The “Ol’ Professor” of the “Kollege of Musical Knowledge”

James Kern Kyser, better known as Kay Kyser, the “Ol’ Professor” of the popular radio program of the late 1930s and 40s, the “Kollege of Musical Knowledge,” retired and returned to his alma mater UNC-Chapel Hill in 1951 and started a second career. Earlier this week, on June 18th, 2019, Kyser would have turned 114.  Morton collection volunteer Jack Hilliard briefly looks back at both of his storied careers.

Hugh Morton with Kay and Georgia Kyser
Hugh Morton (left) with Kay and Georgia Kyser during the 1951 Short Course in Press Photography, probably during the Saturday evening banquet at the Carolina Inn, Chapel Hill, North Carolina. The negative is in the Morton collection, but the photographer is unknown and the date is determined by the published photograph of the Kysers seen below.

Soon after his retiring return to Chapel Hill, Kay Kyser picked up where he left off on stage with far less fanfare but as a true friend to his native North Carolina. On April 14, 1951, Kyser, along with his wife Georgia, joined his friend Hugh Morton at the second annual Southern Short Course in Press Photography banquet.
Clipping from the Statesville Daily Record, 18 April 1951
Photograph clipped from the front page of The Statesville Daily Record, Wednesday, April 18, 1951. The clipping depicts the Kysers as they examine a prize-winning photograph by Max Thorpe during the Southern Short Course on Press Photography banquet, held the previous Saturday, April 14.

Editor’s note: Kyser made an appearance at another short course banquet, probably 1952, seen below.  The two scans from negatives shown here are the only photographs of Kay Kyser in the collection.  Neither appear to have been made by Morton unless he used a long cable release and triggered the exposure from a distance.  The photograph below probably dates from the April 1952 short course because Morton’s photograph of  “Happy John”—likely made in 1951—can be seen in the upper right corner of the photographs on display.
Kay Kyser entertaining guests during Southern Short Course in Photography banquet
This negative in the Morton collection had an extensive caption written on the original negative envelope: “Kay Kyser and Billy Arthur are having fun kidding each other at the Southern Short Course In Press Photography in Chapel Hill as Norman Cordon and Beatrice Cobb look on. Kay Kyser and Billy Arthur were both former Head Cheerleaders at UNC, and both are standing (Billy Arthur’s height is about 3 feet 6). Kyser was so much a celebrity and so recognizable when wearing his trademark horn rimmed glasses that he often did not wear the glasses in order to retain his privacy in Chapel Hill. Norman Cordon was a famous Metropolitan Opera star, and Beatrice Cobb was Publisher of the Morganton News-Herald and Secretary of the North Carolina Press Association. Billy Arthur was a newspaper Publisher at Jacksonville, N.C., and later worked for the Chapel Hill paper, and he was also a press photographer.”

Kyser’s participation in the photographic short course was just one example of his many contributions to his native state following his long career in show business. His enthusiasm, energy, and dedication were the prime forces for WUNC-TV to get on the air in January of 1955. His faith and his dedication to the Christian Science Church became his passion. From his office on Franklin Street, Kyser became the producer-director of the film broadcasting department of the Christian Science Church.
Another Editor’s Note: While preparing Jack’s post and researching the Southern Short Course in Press Photography for an upcoming post, I encountered another Kyser contribution: a film titled, Dare: The Birthplace of America, produced by the University of North Carolina with its debut in May 1952.  In a promotional news article printed in advance of the movie’s launch, playwright Paul Green wrote, “And anonymously behind [the film] was the imaginative dynamic of that gifted and devoted North Carolina citizen—Kay Kyser.”

The boy from Rocky Mount became one of the most famous faces of the swing era.

When James K. Kyser entered the University of North Carolina in 1923, his parents, both of whom were pharmacists, thought he would be a lawyer. But he had other ideas. He switched his major to economics because, according to Kyser, “the legal profession meant lots of work.”
Being selected a Carolina cheerleader gave him the opportunity to “perform.” He enjoyed riding around campus in a Model T Ford with the word “Passion” painted on its side. He excelled not only in academics, but he also excelled in extracurricular activities. He acted in Carolina Playmaker productions, was a Sigma Nu fraternity member, and was a member Alpha Kappa Psi, Order of the Grail, and the Golden Fleece honor societies.  Because of his popularity on campus, he would, in 1926, inherit the job of leadership of the UNC campus band; although he couldn’t read music and he played no musical instrument. In addition, he was senior class president in 1928.
After graduation, he took the band on the road, but it didn’t really take off until the mid-1930s when he hired singer Ginny Simms and cornet player Ish Kabbible (his real name Merwyn Bogue). But when it did take off, it was in a league of its own.
Kyser was featured in several Hollywood movies.  His first was That’s Right—You’re Wrong in 1939 with Lucille Ball; the last was Carolina Blues in 1944.  He was often joined by such stars as Milton Berle, Dorothy Lamour, and Rudy Vallee.
He was called “The Ol’ Professor,” and he wore a short academic robe complete with mortarboard and tassel. He loved to clown-around with cornet player Ish Kabibble, plus he did a bit of dancing.  At the top of his career, Kay Kyser’s band scored 35 top-ten hits, and appeared in Hollywood and New York. He played to 60,000 during one week at New York’s Roxy Theater.
The boy from Rocky Mount became one of the most famous faces of the swing era.
During the Depression and throughout World War II, Kyser offered his zaniness as a cure for adversity. At 9:30 on Wednesday nights, more than twenty million Americans would turn their radios to the NBC Red Network to hear Kay Kyser say, “Now we’re gonna have a little syncopation, so I want you to toddle out here and truck around the totem pole and sashay around the stage. What I mean is, C’mon, chillun. Le’s dance!”
Kyser also performed for thousands of World War II soldiers, feeling guilty that so many were marching off to their deaths while he was making big money.  In a 1981 interview with Greensboro Daily News reporter Jim Jenkins, Kyser recalled being on a hillside in the Pacific Theater in the summer of 1945.  “Countless thousands of GIs were sitting on these banks, and we could hear the firing in the background. They’d come up to you after and wring your hand, thanking you, completely oblivious to the fact that they were offering their lives so we civilians would have a good go at home. I thought, my, if that isn’t the ultimate of humility . . . I knew right then I’d never play another theater for money.”
Kyser returned to the UNC campus several times during his musical career.  He often recalled in later interviews, how much he enjoyed the Carolina–Duke football games in 1939 and 1948.
In a Charlie Justice profile in Sports Illustrated magazine in October of 1973, Kyser stated: “It is simply a matter of thinking it through . . . all this glamour can end quite suddenly, so you have to think where you will be when the superficialities are through.  I watched UNC football legend Charlie Justice when he was on top.  I was up to here at the time with my own entertainment career, so I was looking to see if it was getting to him.  It takes a thief to know one, you know.  I tell you, when they recruited Charlie to play here, after his great football career in the Navy, it was a little like getting Clark Gable to appear in a local little-theater production.  He was a star even before he got here.
“But Charlie was just the opposite of a prima donna. It never got to him, as it has to so many people in entertainment . . . .”
“Let me tell you a little story. I took Charlie to a big Hollywood party once.  The Hollywood people were dying to meet him.  Charlie was flabbergasted.  His face must have fallen a foot when he walked into that place.  He didn’t act like a football hero at all. He acted like the smallest of small-town hicks.  He was the one impressed with them. All those movie stars.  He’d never seen anything like it.  I remember he came over to me and said, in that high voice of his, ‘Man, this is tall cotton.’  He just kept on saying it: ‘Taaa-lll cotton.'”
Kay Kyser passed away on July 23, 1985 in Chapel Hill. He was eighty years old.

Georgia Carroll Kyser
Actress and singer Georgia Carroll Kyser, wife of Chapel Hill bandleader Kay Kyser, at a football game in UNC-Chapel Hill’s Kenan Stadium. The Carolina Band in the background was playing “Tar Heels On Hand” to honor Kay Kyser.

Kyser’s wife Georgia Carroll remained in Chapel Hill until her death in 2011 at age 91. She donated Kyser-related photographs and papers to the university. You can still see Kay’s picture in The Carolina Inn on the UNC campus and he is enshrined in the North Carolina Music Hall of Fame.  But for the most part, you won’t find many people who know the words to “Three Little Fishies.”  Just so you know the words go like this: “Boop boop diddum daddum waddum choo, and they swam and they swam all over the dam.”

