A couple of posters from gigs I would have liked to attend. I was lucky to grow up not 1/2 mile from the Broken Spoke, and despite the best efforts of “New Austin,” I am very glad to report that it’s still there, still honky-tonkin, and the Lone Star is still cold. Both of these posters come from the Archie Green Papers (20002), collected by Archie while a professor at the University of Texas in the 1970s. I feel like artist Michael Priest’s comment written on the bottom of the poster reflects the general sense of wonder those cosmic cowboys and post-hippy hipsters must have felt to be able to attend shows like this on a regular basis, singular moments in music history that transcended the commercial drive of the social scene.
“We seen it right here didn’t we?”
I wish we had, Michael. Long live the kings.
Dock Walsh, known as the “Banjo King of the Carolinas”, shown here demonstrating his unique ‘Hawaiian’ banjo style, achieved by placing pennies under the bridge and sliding a pocket knife along the neck. Photo ca. 1962 by Archie Green, from the Archie Green Collection.
North Carolina fiddler Tommy Jarrell, February 1968. From the Archie Green Collection.
Folklorist Archie Green with musician Dorsey Dixon and an unidentified horse (mule?), East Rockingham, North Carolina, 1962. Green was recording Dixon’s Babies in the Mill album at the time.
From the Archie Green Collection.
Texas blues singer Mance Lipscomb at the 1970 Beloit Blues Festival, “showing off guitar set into dentures”. From the Archie Green Collection.
From the early 1960s until the early 1970s a student group known as the Campus Folksong Club, under the leadership of faculty advisor Archie Green, brought folk musicians from all over the country to perform on the campus of the University of Illinois at Urbana-Champaign. Over the years, the Folksong Club hosted performances by the Stanley Brothers, Flatt and Scruggs, Doc Watson, and in 1965, Louisiana bluesman Robert Pete Williams.
The story of Robert Pete Williams is well known; while serving a life sentence for murder at the Louisiana State Penitentiary at Angola in the late 1950s, Williams’ songs and stories were recorded by folklorist and ethnomusicologist Harry Oster. Under considerable pressure from Oster and others in the academic community, Williams’ sentence was commuted, and by 1964 he was released from the terms of his parole and allowed to tour outside Louisiana for the first time. We are fortunate that some of these early performances were captured on tape, including the Campus Folksong Club concert featured here, tape number FT-4189/FT-4190 in the SFC’s Archie Green Collection.
Listen to a clip of Robert Pete Williams performing “I’ve Grown So Ugly”, live at the University of Illinois, Feb.12, 1965: