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This photograph is fascinating as a document of concert goers in the late 1940s, however the band trailer for Eddy Arnold parked out front is what constantly piques my imagination. With the white wall tires and custom paint job, featuring a portrait of Arnold himself as well as the titles of his countless hit songs, I know I’d bee excited to see this barreling down the freeway with Arnold behind the wheel.
We are not sure in which city this photo was taken as there were countless Capitol Theatre’s across the United States, however, we do know Thunderhoof–starring Mary Stuart, Preston Williams, William Bishop, and of course, Thunderhoof as himself–appeared in theaters in 1948 when Eddy Arnold was at the peak of his 1st stage of Country music stardom.
Arnold recorded over 60 top ten hits for RCA throughout the 1940s, under a contract managed by the infamous Colonel Tom Parker. In 1948 he had five songs in the top 10 simultaneously and Arnold held the number 1 spot for 40 weeks of that year. Not sure how much merchandise artists sold on tour back then, but maybe had a few of these song folios, call no. FL-199 from the ever popular Southern Folklife Collection Song Folios, circa 1882-1983 (#30006) , on hand for fans.
Eddy Arnold’s Favorite Songs. Hill and Range Songs, Inc. New York, N.Y. 1948. 44 p. of music and illustrations.#30006, Series: “Song Folios, circa 1882-1983.” FL-199
A wonderful 1938 promotional photo of the fantastic yodeling DeZurik Sisters early in their career. Photograph from the John Edwards Memorial Foundation Collection (#20001).
A young Porter Wagoner, standing in the in the spotlight wearing one of his many stylish “Nudie Suits,” gazes up at himself on the cover of this songbook from his first year on the Grand Ole Opry. Featuring “the songs he loves best,” including the excellent, “Let’s Squiggle,” this 1957 songbook, call no. FL-503, is part of collection #30006: Southern Folklife Collection Song Folios, circa 1882-1983.
Porter Wagoner: Country Music Favorites
Hill and Range Songs, Inc. New York, N.Y. 1957.
41 p. of music and illustrations.
“Eat, Drink, and Be Merry (Tomorrow You’ll Cry)”
“Itchin’ for My Baby”
“I Should Be with You”
“I’m Day Dreamin’ Tonight”
“Tricks of the Trade”
“Love at First Sight”
“I Can’t Live with You (I Can’t Live without You)”
“I’m Counting on You”
“Be Glad That You Ain’t Me”
“My Everything (You’re My Everything)”
The Southern Gentleman on the radio
Sonny James, best known for his 1957 hit “Young Love,” prepares for a radio broadcast. Photo from the records of the John Edwards Memorial Foundation.
On May 7, 1965, UCLA students Barry Hansen (who, as you know, would later find fame as radio’s Dr. Demento) and John Fahey (already an accomplished guitarist), along with Mark Levine, sat down for an interview with legendary Delta blues singer Son House in Venice, California. House, who had recorded some extremely influential sides for Paramount records in the 1930s before disappearing from the blues scene for almost a quarter of a century, had recently been “rediscovered” and at the time was widely regarded as the greatest Delta blues singer still actively performing (watch him sing “Death Letter” here to see why).
The interview has been preserved on field tape FT-2809 in the SFC’s John Edwards Memorial Foundation Collection. Many of the questions focus on House’s early career in Mississippi and memories of his blues contemporaries. In the clip below House explains the origins of Charley Patton‘s song “Charlie Bradley’s Ten Sixty-Six Blues”:
On Friday, February 26th, the Southern Folklife Collection will be hosting legendary broadcaster Barry Hansen, aka “Dr. Demento”, longtime host of the nationally syndicated Dr. Demento Show. He will be presenting a lecture and spinning records on the subject of “Humor in the 20th Century: Country and Blues”. The program begins at 5:45 in Wilson Library’s Pleasants Family Assembly Room, to be preceded by a reception at 5:00, and is free and open to the public.
Mr. Hansen should have much to say on the subject of humor in country and blues music, as before he adopted his Dr. Demento persona to become radio’s greatest spinner of humorous songs he was a young musicology student at UCLA, the original home of the John Edwards Memorial Foundation. In the mid-sixties he began his radio career as the host of the “Old-time Record Review”, a scholarly program devoted to the folk, blues, and country music collected by the JEMF. When the JEMF Collection moved to UNC to become the basis of the Southern Folklife Collection , so too did open-reel tapes of 39 episodes of “Old-time Record Review”.
Listen below to a clip of novice DJ Barry Hansen introducing Hank Williams’ “Mind Your Own Business”, from a 1965 episode of “Old-time Record Review” (SFC# FT-1616):