". . . flashing him in every pose but on his head."

Alton Lennon photographs published in Charlotte News
Front page article from The Charlotte News, July 13, 1953, featuring photographs by Hugh Morton. The headshot portraits are among nine negatives made during that sitting that are part of the Hugh Morton collection, as is the negative for the family portrait.

STARK NAKED — Almost everybody around Raleigh and elsewhere was caught with his pants down late last Friday afternoon when Gov. William B. Umstead, as calmly as a man reaching for a glass of water, announced that Al Lennon of Wilmington was his at-long-last choice to succeed Smith as junior U. S. Senator from North Carolina.
To be perfectly frank about it, most of us were not only caught with our pants down.  We found ourselves stark naked.

So began Kidd Brewer’s “Raleigh Round-Up” column for the Thursday, July 16, 1953 issue of the Nashville Graphic (in Nash County, N. C.).  We need to go back a handful of days to that previous Friday, July 10—actually back to June 26—for the start of this story.  For that is the day that North Carolina’s junior senator in the United States Senate, Willis Smith, died while in office from a coronary thrombosis.
Smith’s term was set to end at the close of 1954.  He was completing a term begun by J. Melville Broughton on January 3, 1949 that ended abruptly nine weeks later when Broughton died in office on March 6.  Newly elected governor W. Kerr Scott appointed Frank Porter Graham to replace Broughton, but Graham lost his bid to retain the seat to Smith in a contentious run-off primary election on June 24, 1950.  Smith then handily won the general election on November 7, 1950, earning him the right to complete the remaining four years of Broughton’s term.
Governor Umstead needed to replace Smith, and he kept his selection process very closed-lipped.  The state’s then senior senator was Clyde R. Hoey from the western part of the state, so Umstead looked eastward for his appointee.  The vacant seat had proved to be like the removable chair in the children’s game Musical Chairs, so Umstead sought an appointee who he believed could begin campaigning almost immediately for the primary that would take place in May 1954—just ten months away—win the primary, and then continue on for a full six-year term.
When Umstead announced that the relatively unknown Wilmington attorney and former state senator Alton Asa Lennon as his appointment—late on a Friday afternoon—there were few photographs of Lennon for the press to print in newspapers.  Brewer noted that “there were only one or two photos of the new senator wandering around the State.”
Where on earth was the world going to get photographs of a relatively unknown Wilmingtonian who was destined for the hallowed halls of the United States Capitol?  Fellow Wilmington native Hugh Morton, of course!  How do we know this to be the case?  Later in Brewer’s story we encounter a passage that launched me into a deeper dig to differentiate the numerous negatives made by Morton between Umstead’s announcement and Lennon’s send-off to Washington, D. C. that are extant in the Hugh Morton collection.  Brewer wrote,

Hugh Morton, Wilmington photographer and tourist expert who had himself only two hours earlier been reappointed to the State Board of Conservation and Development, rushed to Lennon’s house and began flashing him in every pose but on his head.  And the state editors and wire boys were already performing that act.  The AP snapped up Morton’s pictures, got its wirephoto services on the ready, and in most late night editions of Saturday morning’s papers, there was old Al smiling out at you from a three-column photo.

Does Brewer’s description of the media blitz match the historical record?  Is it an accurate account of how Morton’s negatives came into being?  Upon searching the Morton collection finding aid, I found three listings for forty black-and-white negatives surrounding this event, with three broadly defined sets in the Morton collection finding aid:

  • Lennon, Alton: Wilmington sendoff celebration to U.S. Senate, 14 July 1953
  • Lennon, Alton: Various portraits, with family, etc., circa 1953
  • Lennon, Alton: With Governor William Umstead, circa 1953

The first two listings are a jumble of images that span from as early as the evening of July 10 through the “send-off” on July 14, officially proclaimed by the governor as “Alston Lennon Day.”  It’s important to note here that many categories of images in the Morton collection are “a jumble.”  When processing the collection after its arrival, the quantity of material in the collection and its lack of internal structure did not permit our archivist, Elizabeth Hull, to refine uncounted rough groupings and descriptions for tens of thousands of items.  Even today, I am hard pressed to find the time to dig too deep.  In this case I needed to sort through the negatives to see what they depicted for the Morton collection preservation digitization project.  A fair amount of work went into it, and I needed to write down what I learned to make sense of it all.  I felt I could turn that information into a useful and informative post, and so what follows is what I’ve gathered thus far.
Let’s start with the easiest listing first: the negatives depicting Umstead and Lennon together.

Amsted and Lennon
Governor William B. Umstead during his meeting with Alton Lennon, the governor’s newly announced appointment to the United States Senate, July 13, 1953.

News accounts stated that the governor made a surprise visit to Wilmington to meet with Lennon on Monday, July 13 during an “open house” in the offices of Star News Newspapers, the publisher of Wilmington’s two major newspapers.  The only update needed for the finding aid for that group of six negatives was a change of “circa” to the exact date.
There are six negatives of Umstead interacting with Lennon, including the following image published as an Associated Press Wirephoto:
Lennon and Umstead in AP Wirephoto
Hugh Morton photograph (uncredited) published as an Associated Press Wirephoto. The clipping shown here is from the front page of the July 14 issue of The Asheville Citizen.

The two remaining listings in the finding aid, however, is where confusion reigned.  Looking at some newspapers (Wilmington’s Morning Star and The Wilmington News, and their jointly issued Sunday Star News, plus The Charlotte News (to which Morton frequently submitted work) proved to be useful.  So, too, did an eye for fashion and a bit of knowledge about photographic film manufacturing.  Let’s tackle the film manufacturing process first.
Film manufacturers use notches on one corner of the film so that photographers can quickly and easily determine the emulsion side of the film.  Photographers need to know the emulsion is facing the outside of the film holder (i.e., toward the lens) when they insert a sheet of film into a film holder while doing so in complete darkness.  As illustrated below (but always done in the dark), if you hold the film in your hand so you can feel the notch(es) with your index finger, then the emulsion is facing upwards. (Of course there wouldn’t be an image on the film when loading new film!)  The notch is also is an indication of the specific film.  For this information we turn to The Acetate Negative Survey by David Horvath in 1987.  According to Horvath’s survey, a single V-shaped notch on safety film made by Kodak indicates that Morton photographed using Super Pan Press, Type B.
film notch code
Most photographic archivists are familiar with notch codes.  But also note the number to the left of the code.  Not as many know what that represents, and sheet film negatives do not always have a number there.  I’ve seen that number referred to both as a batch code and as a machine code: the former meaning that the manufacturer would be able to identify the emulsion batch, and the latter indicating what machine cut the film into sheets.  For archivists, we can use that number to help (it’s not definitive) determine if a photographer made a group of images during the same general time period. How so?  Most photographers purchased sheet film in boxes of 25 or 100, so each sheet in a box or boxes purchased at the same time will likely have the same batch/machine code.  In this case all but four of the forty negatives have a single notch with the code number 97.  For now, hold that thought.
The images made closest to July 10 that I found in the newspapers appeared on Sunday, July 12, meaning that photographers took them on either on the evening of the July 10 or some time on July 11.  Here’s one, a “Staff Photo by Ludwig” from The Sunday Star News on July 12:
Lennon Family in Sunday Star News
Morton took a similar group portrait of the family around the same table, but without Lennon’s parents. (You might not be able to tell from the scan from microfilm, but it’s clear in Morton’s negative that while there are rolls on the center platter, everyone’s plates and bowls are empty.)  The caption identifies the location of the family portrait as Lennon’s summer cottage in Wrightsville Beach.  As seen at the top of this post, The Charlotte News published a portrait of the family seated near a fireplace, wearing the same clothes, on the same page as it ran four portraits across a four-column-wide article.  That setting (law office versus home) doesn’t seem to mesh with Kidd Brewer’s description.  One of those single portraits may have been published in a Saturday morning newspaper that I’ve not had time to explore.  If so, then Brewer’s account could be accurate.
All totaled there are nine of the similarly posed Alton Lennon portrait negatives extant in the Morton collection, and at least one other pose made it to print.  Lest we forget about Hugh Morton’s other favorite go-to publication, The State, here’s another of the portraits . . .
Lennon portrait by Morton, cover, The State, 25 July 1953 issue
United States Senator-Designate Alton Lennon, portrait by Hugh Morton on the cover of the 25 July 1953 issue of The State.

