Tag Archives: Supernatural

Jennifer Estep. Midnight Frost. New York: Kensington Publishing, 2013.

Midnight FrostGwen Frost can’t stop having nightmares. They’re eerily realistic and they all end the same way, with dreamy Logan Quinn, Gwen’s (almost) boyfriend, stabbing her in the chest. Since Jennifer Estep’s last Mythos Academy installment, Logan and Gwen’s developing relationship has been brought to a screeching halt following Gwen’s arrest and trial for the crime of releasing Loki from his imprisonment. Now Gwen has no idea about Logan’s whereabouts. And his absence is weighing heavily on her, along with the increased attention from the rest of the student body. Students don’t just point and stare – they’ve created a phone app to track Gwen’s every move.

She might be Nike’s Champion, selected by the Goddess herself, yet Gwen has her doubts. She isn’t strong or fast like the other students of Mythos Academy who have warrior lineages. Students descend from Vikings or Amazons, or even Spartans. Gwen  is just a Gypsy, albeit a Gypsy with the mysterious skill of psychometry, a magical trait that allows her to learn about people or objects simply through touching them.

And the Reapers want her dead.

During a botched attempt to poison Gwen in the Library of Antiquities, librarian Nickamedes is poisoned instead. Professor Metis works what magic she can to keep Nickamedes alive, but it’s up to Gwen and her friends to seek the antidote to the deadly Serket sap. Their trek leads them to the Denver branch of the Mythos Academy. A rare flower, Chloris ambrosia, grows in the Eir Ruins near the school and contains the antidote to cure Nickamedes’ poisoning. Despite an early threat en route to Denver, the journey feels easy, a little too easy. Sure the Reapers want to kill Gwen. But why are they luring her all the way to Denver?

Midnight Frost is the fifth book in novelist Jennifer Estep’s Mythos Academy series. In this volume, readers will discover a few more details about Gwen’s father, Tyr Forseti, plus some unsavory information about her paternal relatives. There is a map of the school’s Library of Antiquities in the front of the book and a few brief indices at the back of the book on the Warriors and the Magic, the Mythos Academy, the Students, the Adults, and the Gods and the Monsters to get readers entrenched in Gwen’s world. Estep keeps her characters relatable. She merges the supernatural with the everyday; characters possess extraordinary powers yet exhibit normal teenaged impulses too. Estep also blends many strands of mythology. What other book could readers pick up that combines elements of Norse, Egyptian and Greek mythology, and feature a cheeky talking sword?

Young adult readers ages 13 and up will enjoy this mythological urban fantasy series.

If you’re new to this series, start by reading our first entry on Estep’s Mythos Academy. Or, check this title’s availability in the UNC-Chapel Hill Library catalog.

Leave a Comment

Filed under 2010-2019, 2013, Buncombe, Children & Young Adults, Estep, Jennifer, Mountains, Novels in Series, Science Fiction/Fantasy

Jason Mott. The Returned. Don Mills, Ont: Harlequin MIRA, 2013.

The ReturnedIf someone you loved came back from the dead, exactly as they were before they died, would you want them back in your life again? That’s one of the many questions Agent Martin Bellamy asks Lucille and Harold Hargrave.

People around the world have begun to return from the dead suddenly and without explanation. Agent Bellamy works for the International Bureau of the Returned, an organization that was shaped up hastily in the wake of this new phenomenon. The Returned seek out their families and friends and the Bureau helps reconnect them to their loved ones. Despite the Bureau’s involvement, they are just as baffled as the rest of the world. In truth, the Bureau has simply been “counting people and giving them directions home,” plus filing some paperwork in the process. The Returned can appear anywhere, at any time. Lucille and Harold’s eight year-old son Jacob is found in a village near Beijing.

On August 15, 1966, Jacob Hargrave died on his eighth birthday. His death was accidental and tragic. Since Jacob’s passing, his parents sidestepped their grief. Instead of acknowledging their pain, Lucille and Harold avoided the topic. Decades later, when Jacob reappears, Harold can’t recall Jacob’s name. In his advancing age, Harold has started shrinking, a factor he attributes to his recently curbed smoking habit. By contrast, Lucille has remained in comparably solid physical shape for her age. But nothing makes Harold feel his age so much as the newly returned Jacob, preserved as an eight year-old. Lucille eases instinctively back into her role as mother, though her behavior surprises her. Still Harold and Lucille’s faded memories and the awkward gap between their old age and Jacob’s youth reveals the difficulty of passed time. Suspicions, particularly on Harold’s part, that Jacob is not a real living and breathing person doesn’t help matters. Although Harold and Lucille have been reunited with their son, it won’t be easy to pick up right where they left off.

