Folk Fashion from the Photo-Sound Associates

20239_pf0085_01_0028, Liz White in WNCN studios for the George Lorrie radio show, 25 May 1959. Photo by Aaron Rennert for Photo-Sound Associates. Ron Cohen Collection (20239), Southern Folklife CollectionReally enjoying the fashion of the folk scene in the Photo-Sound Associates photographs lately. We love these images of Liz White wearing an absolutely fabulous belt in the studio at WNCN-New York for George Lorrie’s radio show on May 25, 1959. Photo by Aaron Rennert for Photo-Sound Associates. See more in the Ron Cohen Collection (20239).

20239_pf0085_01_0021, Liz White in WNCN studios for the George Lorrie radio show, 25 May 1959. Photo by Aaron Rennert for Photo-Sound Associates. Ron Cohen Collection (20239), Southern Folklife Collection20239_pf0085_01_0022,Liz White in WNCN studios for the George Lorrie radio show, 25 May 1959. Photo by Aaron Rennert for Photo-Sound Associates. Ron Cohen Collection (20239), Southern Folklife Collection

Southern Folklife Collection Flamenco photo of the week

Carmen Rivas, photo by Aaron Rennert for Photo-Sound Associates. 20239_pf0022_0023_Ron Cohen Collection, Southern Folklife Collection, UNC Chapel Hill

Stunning photographs made by Aaron Rennert for Photo-Sound Associates, from the Ron Cohen Collection (20239). Shot in New York City, in the late 1950s, the images document a party attended by members of the famed Ballet Español de Ximenez-Vargas. Dancers include (from top to bottom): Carmen Rivas, an unidentified man, Maria Alba (Flamenco dance star who studied with Mariquita Flores and by 1957 or so was dancing with Ximenez-Vargas), and Antonio Hector de Jesus.

Unidentified dancer_photo by Aaron Rennert for Photo-Sound Associates. 20239_pf0022_0001Maria Alba, photo by Aaron Rennert for Photo-Sound Associates. 20239_pf0022_0040_Ron Cohen Collection, Southern Folklife Collection, UNC Chapel HillAntonio Hector de Jesus, photo by Aaron Rennert for Photo-Sound Associates. 20239_pf0022_0035_Ron Cohen Collection, Southern Folklife Collection, UNC Chapel Hill

Photo of the week: Jesse “Lone Cat” Fuller

P673_JesseFuller_John Edwards Memorial Foundation Colleciton, SFC, UNC Chapel HillPromotional photo of the great Jesse “Lone Cat” Fuller from Manny Greenhill’s legendary Folklore Productions. Best known for his song “San Francisco Bay Blues,” Fuller was a renaissance man: appearing in silent films like The Thief of Baghdad, hoboeing cross-country, working in the California shipyards, and playing music. Fuller built his own bass accompaniment, the “fotdella,” and played harmonica and washboard along with his 12-string guitar to make himself a one-man jug band. Fuller died in 1976 in Oakland, California. The image is call no. p673 in the John Edwards Memorial Foundation Collection.

Lard Have Mercy! 30 Years of Southern Culture on the Skids

SCOTS1The Southern Folklife Collection is pleased to announce our first exhibit and program of 2014, “Lard Have Mercy! 30 Years of Southern Culture on the Skids.” The exhibit opens Friday, March 14, 2014 at 6PM on the 4th floor of the Wilson Library at UNC-Chapel Hill. The exhibit opening will be followed by a concert at Historic Playmakers Theater featuring none other than Southern Culture on the Skids. Both events occur in conjunction with the annual conference of the International Association for the Study of Popular Music (IASPM) taking place March 13-16 at UNC-Chapel Hill.

“Lard Have Mercy” traces the history of Chapel Hill’s “Legendary Bards of Downward Mobility,” Southern Culture on the Skids (SCOTS). Formed in 1983. SCOTS embody a raucous, sleazy, good-natured, good-time take on Southern traditions and traditional music playing a unique hybrid of Americana, surf, R&B, rockabilly, and swamp pop, driving fans into ecstatic, sweat-drenched paroxysms of joy.

Featuring photography by Kent Thompson and Michael Benson as well as instruments, posters, recordings, and other ephemera from the SCOTS collection in the Southern Folklife Collection.

Events are free and open to the public but seating is limited. Concert Tickets will be available via Memorial Hall Box Office (919) 843-3333 the week of March 3rd. More information about the concert below.

