Tag Archives: Movies & TV

Lights, Camera, Novel: Rene Gutteridge and John Ward’s Heart of the Country.

Heart of the Country labels itself as “A modern re-telling of The Prodigal story, in the form of Wall Street meets Sweet Home Alabama meets Nicholas Sparks.” Half of the references in that description speak to notions of down-home, good old-fashioned Southern families and romance. Sweet Home Alabama was a popular romantic comedy about a displaced Southerner who returns from New York City and her successful, sophisticated lifestyle, and winds up reconnecting with her roots. Nicholas Sparks, who has been blogged about on here in the past, is a notable North Carolina resident and something of an icon who has shaped popular romantic writing, and with it, the image of the state.

After Faith Carraday’s husband, Luke, is caught taking part in some shady business dealings, he is arrested. Faith abandons Luke and their life together in Manhattan and seeks solace with her father and sister in her hometown in Columbus County, North Carolina. Unfortunately, her reception is strained. Faith bolted from home when she was given the opportunity to attend Julliard. Since then she hasn’t remained close with her father, Calvin, and sister, Olivia. Olivia is jealous of sharing their father’s affections, and, Calvin has grown old and tired. As Faith tries to heal and sort out her life, Luke approaches his high society family and attempts to make amends.

The story was co-authored by novelist Rene Gutteridge and screenwriter/director/actor John Ward. As if taking a cue from Nicholas Sparks and his writing method in The Last Song, Heart of the Country was written in novel form and screenplay, fairly close together; Gutteridge indicates working with Ward’s material in her acknowledgement. Gutteridge took a larger role in the novel and Ward in the screenplay. Both the film and the novel were released in 2013. The film version was shot on location in Wilmington, North Carolina and New York City. Jana Kramer stars as Faith Carraday and Gerald McRaney, an actor primarily known for his work on TV shows, plays her father Calvin. Funnily enough, McRaney has an unlisted role in Nicholas Sparks’s upcoming adaptation, The Best of Me. Kramer played a supporting role in One Tree Hill – also set in North Carolina and filmed in Wilmington — in seasons 7 and 8 and the first two episodes in season 9. She left the show to pursue her country music career. During this film, Kramer gets a chance to flaunt her musical talents on screen with a few songs.

It’s not a surprising coincidence that One Tree Hill and Heart of the Country were filmed in Wilmington, however. Over the years, Wilmington has earned the nickname of “Hollywood of the East,” “Hollywood East,” and even “Wilmywood.” Our State attributes Wilmington’s major break in the film industry in the early 1980s to Dino DiLaurentiis’s adaptation of Stephen King’s Firestarter, which starred a young Drew Barrymore. DiLaurentiis was interested in finding a plantation for filming, and after a location scout shared a photo of Orton Plantation, DiLaurentiis was smitten. So smitten, in fact, that he built a studio in Wilmington.

Since Firestarter, Wilmington has been the backdrop to films like Blue Velvet, Weekend at Bernie’s, Sleeping with the Enemy, a handful of Nicholas Sparks adaptations, The Secret Life of Bees, and more. Wilmington Regional Film Commission has lists for Feature Films, TV Shows, Music Videos, and Commercials shot in the area. The North Carolina Film Office likewise has a listing of films and TV shows shot in the state. Of these films and TV shows listed, it might be interesting to consider how many were really set in North Carolina, or crafted to look like another location? Heart of the Country sticks close to home. Although the story is set in Columbus County and Wilmington is actually located in New Hanover County, the two counties neighbor each other on the southern tip of the state, so shooting in Wilmington wasn’t much of a departure from the storyline.

Read the original post that covers the novel version of Heart of the Country here. Both the novel and the film are available through the UNC-Chapel Hill Library catalog.

Sources consulted: Bayridge Films, CMIL, Examiner, Facebook, Heart of the Country, IMDb (The Best of Me, Heart of the Country, Jana Kramer, Gerald McRaney, Sweet Home Alabama), Jana Kramer, NC Hollywood, North Carolina Film Office, Our State, Rene Gutteridge, Taste of Country, Wikipedia (Jana Kramer, Gerald McRaney, One Tree Hill), The Wilmywood Daily, Wilmington Regional Film Commission, Inc.

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Filed under 2010-2019, 2013, Coast, Coastal Plain, Columbus, Gutteridge, Rene, New Hanover, Religious/Inspirational, Ward, John

Lights, Camera, Novel: Louise Shivers’s Here to Get My Baby Out of Jail

Here to Get My Baby Out of JailTransitioning a work from page to screen is a complex process full of decisions from small details to large abstractions about what to include, what not to include, and what to add. In some of the past posts, there were instances of authors involved in both sides of the process, novel to screenplay. But in many cases, the author of the original work isn’t overseeing the adaptation. Sometimes, like in the instance of Here to Get My Baby Out of Jail and Summer Heat, the story doesn’t translate well between the mediums.

Here to Get My Baby Out of Jail was Louise Shivers’s first novel. Her bio on her publisher’s site notes that Shivers was born in Stantonsburg, but grew up in Wilson. The towns bear a close resemblance to Tarborough, the fictional East Carolina town featured in Shivers’s novel. After a year at Meredith College in Raleigh, Shivers was married. She and her husband relocated to Augusta, Georgia, where they raised their three children.

