Stunning photographs made by Aaron Rennert for Photo-Sound Associates, from the Ron Cohen Collection (20239). Shot in New York City, in the late 1950s, the images document a party attended by members of the famed Ballet Español de Ximenez-Vargas. Dancers include (from top to bottom): Carmen Rivas, an unidentified man, Maria Alba (Flamenco dance star who studied with Mariquita Flores and by 1957 or so was dancing with Ximenez-Vargas), and Antonio Hector de Jesus.
Promotional photo of the great Jesse “Lone Cat” Fuller from Manny Greenhill’s legendary Folklore Productions. Best known for his song “San Francisco Bay Blues,” Fuller was a renaissance man: appearing in silent films like The Thief of Baghdad, hoboeing cross-country, working in the California shipyards, and playing music. Fuller built his own bass accompaniment, the “fotdella,” and played harmonica and washboard along with his 12-string guitar to make himself a one-man jug band. Fuller died in 1976 in Oakland, California. The image is call no. p673 in the John Edwards Memorial Foundation Collection.
Some excellent classic, old-time country from Robert McFarland and Lester Gardner for you readers today. Also known as “Mac and Bob,” the duo met at the Kentucky School for the Blind in the early 1920s and recorded over 200 songs for Brunswick and other labels. They appeared regularly on the WLS Barn Dance for twenty years, retiring in 1950. Originally recorded but rejected by Brunswick, we digitized these two tracks from a disc on the Australian imprint, Regal Zonophone, SFC call no. 78-11592. “The Hut on the Back of the Lot” is at the top of the list for one of my favorite songs of 2014. Life lessons from “Little Ned.” This one’s for dear old Dad.
The Southern Folklife Collection is pleased to announce our first exhibit and program of 2014, “Lard Have Mercy! 30 Years of Southern Culture on the Skids.” The exhibit opens Friday, March 14, 2014 at 6PM on the 4th floor of the Wilson Library at UNC-Chapel Hill. The exhibit opening will be followed by a concert at Historic Playmakers Theater featuring none other than Southern Culture on the Skids. Both events occur in conjunction with the annual conference of the International Association for the Study of Popular Music (IASPM) taking place March 13-16 at UNC-Chapel Hill.
“Lard Have Mercy” traces the history of Chapel Hill’s “Legendary Bards of Downward Mobility,” Southern Culture on the Skids (SCOTS). Formed in 1983. SCOTS embody a raucous, sleazy, good-natured, good-time take on Southern traditions and traditional music playing a unique hybrid of Americana, surf, R&B, rockabilly, and swamp pop, driving fans into ecstatic, sweat-drenched paroxysms of joy.
Featuring photography by Kent Thompson and Michael Benson as well as instruments, posters, recordings, and other ephemera from the SCOTS collection in the Southern Folklife Collection.
Events are free and open to the public but seating is limited. Concert Tickets will be available via Memorial Hall Box Office (919) 843-3333 the week of March 3rd. More information about the concert below.
Ticket booth opens: 6pm
“A HELL RAISING ROCK AND ROLL PARTY” – ROLLING STONE
Pete Seeger performing at Folk Festival at Town Hall, 8 March 1958. Photo by Ray Sullivan for Photo-Sound Associates. 20239_pf0002_0022. Ron Cohen Collection (20239). Southern Folklife Collection.
We were deeply saddened to hear of the passing of Pete Seeger early this morning. Certainly the Southern Folklife Collection could not exist without the singular vision and dedication of remarkable individuals like Pete Seeger. His efforts to collect, preserve, and celebrate the musical heritage of the peoples of the world reflects the core of our mission. We consider it an honor to be able to contribute to the celebration of Seeger’s life and legacy with the resources we hold at Wilson Library and we encourage anyone interested in more research to visit us Wilson Library where the Southern Folklife Collection has hundreds of images, publications, recordings, and manuscript materials documenting Pete Seeger. With such a diverse and extensive career, it was difficult to choose what to share, however these images from the Photo-Sound Associates materials in the Ron Cohen Collection (20239) immediately came to mind.
The first four were made by Ray Sullivan in the late 1950s, after Seeger’s 1957 indictment for standing up to congress and the House Un-American Activities Committee. They all feature Seeger at the heart of the early folk revival in New York City doing what he loved, singing and playing music for people. The final image shows Seeger, Rambling Jack Elliot (in the top hat) and a crew of musicians on the deck of the Clearwater, the sloop Seeger built to advocate for clean water on his beloved Hudson River. We hope you find these images as joyful and moving as we do. Sing a song today for Pete.