Below is a photograph published in The Wilmington News on July 13, taken by Morton but uncredited, showing a smiling Lennon with “fellow attorneys” posed in what, after consulting various other negatives in the collection, appears to be his law office in the Odd Fellows Building at 229 Princess Street.  Many attorneys had their offices there because it was only a short walk to the city hall and county courthouse.  The steps of Thalian Hall were just across the street on North 3rd Street.
Alton Lennon with fellow attorneys
As captioned in the July 13, 1953 edition of The Wilmington News: “SENATOR LENNON CONGRATULATED — Fellow attorneys gather around Alton A. Lennon to extend congratulations on his appointment to the U. S. Senate. Shown with the new senator are Cicero Yow, H. Winfield Smith, John J. Burney Jr., Marsden Bellamy, Addison Hewlett Jr., Solomon B. Sternberger and Elbert Brown.” The photograph by Hugh Morton is uncredited.

There are several negatives made in that room, where the same composite photograph of the 1947 North Carolina Senate members is visible. Lennon was an elected member of the 1947 North Carolina Senate.  In some of the negatives, Lennon’s diploma from Wake Forest College can be seen hanging on the perpendicular wall to the left.
Your eye for fashion now comes into play.  You cannot tell from the picture above (as reproduced here from microfilm) but what can clearly be seen in the negative is that Lennon is wearing a double-breasted suit jacket.  It may be the same as seen in this detail of a negative made by Morton on the steps of Thalian Hall below:
Alton Lennon at Thalian Hall
Detail from a negative made by Morton of Alton Lennon standing on the stairs of Wilmington’s Thalian Hall. Notice the double breasted suit jacket.

It could very well be, then, that Morton photographed Lennon on that Friday evening after the announcement when he would have been in his office with his fellow attorneys, and also on the steps of Thalian Hall.
Alton Lennon standing in convertible
Newly-appointed Senator Alton Lennon standing and waving from the back of a convertible as part of his official send-off celebration.

At this point in his life, Hugh Morton was the vice president of the Wilmington Chamber of Commerce.  The chamber organized a special “send off” committee and named Morton as its chairman. Festivities on July 14 began with a parade through the streets to the train station.  Lennon’s car stopped for him to pose for photographers:
Now what about those four negatives with a different batch/machine code number?  Here they are:
Alton Lennon campaigning
The machine code for these is 419 (not 97).  Note, too, a portion of a campaign poster on the side of the car (lower right image).  And that eye for fashion?  Note Lennon is not wearing a bow tie, which he wears in all of the negatives made during the appointment days except during his meeting with Umstead, when he wears a light-colored suit and not a darker shade.  There is enough evidence to conclude that Morton did not make these four negatives during events surrounding the Lennon announcement and send off.  Lennon began campaigning soon after his appointment so we can date them from 1953 or 1954, but we cannot presume Morton made these four negatives in Wilmington.  The top left negative is part of the online collection, and the metadata for that has been updated to reflect the distinction.  The finding aid groupings will also be revised to reflect the new findings.
Alton Lennon campaigning
Alton Lennon campaigning for the 1954 Democratic Party primary election, circa 1953-1954.

Alton Lennon or his surrogates used at least two of Morton’s photographs during the 1954 primary.  Below is a page from the April 24, 1954 issue of The State:
Alton Lennon political advertisement published in The State
Alton Lennon political advertisement published in April 24, 1954 issue of THE STATE.

The image above is cropped from one of the many negatives Hugh Morton exposed in Lennon’s law office, one of two with that “Keep America Strong” illustration in the background.  It’s the upper portion of a calendar, which explains the last letters of the word “COMPANY” next to his left arm.
Morton’s family portrait of the Lennons seated in front of their fireplace reappears in a political advertisement paid for by Rocky Mount Friends of U. S. Senator Alton Lennon in that city’s newspaper, The Evening Telegram, on May 24:
Lennon political advertisement in The Evening Telegram
Lennon political advertisement in The Evening Telegram, May 24, 1954, featuring Hugh Morton’s family portrait made in July 1953.

Lennon lost his bid for the full term.  He and six other candidates fell to W. Kerr Scott on the Saturday, May 29 election day, with Scott securing 25,323 more votes than second place Lennon.

Robert F. Kennedy attends Terry Sanford's gubernatorial inauguration

On June 6, 1968—fifty years ago today—Robert Francis Kennedy died nearly twenty-six hours after being fatally shot by Sirhan Sirhan in the Ambassador Hotel in Los Angeles, California.  Seven years earlier—on January 5, 1961—Hugh Morton photographed Kennedy during a visit to Raleigh, North Carolina.

Robert F. Kennedy and wife Ethel
Robert F. Kennedy seated with his wife Ethel during the inauguration of North Carolina Governor Terry Sanford in Raleigh’s Memorial Auditorium, 5 January 1961. (Note: this photograph links to the record for this image in the online Morton collection, where for many years it is has been incorrectly displayed, laterally reversed.)

On that day, Kennedy sat on the platform in Raleigh’s Memorial Auditorium watching the inauguration of North Carolina’s sixty-fifth governor, Terry Sanford.  Fifteen days later, Kennedy’s brother John would be sworn in as the country’s thirty-fifth president.
Hugh Morton also attended Sanford’s swearing-in ceremony.  Morton had served as Publicity Director for the election campaign of outgoing governor Luther H. Hodges in 1956.  During Hodges’ administration, Morton served as the chair of the State Advertising Committee and as a member of the State Board of Conservation and Development.  His credentials provided Morton access to a likely restricted area for the event.
During the inauguration ceremony and Sanford’s ensuing address, Morton photographed with a 120 format roll film camera.  He worked predominately from a distance, positioned high up on stage left. He mostly photographed the audience and other officials taking their oaths of office, and Sanford from behind while centered amid the crowd.  There are ten negatives extent from the event.  In Morton’s negatives, you can see another photographer on the dais in front of the podium during their oaths.  Unbeknownst to Morton, his focus for those negatives was off badly.  On the very last frame of that roll of film (frame 12), he captured the above close up of Robert F. Kennedy with his wife Ethel.  They were seated on right side of the stage, suggesting Morton made the cross-stage trip specifically to make that photograph.
Outside, Morton switched to 35mm film.  There are forty-seven surviving 35mm negatives from that day.  Two depict Robert Kennedy, likely after the swearing-in ceremony but before Hodges and Sanford made their way into an awaiting convertible.  One of the two those two negatives is shown below.  Morton also made a 120 format color negative of the two governors seated inside the convertible (not scanned, but published in the book Making A Difference in North Carolina) that is also extant.
Robert F. Kennedy with Luther Hodges and Terry Sanford
Robert F. Kennedy (center) with Luther H. Hodges on his right and Terry Sanford on his left amid a crowd during Sanford’s inauguration.

