Goldband Records approved “Sweet Potato Mash”

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Sweet potato patch in Cleveland County,

call no. P0072/0010, Commercial Museum Collection of North Carolina Photographs (P0072)

North Carolina Collection Photographic Archives.

Don’t forget your eat your sweet potatoes tomorrow. No matter whether you roast them, bake them, fry them, hasselback them, or cook them with marshmallows on top, the Southern Folklife Collection has your soundtrack covered thanks to a seasonally appropriate tape from the Goldband Recording Corporation Collection (20245) that came up in the Rivers Studio just this week.

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William Parker Guidry, Jr., came up in Southwest Louisiana and Lake Charles, performing and recording as Bill Parker for a number of labels, including Eddie Shuler’s Goldband Records. A drummer and bandleader, he appears all over the Goldband discography, and the man must have been a huge fan of the sweet potato because he wrote and recorded at least two tunes, including a cha-cha, dedicated to the noble tuber.

For you dear readers and listeners, we have “Sweet Potato Mash” by Bill Parker and his Showboat Band. FT7003 was digitized as part of the Southern Folklife Collection digitization project, From the Piedmont to the Swamplands: Preserving Southern Traditional Music, funded by a grant from the National Endowment for the Humanities.

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“Saving Our Heritage for the Next Generation”: 7th World Day for Audiovisual Heritage

Southern Folklife Collection audio preservation engineer, John Loy, in the John M. Rivers, Jr. Studio. Photo by Dan SearsUNESCO, in cooperation with the Co-ordinating Council of Audiovisual Archives Associations (CCAAA) and other partners, has adopted 27 October as the World Day for Audiovisual Heritage to better focus global attention on the significance of AV documents and to draw attention to the need to safeguard them. The theme for this year’s celebration is “Saving Our Heritage for the Next Generation.”ICA_WorldDay for Audiovisual Heritage

RIVERSGRID3The Southern Folklife Collection works toward this goal daily in our efforts to preserve the hundreds of thousands of sound recordings, film and video housed in Wilson Library. Through grant-funded digitization projects and through research driven requests, the Southern Folklife Collection has digitized and made available tens of thousands of recordings documenting the vast riches of traditional expressive culture from the American South and around the world. The John M. Rivers, Jr. Studio (pictured above, right, and below) and the Ben Jones Audio and Video Studios constantly echo with the sounds, songs, and stories collected from centuries past through the 21st.
From the UNESCO statement:

Audiovisual documents, such as films, radio and television programmes, are our common heritage and contain the primary records of the 20th and 21st centuries. They help to maintain the cultural identity of a people; but countless documentary treasures have disappeared since the invention of image and sound technologies that permit the peoples of the world to better share their experiences, creativity and knowledge.

All of the world’s audiovisual heritage is endangered. Nowhere can it be said to be preserved, but through initiatives such as theWorld Day for Audiovisual Heritage and the Memory of the World Programme, the precious work of preservation professionals is given impetus to manage a range of technical, political, social, financial and other factors that threaten the safeguarding of our heritage.

It was in this context, that the General Conference in 2005 approved the commemoration of a World Day for Audiovisual Heritage as a mechanism to raise general awareness of the need for urgent measures to be taken and to acknowledge the importance of audiovisual documents as an integral part of national identity. (UNESCO)

In honor of the 7th World Day for Audiovisual Heritage, we wanted to highlight some of the recordings recently digitized as part of one of our current projects, From the Piedmont to the Swamplands: Preserving Southern Traditional Music, funded in part by the National Endowment for the Humanities. The multi-year effort will preserve and make accessible online up to 3,019 hours of sound recordings and 4,500 related photographs dating from the 1920s to 1980s, drawn from the Southern Folklife Collection holdings in the William R. Ferris Collection (20367), Mike Seeger Collection (20009), John Edwards Memorial Foundation Records (20001), and the Goldband Recording Corporation Collection (20245).

20009_Mike Seeger Collection_pf00017_Southern Folklife Collection, UNC Chapel HillRegular readers of Field Trip South will not be surprised to see the Mike Seeger Collection featured here. Many of Seeger’s photographs are currently digitized and available for viewing online: iconic images of America’s musical treasures like Ralph and Carter Stanley, the Carter Sisters, Lesley Riddle, Dock Boggs, and of course, the beloved NC Piedmont picker and singer, Elizabeth Cotten.

The Southern Folklife Collection has preserved hundreds of hours of Seeger’s field recordings and his own master tapes. Every tape is a treat, but occasionally we come upon an especially outstanding track like this version of “Well May the World Go” featuring Mike performing with his brother, the legendary folksinger Pete, on 29 January 1973. They tore through three versions of the tune that day. Have a listen to the third take of that piece here, from FT14925 in the Mike Seeger Collection:

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Another recent standout track comes from The New Tranquility String Band (FT14198.) This outtake of  ”Boatman” was recorded during sessions for the Berkley Farms: Oldtime and Country Style Music of Berkley LP originally released for Smithsonian Folkways in 1972. This version version has the jaw harp higher in the mix, giving it a striking old-time feel that we like. 