Pete Seeger with the Drexel Singers (front row: Lela Royster, Edith Drexel, Elizabeth “Liz” Dargan, and unknown male singer). Folksong ’59 at Carnegie Hall, 3 April 1959. Photo by Ray Sullivan for Photo-Sound Associates. 20239_pf0079_01_0028. Ron Cohen Collection (20239). Southern Folklife Collection.
Pete and Mike Seeger. Folksong ’59 at Carnegie Hall, 4/3/59. 20239_pf0079_02_0028.Photo by Ray Sullivan for Photo-Sound Associates. Ron Cohen Collection (20239).Southern Folklife Collection.
Pete Seeger, presumably hootenanny at Carnegie Hall, 22 February 1958. Photo by Ray Sullivan for Photo Sound Associates. 20239_pf0132_02_0006. Ron Cohen Collection (20239). Southern Folklife Collection.
Pete Seeger, Jack Elliott, and crew performing for children on the Clearwater, ca. 1969. Photo-Sound Associates. 20239_pf0201_03_0015. Ron Cohen Collection (20239). Southern Folklife Collection.
via Eugene Earle
And we’re back. 2014 marks the 25th Anniversary of the Southern Folklife Collection and we have a ton of extra special events coming this year. Stay updated here on Field Trip South. It’s going to be a great year.
One more tasty holiday treat from the Southern Folklife Collection. From the Eugene Earle Collection (20376), we have Del Reeves doodling’ away at his tune “Santa’s Boy.” This track appeared on transcription disc recording of the Ralph Emery Show, originally aired on Christmas Eve, 1971, call number TR-12-245.
Doodily-do everybody. We’ll see you next year.
|Transcription Disc TR/12-245
More holiday tunes from the Southern Folklife Collection. This time from the great Rockin’ Sidney, master tape FT-6771 in the Goldband Recording Corporation Collection (20245). This tape was preserved in the Rivers Studio as part of a current Southern Folklife Collection digitization project, From the Piedmont to the Swamplands: Preserving Southern Traditional Music, funded by a grant from the National Endowment for the Humanities.
The legendary Count Rockin’ Sidney and the Dukes recorded well over 50 zydeco flavored R&B tracks for Shuler’s Goldband Records in the 1960s and 1970s, including this tight grooved holiday jam. From Count Rockin’ Sidney and the Southern Folklife Collection, may your X-mas be a “Soul Christmas”
We’re starting our holiday party in the stacks early this year with a track from the William R. Ferris Collection (20367). This tape, call no. FT-10407, was preserved in the Rivers Studio as part of a current Southern Folklife Collection digitization project, From the Piedmont to the Swamplands: Preserving Southern Traditional Music, funded by a grant from the National Endowment for the Humanities.
Folklorist Bill Ferris celebrated Christmas in the summertime at Wade Walton’s barber shop in Clarksdale, Mississippi (pictured above). One of the patrons played a lively version of “Silent Night” before getting his hair cut. We’re not sure if the smoking monkey was involved, but one can hope. Happy holidays from the Southern Folklife Collection.
P3910. Standing from left to right: KBBQ disc jockey Hugh Jarrett, musicians Ray Price and Tex Williams, and tailor Nudie Cohn. The four are backstage at the KBBQ First Anniversary Show. Southern Folklife Collection Radio and Television Files (30015).
Country legend, Ray Price died this week at his home in Texas at the age of 87. The “Ray Price Shuffle,” a 4/4 beat developed by the Cherokee Cowboy himself remains a staple of the honky tonk sound. Combined with his velvet voice and countrypolitan ballads, Price changed the sound of Nashville. We picked out a few items from the Southern Folklife Collection to share in remembrance of Price and his lasting legacy. The photo above, P3910 from the Southern Folklife Collection Radio and Television Files (30015) features Price along with one of his great friends, fashion designer Nudie Cohn. Price could often be found on stage wearing one of Cohn’s “Nudie Suits.” Price’s visual style remained impeccable throughout his career, but it was always his voice that separated him from the rest of the crooners. Listen to his great rendition of the Harlan Howard tune, “Heartache by the Numbers” from call no. 45-1472.
Another classic from Price’s massive catalog is his hit, “Take Me As I Am (or let me go). This Don Law produced single has the full “Nashville Sound,” a full orchestra and choral arrangement to back Price’s powerful voice and make the syrupy lyrics wonderfully bittersweet. We found a unique promotional flier for the song in the Southern Folklife Collection Artist Name Files (30005), NF1596. These items are but a blip in Price’s 65 year career. We’d love to show you more but you’ll have to make a visit to Wilson Library. For now, let’s sit back and enjoy one more song.