Why was Robert Kennedy attending the inauguration of a North Carolina governor?  A four-part story in A View to Hugh from 2011 titled “A Spark of Greatness” recounts John F. Kennedy’s presidential campaign in North Carolina during the 1960 election, drawn mostly from John Drescher’s book Triumph of Good Will: How Terry Sanford Beat a Champion of Segregation and Reshaped the South.  A Spark of Greatness—Part 3 sets the stage for RFK’s return to NC for Sanford’s inauguration.  That account, however, is really only part of the story.  In terms of the presidential election, Robert Kennedy stated that “North Carolina was the most pleasant state to win for me.”  But he played a minor controversial role in Sanford’s election, too.
Sanford met with Robert Kennedy during his gubernatorial primary campaign—reluctantly, but he did so as a favor to Louis Harris, his pollster and a fellow UNC alumnus. (Sanford received his Bachelor of Arts degree in 1941, Harris received his BA in 1942, and Hugh Morton was a member of the class of 1943.)  Sanford had begun building a relationship with the Kennedys during the election season, but had not yet decided if he would endorse John Kennedy or Lyndon Johnson.  Their meeting was to be private.  It took place during the first part of June in Raleigh at the College Inn.  Sanford was impressed with Robert Kennedy’s organizational skills.  Sanford left the meeting without making a commitment, but he was now convinced John Kennedy would defeat Johnson.
During a press conference on June 13, a UPI reporter asked Sanford if he had met with Kennedy.  Sanford said he had not.  Sanford thought the reporter asked about John Kennedy but realized he had meant to say Robert.  Within a week newspapers carried stories about the meeting between Sanford and Robert Kennedy.  Sanford later regretted that he did not give a more forthright answer, one that acknowledged that he had not met with JFK but had met with RFK.  The political news was soon filled with stories that questioned, among various other scenarios, if Sanford had something to hide—particularly a promise to endorse Kennedy at the Democratic National Convention.
In his book Terry Sanford: Politics, Progress, and Outrageous Ambitions, Howard Covington recounts how Sanford made his way into the White House prior to the funeral service for John F. Kennedy.  Sanford attempted to gain access to the White House, but police physically thwarted his attempt despite his being a governor.  He finally convinced the police to escort him inside as if he was under arrest.  Once inside, Sanford spoke briefly to Robert Kennedy, then left.
Three months before the JFK assassination, Robert Kennedy had written a letter to Sanford, according to Covington, “to commend him on his management of difficult times.”  Kennedy wrote, “You have always shown leadership in this effort, which could well be followed by many chief executives in the north as well as in your part of the nation.”  Kennedy had written a post script at the bottom of his letter: “I hope I am not causing you too much trouble down there.  Just deny you ever met me.  That is the only advice I can think to give you.  Bob.”  In a note back to Robert Kennedy, Terry Sanford wrote: “I haven’t denied you yet.”

Charlotte News photographer Jeep Hunter, age 91, passes

Lawrence G. "Jeep" Hunter
Lawrence G. “Jeep” Hunter

This morning’s Charlotte Observer reported that longtime Charlotte News photographer Jeep Hunter passed away yesterday at the age of 91.  Hugh Morton made the above portrait of Hunter circa the 1950s.  The negative is a deteriorated acetate negative, which is why the image has a mottled look and a crease in the upper right corner.

Harry Truman and Hugh Morton's Confederate flag negatives

In our previous post, Jack Hilliard recounted President Harry S. Truman’s participation in the groundbreaking ceremonies for the Winston-Salem campus of Wake Forest College.  We used the photograph below was to illustrate the story, and I mentioned in a parenthetical statement that we would look more closely at the subject in our next post.  On this day with a presidential visit to Chapel Hill, I hereby fulfill my campaign promise.
p0081_ntbs4_000906_02Seven weeks after President Harry S. Truman visited Winston-Salem for the groundbreaking ceremony for Wake Forest College on October 15, 1951, LIFE published a tightly cropped version (see below) of the Hugh Morton photograph shown above in its December 3, 1951 issue.  Morton’s photograph accompanied photographs by other photographers in an article titled, “Warmed Over Again: Politicians turn the Dixie flag into a Sour Gag.”  The brief article paired two other photographs depicting the Confederate flag used in the design of a necktie worn by Alabama Senator Harry Byrd, and as a conductor’s baton in the hand of Atlanta mayor William Hartford directing the city’s symphony playing Dixie.  LIFE published “Warmed Over Again” in a Sequel column as a follow-up to its 15 October article, The Flag, Suh!”
LIFE‘s caption for Morton’s photograph reads, “DUCKING HIS FLAG behind his back, bystander waves loyally at Harry Truman when the latter’s car passes him on its way to Winston-Salem, N.C.” The photograph illustrated a one-paragraph story which concluded with the sentence, “But in Winston-Salem, N.C. one flag waver felt suddenly silly enough to hide the rebel banner when his president passed by.”  On face value that is was appears to be happening.  Can Morton’s other negatives made during Truman’s visit provide some additional insight?  First, some background . . .

Hugh Morton's photograph cropped as it appears in LIFE, 3 December, 1951, page 107.
Hugh Morton’s photograph cropped as it appears in LIFE, 3 December, 1951, page 107.

LIFE‘s The Flag, Suh!”—a one-paragraph article with the subtitle “Confederacy’s banner reaches a new popularity”—stated that “the Confederate Flag last week was enjoying a renascence.”  As examples, the magazine published eight photographs depicting the Confederate flag, including

  • members of the United Daughters of the Confederacy pledging their allegiance;
  • Miss Dixie of 1951 wearing three flags combined to make a blouse;
  • a University of Maryland student’s car as wind-blown decorations as it drives along;
  • a southern division of the U. S. Army parading it along with other colors; and
  • as part of the design of a necktie, worn by southern United States senators’s employees.

The article surmised, “Some interpret all this as an anti-Truman gesture, others possibly more intellectual as a revival in states’ rights.  Most people, however, recognized a fad when they saw one.”
News reporters describing the president’s visit to Winston-Salem offered several nuggets of evidence that give credence to LIFE’s anti-Truman interpretation.  Under the headline, “Confederate Flags Furnish Off Note In Truman Visit,” W. C. Burton, staff writer for the Greensboro Daily Record, described the scene along the presidential route from the airport to Reynolda where the presidential luncheon was to be held:

Crowds lined both sides of the cavalcade’s route through Winston-Salem and the people were is such high spirits that some of them cheered the press busses.  Several of the spectators waved small ten-cent-store United States flags.  A small rebellious, but hardly subversive and probably waggish note, was observed in the Confederate flags which not a few of the onlookers waved.  It may or may not be significant that as the procession moved into the residential section of the better heeled the number of Dixie banners increased.  In any case the secret service men made no move and a hawker who was peddling the Confederate flags admitted that business was not exactly booming.

The Associated Press correspondent assigned to cover Truman, Ernest B. Vaccaro, wrote two articles covering Truman’s trip.  In one, Vaccaro observed that, “Many of the school children along the president’s route waved American flags, but here and there were some Confedete flags.”  Other reporters also took note.  Simmons Fentress of Raleigh’s News and Observer‘s wrote, “There were children by the scores and there were little Confederate flags, dozens of them.  One boy, in a high school band uniform, waved his flag vigorously and shouted, as the cars would pass: ‘The South will rise again.'”  Fentress also wrote, “At one point probably a hundred children were collected.  Perhaps 25 of them had little American flags.  Perhaps 35 of them had little Confederate flags.”
Marjorie Hunter of the Winston-Salem Journal, describing the crowd along the road to Reynolda wrote, “Hundreds of persons waved United States flags as the presidential car passed by.  A few jumped up and down with Confederate flags in their hands.”  Bob Barnard, also with the Winston-Salem Journal described many onlookers including “several little girls waving Confederate flags.”  United Press correspondent Merriman Smith mentioned that “Children and adults waved flags at [Truman’s] car—many of them Confederate banners.”
On a similar note, the Statesville Daily Record recounted the efforts of two young boys who wanted to meet Truman despite the “tight cordon about the President’s party, not allowing anyone to get too close.”  One lad, Charlie Wineberry, “dashed up to the president, proudly wearing his Confederate cap and got a nice handshake from the chief executive.  However, he turned down an offer by newsreel cameramen for a picture with Charlie and the Confederate cap.”
Not limited to the parade route, Confederate flags made their way to the dedication ceremony, too.  The Charlotte Observer noted that “Confederate flags as well as the Stars and Stripes were flying around the grandstand from which President Truman made his address.”  Only United States flags, however, can been seen in Morton’s negative depicting an overview scene of the platform (shown in the previous post).  Perhaps Durham Morning Herald reporter Russell Brantley’s picturing the scene explains it better:

The President, stocky and natty in a double-breasted blue suit, had nothing to say about past squabbles with Southern Democrats over civil rights.  And an estimated crowd of 20,000, many of them Baptists and a number of them sporting Confederate flags, responded with enthusiasm.