Shivers was a literary world late-bloomer. At age 40, at the encouragement of her children, she took a creative writing class that eventually produced her first novel. Following its release in 1983, Shivers’s work was selected by USA Today as the “Best First Novel of the Year.” A review in The New York Times praises Shivers’s work. The story is simple and compact; Shivers wrote poetry before she ventured to writing novels. Here to Get My Baby Out of Jail is the tale of a love triangle spun out of control. Roxy Walston is a Depression-era woman stuck on a tobacco farm with her husband Aaron. She’s a young mother, 20 with a 2-year-old daughter, Baby. When Aaron hires a drifter named Jack Ruffin, it leads to an affair that will change all their lives drastically.

The film adaptation was released in 1987, just four years after the novel’s publication. Mitchie Gleason wrote the screenplay and directed the movie. Lori Singer played Roxy. Singer at the time had already starred opposite Kevin Bacon in Footloose. Anthony Edwards, of Revenge of the Nerds, Top Gun, and later ER fame, played Roxy’s husband, Aaron, and Bruce Abbott played Jack Ruffin. Kathy Bates appears in a supporting role, but doesn’t appear in the trailer, which focuses on the three leads. The movie was filmed in North Carolina around Nashville, Robersonville, Tarboro, and Wilson.Here to Get My Baby Out of Jail 20th

Reviews from The New York Times and The Los Angeles Times by Janet Maslin and Shelia Benson recognize good qualities in Summer Heat, the big picture adaptation of the slim novel, Here to Get My Baby Out of Jail. Performances by the actors are commended and Mitchie Gleason’s visuals are appreciated. But the critics complain that Gleason’s script is the weak link in the final product. Maslin observes that “the script is a string of one-idea scenes; sometimes a whole episode seems designed to allow a character to deliver a single line,” and notes that the film’s pacing is off.  Benson also notes that despite the fact Gleason’s script adheres closely — even “slavishly,” she suggests – the force behind the story isn’t there. Sticking straight to the story in this case did not benefit Summer Heat. Benson remarks that the adaptation “lollygags” to its final conclusion rather than showing a “fevered rise and fall” of a pair of doomed lovers tangled in a frenzy of passion.

Benson chides Gleason, whom didn’t take enough risks in re-telling Shivers’s story. The most obvious liberty taken during the adaptation process is the title, which was revised from the longer, song-inspired Here to Get My Baby Out of Jail to the more benign and blockbuster-friendly, Summer Heat. The trailer brandishes the steamy side of the story. The title is emphasized, the words are shown individually between scenes of passion and aggression, and then together. Here’s a link to one version of the movie poster. The visuals, particularly the positioning of Roxy and Jack, are sultry and provocative. However, the writing on the poster skims over the top of the purpose behind the story. Plus, it basically gives away the twist. They’re quite different from the novel’s covers from 1993 and its 2003 pictured in this post in their raw sensuality. Then again, film operates, and profits on, on a more visual level.

Read the original blog post on Here to Get My Baby Out of Jail. The novel is available through the UNC-Chapel Hill Library catalog, but the film is not. The film does not appear to be available through the Chapel Hill or Durham County Public Libraries. The film is listed on Amazon for sale.

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Filed under 1980-1989, 1983, 1987, Edgecombe, Historical, Shivers, Louise

Lights, Camera, Novel: Nicholas Sparks’s The Last Song, The Lucky One and Safe Haven

When it comes to romance, Nicholas Sparks has made a name for North Carolina. Although not a native North Carolinian (he hails from Omaha, Nebraska) Sparks’s geographical obsession with the state has become a hallmark of his writing. In all, Sparks has authored seventeen novels and one autobiographical travelogue. All but the travelogue are set in various locations around North Carolina. Sparks is often very active and hands-on in the process of adapting his novels for the big screen. As of now, eight of Sparks’s novels have been made into films and the ninth and tenth are on the way. Three of the eight adapted novels have been blogged on here in the past: The Lucky One (2008), The Last Song (2009), and Safe Haven (2010), so we’ll focus on those. His five earlier adapted novels: The Notebook (1996), Message in a Bottle (1998), A Walk to Remember (1999), Nights in Rodanthe (2002), and Dear John (2006) haven’t been covered on the blog, at least not just yet.

Chronologically, Sparks wrote The Lucky One before the The Last Song, but the film based upon the later was released first. The Last Song (book released 2009, movie released 2010) is a bit of an anomaly in that formulating the screenplay for the film inspired Sparks to create a corresponding novel.

The idea for the novel came about when Miley Cyrus, at the time primarily known for her starring role in Disney’s Hannah Montana, was searching for newer, more mature work. Cyrus met with Sparks and he devised an idea based on her interest. His story focuses on a daughter and father healing their estranged relationship. A budding romance between the daughter and a privileged local boy and loggerhead sea turtles appear heavily in the sidelines. The Last Song was a slight departure from his other works as the characters were teenaged and most of his works featured adult and middle-aged characters.

