Category Archives: 2010-2019

2010-2019

Lights, Camera, Novel: Rene Gutteridge and John Ward’s Heart of the Country.

Heart of the Country labels itself as “A modern re-telling of The Prodigal story, in the form of Wall Street meets Sweet Home Alabama meets Nicholas Sparks.” Half of the references in that description speak to notions of down-home, good old-fashioned Southern families and romance. Sweet Home Alabama was a popular romantic comedy about a displaced Southerner who returns from New York City and her successful, sophisticated lifestyle, and winds up reconnecting with her roots. Nicholas Sparks, who has been blogged about on here in the past, is a notable North Carolina resident and something of an icon who has shaped popular romantic writing, and with it, the image of the state.

After Faith Carraday’s husband, Luke, is caught taking part in some shady business dealings, he is arrested. Faith abandons Luke and their life together in Manhattan and seeks solace with her father and sister in her hometown in Columbus County, North Carolina. Unfortunately, her reception is strained. Faith bolted from home when she was given the opportunity to attend Julliard. Since then she hasn’t remained close with her father, Calvin, and sister, Olivia. Olivia is jealous of sharing their father’s affections, and, Calvin has grown old and tired. As Faith tries to heal and sort out her life, Luke approaches his high society family and attempts to make amends.

The story was co-authored by novelist Rene Gutteridge and screenwriter/director/actor John Ward. As if taking a cue from Nicholas Sparks and his writing method in The Last Song, Heart of the Country was written in novel form and screenplay, fairly close together; Gutteridge indicates working with Ward’s material in her acknowledgement. Gutteridge took a larger role in the novel and Ward in the screenplay. Both the film and the novel were released in 2013. The film version was shot on location in Wilmington, North Carolina and New York City. Jana Kramer stars as Faith Carraday and Gerald McRaney, an actor primarily known for his work on TV shows, plays her father Calvin. Funnily enough, McRaney has an unlisted role in Nicholas Sparks’s upcoming adaptation, The Best of Me. Kramer played a supporting role in One Tree Hill – also set in North Carolina and filmed in Wilmington — in seasons 7 and 8 and the first two episodes in season 9. She left the show to pursue her country music career. During this film, Kramer gets a chance to flaunt her musical talents on screen with a few songs.

It’s not a surprising coincidence that One Tree Hill and Heart of the Country were filmed in Wilmington, however. Over the years, Wilmington has earned the nickname of “Hollywood of the East,” “Hollywood East,” and even “Wilmywood.” Our State attributes Wilmington’s major break in the film industry in the early 1980s to Dino DiLaurentiis’s adaptation of Stephen King’s Firestarter, which starred a young Drew Barrymore. DiLaurentiis was interested in finding a plantation for filming, and after a location scout shared a photo of Orton Plantation, DiLaurentiis was smitten. So smitten, in fact, that he built a studio in Wilmington.

Since Firestarter, Wilmington has been the backdrop to films like Blue Velvet, Weekend at Bernie’s, Sleeping with the Enemy, a handful of Nicholas Sparks adaptations, The Secret Life of Bees, and more. Wilmington Regional Film Commission has lists for Feature Films, TV Shows, Music Videos, and Commercials shot in the area. The North Carolina Film Office likewise has a listing of films and TV shows shot in the state. Of these films and TV shows listed, it might be interesting to consider how many were really set in North Carolina, or crafted to look like another location? Heart of the Country sticks close to home. Although the story is set in Columbus County and Wilmington is actually located in New Hanover County, the two counties neighbor each other on the southern tip of the state, so shooting in Wilmington wasn’t much of a departure from the storyline.

Read the original post that covers the novel version of Heart of the Country here. Both the novel and the film are available through the UNC-Chapel Hill Library catalog.

Sources consulted: Bayridge Films, CMIL, Examiner, Facebook, Heart of the Country, IMDb (The Best of Me, Heart of the Country, Jana Kramer, Gerald McRaney, Sweet Home Alabama), Jana Kramer, NC Hollywood, North Carolina Film Office, Our State, Rene Gutteridge, Taste of Country, Wikipedia (Jana Kramer, Gerald McRaney, One Tree Hill), The Wilmywood Daily, Wilmington Regional Film Commission, Inc.