Their reunion is not an insular event though. As the numbers of the Returned increase, people start to speak out against the “miracle.” The True Living Movement was founded as a campaign to support the living. It tended to attract anti-government enthusiasts. Supporters of True Living are concerned with reestablishing the natural order of the world, which means sending the Returned back to where they supposedly belong. Although True Living is more extremist in its approach, the US government is equally uneasy about the Returned. The government’s mandates for the Returned increase quickly from home confinement to containment in special camps. Tensions mount as small-town Arcadia, and the world, is ripped apart, seam by seam, from the panic surrounding the Returned.

The Returned is poet Jason Mott’s first novel. Mott has written two poetry collections previously. He holds a BA and MFA in creative writing from UNC-Wilmington. His novel was selected by Plan B, Brad Pitt’s production company, to be adapted into a television series. Mott’s background as a poet is obvious; his writing is lyrical and sophisticated. The novel is told in the third-person with standard enumerated chapters, but Mott intersperses the central story and its chapters with vignettes of the Returned. Mott also forms convincing relationships and connections between his characters, like the playful jabs between Lucille and Harold and Jacob’s goofy jokes. Don’t read the novel expecting pure science fiction or detailed answers at the end. There are no satisfying answers here. Mott explores memory and time as well as loss and second chances with loved ones.

Check this title’s availability in the UNC-Chapel Hill Library catalog. And read this article from The Daily Tar Heel to learn more about the inspiration behind Jason Mott’s novel and his writing process.

Leave a Comment

Filed under 2010-2019, 2013, Mott, Jason

Ronald Malfi. Cradle Lake. Aurora, IL: Medallion Press, 2013.

Cradle LakeBuzzards won’t stop lurking around Alan Hammerstun’s property. Once Alan spotted the first few, more and more of the creatures started appearing, perching on his rooftop like hunched “gargoyles” and stalking around his lawn. The buzzards aren’t Alan’s only concern. Since he and his wife, Heather, moved in, strange vines have covered the house. Vines that bleed dark purple ooze and grow back right after Alan cuts them down. Despite the tension bubbling between them, Alan and Heather have quite a bit of patience to continue living in such a nightmarish space.

The Hammerstun couple and their golden retriever, Jerry Lee, only recently moved into the house, located in the mountains of fictional Groom County, North Carolina. Alan was surprised to hear that his Uncle Phillip left the house to him. They had little meaningful contact and Alan hadn’t visited the property since he was a kid. He and Heather lived in New York City. Alan was a native and a college professor in his early thirties. Heather, entering her mid-thirties, relocated to NYC after growing up in the Midwest and worked in an art gallery.

As of late, Heather and Alan had been trying to start a family with little success. Heather’s first miscarriage occurred early in the pregnancy. The experience was unsettling, but the Hammerstuns still felt hopeful. But Heather’s second miscarriage came slightly later in the pregnancy and was a much more traumatic experience. After their ordeal and subsequent attempts to conceive, Heather fell into a deep depression. She quit her job and her vacant, dangerous behavior began to worry Alan. So when the news of his unexpected inheritance reached him, Alan decided a change of scenery might help Heather heal and restore their relationship.

Soon after the move, Alan visits the lake on his property. He learns of its mysterious healing powers, but is cautioned by a friendly neighbor that sometimes the lake doesn’t always work its magical powers for everyone. Alan pursues information about the lake and the strange symbols carved on the stones lining the path to the lake. He finds a gruesome back-story and a warning from George YoungCalfRibs, a Cherokee with a prophetic gift. YoungCalfRibs advises Alan to leave his new home – but to burn it to the ground before he departs.  Meanwhile, Alan and Heather are growing further apart. Heather’s depression shows no improvement and Alan’s stomach ulcer, borne of stress, worsens. The allure of the lake starts to override Alan’s better judgment. Its miracles are easier to see than the possible strings attached.

Readers who don’t normally add much horror to their to-read lists shouldn’t pass by Cradle Lake. Novelist Ronald Malfi’s story is well-written and filled with strong, creepy visuals. The aforementioned buzzards and vines, in addition to Alan’s increasingly intense nightmares, are tangible and chilling. Alan’s growing paranoia and sense of being followed builds up slowly. The simmering tension already present between the Hammerstuns escalates after their move. Malfi does a nice job of prolonging those feelings until they boil over at the very conclusion.

