John Donne’s Devotions Upon Emergent Occasions

We are excited to report that we’ve acquired a very rare edition of John Donne’s famous Devotions upon Emergent Occasions, known best for containing the oft-quoted “No man is an island” and from whence Ernest Hemingway received inspiration for the title of his book, For Whom the Bell Tolls. Our copy is of the very uncommon fourth edition (1634) and is all the more rare because it includes the engraved title-page by William Marshal depicting Donne in his death shroud based on his marble effigy in St. Paul. The fourth edition is the first with this engraved title-page, which is often missing in other copies.

BV4831 .D6 1634 / William A. Whitaker Fund

The passage containing Donne’s famous lines is found in Meditation XVII, ‘Nunc lento sonitu dicunt, Morieris’, the tolling of the passing bell:

No man is an Iland, intire of it selfe; every man is a piece of the Continent, a part of the Maine; if a Clod bee washed away by the Sea, Europe is the lesse, as well as if a Promontory were, as well as if a Mannor of thy Friends, or of thine owne were; Any mans death diminishes mee, because I am involved in Mankinde, and therefore never send to know for whom the Bell tolls, It tolls for thee.

 

Physiologie du musicien – Wick Collection of French Romantic Literature

The Physiologies of a variety of subjects—including the physiology of physiologies—were all the vogue in France between 1840 and 1850. A new one in the Rare Book Collection is the Physiologie du musicien, acquired as part of Peter Wick’s incredibly rich collection. Written by Albert Cler and illustrated with wood-engraved vignettes by Daumier, Gavarni, Janet-Lange, and Valentin, this tongue-in-cheek analysis of the musician is broken down into chapters dealing with topics such as …

Comparing musicians of before and today, the latter among whom is featured the famous pianist and composer Franz Liszt:

Franz Liszt

As well as a hilarious jab at musical amateurs, connoisseurs, and dilettantes,

among whom we might find those who, at the Opera, insist very seriously that they simply cannot hear and understand the music without a lorgnette:

We’ve Been Busy, But Now We’re Back!

We’ve been busy since we launched our Blog. The Print Council of America made its first visit ever to North Carolina at the end of May, and Wilson Library was the venue for the annual meeting. The Rare Book Collection mounted displays of its diverse graphic holdings. Caricature is back in vogue, as a presentation at the meeting indicated, and our Cruikshank, Grandville, and Leech materials were much appreciated. Our copy of Grandville’s Types modernes, from the famous Donaueschingen Library—and with original drawings—was a particular standout.

Also on view for the Print Council was the new exhibition Meaningful Marks: Image and Text and the History of the Book. Up through September 28, the show explores why authors, artists, editors, and publishers often join image with text, creating more complex composite texts. It features some of the Rare Book Collection’s most provocative illustrated books.

Image of the Emperor, in Archbishop Rabanus Maurus of Mainz, De laudibus Sancte Crucis opus (Pforzheim, 1503)
Vivien and Merlin, in Julia Margaret Cameron, Illustrations to Tennyson’s Idylls of the King, and Other Poems (London, 1875)
Handmade colophon with 1763 print of the Virgin of Guadalupe, for Molina, Vocabulario en lengua castellana y mexicana (Mexico City, 1571)
Wampum Snake and Red Lily, in Mark Catesby, The Natural History of Carolina, Florida and the Bahama Islands (London, 1731–1743)
Aubrey Beardsley, illustrator, Salome with the Head of John the Baptist, proof for Oscar Wilde’s Salome (1893)
Eugène Delacroix, illustrator, Gretchen in Church, in Johann Wolfgang von Goethe, Faust: tragédie de M. de Goethe (Paris, 1828)