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Filed under 2010-2019, 2013, Coast, Coastal Plain, Columbus, Gutteridge, Rene, New Hanover, Religious/Inspirational, Ward, John

Jane Tesh. A Bad Reputation. Scottsdale, AZ: Poisoned Pen Press, 2014.

bad repMadeline (Mac) Maclin loves her husband Jerry, but that doesn’t stop her from worrying about him.  Good-looking, musically gifted, rich-boy Jerry had a short career as a con man.  Since Mac and Jerry moved into a house that Jerry inherited in little Celosia, North Carolina, Jerry has been at loose ends.  He needs to work or he may get into some mischief.  When one of Jerry’s former associates comes to town, Mac starts to worry–about Jerry’s commitment to reform and his commitment to their marriage.

Jerry’s been thinking about the marriage too.  He loves Madeline with all his heart, and he wants them to have a baby.  Madeline is not sure that she’s ready for children–both her detective business and her art career are just getting off the ground, and Jerry still has some emotional scars from his childhood.  Plus, Jerry doesn’t really work and doesn’t want any of his family’s money, so the Maclin-Fairweather family budget is already stretched.  And, they are both busy.  Jerry will play in the local production of Oklahoma, Madeline has a new case, and the whole town is abuzz about a new art gallery that will be opening downtown.

When Madeline tags along to a reception for the new gallery owner, she gets an earful of backbiting comments.  It seems that the local arts community is a hotbed of personal rivalries, long-remembered slights, and sharp elbows.  The new gallery owner, Wendall Clarke, is not surprised by this.  He’s a local boy who went off to make good.  Now he’s back with lots of money and a new wife.  His ex-wife, Larissa Norton, is at the reception, ready with verbal jabs for one and all.  When Wendall is found murdered the next day, Larissa is Suspect #1.  But as Madeline soon finds out, there is no shortage of people who wanted Wendall dead.

Check this title’s availability in the UNC-Chapel Hill Library catalog.

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Filed under 2010-2019, 2014, Mystery, Novels in Series, Novels Set in Fictional Places, Tesh, Jane

Lee Mims. Trusting Viktor. Woodbury, MN: Midnight Ink, 2014.

viktorCleo Cooper has a good relationship with her ex-husband, Franklin Donovan Cooper IV (“Bud”). Cleo is a well known and well compensated economic geologist, but Bud still feels the need to watch out for her interests.  At Bud’s suggestion, Cleo has invested in a company that is exploring for natural gas off the North Carolina coast. This was supposed to be just a financial investment for Cleo, but when the company fires most of its geologists, Bud pulls Cleo in to use her expertise in a way that protects their investments.

Cleo does not relish a helicopter ride out to the drill ship, but the ride itself becomes the least of her problems. The drilling operation is clearly in flux, Cleo gets mixed signals about who is in charge, and soon after she arrives she is attacked by an unknown assailant. Cleo is grateful that her stay on the rig is a short one.

When the body of a man who might have been her assailant washes up on the sands of Atlantic Beach, Cleo is visited by the police.  Cleo cannot be sure the dead man was her attacker but when she looks at his body, she sees something that might implicate Bud in the man’s murder. Soon Cleo is back on the drilling ship–for personal and professional reasons. She’ll soon find that there is more than one kind of treasure beneath the ocean waves.

This well plotted mystery will be of special interest to readers who know North Carolina’s history–both the recent saga of offshore energy exploration and story of how German U-boats prowled along our coast during World War II.

This is the second Cleo Cooper mystery.  The first title in the series is Hiding Gladys.

Check this title’s availability in the UNC-Chapel Hill Library catalog.

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Filed under 2010-2019, 2013, Carteret, Coast, Dare, Mims, Lee, Mystery, Novels in Series, Wake

Gwenda Bond. Blackwood. Long Island City, NY: Strange Chemistry, 2012.

BlackwoodBearing the brunt of a centuries-long family curse in a small town isn’t easy, especially if you’re a seventeen year-old girl. Miranda Blackwood has gotten used to being called a freak and being treated like something of a leper, but that doesn’t mean she likes it. The Blackwood family has lived on Roanoke Island since the times of the original Lost Colony. Locals consider Blackwoods bad luck. Miranda mostly keeps to herself. She doesn’t want to draw attention or give credit to the family folklore. She interns as a set and costume lackey at the Waterside Theater, which puts on productions of The Lost Colony for tourists visiting the island.

One ordinary night, on what seems like a routine performance, Miranda notices something strange while she watches the end of the show with the stage manager, Polly. She sees a life-sized, black ship that is careening toward the performers. Nobody, not the performers nor the audience members, notices the ship, except Miranda. She watches as the ship approaches the stage. At the last second, on impulse, Miranda leaps onto the stage to throw herself at the seven-year-old actress playing Virginia Dare. Too bad no one else present understands Miranda’s actions. What was meant as a virtuous, self-sacrifice on Miranda’s part is chalked up by the cast and crew as the typical Blackwood weirdness. After the show, the director chews out Miranda’s unprofessional actions, questioning whether or not Miranda should participate in future performances.

Miranda heads home, haunted by the embarrassment and the phantom ship. She lives outside of the picturesque part of Manteo with her father, her golden retriever named Sidekick, and her old yellow car (complete with a dashboard hula girl) that she affectionately calls Pineapple. Since her mother’s death several years prior, Miranda has taken care of her father. Over time, her father’s alcoholism has grown worse. His skin is so ruddy from drinking that his odd, snake-shaped birthmark is almost obscured. Miranda crashes on the couch so she can greet her father when he returns home intoxicated and help him into bed.

Morning comes and Miranda’s father never comes back home. Confused, and slightly concerned, Miranda goes looking for him. She finds the town huddled around the police station.  Police Chief Rawling reports that around 100 people on the island went missing overnight. People have inexplicably vanished; leaving without any sign of intentional abandonment. The official number is later finalized at 114, coincidentally the same number of people missing several hundred years ago in the Lost Colony. Shaken by the sudden mass disappearances, Rawling calls his seventeen-year old son, Phillips, home.

Phillips Rawling thought he had escaped the island for good. Once he started hearing the voices, he made trouble to force his parents to send him away. Off the island, Phillips is normal, like any other teen, but on the island, he can’t shut out the voices of spirits. The clamor of the voices is enough to make him go crazy. He isn’t interested in returning home, but his father has already made arrangements. Police Chief Rawling doesn’t believe in supernatural occurrences and other fantastical nonsense, but something in his gut tells him that Phillips might be able to help. However, Phillips has his own agenda. If he’s forced to go back to Roanoke Island, then he’s bent on finding one person first: Miranda Blackwood. She’s a primary focus of the voices’ chatter, and none of it is any good.

Blackwood is novelist Gwenda Bond’s first young adult novel, published in 2012. In the interim, Bond has published another work, The Woken Gods, and her third novel, Girl on a Wire, is set to be released in October 2014. In Blackwood, Bond weaves together historical events (portrayed with fictionalized liberties), supernatural elements, and teen romance, all doused with a healthy dash of humor. The novel includes a concise summary of the Lost Colony to prime readers with background information before Bond’s story begins.  Bond infuses the original legend of the Lost Colony with quite a bit of imagination. Blackwood is perfect for readers on the look-out for an intelligent young adult novel.

Check this title’s availability in the UNC-Chapel Hill Library catalog.

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Filed under 2010-2019, 2012, Bond, Gwenda, Children & Young Adults, Coast, Dare, Historical, Romance/Relationship, Science Fiction/Fantasy

Duncan More. A Gift from Poseidon. United States: Beau to Beau Publishing, 2013.

giftEvan and Frank used to share a relationship, but now they are just business partners.  Evan is a painter, and with Frank he owns an art supply shop and gallery in Manteo.  Ten years ago this was all a romantic adventure, but now life is routine and dull for both men.  Frank has a new partner in Raleigh who he visits on the weekends when Evan takes his turn managing the shop.  Evan has not moved on to anyone new, but that is about to change.