Although Sparks stuck to his customary North Carolina setting (Wilmington) for the novelization of The Last Song, the film was relocated to Georgia and shot on Tybee Island and in Savannah. North Carolina vied against Georgia during the selection process. Ultimately, Disney selected Georgia over North Carolina on the basis of film tax incentives. Losing a deal with Disney and The Last Song was an especially hard blow since Sparks’s last adaptation, Dear John, was also filmed outside of North Carolina. Reviews of the film were mixed, though Miley Cyrus’ performance was praised — see an enthusiastic review of her acting by Roger Ebert here.

By contrast, The Lucky One and Safe Haven featured romances between attractive twenty-and-thirty-somethings. The Lucky One (novel released in 2008, film released in 2012) starred another Disney teen sensation, Zac Efron and Taylor Schilling.  Like Cyrus, The Lucky One was one of Efron’s gateway roles as an adult actor. The plot follows a Marine, who during his third tour in Iraq, finds a photo of a mystery blonde woman that becomes his lucky charm. After his return to the US, the Marine searches for his lucky Jane Doe. Again, the setting was the defining change for the adaptation. The movie was set and filmed in Louisiana as a result of film tax incentives. Sparks seemed unconcerned about the geographical shift. In a quote from Nola.com, website of The Times-Picayune, Sparks explains that he aims for his novels to feel interchangeable and relatable: “I try to write stories that feel like they could happen anywhere…And that’s what I’m trying to do, too, is write a universal story that people will really enjoy.” Audiences enjoyed The Lucky One while critics were split.

Safe Haven (novel released in 2010, film released in 2013) tells the tale of another mystery woman, who quietly moves into the small, coastal city of Southport. She doesn’t mean to fall in love, but she can’t escape the attentions of a handsome widower with two children. Once she gets to know him, she can’t help but to fall in love. Unlike the other two films, Safe Haven was filmed entirely on location in Southport and Wilmington. IndyWeek notes that the movie is only the third of Sparks’ eight adaptations to be shot exclusively in-state. The other two films were A Walk to Remember (2002) and Nights in Rodanthe (2008). Yet again, the critical response was mixed. Roger Ebert issued a much harsher review compared to his review of The Lucky One, based on his visceral response to Safe Haven’s surprise ending. Despite critics’ response to Safe Haven, it was a success with audiences again. Clearly the divide between critics and audience is a pattern with Sparks’ book-to-movie adaptations.

A Look at box office stats

Screen capture from Box Office Mojo site representing the box office sales of Nicholas Sparks film adaptations.

While critics might not universally laud his films, audience-goers buy the tickets. All three films were box office successes. Sparks has cracked the secret to commercial success, now only if North Carolina could figure out a way to keep his adaptations in-state. The Best of Me stars James Marsden (who replaced the late Paul Walker) and Michelle Monaghan. Filming is underway in Louisiana. His latest novel, The Longest Ride, is in pre-production and it was recently announced that Clint Eastwood’s son, Scott Eastwood will play one of the lead roles. Here’s to hoping that movie will be filmed locally in NC.

Read the original blog posts on The Last Song, The Lucky One, and Safe Haven. The novel and film for The Lucky One are available through the UNC-Chapel Hill Library catalog. Currently, only the novels for The Last Song and Safe Haven are available. Both films are available through the Chapel Hill Public Library though.

Sources consulted:

Box Office Mojo, Forbes, Hollywood Reporter {two articles}, IMDb {Miley Cyrus, Zac Efron, Nicholas Sparks, The Last Song, The Lucky One, Safe Haven, The Best of Me, The Longest Ride, Message in a Bottle, A Walk to Remember, IndyWeek, Movie Clips, New York Times, News & Observer {two articles}, Nicholas Sparks, Nola, Relativity Media/iamROGUE, Roger Ebert {The Last Song, The Lucky One, Safe Haven}, Touchstone Pictures, Variety, Vox, Vulture, Wikipedia {Nicholas Sparks, The Last Song – novel and film, The Lucky One – novel and film, Safe Haven – novel and film}

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Filed under 2000-2009, 2008, 2009, 2010, 2010-2019, 2012, 2013, Brunswick, Coast, Romance/Relationship, Sparks, Nicholas

Lights, Camera, Novel: Catherine Marshall’s Christy.

Christy TV SeriesSome of the best stories originate from real life, like Catherine Marshall’s 1967 novel Christy. Marshall was inspired to write her famous book based on the experiences of her mother, Leonora Whitaker, who left her family and home in North Carolina to teach at a mission school in the Appalachian Mountains in 1909. After Marshall and her parents later visited the mission school in Del Rio, Tennessee in the late fifties, Marshall wanted to tell her mother’s story. Many elements in Christy are rooted in fact. Marshall conducted extensive research into Appalachian life and culture, so even the fictionalized aspects of the novel are still well-founded.

Twenty-seven years later, Christy was developed into a TV series, which debuted on Easter Sunday on CBS. True to the novel, the show was filmed in Tennessee. Kellie Martin portrayed Christy. Tyne Daly won an Emmy for her supporting role as Alice Henderson, a Quaker missionary, and LeVar Burton joined the cast in season two. Fans of Marshall’s novel enjoyed the series, though their satisfaction was short-lived. Executives canceled the show soon after the season two finale was shot. Twenty-one episodes were filmed in all.

