Promotional photo of the great Jesse “Lone Cat” Fuller from Manny Greenhill’s legendary Folklore Productions. Best known for his song “San Francisco Bay Blues,” Fuller was a renaissance man: appearing in silent films like The Thief of Baghdad, hoboeing cross-country, working in the California shipyards, and playing music. Fuller built his own bass accompaniment, the “fotdella,” and played harmonica and washboard along with his 12-string guitar to make himself a one-man jug band. Fuller died in 1976 in Oakland, California. The image is call no. p673 in the John Edwards Memorial Foundation Collection.
Pete Seeger performing at Folk Festival at Town Hall, 8 March 1958. Photo by Ray Sullivan for Photo-Sound Associates. 20239_pf0002_0022. Ron Cohen Collection (20239). Southern Folklife Collection.
We were deeply saddened to hear of the passing of Pete Seeger early this morning. Certainly the Southern Folklife Collection could not exist without the singular vision and dedication of remarkable individuals like Pete Seeger. His efforts to collect, preserve, and celebrate the musical heritage of the peoples of the world reflects the core of our mission. We consider it an honor to be able to contribute to the celebration of Seeger’s life and legacy with the resources we hold at Wilson Library and we encourage anyone interested in more research to visit us Wilson Library where the Southern Folklife Collection has hundreds of images, publications, recordings, and manuscript materials documenting Pete Seeger. With such a diverse and extensive career, it was difficult to choose what to share, however these images from the Photo-Sound Associates materials in the Ron Cohen Collection (20239) immediately came to mind.
The first four were made by Ray Sullivan in the late 1950s, after Seeger’s 1957 indictment for standing up to congress and the House Un-American Activities Committee. They all feature Seeger at the heart of the early folk revival in New York City doing what he loved, singing and playing music for people. The final image shows Seeger, Rambling Jack Elliot (in the top hat) and a crew of musicians on the deck of the Clearwater, the sloop Seeger built to advocate for clean water on his beloved Hudson River. We hope you find these images as joyful and moving as we do. Sing a song today for Pete.
Pete Seeger with the Drexel Singers (front row: Lela Royster, Edith Drexel, Elizabeth “Liz” Dargan, and unknown male singer). Folksong ’59 at Carnegie Hall, 3 April 1959. Photo by Ray Sullivan for Photo-Sound Associates. 20239_pf0079_01_0028. Ron Cohen Collection (20239). Southern Folklife Collection.
Pete and Mike Seeger. Folksong ’59 at Carnegie Hall, 4/3/59. 20239_pf0079_02_0028.Photo by Ray Sullivan for Photo-Sound Associates. Ron Cohen Collection (20239).Southern Folklife Collection.
Pete Seeger, presumably hootenanny at Carnegie Hall, 22 February 1958. Photo by Ray Sullivan for Photo Sound Associates. 20239_pf0132_02_0006. Ron Cohen Collection (20239). Southern Folklife Collection.
Pete Seeger, Jack Elliott, and crew performing for children on the Clearwater, ca. 1969. Photo-Sound Associates. 20239_pf0201_03_0015. Ron Cohen Collection (20239). Southern Folklife Collection.
The Shanty Boys (Roger Sprung, Mike Cohen, and Lionel Kilberg), from their monthly CBS broadcast. Photo by Ray Sullivan of Photo-Sound Associates. From the Ron Cohen Collection (20239). Southern Folklife Collection, Wilson Library, UNC Chapel Hill.
In the early 1950s, Roger Sprung spent time in Asheville, NC, meeting and learning from banjo greats Bascom Lamar Lunsford and Samantha Bumgarner. He returned to New York and is often credited with introducing bluegrass banjo style to the northern folk revival through his playing in Washington Square park. For more information on Sprung and the Shanty Boys, see Ron Cohen’s excellent book on the folk revival, Rainbow Quest: The Folk Music Revival and American Society, 1940-1970 (Culture, Politics, and Cold War), (University of Massachusetts Press, 2002).
It was a pleasure to dig into the Southern Folklife Collection‘s two issues of Zygote, an excellent alternative rag out of New York in the early 1970s. I also enjoyed imagining which member of the John Edwards Memorial Foundation originally collected the magazine for the periodical collection. These two issues feature some quality investigative journalism and radical political commentary mixed with record and film reviews, music features, pop-culture criticism, and a psychedelic visual style. The Southern Folklife Collection has but two issues from 1970, this one vol. 1, no. 7, from October 30, and vol. 1, no. 8 from November. If you subscribed for two years you could have picked up the latest Mother Earth LP and the soundtrack to The Strawberry Statement. Plus, Tina Turner and Wayne Cochran (scroll down to the bottom).
More images from the remarkable photographs in the Alice Gerrard Collection (#20006), this time a selection documtenting Bill Monroe’s Bean Blossom Festival in the early 1970s.
The end of UNC’s school year came up on us extremely fast. We are sad to see our student assistants, upon whom we depend to keep the SFC machine running smooth, graduate and go on to other things. We can’t thank them enough. Recently, one of these intrepid employees digitized a great number of photographs from the Alice Gerrrard Collection (#20006). The image above, a beautiful portrait of legendary old time banjo player Matokie Worrell Slaughter, came from a set of 35mm slides.