Additionally, certain versions of an Associated Press article include a sentence that begins, “The president told the crowd, dozens of whom carried Confederate flags, . . .” So perhaps it was in the grandstands were where the crowd sat, not where the president stood, where the Confederate flags flew.
Does Brantley’e description also shed light on why there were so many Confederate flags that day, namely a displeasure with Truman’s efforts to ensure civil rights for all citizens?  Among Truman’s initial undertakings to this end was the establishment, by Executive Order 9808, of the President’s Committee on Civil Rights in 1946.  The committee had a North Carolina touchstone: Frank Porter Graham, the first president of the consolidated University of North Carolina from 1930 until Truman appointed him to be a member of the committee.  In 1949 Governor W. Kerr Scott, a pro-Truman Democrat (pictured in the photograph above seated next to the president), appointed Graham to complete the term of United States Senator J. Melville Broughton after he died in office after serving only a few months.  In the 1950 race for the seat, Graham lost a primary runoff election to anti-Truman Democrat Willis Smith that was tinged with anti-segrationist sentiments from Smith’s supporters.
Returning to the Morton collection, what else did Hugh Morton photograph that day?  In the collection there are four negatives depicting a man holding a Confederate flag behind his back while waving or possibly saluting Truman.  Morton labeled two of these negatives; both include the name “J. D. Fitz” and “Confederate Flag.”  In addition to the motorcade negative shown above, Morton made three exposures at the airport, similarly posed, one of which is below.

A scan from one of Hugh Morton's 4x5 sheet film negatives labeled with the name J. D. Fitz and "Confederate Flag." Harry Truman is just visible, partially obscured by the left shoulder of the man holding the flag, presumably J. D. Fitz.
A scan from one of Hugh Morton’s 4×5 sheet film negatives labeled with the name J. D. Fitz and “Confederate Flag.” Harry Truman is just visible, partially obscured by the left shoulder of the man holding the flag, presumably J. D. Fitz.

Did Morton encounter this scene, too, with the same person at two different locations?  From the news articles we know this man wasn’t the only person carrying a Confederate flag that day.  Considering Morton’s labeling of the negatives, the “flag waver” mentioned in the LIFE caption is likely J. D. Fitz.  The existence of that many negatives suggests that Morton either preplanned these photographs, encountered Fitz during the event and then staged the similar scenes, or followed Fitz to two locations and then photographed Fitz and his antics.
And who is J. D. Fitz?  I have only a few clues thus far, based upon a United States Census search. In the 1940 census, there is a John D. Fitz, age 24, who lived in Shelby, North Carolina with wife Lina or Lena, who stated his occupation was “Sports Editor” for a “Daily Newspaper.”  The census also provides Fitz’s 1935 residence as Reidsville in Rockingham County.  The Shelby city directory for 1939-1940 lists a “Fitz Jos D (Lena T)” as sports editor for the Shelby Daily Star, but he is not listed in the previous or subsequent Shelby directories.  There is a “Fitz Jos D” listed as a clerk at Kroger Grocery & Baking Co. in 1932 Reidsville city directory, and again as a clerk at Piggly Wiggly in Reidsville’s 1935 city directory.  Given Morton’s love of sports and sports photography, did he know Fitz?
There are two other clues to consider.  In the above photograph, note the reporter-style notebook in the left pocket of the man on the right. Was he also a reporter?  And finally, notice the box at his feet. Could that have been Morton’s camera box?
Are there other possibilities?  What do you think?

Breaking new ground: a transition to Winston-Salem

June 5, 1950 was a very special day on the old Wake Forest College campus in Wake Forest, North Carolina.  It was commencement day but it was also the day the College Board of Trustees met and selected Wake’s tenth President.  Near the end of commencement ceremonies, Dean of the College Dr. Daniel Bryan announced that the Board had selected Dr. Harold Wayland Tribble as the new President.  Wake’s college yearbook, Howler, closed its year-end summary for 1950 with these words:

Dr. Tribble enters his new service at the crucial time in both the world and local history. One of his chief jobs during the next few years will be to complete the proposed campus move to Winston-Salem; a move that could presage a new era of Wake Forest service to the South.

October 15, 2016 marks the 65th anniversary of the groundbreaking ceremony for the Reynolda Campus at Wake Forest University in Winston-Salem.  The special guest and keynote speaker that day was President Harry S. Truman.  The special ceremony received national media coverage. Like so many important events in North Carolina’s history, Hugh Morton was there with camera in hand to document the proceedings.  On this special anniversary, Morton Collection volunteer Jack Hilliard looks back to that day in 1951.

President Harry S. Truman giving a speech at a podium at the groundbreaking of Wake Forest University in Winston-Salem, N.C.
President Harry S. Truman giving a speech at a podium at the groundbreaking of Wake Forest University in Winston-Salem, N.C.

North Carolina’s lead story on March 25, 1946, was that the Z. Smith Reynolds Foundation in Winston-Salem’s  had offered $350,000 a year in perpetuity to Wake Forest College, if it would move from Wake Forest, North Carolina where it had been since its founding in 1834, to a new campus in Winston-Salem. Included as part of the deal was 300 acres of land in the Reynolda area from Charles H. Babcock, a Winston-Salem investment banker.  Also in the package was a $2 million challenge grant from William N. Neal and his niece Nancy Reynolds Babcock to cover building expenses.  The Reynolds Foundation offer and the Babcock land deal would increase substantially by October, 1951.
Although Wake Forest’s medical school had made the move to Winston-Salem in 1941, (now the Bowman Gray School of Medicine,) and set up on the Hawthorne Campus about four miles from the Reynolda site, there was still some opposition to the move.  Over its long history, Wake Forest College always seemed to have the right president in place when crucial events were at hand. That was never truer than on a spring day in 1950 when university leaders selected Dr. Harold W. Tribble to head the Baptist institution.  Dr. Tribble knew how to fuel the challenge-grant drive and quell the opposition.  He was able to do both with extensive travels to address alumni groups, preach sermons, and address gatherings such as Gordon Gray’s inauguration as University of North Carolina system president on October 10, 1950.
The university set a groundbreaking date for October 15, 1951.  Dr. Tribble knew the groundbreaking ceremony had to be special, something that would send a signal that the “move is on.”  He was able to utilize special contacts that Gordon Gray had made during his time as a White House assistant, along with the influence of alumnus Gerald Johnson, a columnist for the Baltimore Sun. Dr. Tribble sent a special invitation to President Harry S. Truman to join in the groundbreaking ceremony.  On the afternoon of October 2, 1951, he received word from Matthew Connelly, one of Truman’s White House aides, that the president had accepted the invitation.
Conservative Baptists weren’t exactly thrilled with the choice of Truman because of his rough language from time to time and his pro-civil rights inclinations.  But the importance of a Truman appearance would bring national media coverage and send that clear signal that Tribble wanted: this move is going to happen.
October 15, 1951 was declared a holiday for the 1,800 students on the old Wake Forest campus.  In the early morning hours, buses were lined up and ready to transport the students to Winston-Salem for the groundbreaking ceremony.  All four of Greensboro’s radio stations were in place to broadcast Truman’s speech, plus there was also a nationwide radio hookup.  And the market’s only TV station at the time, WFMY-TV in Greensboro planned to film the proceedings for later broadcast in their news programs.  By late morning, a threat of rain had disappeared leaving a perfect day for the presidential visit and some serious ceremonial spadework.
A crowd estimated at 4,000 was waiting for the president’s arrival at Smith Reynolds Airport.  The Mineral Springs High School Band entertained the crowd with the march “Our Director” and “The Washington and Lee Swing.”  At 10:13 North Carolina Governor W. Kerr Scott arrived from Raleigh, accompanied by Hugh Morton, member of the state board of Conservation and Development, and Joseph Crawford, former warden at Central Prison.
Two four-engine-planes preceded that of the president: the first carried North Carolina’s congressional delegation while the second carried the Washington press corp.  That second group brought the total number of press members to over 200, including the David Brinkley crew from NBC-TV.  Brinkley, a North Carolina native, had recently joined NBC News in the nation’s capital. Then, at 11:29 AM the president’s plane touched down. At that moment, President Harry S. Truman became the first United States president to visit Winston-Salem since George Washington’s visit during his Southern tour of 1791.  On this day, Truman was aboard a four-engine Air Force transport; his private plane, called the “Independence,” had experienced engine problems and had been left in Washington.
University of North Carolina President Gordon Gray (center) and North Carolina Governor W. Kerr Scott (left) welcoming President Harry Truman at the Winston-Salem airport, as he arrives to attend ground-breaking ceremonies at the new Winston-Salem, N.C. campus of Wake Forest University.
University of North Carolina President Gordon Gray (center) and North Carolina Governor W. Kerr Scott (left) welcoming President Harry Truman at the Winston-Salem airport, as he arrives to attend ground-breaking ceremonies at the new Winston-Salem, N.C. campus of Wake Forest University.