Viewers were upset about the cancellation because the season two series finale ended on a cliffhanger with Christy split between two very different men vying for her affection, the rugged Dr. Neil MacNeil and the handsome Reverend David Grantland. Seeking resolution, fans wrote to CBS requesting that the show be put back on the air. Five years later, in 2000, PAX network (since renamed Ion) continued the unresolved plot line in a made-for-TV movie. Some of the same actors reprised their roles, but Christy was recast using an unknown actor, Lauren Lee Smith. Three TV movies adapting Marshall’s novel were released between 2000 and 2001 giving fans the closure they were denied in the canceled TV series. The movies — Christy: Return to Cutter Gap, Christy: A Change of Seasons and Christy: A New Beginning — were filmed primarily in Canada.

Lauren Lee Smith as Christy

A book cover with Lauren Lee Smith as Christy.

Christy still boasts an active fan base. Starting in 1997, enthusiasts of the novel and TV show have met to discuss their fascination for Christy. The annual meeting was dubbed “ChristyFest,” and it often occurs in Townsend, Tennessee, the filming location of the TV show. This year ChristyFest will be held May 23-25 in Del Rio, Tennessee. From the ChristyFest site, it appears that registration will open soon.

No doubt, Christy has captured the attention of loyal fans, and the love triangle between the main characters is a big draw. In writing this post, I found evidence of a Neil and Christy fan site with photos from the TV show and the TV movies, interviews with cast members, episode guides, and analysis and more. There are also special fan fiction sites and some fictionalized Twitter accounts created from the perspectives of Christy, Neil, David, and Alice.

Catherine Marshall is recognized as a Christian writer. The Christy Awards were created to acknowledge Christian fiction writers and the three Christy TV movies were backed by the support of the now defunct PAX network, which focused on “family-based” programming. It appears that Inspiration Network, or INSP TV, currently broadcasts episodes from the Christy TV series. INSP headquarters are in the Charlotte metro area.

Kellie Martin as Christy

An audiobook cover with Kellie Martin as Christy.

Read the original blog post on Catherine Marshall’s Christy here. The complete TV series is available through the UNC-Chapel Hill Library catalog along with the original novel and an audiobook version of the novel read by Kellie Martin.

Sources consulted here: Christianity Today, The Christy Awards, ChristyFest site and blog, Christy Fan Fiction, IMDb, Inspiration Networks/INSP TV, Neil and Christy fan site, Twitter (see paragraph above for the specific accounts), Wikipedia (Catherine Marshall, Christy [novel], Christy [TV series])

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Filed under 1990-1999, 1994, 1995, 2000, 2000-2009, 2001, Buncombe, Historical, Marshall, Catherine, Mountains, Novels by Region, Novels Set in Fictional Places, Religious/Inspirational, Romance/Relationship

Lights, Camera, Novel: Alexander Key’s Escape to Witch Mountain.

If you’re in the right age bracket, you might remember Escape to Witch Mountain from your childhood. Which format and version you recall depends on your generation. Novelist Alexander Key first wrote the book in 1967. Key began his career as a well-known illustrator who eventually transitioned into writing. His writing can be described as science fiction for kids. Key was born in Maryland and spent many years in Florida before moving to the mountains of North Carolina with his wife and son. A fan page on Key says that he and his family made the move after they “decided Florida was growing too fast.” Much of Key’s work is currently out-of-print. Escape to Witch Mountain is one of Key’s best known titles. The book tells the story of orphans Tony and Tia who possess supernatural gifts and are on the hunt to figure out their origins before the evil Lucas Deranian reaches them first.

In 1975, Disney released a film adaptation of the novel directed by John Hough, which, at the time, became one of their most popular live-action movies. The movie follows the basic plot from beginning to end with some noticeable modifications. First, the setting was relocated from the East coast to the West coast, where the movie was filmed. In the novel, Father O’Day helps the children on their quest and protects them from Deranian. In the movie, O’Day plays the same role, but his character is a widower named Jason O’Day. Deranian is the central villain in the novel, whereas in the movie he becomes ancillary to his mastermind boss, Aristotle Bolt. The child actors who play Tony and Tia aren’t perfect physical matches for their book counterparts who are supposed to look unearthly with their olive-skin and light hair. Instead, they look like wholesome child actors.

 

This clip, from TCM, shows Tony and Tia’s arrival to the orphanage. The movie’s portrayal is much lighter and more innocent: Miss. Grindley is kinder and Truck, a bully at the orphanage, is much less threatening. Yet the most surprising change is Tia speaking. Muteness is a major feature of her character. In the novel, Tia is seen as an oddity because she does not speak out loud. Instead, she carries a pad and pen around to communicate with other people. She is able to converse with her brother telepathically. Another clip from TCM shows that the movie still includes her telepathic communication with Tony.

