Friends and recent mothers, Natalie and Sophie are enjoying a night out in Charlotte, drinking, listening to music, and meeting men. Natalie and Sophie seem like a typical pairing of opposites: where Natalie is coolly observant, Sophie is fun and free-spirited. At a bar, they meet a bizarre performer called the Whistler. The Whistler is fixated on Natalie. He first saw her, secretly, the night before working a shift at a Waffle House. After that brief encounter, the Whistler decided that Natalie is his “Destiny,” that she is bound to be his companion for eternity. So later that night, he turns both women into vampires. The next morning Natalie and Sophie awake in Natalie’s car, disoriented and not fully certain of the last night’s events. However, their ripped clothing and dried blood give them a good idea that things are not totally right.
Soon, Natalie and Sophie begin their inevitable transformation. Natalie recognizes the threat of the Whistler and his current companion, Mother. She asks her mother, Jess, to take her and Sophie’s children and to disappear. Natalie plans to go into hiding with Sophie. Sophie, though, is not keen on the idea of being separated from her child and she fights Natalie most of the way. But in short order Jess and the children and Natalie and Sophie flee their trailer park, Honeycomb Corner, heading in opposite directions with the Whistler and Mother at their heels. The Whistler is bent first on finding Natalie, and then, on finding the children to threaten Natalie into submission. Mother, meanwhile, is just bent on destruction.
Natalie and Sophie try to suppress the new hunger they feel growing inside of them that compels them to complete their transition. As they head further South, toward the alligator-filled swamps of Florida, both women long to reunite with their babies and return to their homes, ignoring their intuition that neither of them can go back to normal. Paths cross and characters collide in a thrilling final show down.
Motherless Child was published in limited release by Earthling Publications to celebrate Halloween. But the novel isn’t your standard vampire story. Hirshberg’s tale is an unusual amalgamation of one part buddy road-trip, one part action-fueled chase, and one part supernatural horror. In fact, the word “vampire” is hardly, if ever, uttered between the pages. Hirshberg taps into a few traditions, yet for the most part these are vampires quite unlike the broodier stock of recent pop culture. They use Twitter and they don’t have fangs–but they do delight in violence. These are vampires of a much more wicked constitution — one that would pale lovers of Twilight and related vampire romance.
Check out this title in the UNC-Chapel Hill Library catalog.