Check this title’s availability in the UNC-Chapel Hill Library catalog.

2 Comments

Filed under 2010-2019, 2013, Horror, Malfi, Ronald, Mountains, Novels Set in Fictional Places

Edward Lazellari. The Lost Prince. New York: Tom Doherty Associates, 2013.

The Lost PrinceWhat if your entire life was an illusion? What if you were living a double life — and you didn’t even know it?

In Awakenings, the first book in Edward Lazellari’s Guardians of Aandor series, readers meet Cal MacDonnell, a police officer, and Seth Raincrest, a struggling photographer. At first glance, the two men seem to have little in common – except for one distinguishing characteristic. Both men suffer from retrograde amnesia. They have no memory of their prior lives. Unexpectedly and inexplicably, fantastical creatures begin to hunt down MacDonnell and Raincrest. Over the course of the novel, Lazellari develops, through multiple plot lines and perspectives, that Cal and Set originate from an alternate, medieval land, called Aandor. They traveled to Earth to protect the infant prince of Aandor from a group of assassins. But the prince was lost and their memories were wiped clean after an accident.

With the sequel, The Lost Prince, Cal and Set gradually remember more details about their former lives. During the prologue, more characters experience sudden seizures that return their memories of Aandor. Malcolm Robbe is an industrial titan and the top weapons producer in America. Allyn Grey is the reverend at the First Community Baptist Church of Raleigh. Or so their earthly memories would lead them to believe. Recollections of Aandor and their botched mission complicate their relationships on Earth. Reverend Grey, for example, shocks his family by integrating his pagan beliefs from Aandor with his Christian ministry. And Cal’s wife, Cat, is set on edge when Cal remembers his betrothed, a wealthy and beautiful lady.

However, the search for the prince is the driving action in the second chapter of this series. The guardians, with their refreshed memories, are desperate to get their hands on the prince before the vicious sorcerer Dorn finds him. Dorn is bent on purifying Aandor from supposedly lesser races. He lives in the neighboring land of Farrenheil and wishes to control Aandor.

Daniel, the thirteen year-old prince, stumbles between regular danger and momentary safety. Dorn and the guardians aren’t the only ones searching for Daniel. Law enforcement and the press have branded Daniel as the “teen killer” after murdering his abusive stepfather. For the time being, Daniel is safe, but only marginally so.  Seedy private investigator Colby Dretch has sheltered Daniel with his sister Beverly and her lascivious sixteen year-old daughter, Luanne in a trailer parker situated in the “boonies” of North Carolina. However, Colby doesn’t hold Daniel’s best interests at heart. He has a secret agenda. Dorn employed Colby to locate and deliver Daniel to him. Now that Daniel is willingly in his care, will Colby surrender him over Dorn? Or will Cal and Seth or another one of the newly awakened guardians rescue Daniel first?

Although Lazellari has included enough detail for new readers to catch on to the story, readers might want to start with the first book in the series for a fuller experience given the length and intricacy of the novels and the quantity of characters. Lazellari handles the complexity of the characters’ double lives well. The characters express a range of reactions to their reinstated memories. Some are not troubled by the duality, while others are conflicted by the duality and where they truly belong.

Check out this title in the UNC-Chapel Hill Library catalog.

Leave a Comment

Filed under 2010-2019, 2013, Lazellari, Edward, Nash, Novels in Series, Piedmont, Science Fiction/Fantasy, Wake

Ann Hite. The Storycatcher. New York: Gallery Books, 2013.

The Storycatcher“I heard tell there was a colored woman’s ghost who walked the Ridge. She was what old-timers called a story-catcher. Her job was to set life stories straight, ‘cause the Lord only knew how many were all twisted in a knot.”

Ann Hite’s The Storycatcher is a Southern Gothic that will keep readers awake at night tracing the interconnections between the different families and characters. Hite’s novel is lush, complex and ambitious in style. She splits the tale between location: Black Mountain, North Carolina and Darien, Georgia and time: the action occurs in the 1930s but there are letters and recollections from the late 1800s. Like any true Gothic, Hite incorporates paranormal elements. A few of the primary characters are no longer living. They are known as “haints” to the people of Black Mountain. Essentially, they are ghosts who are waiting for their stories to be finished.