Disney created a sequel called Return from Witch Mountain in 1978, also directed by John Hough. The same child actors, Ike (now known as Iake) Eisenmann and Kim Richards, reprized their roles as slightly older Tony and Tia. Bette Davis and Christopher Lee starred as the movie’s villains who hoped to manipulate the siblings’ powers. Four years later, Disney released yet another sequel, Beyond Witch Mountain with a new director. By this time, the original Tony and Tia has grown out of the roles and were recast. The plot appears to pick up from after the original 1975 Escape from Witch Mountain adaptation and it ignores the story-line from the 1978 Return from Witch Mountain. This second sequel was created as a pilot for a possible TV series. But since no networks expressed interest, no other episodes were filmed.

Over a decade later, in 1995, Disney remade Escape to Witch Mountain as a made-for-TV movie. The movie shared some elements with Key’s story, like orphaned siblings with powers (renamed Danny and Anna). Most of the TV movie departed from the original plot though, for instance Danny and Anna are initially separated. Finally, in 2009 Disney produced its latest rendition, called Race to Witch Mountain with Dwayne Johnson, AnnaSophia Robb and Carla Gugino. Like the 1995 adaptation, Race only shares some passing similarities to Key’s novel and the 1975 film. Adolescent Tony and Tia were remodeled as teenaged Seth and Sara. As the years passed, it seems that each revision departed further from the original, maybe as a means to refresh and modernize the story, while still maintaining essential characters and motivations.

Escape to Witch Mountain and its many adaptations are nostalgic classics. Alexander Key’s novel is available through the UNC-Chapel Hill Library catalog and has been previously blogged on here. The film and TV adaptations are not available through the UNC-Chapel Hill Library catalog. If you’re local to the area, Escape to Witch Mountain (1975) and Race to Witch Mountain (2009) are available at the Chapel Hill and the Durham Public Libraries and could make an interesting back-to-back screening of two adaptations thirty-four years apart.

Sources consulted here: The Bulletin of the Center for Children’s BooksJenny’s Wonderland of Books blogLos Angeles Times (on the child actors from the 1975 & 1978 films), New York Times, Roger Ebert, TCMTCMDb, Thru the Forgotten Door: Into Alexander Key’s Magical Worlds (Alexander Key Fan Site, hasn’t been updated since about 2004), Wikipedia (Alexander KeyEscape to Witch Mountain — Novel, Escape to Witch Mountain — 1975 Film, Return from Witch Mountain, Beyond Witch Mountain, Escape to Witch Mountain — 1995 Film, Race to Witch Mountain), The Witch Mountain Experience (Fan Site, hasn’t been updated since about 2007)

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Filed under 1970-1979, 1975, 1978, 1980-1989, 1982, 1990-1999, 1995, 2000-2009, 2009, Children & Young Adults, Key, Alexander, Mountains, Novels Set in Fictional Places, Science Fiction/Fantasy

Lights, Camera, Novel: James Patterson’s Kiss the Girls.

Kiss the Girls Movie PosterJames Patterson’s Alex Cross series was perfectly timed for moviegoers of the nineties who were primed for psychological thrillers after a number of popular hits. Reviewers drew comparisons between Kiss the Girls and other releases like Silence of the Lambs and Se7en. However, the comparisons between the films were not entirely favorable. Kiss the Girls starred Morgan Freeman and Ashley Judd, whose career was just beginning to accelerate.

The novel follows forensic psychologist Alex Cross as he learns that his niece Naomi, a law student at Duke, was kidnapped by a lascivious serial killer who masquerades under the pseudonym, Casanova. Cross abandons DC for Durham. His emotions are high and he is focused on finding Naomi before it’s too late. Meanwhile, medical intern Kate McTiernan is Casanova’s latest victim, but not for long. McTiernan manages to escape, which makes her the anomalous sole survivor. She and Cross team up to uncover Casanova’s true identity and rescue the other victims still languishing in Casanova’s “harem.”

Kiss the Girls is Patterson’s only novel that features a North Carolina setting. But Patterson layered plenty of authenticating detail in his book to evoke the Raleigh-Durham-Chapel Hill area. Filming locations for the movie adaptation were largely limited to Durham, and of course, Los Angeles. The University of North Carolina at Chapel Hill did not to approve the film’s request to use the university’s campus during shooting.

In the past, the University has a mixed record of accepting some requests to film on campus, but rejecting others. According to a Daily Tarheel article from 2001, UNC’s major ruling factor is maintaining the University’s image. The University also considers how the project might provide opportunities or disruptions to campus life. Ultimately, the University decided against Kiss the Girls due to its graphic content. Chapel Hill officials did not consent to give the producers permission to shut down Franklin Street for filming.

Although Kiss the Girls is second in the Cross series it was adapted first. Along Came a Spider, the first novel in the series, was a follow-up in 2001. While Kiss the Girls performed well at the box office, critics panned the film for pacing issues and a lack of uniqueness. Both Freeman and Judd were commended for their performances however. In 2012, Tyler Perry starred in an Alex Cross reboot. There are plans for a sequel reportedly.

The clip below, from Movie Clips, shows a scene following Kate’s escape where she delivers a statement to the press:

The movie version is a bit more solemn than the novel. In the book, Kate’s introductory remarks are self-deprecating and elicit a few smiles. More or less, the monologues match up.  But both versions represent Kate as a strong and intelligent character, in spite of her ordeal.