Originally from Pulaski, Virginia, Matokie Slaughter performed with her family on local radio during the 1940s and became a regular at fiddler’s conventions. She is featured on a number of recordings, including a band she formed with her sister, Virgie Richardson, and Alice Gerrard called the Back Creek Buddies.
The SFC holde many recordings of Slaughter in the form commercial releases, like the excellent 1978 County LP, Clawhammer Banjo, vol. 3, and field recordings from the Alice Gerrard and Paul Brown collections. Check back for another photo tomorrow.
We wanted to share a few photos from the Mike Seeger Collection in advance of the tribute concert and lecture on Friday, March 23. The image above, featuring Seeger recording William Bragg along with a group of interested students, was captured in Widen, West Virginia by Alice Gerrard in 1967.
Gerrard will perform at the tribute concert along with Ginny Hawker and Mike Seeger’s former band mates from the New Lost City Ramblers, John Cohen and Tracy Schwarz.
Bobby Durham was not just a smart dressed man. A prominent vocalist with the Bakersfield sound, Durham got his start in country music performing on California country music variety shows like Town Hall Party and Hometown Jamboree. After stints with Cousin Ebb Pillings’s Ozark Squirrel Shooters and Jolly Judy and her Go-Go Daddies, Durham signed with Capitol Records in the early 1960s. He scored a major hit with the Merle Haggard penned classic “My Past is Present,” earning Durham a 1965 Academy of Country Music Awards nomination for “Most Promising Male Vocalist.” Durham later joined The Crickets, performing some excellent progressive country with the group in the early 1970s.
Durham returned to Bakersfield in the 1980s, recording solo albums for Hightone Records like the popular Do You Still Drink Margeritas and Where I Grew Up. Durham continues to perform with his Durham Band at Buck Owens’s Crystal Palace.
The photo above, call no. P599, is part of the John Edwards Memorial Foundation Collection (#20001).
“Every Sincere Wish,” a rather open ended valediction, is what Hank Snow wanted for the recipient of this autographed photo, call no. P1600 from the John Edwards Memorial Foundation Collection (#20001). Perhaps he hoped that all their wishes might be granted, that all their dreams might come true? We like to think that Clarence Eugene “Hank” Snow was offering to grant the wishes himself, but with the caveat that they must be “sincere,” and pity the fool who tried to get one over on the “Singing Ranger.” Despite the lack of specificity, we agree with the sentiment and we extend it on to you via this great Canadian-American country music star from his Rainbow Ranch in Tennessee.
It’s been a busy fall at the SFC and we want to offer our thanks to all the participants–musicians, speakers, audience members, students, and staff–who contributed to the great success of the Southern Folklife Collection tribute concert and symposium in honor of blues legend Reverend Gary Davis. Stay tuned for upcoming information on our third concert in the SFC blues tribute series, this one dedicated to the legendary Son House.
Since many will be celebrating this coming holiday with a roasted bird, we thought it only appropriate to offer a version of “Turkey in the Straw” for your listening pleasure. This recording by the great King, NC fiddler Ralph McGee comes from open reel tape FT-12000, Tape 3 recorded at the 8th Annual Blue Grass and Old Time Fiddlers Convention, Veteran’s Park, Mount Airy, NC, 2 June 1979. Part of the Ralph Epperson Collection (#20401), this recording features fiddler McGee bowing with a toothpick. Maybe some of you fiddlers out there want to give it a shot this weekend after a good meal. Let us know how it works out.
Call no. FT-12000, ”Turkey in the Straw” by Ralph McGee at the 8th Annual Mount Airy Blue Grass and Old Time Fiddlers Convention, 2 June 1979
**click image to enlarge**
This photograph is fascinating as a document of concert goers in the late 1940s, however the band trailer for Eddy Arnold parked out front is what constantly piques my imagination. With the white wall tires and custom paint job, featuring a portrait of Arnold himself as well as the titles of his countless hit songs, I know I’d bee excited to see this barreling down the freeway with Arnold behind the wheel.
We are not sure in which city this photo was taken as there were countless Capitol Theatre’s across the United States, however, we do know Thunderhoof–starring Mary Stuart, Preston Williams, William Bishop, and of course, Thunderhoof as himself–appeared in theaters in 1948 when Eddy Arnold was at the peak of his 1st stage of Country music stardom.
Arnold recorded over 60 top ten hits for RCA throughout the 1940s, under a contract managed by the infamous Colonel Tom Parker. In 1948 he had five songs in the top 10 simultaneously and Arnold held the number 1 spot for 40 weeks of that year. Not sure how much merchandise artists sold on tour back then, but maybe had a few of these song folios, call no. FL-199 from the ever popular Southern Folklife Collection Song Folios, circa 1882-1983 (#30006) , on hand for fans.
Eddy Arnold’s Favorite Songs. Hill and Range Songs, Inc. New York, N.Y. 1948. 44 p. of music and illustrations.#30006, Series: “Song Folios, circa 1882-1983.” FL-199