At the foot of the landing platform, Governor Scott, Tribble, Gray, and Winston-Salem Mayor Marshall C. Kurfees greeted Truman, who was accompanied by his aides from each of the military services.  Scott, Tribble, and Truman then made their way across the tarmac where special limousines were waiting.  Crowds lined both sides of the six-mile route to the home of Mr. and Mrs. Charles H. Babcock, where the president was honored with a special luncheon.  Winston-Salem Police Chief James I. Waller led the motorcade followed by a car of secret service officers.  Along the route, several in the crowd waved small United States flags, and a few others waved the old Confederate flag. In its December 3, 1951 issue Life published a Hugh Morton photograph of a person holding a Confederate flag behind his back as Truman’s automobile passed by. (Our next post will look at that subject in more detail.)  About 240 North Carolina State Highway Patrolmen, assisted by Greensboro and Winston-Salem police officers patrolled the route. The presidential motorcade arrived at Reynolda at noon.
Hugh Morton's photograph cropped as it appears in LIFE, 3 December, 1951, page 107.
Hugh Morton’s photograph cropped as it appears in LIFE, 3 December, 1951, page 107.

At 1:55 PM, the motorcade reformed and headed to the future home of Wake Forest College where a crowd of about 20,000 was already in place. The ceremony began at 2 PM with an invocation by Dr. Ralph W. Herring, Pastor of the First Baptist Church in Winston-Salem. Dr. Herring was followed by the formal presentation of the land on which the new college would be located, by Mr. and Mrs. Charles H. Babcock.  Dr. Casper Warren, Chairman of the North Carolina Baptist State Convention’s fund-raising committee, then presented a one-million-dollar gift for construction of the first campus building, which was to be a chapel.  Accepting both gifts was Judge Hubert E. Olive, President of the Wake Forest College Board of Trustees.  Gordon Gray then delivered greetings from the educational institutions of North Carolina.
Detail from the image below of Harry S. Truman speaking at the podium.

At approximately 2:30, Tribble introduced the nation’s chief executive.  Truman, a fellow Baptist, then delivered what had been billed as a major policy address.  The president  began with a tribute to the 117-year-history of Wake Forest College.

It is a privilege to join my fellow Baptists in rejoicing at the enlargement and rebuilding of one of our great institutions.  It is a privilege to join the people of North Carolina in celebrating their devotion to freedom of the mind and spirit. . . Wake Forest College has given 117 years of distinguished service to education and religion in this state.  Over the years, the college has sent thousands of graduates out through the land to positions of leadership and trust.

Truman then talked about the tense international situation, saying that many Americans oppose the present costly defense efforts, which he insisted were essential for peace.  He  made an offer to work out a plan of atomic weapons control with Russia adding, “I cannot guarantee that we will reach our goal. The result does not depend entirely on our own efforts. The rulers of the Kremlin can plunge the world into carnage if they desire to do so. . . . The only way they’ll respect and live up to any agreement is because they know someone is strong enough to carry it out.”  This statement brought many in the crowd to their feet.  Truman closed with this: “Armed with faith and hope that made this college and this country great, you may declare in the words of King David, ‘through God we shall do valiantly.'”
Following the Presidential address, a dedicatory prayer was given by Dr. George D. Heaton, pastor of Myers Park Baptist Church of Charlotte.  Then it was groundbreaking time. The President was handed a decorated shovel and then yelled to the assembled photographers, “All y’all ready?” He then turned the first shovel full of dirt, followed by Judge Olive, then O. M. Mull, chairman of the college building committee.  President Tribble then turned that final shovel full, thus making it official: the construction of the Reynolda Campus of Wake Forest College in Winston-Salem was underway.
The President headed back to the airport for his return to the Nation’s Capital.  He would be home by 4:47 PM.  It would be almost five years before the completion of the first fourteen buildings, in time for the first students who arrived on the Winston-Salem campus in the fall of 1956.
Dr. Harold W. Tribble led Wake Forest College until his retirement on June 6, 1967.  In his seventeen-year term as president of the school, assets increased from about $10.5 million to more than $91 million and the number of students grew from 1,800 to 3.000.
When Dr. Tribble took office in May of 1950 he had two dreams for the school.  One of those dreams was fulfilled in the fall of 1956 when the first students arrived on the Winston-Salem campus. The second was to see Wake Forest College achieve University status, which it achieved on June 18, 1967—twelve days before Dr. Tribble retired.

World Photography Day, 2016

Scene photographed by Hugh Morton during a Grandfather Mountain Camera Clinic sometime in the early 1950s as attendees practice their portraiture technique. The photographers' models are (left to right) an unknown woman in Indian headdress, Osley Bird Saunooke, Chief of the Eastern Band of the Cherokee Indians from 1951-1955, and golfer Billy Joe Patton. Grandfather Mountain still runs the clinic, which was held there last weekend. (Photograph cropped by editor.)
Scene photographed by Hugh Morton during a Grandfather Mountain Camera Clinic sometime in the early 1950s as attendees practice their portraiture technique. The photographers’ models are (left to right) an unknown woman in Indian headdress, Osley Bird Saunooke, Chief of the Eastern Band of the Cherokee Indians from 1951-1955, and golfer Billy Joe Patton. Grandfather Mountain still runs the clinic, which was held there last weekend. (Photograph cropped by editor.)

Today is the sixth annual World Photography Day, established to honor the French government’s declaration on August 19, 1839 that made the daguerreotype process “free to the world.”  The French government acquired the rights to the process from Louis-Jacques-Mandé Daguerre in exchange for a lifelong pension.
There are many ways to celebrate World Photography Day, and what better way while you are here at A View to Hugh than to read (or reread) some of the 368 previously published blog posts available from the home page either by clicking on one of the categories listed in the right column or entering a search in the search box near the top of the page.  You may also explore more than 7,500 photographs in the online digital collection, or search for your favorite topics in the finding aid that represents the approximately 250,000 items in the Hugh Morton collection.
And what if you find yourself in Raleigh today?  Then be sure to visit the exhibition Photographs by Hugh Morton: An Uncommon Retrospective at the North Carolina Museum of History.
And by all means make a photograph today!

Ambassador William C. Bullitt visits UNC, 1941

William C. Bullitt, speaking at Memorial Hall, Univeristy of North Carolina, Chael Hill, January 7, 1941. Photograph by Hugh Morton; cropped detail by blog editor.
William C. Bullitt, speaking at Memorial Hall, University of North Carolina, Chapel Hill, January 7, 1941. UNC President Frank Porter Graham listening on stage in the background. Photograph by Hugh Morton; crop by blog editor.

At this time of danger each American must ask himself each day not what he can get from his country but what he can give to his country, and must ask himself each night: “Have I given enough?”