Patterson’s novel is available through the UNC-Chapel Hill Library catalog. There are copies at Davis Library and Wilson Library. The film adaptation is available through the UNC-Chapel Hill Library catalog as well. Copies can be found at the Media Resources Center in the Undergraduate Library and Wilson Library. The original blog post for the novel is here.

Sources consulted here: The Baltimore Sun, The Daily Tarheel (two different articles), Film Journal InternationalIMDb, Movie Clips, The New York Times, The San Francisco Chronicle, Roger Ebert, The Washington Post (two different reviews), Wikipedia

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Filed under 1990-1999, 1997, Durham, Orange, Patterson, James, Piedmont, Suspense/Thriller

Lights, Camera, Novel: Kathy Reichs’ Temperance Brennan Series.

Kathy Reichs and Emily Deschanel

Kathy Reichs (left), author of Temperance Brennan series and Emily Deschanel (right) star of Bones, a TV show loosely adapted from Reichs’ series. Image courtesy of www.kathyreichs.com/bones.

From the outset it was important to me that the heroine of the series differ somewhat from that in my books. If the two were identical, how would that impact future novels? I often give nicknames to the victims I analyze at my lab. I guess I’ve done that with Bones, labeling the two manifestations of my character “TV Tempe” and “Book Tempe.”

-Kathy Reichs, from her sub-site on Bones

Bones is approaching the ten-year mark. Season nine is well underway and the popular crime drama has been renewed for another season. But before there was Bones, forensic anthropologist Kathy Reichs penned the Temperance Brennan series. Reichs has mentioned during interviews that she began writing the series after she became a tenured professor at the University of North Carolina at Charlotte. After authoring journal articles and textbooks, Reichs was interested in trying something new. Fiction seemed like the best way to share science with a more generalized audience.

Reichs wrote Déjà Dead, the first book in the series in 1997. Now, in 2014, there are sixteen books in total, with number seventeen due out at some point in the next year. Reichs’ Temperance Brennan series and subsequent Bones TV adaptation, which debuted in 2005, have infiltrated pop culture. But the two formats, more aptly, the two Tempes, are quite different across several categories.

“Book Tempe” is a little older than “TV Tempe” and more situated in her career. She’s also a divorced mom whereas her TV counterpart is has never been married and is child-free. “TV Tempe” works at the fictional Jeffersonian Institute in Washington, D.C. and “Book Tempe” splits her time, much like Reichs, between teaching at UNC-Charlotte and assisting on crime scenes at the Laboratoire des Sciences Judiciaires et de Médecine Légale in Montreal. Both deal with personal problems. For instance “Book Tempe” negotiates her past alcoholism whereas “TV Tempe” struggles with her deficient social skills and lack of pop culture knowledge (an ongoing joke in the show); her behavior has been remarked on for its characteristics reminiscent of autism.

The Tempes have at least two things in common though – each series is long-running and each exists as a result of the support and input of Reichs. In the case of the novels, Reichs is the author, tapping into her life experience. On Bones, Reichs is a producer who balances the entertainment with scientific accuracy. Reichs has written one episode for Bones, “The Witch in the Wardrobe,” which aired in 2010 (Season 5, Episode 20). They might be markedly different, but the two incarnations of Tempe have Reich’s stamp of approval. Audiences can feel free to love two versions of the same woman.

While Bones is not available through the UNC-Chapel Hill Library catalog, all of the published books in the Temperance Brennan series are available. You can read a previous synopsis of the series here. This blog has individual entries on Death du Jour, Deadly Decisions, Fatal Voyage, Bare Bones, Devil Bones, Spider Bones, Flash and Bones and Bones of the Lost.

Sources consulted here: Bones Wiki (two different entries), E! Online, IGN, Kathy Reichs, NPR, Screen Rant, Wikipedia (two different entries)

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Filed under 2000-2009, 2005, Mystery, Reichs, Kathy, Suspense/Thriller

Lights, Camera, Novel: Allan Gurganus’s Oldest Living Confederate Widow Tells All.

Oldest Living Confederate Widow Tells AllOn-screen, the Oldest Living Confederate Widow Tells All is much like its novel counterpart. Clocking in at a hefty 718 pages, Allan Gurganus’ debut work is no quick read. And the miniseries isn’t exactly a half-hour sitcom either. Given the length and the detail of the novel, it’s not surprising it would take four hours to adapt the epic life story of Confederate widow, Lucy Marsden.

Lucy’s life story was heavily influenced by her marriage at age fifteen to Captain Willie Marsden, thirty-five years her senior, and, until his death, the last surviving Confederate soldier. Gurganus’ celebrated novel is told from the perspective of the still spunky ninety-nine year-old Lucy who resides in a North Carolina nursing home.

Oldest Living Confederate Widow Tells All spent eight months on the New York Times Best Seller list and sold more than four million copies. The novel also won Gurganus the Sue Kaufman Prize from The American Academy of Arts and Letters. All this proving it was worth the seven long years it took to Gurganus to write Confederate Widow.