When a red Corvette drives Sterling Phelps’s van off the road just north of Rodanthe, the first house that Sterling and his friends come to is Evan’s.  Evans is not impressed with the way Sterling’s friends kid around in his house, but the four young men are good-looking and unselfconsciously pose for some photos.  These photos, especially the ones of Sterling, become inspiration for Evan.  In short order, Evan is producing some of the best drawings and paintings that he has ever done.  Evan feels a connection to Sterling and when the young man returns to Manteo, Evan wants to keep him in his life.  A gay relationship is new territory for Sterling, but he falls passionately for Evan.

A Gift from Poseidon follows the two lovers through the summer and into the new year.  Their relationship is complicated by differences in their ages, experiences, and Evan’s work, and also by their friends whose relationships are less settled. Can Evan and Sterling have happily-ever-after when their friends seem so happy just to live in the moment?

Check this title’s availability in the UNC-Chapel Hill Library catalog.

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Filed under 2010-2019, 2013, Coast, Dare, More, Duncan, Romance/Relationship

Shannon Hitchcock. The Ballad of Jessie Pearl. South Hampton, NH: Namelos, 2012.

balladNorth Carolina was a very different place ninety years ago, and no one–especially a young girl–could be certain what her future would be.  Jessie Pearl, a farm girl of fourteen, was encouraged by her mother to think about life beyond the farm. Her mother promised Jessie that if Jessie studied enough to be admitted a teachers’ college, she would find the money to send Jessie.

But as The Ballad of Jessie Pearl opens, Jessie’s mother has died, and Jessie and her pregnant sister Carrie are keeping house for their father and Carrie’s husband.  Carrie delivers a healthy boy, but shortly after Ky’s birth, Carrie is diagnosed with tuberculosis.  Jessie leaves school to nurse her sister through this terrible illness, and after Carrie dies, Jessie assumes the responsibility for raising little Ky.  College becomes a fading dream until a sister-in-law shares her books with Jessie and tutors her.  But in the two years covered by this novel, Jessie and her family experience a number of challenges–challenges that could not be successfully met without the family and community pulling together.   Jessie fears a life of scrubbing, cooking, and working the tobacco fields, but she loves these people and must weigh her dreams against her love for her family and her community.

This warm, engaging novel is based on a true story from the author’s family.

Check this title’s availability in the UNC-Chapel Hill Library catalog.

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Filed under 2010-2019, 2012, Historical, Hitchcock, Shannon

Kim Church. Byrd. Ann Arbor, MI: Dzanc Books, 2014.

ByrdAddie Lockwood notices Roland Rhodes the first day he appears in her fourth grade class. He’s the new boy in town, the son of a doctor. Roland doesn’t notice Addie until his senior year of high school. By then, she knows all sorts of personal details about him. Roland is a talented musician. He favors the Blues. Impressed by Addie’s outspoken intellect during an elective class (“The American Counterculture”), he invites her over to write lyrics to accompany a song. They quickly become friends, but after an awkward encounter, they drift apart just as quickly. Roland places a wedge between them, and Addie accepts it without much of a fight. They never write a song. After graduation, they part ways, for what seems like good.

Roland pursues his dreams of musical stardom in Los Angeles and Addie attends college in Greensboro, nearby to her fictional home town of Carswell. Although their lives are set on two different tracks, Addie refuses to give up on the idea of Roland. Now in her early thirties, she gets Roland’s contact information from high school friends and calls him up.

His musical career, as it happens, hasn’t panned out. He still plays, but he works for a company that constructs movie sets. Roland struggles with the practical details of life, like making rent or picking people up from the airport on time. All of his friends, Addie included, have heard the story of his childhood swimming pool accident and the resultant head injury that left him not quite right. Addie, meanwhile, has remained working at the same secondhand bookstore in her college town. Emboldened by a bottle of Beaujolais, she arranges to visit California after she and Roland catch up over the phone. During the visit, Addie becomes pregnant. On a promptly scheduled return trip, she informs Roland in person that she will terminate the pregnancy. But mysteriously, the abortion fails and Addie gives birth to a son that she names Byrd. She puts up Byrd for adoption without notifying Roland. The adoption colors Addie’s life well into her middle age. Surrendering her son becomes her and Roland’s most life-altering secret.