—William C. Bullitt, 7 January 1941

Eleven months to the day before the Japanese bombed Pearl Harbor—William C. Bullitt took to the UNC Memorial Hall rostrum.  The audience filled the auditorium to capacity.  Fronted by an NBC banner and flanked by two NBC microphones, National Broadcasting Company aired his speech across the nation.  Soon thereafter, it traversed the world by shortwave.
William Christian Bullit Jr. isn’t a household name in households today, but it was during his time.  Some readers may recognize the surname from the Brinkhous-Bullitt Building on the UNC medical campus, built in 1973 and named in 1983, in part, for James B. Bullitt, who became chair of pathology in 1913.  William C. and James B. were cousins, and during his visit the former stayed at the latter’s home in Chapel Hill.
William Bullitt’s biography is much too long and complex for this blog, so please see the bibliography at the end if you want to learn more.  Bullitt is the subject of three biographies held by Davis Library.  Biographer Michael Cassella-Blackburn called him, “perhaps the most charming, thoughtful, and devious person in the interwar and early postwar years of Soviet–American relations.”
A member of Yale’s class of 1912, Bullit’s classmates voted him their “most brilliant.” He also won two of the student’s most valued social awards—a Phi Beta Kappa key and a membership on the Yale Daily News editorial board.  He was also “tapped” for a membership in the secret society Scroll and Key.  He was a member of the Mince Pie Club, a forum for wit and satire, along with his close college friend Cole Porter.  (Some sources say they co-founded the club, but there was a Hasting Eating and Mince Pie Club in the 1890s, so others can resolve that distinction.)  As a student Bullitt also overextended himself so widely that he suffered from exhaustion and had to delay his senior year to recuperate before graduating in 1913.
Bored and tormented while studying law at Harvard in 1914, Bullitt sailed to Europe in June with his mother after the passing of his father in March. They chose to visit Russia and were in Moscow when Serbian Gavrilo Princip assassinated Archduke Franz Ferdinand, heir presumptive of the Austria–Hungary, and Ferdinand’s wife in Sarajevo.  As the events leading to the Great War unfolded, the Bullitts left Moscow and Europe—but not until September, witnessing the early rumblings and preparations of World War I in Warsaw, Berlin, Paris, and London.  Those weeks in Europe significantly set the tone for the remainder of his life.
Returning to his hometown of Philadelphia, Bullitt soon obtained a newspaper job at The Public Ledger as a police beat reporter.  Bullitt also submitted articles on the war, and their high quality gave rise to a stellar journalistic career—so much so that President Woodrow Wilson solicited his advice on several occasions.  In December 1917 Bullitt became assistant secretary of state.  In 1919 he was a member of Wilson’s peace conference delegation and the president sent Bullitt to Russia as a special emissary to develop a peace plan with Vladimir Lenin.
In December 1923 Bullitt married Louise Bryant.  It was his second marriage, her third.  If you have seen the movie Reds (1981) then you may have recognized her name, for her second husband had been journalist John Reed—the couple portrayed by Diane Keaton and Warren Beatty—who wrote on the Russian Revolution as an insider and died in Russia in 1920.  During Franklin Delano Roosevelt’s presidency Bullitt became the first United States ambassador to the Soviet Union in 1933, and ambassador to France in 1936.
In late July 1940 FDR asked Bullitt to deliver a foreign policy speech in Philadelphia on August 18th, knowing Bullitt would speak on the growing threat of the European war to the United States.  This would afford FDR a chance to asses the national mood.
The Bullitt quote from his call-to-action speech in Chapel Hill that begins this blog post sounds like a harbinger of John F. Kennedy’s inauguration speech twenty years later.  In fact, it’s a refinement from Bullit’s Philadelphia address:

When are we going to say to them [the U. S. government] that we don’t want to hear any longer about what we can get from our country, but we do want to hear what we can give to our country?

FDR and Undersecretary of State Sumner Welles vetted Bulliitt’s Philadelphia address, and had two million copies printed for distribution.  Essentially he said, “America is in danger.”  The isolationist United States Senate pilloried Bullitt. The New York Times applauded.  The movement to war soon escalated.
Germany, Italy, and Japan signed the Tripartite Pact on 27 September 1940—just one week after UNC freshman Hugh Morton and fellow students walked onto campus to begin their school year, and only eight days before Roosevelt defeated Wendell Willkie in the presidential election that kept him in the White House for his third term. After the election, Bullitt wrote his version of the customary pro forma, post-election letter of resignation on November 7th, to which Roosevelt replied, “Resignation not accepted.”
Sometime during the fall semester, the UNC students’ International Relations Club, led by president Manfred Rogers, invited Bullitt to speak in Chapel Hill at Memorial Hall.  Originally scheduled for December 10th, the December 3rd issue of The Daily Tar Heel announced that Bullitt needed to postpone until January 7th because “of pressing duties in Washington and a physician’s order that he remain inactive for three weeks.”
Behind the scenes, however, other events offer a truer picture. Roosevelt either deliberately or accidentally placed Bullitt in a situation where he decided he had no choice but to announce his resignation as ambassador on November 13th.  As Bullitt biographers Brownwel and Billings deduced, “Roosevelt chose to be devious.”  Bullitt had come to learn indirectly that FDR was going to appoint Admiral William D. Leahy to the post.  Bullitt called the president on November 9th: “I thought you said this afternoon that I was to remain as ambassador to France and go off on holiday until December 15.  It’s [the Leahy situation] all over town now and puts me in a fine spot.” FDR replied, “Bill, believe it or not, I forgot all about it.  It’s entirely my fault.”  On December 28th Bullitt sent a note to Roosevelt asking that his resignation be accepted. On January 7, the day Bulitt spoke at UNC, FDR wrote, “Your letter of resignation as ambassador to France is before me.  It is with great reluctance that I accept it.”
As biographer’s Brownell and Billings wrote, “Once Bullitt was cut loose from the government, he spoke out loudly and often, starting at the University of North Carolina at Chapel Hill.”

Members of the head table during the International Relations Club dinner held before William C. Bullitt's speech. Left to right are Josephus Daniels, Bullitt, IRC president Manfred Rogers, Frank Porter Graham, and two unidentified women. This cropping is almost the same as the photograph was reproduced in the Yackety Yack, with just a touch more taken off the bottom.
Members of the head table during the International Relations Club dinner held before William C. Bullitt’s speech. Left to right are Josephus Daniels, Bullitt, IRC president Manfred Rogers, Frank Porter Graham, and two unidentified women. This cropping is almost the same as the photograph was reproduced in the Yackety Yack, with just a touch more taken off the bottom.

On Saturday, January 4th, 1941 in the DTH‘s first issue following winter break, one of three top-of-the-page headlines announced, “IRC Makes Extensive Plans For Bullitt Address Tuesday.”  In the accompanying article, the IRC disclosed that many prominent North Carolinians would attend, including North Carolina Governor Clyde Hoey; Ambassador to Mexico Josephus Daniels; Henri Haye, French Ambassador to the United States; Jonathan Daniels, editor of The News and Observer, Governor-elect J. M. Broughton; Julian Price, president of Jefferson Standard Life Insurance; [UNC Professor] Archibald Henderson, head of the William Allen White Committee for the Southeast [i.e., southeast chapter of the Committee to Defend America by Aiding the Allies]; and South Carolina Governor Burnet R. Maybank.  Rogers reported that “a majority of 750 invitations mailed to city mayors and chamber of commerce officials over the state had been accepted.”  Rogers anticipated a capacity crowd and urged students to arrive early to get good seats, and he expressed their good fortune because Bullitt had selected UNC from among 250 requests from other schools and organizations.  A $1.25-a-plate banquet at the Carolina Inn at 7:00 p.m. would precede Bullit’s speech with faculty and a select group of students receiving special invitations.  Other students who wanted to attend could contact Rogers.  The women’s dormitories house mothers even granted a curfew extension until 11:00 “so that coeds could hear the speech” scheduled to begin at 9:30 (pushed to 10:00 two days later).  Rogers said Bullitt’s speech would be so important that photographers from magazines Life and Time and the Associated Press, “together with state photographers, had made plans to take pictures.”  (I reviewed issues of Life and Time published shortly after the speech and uncovered no coverage, written or photographic.)
Sunday’s DTH also had a front-page article on the upcoming speech.  Rogers stated “that recent reports from Washington” indicated that Bullitt’s talk would compliment FDR’s now-famous “Arsenal of Democracy” fireside chat on national security of December 29th.  On the morning of Bullitt’s visit, however, DTH readers learned the topic of the speech would be “America and the War.”  Bullitt was “expected to sound out specific administrative aims instead of delivering a Roosevelt-supplementary address” because the night before the president delivered his “Annual Message” to the United States Congress—known today as FDR’s “Four Freedoms” speech.  The IRC moved the starting time to 10:00 so that NBC “could air the entire speech,” and dignitaries would now begin their remarks at 9:30. Ironically, state radio stations would not carry the address, but Raleigh’s WPTF would broadcast a transcription later in the evening.
Daily Tar Heel Staff Photographer Jack Mitchell got the news assignment, which took him to the airport to capture Bullitt’s arrival with the UNC welcoming committee—and two front-page photographs for the next day’s DTH.  Morton, it seems, covered Bullitt’s visit as Photography Editor for Yackety Yack, the UNC student yearbook.  Four surviving Morton negatives document the dinner and the speech, one of each event appear in the IRC yearbook section. The DTH reported that Bullitt met with students in the Institute of Government building at 5:30, but no surviving photographs of that event have surfaced in the Morton collection.
Full view of another negative shot at the IRC dinner.
Full view of another negative shot at the IRC dinner.