Although the story has several voices, it centers around two young girls named Shelly Parker and Faith Dobbins. Shelly is a servant to the Dobbins family. As a rule, she dislikes the Dobbins clan. Pastor Dobbins, the patriarch of the family, exerts his influence over the town. The mountain people of the area relent before Pastor Dobbins’ divine authority. Although his title gives him power however, the locals doesn’t respect Pastor Dobbins so much as fear him. Pastor Dobbins is a fire and brimstone preacher who speaks of eternal damnation. Regardless of his theological trade, he is an evil man motivated by secrets and violence. But Shelly has greater initial contempt for Pastor Dobbins’ spoiled daughter, Faith, who orders her around on silly tasks. “Miss Prissy” Faith is “the neediest white girl,” who, in Shelly’s eyes, doesn’t lift a finger. What truly agitates Shelly is Faith’s closeness to her mother, Amanda, and her brother, Will.

However, when shrouded secrets emerge and point toward Pastor Dobbins, the girls investigate. In fact, they are forced together out of necessity. Shelly can see spirits; Faith is haunted by spirits, namely Arleen Brown who died during childbirth five years prior and was buried with her infant boy. Arleen alludes to the fact that she did not become pregnant of her own accord. Arleen occupies Faith’s body and compels the novel forward. What stories will Shelly and Faith find that are left to be told?

The Storycatcher dwells on the theme of retribution. Hite adopts a splintered narrative that features multiple perspectives, specifically six female point-of-view characters. She also braids in mountain superstitions and pieces of folklore, including charm quilts, death quilts, and hoodoo. These traditions, along with the racially-charged environment of the South during the 1800s and 1930s, reiterate the sense of interrelation and the desire for vengeance to adjust past inequities.

Check this title’s availability in the UNC-Chapel Hill Library catalog.

Leave a Comment

Filed under 2010-2019, 2013, Buncombe, Historical, Hite, Ann, Mountains, Suspense/Thriller

Bennett Madison. September Girls. New York: HarperTeen, 2013.

September GirlsSeventeen-year old Sam isn’t excited by his dad’s resolution to spend the summer at a quiet little beach town on the Outer Banks, but he isn’t surprised by the scheme either. Earlier that winter Sam’s mother dropped all her responsibilities and abandoned her husband and her son to spend time at Women’s Land, which the book implies is something of a feminist commune. Prior to her departure, Sam’s mother, a “frumpy kindergarten teacher,” adopted radical feminist tenants, like the SCUM Manifesto, so the act is something of personal (or self-satisfying) liberation for her.

Sam’s dad has dealt with the change by throwing himself into hobbies from yoga to knitting to cooking. Sam jokes “if there was a tear-off sheet on a bulletin board in Starbucks he was willing to give it a try.” So his latest idea to relocate temporarily to the Outer Banks is one of many distractions from the reality of his wife’s abandonment. Jeff, Sam’s brother, has returned from college recently and helps somewhat to plug the hole left by their mother. With Jeff and Sam in tow, their father packs everything up and heads for the beach, even before Sam’s school year ends.

After several months of dealing with his fragile father and pressure from his friends–and now Jeff– to “man up” and “get laid,” Sam wants to escape. He is troubled by ideas of love and manhood. The men in his life don’t exactly provide a shining paragon of masculinity. But soon Sam’s attention is diverted by another presence on at the beach, the Girls. They are blonde and beautiful and, to Sam, interchangeable. Sam watches them working menial summer jobs around town, taking cigarette breaks, flipping through magazines, lying on the beach. Yet the strangest part is not that the Girls are everywhere, but that they are all interested in Sam. They eye him with a lustful hunger.

Sam is befuddled that the Girls notice him rather than his hunky brother, or any other hunky guy around the town for that matter. He is scrawny and awkward, hardly a chick magnet. Then he meets one of the Girls, DeeDee. Normally they travel in pairs, but DeeDee seems different from the rest of the Girls. She and Sam bond, and he feels genuine affection for her. But she hesitates. There is a mystery of an otherworldly nature surrounding her and the rest of the Girls. When Sam learns the truth behind the secret, it alters his relationship with DeeDee irreparably.