Byrd is Kim Church’s first novel. The novel focuses on the two main characters from childhood to middle age, showing their influences on each other’s lives. The story concentrates primarily on Addie and Roland’s perspectives, with imaginary letters from Addie to her forfeited son, Byrd spliced in between. Church represents the pieces of Addie and Roland’s lives with prose that feels simultaneously removed yet intimate. Characters are observed with a detached eye from the third-person, but their emotions and inner thoughts are conveyed openly on the page. Addie is wistful, longing first over Roland, and later over Byrd. As a daughter, she shies away from her parents, keeping them at arm’s length. As a sister, she doesn’t have much contact with her brother, Sam, following her high school graduation. As a mother, she loses the chance to experience motherhood with Byrd. Addie, Roland, and the other characters contend with relationships and love, accepting regret and shame, and coming to terms with loss.

Check this title’s availability in the UNC-Chapel Hill Library catalog.

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Filed under 2010-2019, 2014, Church, Kim, Novels Set in Fictional Places, Piedmont, Romance/Relationship

Diana L. Sharples. Running Lean. Grand Rapids, MI: Blink, 2013.

Running LeanCrazy Stacey bubble butt.
Never keeps her big mouth shut.
Chubbikins, Chubbikins.
How much does she weigh?

Voices from Stacey Varnell’s childhood still haunt her, even into high school. Stacey struggles to see herself as she is now, a pretty, talented teen. As a child, Stacey’s overprotective parents focused an unrelenting eye on her due to her health problems and a series of heart surgeries. Stacey’s mother forbade her to exert herself physically and she kept Stacey indoors, fearful of her health and fragility. Classmates taunted Stacey about her weight. Their teasing sparked Stacey’s obsession with dieting and calories. No matter how much weight Stacey drops though, she sees a chubby version of herself staring back in the mirror. Surprisingly, Stacey’s helicopter parents don’t seem to notice her compulsive habits (she’s a master at shuffling food around her plate), and her friend Zoe reinforces Stacey’s dangerous behavior.

The only person who seems to notice is Stacey’s boyfriend, Calvin Greenlee. Eight months ago, he and Stacey became smitten with each other; she was the new city girl who had just relocated with her family to the country. Over the course of several months, their courtship developed slowly – first a youth event at Calvin’s church, then Homecoming. When Calvin’s brother Michael died in Afghanistan, Stacey supported Calvin through his pain. He felt as if Stacey understood his grief naturally, unlike any of his other friends. In spite of Stacey’s artistic temperament, she’s consistent. She is always there for Calvin. Lately, however, her behavior has started to alarm Calvin. Stacey complains of dizziness and she looks sickly. He doesn’t like or trust her friend Zoe, and the feeling is mutual. Zoe badmouths Calvin to Stacey, calling him a “farm boy” and other insults. Stacey and Calvin’s relationship grows tenser as Stacey’s mental and physical health deteriorates.

Calvin’s other main devotion is his vintage Yamaha Enduro motorcycle that has seen better days. He loves his bike. His friends, the ugly duckling turned swan, Tyler, and the tomboyish Flannery enjoy motorcycles and outdoor activities. Stacey’s insecurities cause her to suspect that Flannery dislikes her. She fears that Flannery and Calvin’s friendship will develop into a more serious relationship. Stacey sees flirtations where Calvin insists there are none. Ironically, as much Stacey feels left out, Calvin feels equally shut out when he tries to express his concern about her health. Stacey isn’t sure how to communicate her problems to Calvin.

After Stacey becomes more erratic, Calvin seeks his friends’ advice. Observing Stacey closely and piecing together all the evidence, Calvin stumbles upon the truth. He feels daunted by Stacey’s eating disorder, a disorder that she won’t even admit to. Some web research shows Calvin that they aren’t the only couple out there battling this problem, but it doesn’t give him any clear answers or the promise for a cure. Calvin tries to encourage Stacey to eat better and reassure her flagging sense of self-worth. He tells her that she’s smart and beautiful, and the single object of his affections.