Gurganus was born in Rocky Mount, North Carolina. He drew a great amount of inspiration from his grandmother, Willie Ethel Pitt Gurganus, who he would visit during his lunch breaks when in grade school. Despite their time together, she never shared her life stories with him. Lucy is his imagination of his grandmother’s experiences as a Confederate-era woman.

Right around the release of the novel in 1989, New York Magazine wrote a detailed profile on Gurganus, still available here through Google Books. The miniseries, which was broadcast on CBS, starred Diane Lane, Donald Sutherland, Cicely Tyson, Anne Bancroft and Blythe Danner. Lane played Lucy from teenage to middle age. Bancroft portrayed elderly Lucy.

Confederate Widow Miniseries

Photo courtesy of the Sonar Entertainment website.

The adaptation won four Emmys (Art Direction, Costume Design, Hairstyling, and Best Supporting Actress) out of its nine nominations. The miniseries was filmed in Madison, Georgia rather than North Carolina. The novel was set in the fictional town of Falls, North Carolina.

Gurganus did not write the screenplay, which was instead adapted by Joyce Eliason. The New York Times review of the miniseries indicates that Gurganus played a small part in the production. And, Gurganus in turn spoke positively of the television adaptation.

In 2003, Ellen Burstyn starred as Lucy in a theatrical adaptation of Confederate Widow on Broadway. A critic from Variety notes that it was a very long two hours and twenty minutes, attributed partially to the fact that the page-to-stage adaptation was conceived as a one-woman show. Apparently the production closed after one official show. A few years later in 2007, the novel was adapted again for the stage, this time by Gurganus, as a part of the Theater of the American South Festival. The production was pared down to a one-act, one-woman play that was better received than its ill-fated Broadway predecessor.

Visit Sonar Entertainment’s site for a short clip from the miniseries and some production shots. But if you’re interested in watching the miniseries for yourself, copies of the movie are available through the UNC-Chapel Hill Library catalog in two locations in addition to the novel. The original blog post on Gurganus’ novel is available here.

Sources consulted: Chicago Tribune, Los Angeles Times, New York Magazine, New York Times, News & Observer (two different articles), People, Sonar Entertainment, Variety (two different articles), Wikipedia (Allan Gurganus, Oldest Living Confederate Widow Tells All)

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Filed under 1990-1999, 1994, Gurganus, Allan, Historical, Novels Set in Fictional Places

Lights, Camera, Novel: Coming Attractions

Starting now and for the next few years, you can expect to see adaptations of three recent North Carolina novels. Here’s the scoop:

SerenaRon Rash’s Serena has been simmering on the Hollywood back-burner since early 2010. At first the film was scheduled to star Angelina Jolie as the titular character and Darren Aronofsky to direct. However the project never materialized. Two years later, director Susanne Bier took over the project with Jennifer Lawrence and Bradley Cooper cast in the leading roles. Lawrence and Cooper also starred in the popular film, Silver Linings Playbook, which earned Lawrence an Oscar for Best Actress in 2013.

Filming occurred in 2012, but the release of the film adaptation has been delayed. Current reports claim the film will be released at some point this year. Like Cold Mountain, Serena was filmed abroad in the Czech Republic despite the novel’s Appalachian setting. IMDb has an official photo of Cooper and Lawrence from production.

Lookaway, LookawayAt the beginning of 2014, Wilton Barnhardt’s Lookaway Lookaway was optioned for a series by HBO. The novel was cherry-picked by HBO “president-turned-producer” Sue Naegle and comedy producer David Miner (who worked on 30 Rock, Brooklyn Nine-Nine and Parks & Recreation). Barnhardt, born in Winston-Salem, is a creative writing professor at NC State. Lookaway, Lookaway is his fourth novel.

Barnhardt will be involved in the production process as a co-executive producer, not a writer. If HBO selects the pilot, then the project will be greenlit for more episodes. NC State’s Alumni Association blog quotes Barnhardt as saying the pilot will be filmed in North Carolina:

“It’s quite likely that it will be filmed here [in  North Carolina]. This is meant to be a series about New South as it really is. I don’t believe the New South has been adequately portrayed on television. It’s always the cartoon south—competitive catty women or an update of “The Beverly Hillbillies” or “The Dukes of Hazzard.” It might be entertaining but it’s not how we live.”

The novel was set in Charlotte. Barnhardt believes that if all goes according to plan, production may occur in 2015.

Finally, Jason Mott’s The Returned premiered this past Sunday on ABC under a new title. Mott’s novel about deceased people mysteriously returning to life was developed for television by Brad Pitt’s production company, Plan B.  But there’s already a French television show on the air called The Returned based on a 2004 French film called They Came Back about a small town and the inexplicable return of dead town members. To avoid confusion, the adaptation of Mott’s novel was renamed Resurrection.

Below is a promotional trailer for the show from ABC’s website:

Of the three adaptations, Resurrection is the only one available to watch at present. Resurrection stars Omar Epps, Kurtwood Smith, and Frances Fisher. Mott’s novel was set in the fictional town of Arcadia, North Carolina. The TV series tweaked the location to the fictional town of Arcadia, Missouri. The show is filmed in Georgia. A Los Angeles Times critic asserts that the show teases out the “investigative” elements found in crime drama and subdues the eeriness found in Mott’s novel.