Novelist Bennett Madison captures pitch-perfect the crude exchanges between Sam, Jeff, and their father, and Sam’s constant cynicism sounds like a teenager attempting jaded and world-weary angst. Madison structures the novel traditionally and from Sam’s perspective with numbered chapters, but he weaves in parallel chapters from the Girls with named chapters. The interspersed chapters from the Girls read like an echo and function similarly to a Greek chorus, summarizing background information and responding to and supplementing the story’s action. These chapters also successfully bolster the mythic quality of the story. However, Madison maintains a clean balance between the fairy tale and the reality. Madison’s treatment of Sam and his story is based the development of a boy tripping around the edge of manhood and a confused family trying to mend life’s rips and holes.

Check this title’s availability in the UNC-Chapel Hill Library catalog.

Leave a Comment

Filed under 2010-2019, 2013, Children & Young Adults, Coast, Currituck, Dare, Hyde, Madison, Bennett

Glen Hirshberg. Motherless Child. Northborough, MA: Earthling Publications, 2012.

Friends and recent mothers, Natalie and Sophie are enjoying a night out in Charlotte, drinking, listening to music, and meeting men. Natalie and Sophie seem like a typical pairing of opposites: where Natalie is coolly observant, Sophie is fun and free-spirited. At a bar, they meet a bizarre performer called the Whistler. The Whistler is fixated on Natalie. He first saw her, secretly, the night before working a shift at a Waffle House. After that brief encounter, the Whistler decided that Natalie is his “Destiny,” that she is bound to be his companion for eternity. So later that night, he turns both women into vampires. The next morning Natalie and Sophie awake in Natalie’s car, disoriented and not fully certain of the last night’s events. However, their ripped clothing and dried blood give them a good idea that things are not totally right.

Soon, Natalie and Sophie begin their inevitable transformation. Natalie recognizes the threat of the Whistler and his current companion, Mother. She asks her mother, Jess, to take her and Sophie’s children and to disappear. Natalie plans to go into hiding with Sophie. Sophie, though, is not keen on the idea of being separated from her child and she fights Natalie most of the way. But in short order Jess and the children and Natalie and Sophie flee their trailer park, Honeycomb Corner, heading in opposite directions with the Whistler and Mother at their heels. The Whistler is bent first on finding Natalie, and then, on finding the children to threaten Natalie into submission. Mother, meanwhile, is just bent on destruction.

Natalie and Sophie try to suppress the new hunger they feel growing inside of them that compels them to complete their transition. As they head further South, toward the alligator-filled swamps of Florida, both women long to reunite with their babies and return to their homes, ignoring their intuition that neither of them can go back to normal. Paths cross and characters collide in a thrilling final show down.

Motherless Child was published in limited release by Earthling Publications to celebrate Halloween. But the novel isn’t your standard vampire story. Hirshberg’s tale is an unusual amalgamation of one part buddy road-trip, one part action-fueled chase, and one part supernatural horror. In fact, the word “vampire” is hardly, if ever, uttered between the pages. Hirshberg taps into a few traditions, yet for the most part these are vampires quite unlike the broodier stock of recent pop culture. They use Twitter and they don’t have fangs–but they do delight in violence. These are vampires of a much more wicked constitution — one that would pale lovers of Twilight and related vampire romance.

Check out this title in the UNC-Chapel Hill Library catalog.

Leave a Comment

Filed under 2010-2019, 2012, Hirshberg, Glen, Horror, Mecklenburg, Piedmont, Suspense/Thriller

Rhonda Riley. The Enchanted Life of Adam Hope. New York: Ecco, 2013.

The Enchanted Life of Adam HopeAfter her Aunt Eva passes away, seventeen-year old Evelyn Roe is charged by her parents to tend to her deceased aunt and uncle’s farm near the fictional town of Clarion, North Carolina. The farm lies twenty-five miles outside of Charlotte. Riley’s story begins at the end of World War II and most of the town’s men are off fighting, if they have not already perished in the wake of the war effort.

With their work at the cotton mill, Evelyn’s parents do not have time to look after the farm. Despite her initial shock at the responsibility, Evelyn quickly adapts to her new circumstances and finds freedoms alongside her obligations. Thanks to her height, her red hair, and her smattering of freckles, Evelyn is teased mercilessly. Like many small towns, Clarion does not take kindly to differences. But on the farm, she develops a loving bond to her family’s land.

On the farm, Evelyn happens upon something odd — a man lodged in the harsh, red clay earth. Evelyn rescues and cares for the disfigured man. Yet the unknown, unnamed man is not what he seems. He possesses strange talents that verge on supernatural. Evelyn and the man who eventually transforms into Adam Hope fall in love. Their connection is profound, both spiritual and sensual. They marry and start a family.