Despite Calvin’s well-meaning attempts, Stacey can’t shut out her obsessive thoughts about her appearance or stop her harmful actions. Her past has fueled her poor self-esteem and distorted self-image. All she wants is to hang on to Calvin, but Stacey’s fixation on thinness, perfection, and control threaten their relationship, and even worse, her life. Will Calvin be able to rescue Stacey from her internal torment, or will he lose her just like his brother?

Check this title’s availability in the UNC-Chapel Hill Library catalog.

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Filed under 2010-2019, 2013, Children & Young Adults, Novels Set in Fictional Places, Romance/Relationship, Sharples, Diana L.

Elizabeth Craig. Quilt Trip. New York: Penguin Group, 2013.

Quilt TripAs usual, Beatrice Coleman has a bad feeling about Meadow Downey’s latest scheme. Meadow has caught wind of the old and rich Muriel Starnes’s get-together to determine an executor for her quilting foundation. The fact that Muriel didn’t invite Meadow to her party is of very little importance to Meadow, who is busy cooking up plans for the foundation. She’s convinced that Muriel should choose the Village Quilters. Beatrice, a recently retired art curator with a keen sense of etiquette, has waning patience for Meadow’s cockamamie ideas. Somehow though, Beatrice finds herself riding shotgun to Meadow, who speeds away from Dappled Hills and up a treacherous mountain in pursuit of quilting glory. Unfortunately for Meadow and Beatrice, the weather is looking awful gloomy…

Even as they approach the mountain-top Victorian “Southern Gothic” mansion, sleet is falling and the sky is gray. Beatrice and Meadow are greeted with a chilly reception, though at the very least sweet Posy Beck and batty Miss Sissy, fellow Village Quilters members, have also crashed the party (at Meadow’s request). Muriel allows the party-crashers to stay, but not without a few subtle jibes at their expense. The atmosphere of party is noticeably lackluster. The house is cold and unwelcoming, and the real guests are gathered in the library in silence. Just as Muriel alludes to another reason for asking her guests here today, separate from the foundation, the power goes out.

Apparently, the build-up of ice on the power lines caused the outage. However, the outage is the least of everyone’s worries: the sleet also severed a large limb from a giant tree, blocking the driveway and Beatrice’s hope of a quick exit. Stranded, without power, a phone line, or even cell phone reception, it looks as if the party is turning into a sleepover. Once the outage has been identified and the hubbub dies down somewhat, Muriel reveals her big secret.

She’s been diagnosed with cancer and has only a few weeks left. She used the foundation as an excuse to gather friends and family to apologize for any past transgressions. Alexandra, her estranged daughter, Holly, a librarian and fellow quilter, Dot, another fellow quilter, and Winnie, her former friend are the formally gathered guests, along with Muriel’s lawyer, Colton. Beatrice and the rest of the Village Quilters soon learn that Muriel’s unkindness has created rifts in almost all of her relationships. Muriel’s company is shocked when she delivers a blanket apology to the entire room. Beatrice observes that Muriel’s apology seems legitimate in its sincerity, yet rehearsed, regrettably. Nobody in the room appears to lap it up with much enthusiasm. Perhaps Muriel has stepped on the toes of her friends and family one too many times. Following the surprise announcement, each guest makes a case for her guild and the foundation, and then Muriel bids them good night.

Muriel’s apology was well-timed, because she doesn’t live to see the next morning. Despite her old age and admission of cancer, Beatrice is sure that foul play is afoot. From the look of Muriel’s body, Beatrice recognizes what she is sure are signs of suffocation. At Meadow’s insistence, she plays detective, questioning each one of the guests. But how just how safe is Beatrice in the role of detective, blatantly trying to sniff out the killer? Just how safe are any of the guests, trapped in an isolated mansion with a killer lurking in plain sight?

Quilt Trip is the third novel in Elizabeth Craig’s A Southern Quilting Mystery series. Craig’s latest novel is slightly different in structure. Quilt Trip is set in a much more condensed time frame of a few days and almost entirely in a single setting, which heightens the urgency and mystery, but the novel has the same charm as Quilt or Innocence and Knot What It Seems thanks to well-crafted, quirky characters. There isn’t considerable development in the slowly unfolding relationship between Beatrice and Wyatt, the amiable Dappled Hills minister, though Craig does include a little bit of interaction between the two. If you’d like to start at the beginning of the series, take a look at past posts here and here.