Ticket booth opens: 6pm

Doors: 7pm

Concert: 7:30pm

“A HELL RAISING ROCK AND ROLL PARTY” – ROLLING STONE

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Remembering Pete Seeger

Pete Seeger performing at  Folk Festival at Town Hall, 8 March 1958. Photo by Ray Sullivan for Photo-Sound Associates. 20239_pf0002_0022. Ron Cohen Collection (20239). Southern Folklife Collection. Pete Seeger performing at  Folk Festival at Town Hall, 8 March 1958. Photo by Ray Sullivan for Photo-Sound Associates. 20239_pf0002_0022. Ron Cohen Collection (20239). Southern Folklife Collection.

We were deeply saddened to hear of the passing of Pete Seeger early this morning. Certainly the Southern Folklife Collection could not exist without the singular vision and dedication of remarkable individuals like Pete Seeger. His efforts to collect, preserve, and celebrate the musical heritage of the peoples of the world reflects the core of our mission. We consider it an honor to be able to contribute to the celebration of Seeger’s life and legacy with the resources we hold at Wilson Library and we encourage anyone interested in more research to visit us Wilson Library where the Southern Folklife Collection has hundreds of images, publications, recordings, and manuscript materials documenting Pete Seeger. With such a diverse and extensive career, it was difficult to choose what to share, however these images from the Photo-Sound Associates materials in the Ron Cohen Collection (20239) immediately came to mind.

The first four were made by Ray Sullivan in the late 1950s, after Seeger’s 1957 indictment for standing up to congress and the House Un-American Activities Committee. They all feature Seeger at the heart of the early folk revival in New York City doing what he loved, singing and playing music for people. The final image shows Seeger, Rambling Jack Elliot (in the top hat) and a crew of musicians on the deck of the Clearwater, the sloop Seeger built to advocate for clean water on his beloved Hudson River. We hope you find these images as joyful and moving as we do. Sing a song today for Pete.

Pete Seeger with the Drexel Singers (front row: Lela Royster, Edith Drexel, Elizabeth "Liz" Dargan, and unknown male singer). Folksong '59 at Carnegie Hall, 3 April 1959. Photo by Ray Sullivan for Photo-Sound Associates. 20239_pf0079_01_0028. Ron Cohen Collection (20239). Southern Folklife CollectionPete Seeger with the Drexel Singers (front row: Lela Royster, Edith Drexel, Elizabeth “Liz” Dargan, and unknown male singer). Folksong ’59 at Carnegie Hall, 3 April 1959. Photo by Ray Sullivan for Photo-Sound Associates. 20239_pf0079_01_0028. Ron Cohen Collection (20239). Southern Folklife Collection.

Pete and Mike Seeger. Folksong '59 at Carnegie Hall, 4/3/59. 20239_pf0079_02_0028. Photo by Ray Sullivan for Photo-Sound Associates. Ron Cohen Collection (20239). Southern Folklife Collection.Pete and Mike Seeger. Folksong ’59 at Carnegie Hall, 4/3/59. 20239_pf0079_02_0028.Photo by Ray Sullivan for Photo-Sound Associates. Ron Cohen Collection (20239).Southern Folklife Collection.

Pete Seeger, presumably hootenanny at Carnegie Hall, 22 February 1958. Photo by Ray Sullivan for Photo Sound Associates. 20239_pf0132_02_0006. Ron Cohen Collection (20239). Southern Folklife Collection.Pete Seeger, presumably hootenanny at Carnegie Hall, 22 February 1958. Photo by Ray Sullivan for Photo Sound Associates. 20239_pf0132_02_0006. Ron Cohen Collection (20239). Southern Folklife Collection.

Pete Seeger, Jack Elliott, and crew performing for children on the Clearwater, ca. 1969. Photo-Sound Associates. 20239_pf0201_03_0015. Ron Cohen Collection (20239). Southern Folklife Collection. Pete Seeger, Jack Elliott, and crew performing for children on the Clearwater, ca. 1969. Photo-Sound Associates. 20239_pf0201_03_0015. Ron Cohen Collection (20239). Southern Folklife Collection.

 

Goldband Records approved “Sweet Potato Mash”

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Sweet potato patch in Cleveland County,

call no. P0072/0010, Commercial Museum Collection of North Carolina Photographs (P0072)

North Carolina Collection Photographic Archives.

Don’t forget your eat your sweet potatoes tomorrow. No matter whether you roast them, bake them, fry them, hasselback them, or cook them with marshmallows on top, the Southern Folklife Collection has your soundtrack covered thanks to a seasonally appropriate tape from the Goldband Recording Corporation Collection (20245) that came up in the Rivers Studio just this week.