Check out blog posts on each of these three novels here. If you would like to read the novels that inspired these movie and TV adaptations, check each title’s availability in the UNC-Chapel Hill Library catalog.

Sources consulted here: Serena (The Hollywood Reporter, IMDb, Indiewire), Lookaway, Lookaway (Deadline, Indy Week, Red & White for Life/NC State Alumni Association blog), The Returned (ABC, IGN, Los Angeles Times, Slate)

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Filed under Barnhardt, Wilton, Mott, Jason, Rash, Ron

Lights, Camera, Novel: Charles Frazier’s Cold Mountain.

Cold MountainNorth Carolina has been a popular setting for movies and television shows, yet that setting is most often fictitious. Of the 600 movies and shows nominally sited in North Carolina between 1980 and 2002, 95 percent were actually filmed outside of the state. Anthony Minghella’s adaptation of Cold Mountain was one of them. Charles Frazier’s novel depicts Confederate deserter W.P. Inman’s long and arduous journey from a hospital in Raleigh to his home near Cold Mountain and his sweetheart, the genteel Ada Monroe from Charleston, who struggles to survive on her own following the death of her father. British director Anthony Minghella scouted locations over a period of five years before deciding to film the adaptation in Romania. Filming in North Carolina would have been a boon to state tourism. When the novel was released in 1997, it created a small increase in tourism. Local businesses and state officials knew that filming here would both make jobs and increase tourism.

Romania was a more attractive choice to Minghella because the rural landscape is much more intact than in North Carolina, where elements of modern life, like telephone poles and paved roads, are present, and logging has altered the area’s appearance. Minghella also noted that there were too few period buildings around Asheville and its environs. By contrast, Minghella could more easily manipulate the Romanian countryside to look like Civil War era North Carolina. The majority of the film was shot in Romania, though a few locations in North Carolina, South Carolina, and Virginia were used.

The real Cold Mountain at its highest point is a daunting 6,030 feet. The mountain is located within the Pisgah National Forest. Asheville’s tourism site advises that only experienced hikers should dare to take on 11-mile hike, which has no trail markers. Visitors can view the mountain from the Blue Ridge Parkway.

Inman, Frazier’s protagonist is based on relatives–chiefly his great-great-uncle, but also his great-grandfather. Frazier retrieved information about Inman’s service from the North Carolina State Archives, whose records state that Inman deserted twice, although conflicting records throw doubt on the second desertion. Inman’s neck injury sustained during the Battle of the Crater and his death at the hands of the Home Guard are verified facts, represented in the novel and the movie adaptation.

Overall, the movie, featuring Hollywood stars Jude Law, Nicole Kidman, and Renée Zellweger, is faithful to the book in terms of plot, though there are differences in mood. The romance between Ada and Inman and the violence (specifically the brutality of the Home Guard) are accentuated on-screen. Most of the characters are appropriately scruffy and disheveled, given the tough conditions, but Charles McGrath of the New York Times notes that Kidman’s Ada Monroe remains improbably radiant throughout the film.

Treatment of race and slavery drew some critical remarks. Both the book and movie’s portrayal of the Battle of the Crater downplayed the important presence of black soldiers on the Union side. Brendan Wolfe made a counterpoint during a critique of the first chapter of Kevin Lenin’s Remembering the Battle of the Crater: War as Murder. Wolfe is not troubled by how the novel and the film skirt around these tense issues since the focus of the story is not strict historical accuracy or a panoramic view of the war. Cold Mountain is the story of a disillusioned man on an epic trek home that parallels The Odyssey. But race and slavery are difficult topics to broach, and the representation of the American South throughout film history is varied.

 

The clip above from Movie Clips shows Jude Law as Inman in the beginning of the film resting in the trenches and looking at a photo of Ada shortly before the Union soldiers blow up a mine beneath the Confederate trench. After the fuse is lit, there’s a grand and dramatic cinematic explosion.

Minghella’s Cold Mountain was recognized with over 70 awards following its release in 2003. Renée Zellweger won Best Supporting Actress at the Academy Awards, and the film was nominated for Best Actor, Best Cinematography, Best Editing, Best Original Score, and Best Original Song twice:  for T-Bone Burnett and Elvis Costello’s The Scarlet Tide and Sting’s You Will Be My Ain True Love. For those interested in the music of the film and Appalachian folk songs, look at this interview of Charles Frazier in the Journal of Southern Religion. Cold Mountain was the seventh film directed by director-producer-screenwriter-actor Minghella who died in 2008.  The movie is available through the UNC-Chapel Hill Library catalog, as is the novel.  The original blog post on Frazier’s novel is available here.

Sources consulted here: Augusta Chronicle, Book Browse, Chicago Times (two different articles), Encyclopedia Virginia, Explore Asheville, History Extra (of BBC History Magazine), Journal of Southern Religion, Los Angeles Times, Movie Clips, New York Times, Prologue Magazine (of NARA), USA Today, Wikipedia (Anthony Minghella, Cold Mountain [film], Cold Mountain [novel], Cold Mountain [North Carolina])

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Filed under 2000-2009, 2003, Frazier, Charles, Haywood, Historical, Mountains