Check this title’s availability in the UNC-Chapel Hill Library catalog.

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Filed under 2010-2019, 2013, Craig, Elizabeth Spann, Mountains, Mystery, Novels in Series, Novels Set in Fictional Places

Sheila Turnage. The Ghosts of Tupelo Landing. New York: Kathy Dawson Books, 2014.

The Ghosts of Tupelo LandingA laugh floated down the stairway, secret and low. My heart jumped. So did Dale. “Steady, Dale,” I said, my voice shaking. “Don’t leap to conclusions. A good detective starts with the obvious and works toward the strange.”

Sixth grade is about to start, and scrappy orphan Mo LoBeau is convinced that the Desperado Detective Agency needs a new case to crack. Since the Agency (comprised of Mo, her friend, Dale Earnhart Johnson III, and his dog, Queen Elizabeth) successfully solved a murder, they’ve only been hired on for two lost pet cases. Mo wants something ground-breaking to rev up business and make a name for Dale and herself as sixth grade sleuths. Luckily, she doesn’t have to wait for long–a new case is right about to fall into her lap.

The novel opens the day of the auction of The Old Tupelo Inn, which creates big buzz around the small town of Tupelo Landing (population now 147, following the past summer’s murder). Just about everyone in the town is at the auction, including Mo, Dale and one of Mo’s caretakers, Miss Lana, the owner of the local diner and Old Hollywood aficionado. Miss Lana has her heart set on an umbrella stand, but after an unfriendly woman from out of town (dubbed “Rat Face,” by Mo) makes a move to buy the Inn, Miss Lana hastily outbids her and by accident becomes the new owner of The Old Tupelo Inn along with the partial contents of the property and some very serious fine print.

According to the fine print, the inn is haunted by a ghost. Mo, and Dale after plenty of coaxing, set out to identify the ghost. Their mission couldn’t have come at a better time. A few days later, Miss Retzyl, their new teacher, tells the class that as part of the 250th anniversary of Tupelo Landing, she wants each student to interview a town elder. Mo’s arch-enemy Anna Celeste Simpson (aka Attila) somewhat unfairly claims Mo’s adoptive grandmother and the richest and nicest old person in town, Miss Lacy Thornton.

But Mo is ready to one-up Attila. She names the unidentified ghost of The Old Tupelo Inn as her interview subject. To Mo, “there ain’t nobody older than dead.” If she and Dale can determine the ghost’s identity, then they’re sure to have the best report and earn themselves a little extra credit in the process. Finding a ghost and convincing it to reveal who it is and why it’s haunting the inn isn’t an open-and-shut case however. Meanwhile, the presence of a new boy called Harm Crenshaw in Mo’s class irks Mo almost as much as living in Tupelo Landing irks Harm. He informs everyone he meets that he is only temporarily staying in Tupelo Landing until his brother Flick (a confirmed, good-for-nothing punk) can collect him to return to Greensboro. And Miss Lacy signs on to bankroll Miss Lana’s staggering bid for the ramshackle Old Tupelo Inn, yet it surfaces that Miss Lacy might not be as rich as everyone believes her to be. Could Miss Lana and Miss Lacy’s ownership of the inn be in jeopardy?

The Ghosts of Tupelo Landing is novelist Shelia Turnage’s second Mo LoBeau mystery. Turnage creates a magical setting in the fictional Tupelo Landing — it’s a wacky, charming small town. Outrageously spunky and spirited Mo has a lively voice and her narration makes the pages turn quickly. Don’t let the young adult packaging stop you from picking up Turnage’s follow-up to Three Times Lucky. With Mo as your guide, Tupelo Landing is quite an entertaining place to pass some time. Click here to read a blog post on the first novel in the series, Three Times Lucky.

Check this title’s availability in the UNC-Chapel Hill Library catalog.

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Filed under 2010-2019, 2014, Children & Young Adults, Coastal Plain, Mystery, Novels in Series, Novels Set in Fictional Places, Turnage, Sheila