representation – and other characters struggle – like Olivia who falters in developing her novel. Adams presents a number of intertwined stories, sure to interest many readers. But just as a local fisherman, Captain Fergusson, warns Olivia, “Sure, stories can be like a fire on a cold night. But they can burn too. There ain’t nothin’ can cut deeper or sting with more poison than words can…Words have power, and all things of power are dangerous.” Stories and words have the dangerous power of manipulation over collective memory and history.

Check this title’s availability in the UNC-Chapel Hill Library catalog.

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