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FT9918_Fanny_Bell_Chapman_Children's concert. Reel 28 of 42. FCT 28-72-7_William R. Ferris Collection_UNC_Chapel HillThe Piedmont to the Swamplands grant also allowed us to digitize the majority of audio recordings collected by folklorist and UNC professor William R. Ferris. With thousands of audio recordings, photographs, and feet of film, the William R. Ferris Collection is an invaluable resource documenting the people and culture of the American South, an archival treasure trove reflecting the ineffable “sense of place” that makes the South such a compelling–and haunting–place. Many of Ferris’s photographs are available online. This performance by a young child, Don Singleton recorded on FT 9918, made our jaws drop.

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This next tape was recorded during the process of filming a documentary film about the remarkable Fannie Bell Chapman. The complete film can be viewed in full on Folkstreams.net., Fannie Bell Chapman: Gospel Singer. The following version of “Now Sister Go Where I Send Thee” is from FT9974, the first of six tapes recording Chapman’s music recorded in August 1975. 

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FT11151_Wash Herron on harmonica and "Big Jack" Johnson on guitar__William R. Ferris Collection_UNC_Chapel HillFerris documented the secular as well as the sacred and his recordings of Mississippi blues artists are equally vital documents. The following track is from one of the first recordings of the bluesman “Big Jack” Johnson.  From FT11151, this is Johnson performing on guitar with harmonica player Wash Herron. 

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These clips offer but a glimpse into the Southern Folklife Collection’s preservation efforts. The public is encouraged to explore our finding aids for detailed inventories and description of archival collections and the UNC Libraries online catalog for materials of interest and request that they be preserved and made available for research. Feel free to contact the SFC with any comments or questions at wilsonlibrary@unc.edu. We also hope you will enjoy some music this Sunday, October 27, World Day for Audiovisual Heritage, and think about institutions like the Southern Folklife Collection, the Library of Congress, and countless other archives and institutions that are working to preserve our aural and visual history. Southern Folklife Collection John M. Rivers, Jr. Studio. Photo by Dan Sears

Domo Arigato Mike Seeger and Alice Gerrard

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Two tapes from the Mike Seeger Collection (20009) preserved as part of the Southern Folklife Collection’s ongoing project “From Piedmont to Swamplands,” supported by the National Endowment of the Humanities, recently caught the attention of audio engineer John Loy. The first, call number FT14237, features an interview/performance by Mike Seeger and Alice Gerrard on November 21, 1970 at the Kinro Kaikan in Kyoto Japan. It contains 90 minute concert and interview with commentary in Japanese. The program intended provide Japanese listeners with an introductory survey of American old time and vernacular music styles. A wonderful document of cultural exchange.

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Another recent find is a tape master sent to Mike in 1969 by the ‘Styx River Ferry ‘ a prominent “Hippy Country” group in the San Francisco/Berkeley area. This band features a who’s who of Bay area bluegrass fixtures rounded up by Bob and Ingrid Fowler. For this recording, call number FT14220, the group enlisted the help of legends of the day with guest performances by “Uncle Josh” Graves and “Cousin Jake” Tullock of the Foggy Mountain Boys. Of particular interest to us is the contextual information on the label, not only including song titles and band members, but also the recording studio, production personnel and a short list of bay area local venues at which the group was performing at the time. Catching Styx River Ferry at the Drinking Gourd would have been quite a time. Listen:

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16-inch transcription disc of the week: The Prairie Ramblers

TR1180_1Another research query to share this week. I found the Standard Program Library 16-inch transcription disc pictured above, call number TR1180 from the Southern Folklife Collection Transcription Discs (#30024), while assisting a patron searching for a recording of a track called “Mussin’ Frets,” a novelty guitar instrumental by the excellent Prairie Ramblers [bio by Greensboro, NC resident Eugene Chadbourne!]. The group coalesced in the 1930s appearing on numerous radio stations before settling down at WLS in Chicago. Featuring mandolinist Charles Chick Hurt, bassist “Happy” Jack Taylor, fiddler Tex Atchison, and Floyd “Salty” Holmes, a multi-instrumentalist and master of the harmonica, the group rose to fame after partnering up with a young Patsy Montana. Comfortable jumping from old-time stringband music, to country, to western swing, they went on to appear in numerous cowboy films with Gene Autry and other singing cowboys before splitting up for good in 1947 (well after Montana left to pursue her solo career). But back to the disc, Here’s “Huckleberry Picnic” to wet your whistle.  

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TR1180_1_spinUnfortunately, we were unable to locate “Mussin’ Frets,” but fortunately we were able to digitze TR1180 to share with you fine readers and listeners. These recordings feature a Post-War incarnation of the Prairie Ramblers, aka The Westernaires at this time, after Atchison and Holmes had left the band. Rusty Gill, the vocalist on this disc, including the classic cowboy number “Ridin’ Old Paint in the Sky,” was married to Carolyn DeZurik of the remarkable DeZurik Sisters. If any of you have any information about “Mussin’ Frets,’ please do let us know. 

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SFC Preservation Reaches 10,000 Recordings

John Loy in the Rivers Studio

SFC Audio Engineer John Loy in the Rivers Studio

This month the Southern Folklife Collection is celebrating the preservation of our 10,000th recording. Over the years the SFC staff have spent many hours restoring and preserving all types of media in a wide variety of conditions, transferring at risk recordings to digital preservation masters. These preservation masters are created under optimal playback conditions in our Rivers Studio (pictured), and transferred according to best archival practices. We hope that our efforts will provide access to at risk recordings for years to come.

Listen to a clip from our 10,000th preservation master, Billy Faier singing “Wreck of the Old 97″, from the Billy Faier Collection:

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