The town of Clarion accepts Adam unequivocally. They appreciate his kind heart, large appetite, and earthy nature. At first. After a tragic incident brings grief to the Hope family, Adam’s unusual behavior elicits discomfort and draws questions from the townspeople. Suddenly, the Hope family finds their way of life endangered. Will Evelyn and Adam be able to restore their standing in the community and maintain their intimate bond? Or will the stress of prying public opinion unravel the Hope family?

First-time novelist Rhonda Riley presents a story with biblical undertones that focuses on unwavering love and that experiments with concepts such as gender and physical manifestations of differences. Her exploration of gender in particular is at times reminiscent of Virginia Woolf’s Orlando. She highlights the subtleties and secrets that exist within families. Riley questions ancestry and if people can know one another truly.

Check this title’s availability in the UNC-Chapel Hill Library catalog.

Leave a Comment

Filed under 2010-2019, 2013, Novels Set in Fictional Places, Piedmont, Riley, Rhonda, Romance/Relationship

C.K. Volnek. Ghost Dog of Roanoke Island. United States: Spark Books, 2011.

ghostdogofroanokeIt feels like fate when Jack Dahlgren’s family inherits his great-aunt Ruth’s home on Roanoke Island in North Carolina. His dad has lost his job, and all the family’s savings are gone. But twelve-year-old Jack doesn’t want to live on Roanoke Island, especially in a house that the kids at school say is haunted. He also feels responsible for his little sister’s accidental fall off of a nearby sea cliff, which put her in a hospital in Raleigh. On top of everything, a hurricane is bearing down on the Outer Banks, howling like a monster.

…Or is it a hurricane? There’s definitely some stormy weather, but there’s also something dark and scary living in the woods near the Dahlgrens’ new house. When Jack investigates, he finds a mysterious, vanishing mastiff, and something much wilder. Later, Jack meets and befriends their Algonquin neighbor, Manny Braboy, who explains it all– the evil living in Jack’s woods is a Witiku: a demon summoned by the natives of Roanoke Island in the sixteenth century to rid the island of all invaders. Incredibly, Manny tells Jack that he, Jack, must be the one to defeat the Witiku. The twelve-year old is skeptical, but when Manny takes him back to the sixteenth century to observe the events of the Lost Colony unfold, he begins to believe. Will Jack defeat the Wikitu? Will Roanoke Island finally be at peace? Will Jack ever be happy in his new home?

Check this title’s availability in the UNC-Chapel Hill Library catalog.

2 Comments

Filed under 2010-2019, 2011, Children & Young Adults, Coast, Dare, Historical, Science Fiction/Fantasy, Volnek, C. K.

Kathleen Thomas. Blackbeard’s Treasure. Greensboro, NC: Tudor Publishing, 2009.

Blackbeard's TreasureMatthew and Lauren Bakker, and their cousins Haley and Luke Bakker, are all set for a fabulous six weeks of summer camp on North Carolina’s Outer Banks. Everyone is excited about different parts of the camp, but Matthew is focused on one thing only: Blackbeard. The most infamous pirate to terrorize the coast of the Old North State, Blackbeard supposedly left mountains of treasure behind when his ship Queen Anne’s Revenge sank in 1718. Matthew has been reading a book about the bloodthirsty buccaneer, and it’s not long before his enthusiasm infects his sister and cousins. Incredibly, when the four children arrive at summer camp, they discover that an underwater archaeological expedition is in progress nearby to find and recover Blackbeard’s ship for a local university.

Unfortunately, more than one person is interested in the sunken pirate galley. A private collector thinks he can beat the academics to what could be the discovery of the century. He’ll stop at nothing to steal the priceless wreck from under their noses and sell its treasure on the black market. Yet, the children come to suspect that a modern-day privateer is the least of their worries. Could Blackbeard’s angry spirit be haunting the beaches and coves of the Outer Banks, as well? With the help of the archaeologists, their harried camp counselors, and a crusty local former sailor, the four young troublemakers are determined to protect the treasure and thwart the ghost…by hook or by crook.

Check this title’s availability in the UNC-Chapel Hill Library catalog.

Leave a Comment

Filed under 2000-2009, 2009, Carteret, Children & Young Adults, Coast, Thomas, Kathleen