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William Parker Guidry, Jr., came up in Southwest Louisiana and Lake Charles, performing and recording as Bill Parker for a number of labels, including Eddie Shuler’s Goldband Records. A drummer and bandleader, he appears all over the Goldband discography, and the man must have been a huge fan of the sweet potato because he wrote and recorded at least two tunes, including a cha-cha, dedicated to the noble tuber.

For you dear readers and listeners, we have “Sweet Potato Mash” by Bill Parker and his Showboat Band. FT7003 was digitized as part of the Southern Folklife Collection digitization project, From the Piedmont to the Swamplands: Preserving Southern Traditional Music, funded by a grant from the National Endowment for the Humanities.

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Ham, corn and fiddle tunes at Tommy Jarrell’s

20006_pf0081_0029_Alice Gerrard Collection (20006)_Southern Folklife CollectionBack in 2009 we wrote about a field recording, call no. FS8341 from the Alice Gerrard Collection, documenting the Christmas she and Andy Cahan spent with Tommy Jarrell and his daughter Dena in 1983. For those who are interested, they had chicken and “it was so fine.”

That’s not the only holiday recording in the Alice Gerrard Collection. FS8205 was made in 1981 when Alice and a few others, including old-time musician Rusty Neithammer, spent Thanksgiving with Tommy. They had ham, and also some corn, according to the tape.

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How many other holiday menus and recipes were recorded in the process of doing field work that are now held in Wilson Library at UNC? These recordings and thousands more are available for research in the Southern Folklife Collection. There was quite a bit of music at that Thanksgiving celebration, listen to Jarrell’s solo banjo version of “Let Me Fall” and then Rusty Neithammer and Tommy Jarrell twin fiddle one of my favorites, “Rockingham Cindy.”

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The Southern Folklife Collection is thankful to be able to share this with all of you out there. Happy Thanksgiving.

78 of the week: Jesse Rodgers with Kama’s Moana Hawaiians

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Two excellent sides for you by the great Jesse Rodgers (first cousin to Jimmie), from Southern Folklife Collection disc call no. 78-828. A successful musician who appeared on the “border-blaster” radio stations XERA and XERN in the late 20s and early 30s, Rodgers career took off in an unexpected direction after Jimmie’s untimely death in 1933. Always looking to repeat past successes, RCA-Bluebird picked up Jesse in hopes he would continue where Jimmie left off, even setting Jesse up to record with the great steel guitarist Charles Kama and his Moana Hawaiians who had recorded previous sides with Jimmie. These two tracks were recorded 28 Feburary 1936 at the Texas Hotel in San Antonio. Kama’s guitar work is superb and his musical arrangement wonderfully compliments the tune. Listen to the solo in the second clip below and note Kama’s masterful accompaniment to Rodger’s blue yodeling. Fantastic. 

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78_828_Old Pinto, My Pony, My Pal_Southern Folklife Collection (30001)_UNC Chapel Hill

78 rpm disc of the week: Red Kirk “The Voice of the Country”

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Great pair of pure country tearjerkers from Southern Folklife Collection 78 rpm disc call no. 78-9938. I discovered these numbers thanks to a recent request and gladly spent some time in the studio while the great Red Kirk, known as “The Voice of the Country,” and the phenomenal steel guitar of Jerry Byrd played offered the soundtrack to my morning blues. Recorded in Cincinnati with Jerry Byrd’s String Dusters–Louis Innis on rhythm, Zeke Turner on lead guitar, Red Turner on bass, and Tommy Jackson on fiddle–all great session players that also performed the Midwestern Hayride on WLW. Side two, “It’s Raining in my Heart” is even better.

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78_9938_2

Zygote, 1970

Zygote_v1_n7_1970_Southern Folklife CollectionIt was a pleasure to dig into the Southern Folklife Collection‘s two issues of Zygote, an excellent alternative rag out of New York in the early 1970s. I also enjoyed imagining which member of the John Edwards Memorial Foundation originally collected the magazine for the periodical collection. These two issues feature some quality investigative journalism and radical political commentary mixed with record and film reviews, music features, pop-culture criticism, and a psychedelic visual style. The Southern Folklife Collection has but two issues from 1970, this one vol. 1, no. 7, from October 30, and vol. 1, no. 8 from November. If you subscribed for two years you could have picked up the latest Mother Earth LP and the soundtrack to The Strawberry Statement. Plus, Tina Turner and Wayne Cochran (scroll down to the bottom).

Right on.

Zygote_v1_n7_1970_Southern Folklife CollectionZygote_v1_n7_1970_Southern Folklife CollectionZygote_v1_n7_1970_Southern Folklife CollectionZygote_v1_n7_1970_Southern Folklife Collection