What effect did Bullitt’s speech have on UNC students?  Here are two perspectives you might want to pursue if this question interests you.  The first can be found in the DTH on the Sunday previous to Bullit’s speech.  The DTH editorial board, writing under the initials “S. R.” (likely Simons Roof) espoused non-intervention in an editorial titled, “The Shift Toward War”:

As the new year and new quarter begins at Carolina, war threatens to disrupt our scholastic life.  Around us begins the great chorus of parrot-tongues — the men who derive their catch-words from such people as William Allen White. . . . But there is another campaign we might make.  We might deny that a group of pro-war politicians have the democratic right to say you and I must torture and murder—and be tortured and murdered—in a war where we run the risk of losing everything America has gained. . . You and I are being subjected to the most dangerous war propaganda ever conceived. . . .

The second viewpoint is that of DTH Associate Editor Bill Snider, writing two days after Bullitt’s speech, under the “Light on the Hill” column:

In less than half an hour and in exciting, poetic words Mr. Bullitt began where any ordinary citizen must begin and traced the situation through to its logical conclusion.  There was nothing to obstruct, nothing to confuse.  Everywhere the statement was cryptic, dynamic, thought-provoking. . . . There had been nothing very startling in all the vibrant words. . . With clarity and imagination they helped explain the rapidly consolidating vanguard of American public opinion.  Most importantly, however, though these words advanced the procession little, they bluntly told America where she stands now, and at this moment this is certainly what America wants to know more than anything else.  For these qualities, then, William C. Bullitt’s address in Chapel Hill at the dawn of 1941 should be remembered.

This is a view of the full negatives shot but Morton that appears in the 1841 Yackety Yack, which was cropped similar to the above version, though as a square.
This is a view of the full negatives shot but Morton that appears in the 1841 Yackety Yack, which was cropped similar to the above version, though as a square. Bullitt is looking at the podium so we do not see his eyes as we do in the exposure above. On stage in the shadows are Josephus Daniels, left, Frank Porter Graham below the NBC banner, who appears to be looking straight at Morton. To Graham’s left may be R. B. House, Dean of Administration.

Billings, Richard N. and Will Brownell.  So Close to Greatness: the First Biography of William C. Bullitt.  New York : Macmillan; London: Collier Macmillan, 1987.
Bullitt, Orville H., editor. For the President, Personal and Secret: Correspondence Between Franklin D. Roosevelt and William C. Bullitt.  Boston: Houghton Mifflin Company, 1972.
Bullitt Admits America Does Not Want War,Chicago Daily Tribune, 8 January 1941, page 7, column 3.
Bullitt, William C. America and the War : an address delivered in Chapel Hill on the Occasion of the Third Anniversary of the International Relations Club at the University of North Carolina, an NBC Broadcast.  Chapel Hill: Y. M. C. A., [1941].
Cassella-Blackburn, Michael.  The Donkey, The Carrot, and the Club: William C. Bullitt and Soviet-American Relations, 1917-1942.  Westport, Conn.: Praeger, 2004.  According to Cassella-Blackburn, the Franklin D. Roosevelt Presidential Library and Museum has a copy of Bullitt’s entire speech at UNC in the John C. Wiley Papers (Box 6, General Correspondence, Bullitt, William C.).
Farnsworth, Beatrice. William C. Bullitt and the Soviet Union.  Bloomington, Ind.: Indiana University Press [1967].
William C. Bullitt papers, Manuscripts and Archives, Sterling Memorial Library, Yale University.
Over a ten-year period, he and his friend Sigmund Freud wrote Woodrow Wilson: a Psychological Study (1966).

Dismal Day in Dallas

Head Coach Larry Fedora’s 2014 Tar Heels are going bowling.
For the 31st time, going back to 1947, UNC’s football team will play in a post season bowl game—this time it’s the “Quick Lane Bowl” in Detroit on Friday, December 26th at 4:30 PM (ET).  The game will be on ESPN.
Of the 30 bowl games played, the Tar Heels have been victorious 14 times.  Of the 16 losses, the one on January 2, 1950 was one of the toughest.  Morton collection volunteer Jack Hilliard looks back on that dismal day in Dallas, almost 65 years ago.

The Apache Belles majorettes from Tyler, Texas during the 1950 Cotton Bowl festivities.  A caption in the Greensboro News identified the majorette as Iwanna Burk, sister of Baylor star quarterback Adrian Burk.
The Apache Belles majorettes from Tyler, Texas during the 1950 Cotton Bowl festivities. A caption in the Greensboro News identified the majorette as Iwanna Burk, sister of Baylor star quarterback Adrian Burk.

When UNC Head Football Coach Carl Snavely arrived at his 215 Wollen Gym office on Wednesday, November 23, 1949, a New Year’s bowl game was not on his radar. After all, Carolina had lost 3 games during the season and two of those losses were decisive: Notre Dame 42 to 6 in Yankee Stadium and Tennessee 35 to 6 in Kenan Stadium.
Coach was concentrating on the upcoming game with Virginia three days away.  Then, the phone rang and everything changed. It was Dan Rogers, Chairman of the Board, Cotton Bowl Athletic Association, calling from Dallas.  He told Coach Snavely that Carolina was on a short list for a Cotton Bowl invitation.  He then added, Virginia is on that list also. So the UNC vs. UVA game on Saturday, November 26, 1949 would now become the “Cotton Bowl Invitational,” with the winner going to the top of the list and getting the bid.
Snavely told his team about the phone call when the varsity was traveling by bus to the Duke–Carolina freshmen game in Durham on Thursday, the 24th. The next day the team voted to accept the bid if offered.
The Greensboro Daily News on Saturday morning featured a large Hugh Morton photograph of UNC All-Americas Charlie Justice and Art Weiner.  The headline caption read “Heading for the Last Roundup.”
19491126_GreensboroNews_Sec2page2On Saturday, November 26, 1949, the largest football crowd in Chapel Hill to date—48,000—gathered in ideal football weather to see Justice and Weiner play their final varsity game in Kenan Stadium.  Veteran CBS Radio broadcaster Red Barber was in town to call the game.
Tar Heel fans were not disappointed.
After a scoreless first quarter . . . two plays into the second quarter, it was Justice on a typical, zigzagging run off left guard for a 14-yard touchdown and Carolina led 7 to 0 following Abie Williams’ point after.  At the 13:30 mark it was Justice again, this time a 63-yard touchdown pass to Weiner.  Williams was true again on the PAT and Carolina led 14 to 0 at the half.
Until yesterday, this photograph was only identified as a Charlie Justice negative amid hundreds of UNC football negatives. This photograph of Justice’s 14-yard touchdown run against the University of Virginia appeared in the Wilmington Star-News on Sunday, November 27th, page 12-A.

Twelve high school bands were on hand to entertain during halftime.  The game was dedicated to William Rand Kenan, Jr., who had donated the stadium in 1927.  He was a special guest on this day.
The third quarter, like the first, was scoreless, but in the fourth quarter, Virginia was able to put together a 43-yard drive and was finally on the scoreboard with 2:30 remaining in the game.  Carolina accidentally touched Virginia’s on-side kick and UVA took over at their own 48.  Four plays and two first-downs later, Virginia was at the Carolina 7-yard line with 0:32 on the clock. Three Cavalier passes failed; on fourth down they tried a double-reverse play, but Tar Heels Art Weiner and Roscoe Hansen stopped the ball carrier back on the 8-yard line to seal the victory.
Following the game, Sports Information Director Jake Wade made the announcement: the Heels had been invited to play in the Cotton Bowl, and the team and the University administration had approved.  Carolina, the Southern Conference Champion, would play Rice Institute (Rice University today), the Southwest Conference Champion on January 2, 1950.
Snavely ordered a break for his troops from November 28th until December 3rd.  A week of practice followed, then a break for exams.  Preparation for Rice would resume on December 16th and continue until the Christmas break on December 21st.
The Tar Heel team reassembled in Chapel Hill on December 26th and held one final practice on the 27th before departing for Big D.
It was cold and clear at Raleigh-Durham Airport at 9:35 AM on December 28, 1949, when the first of two planes carrying the Tar Heel football team took off for Dallas.  The Capital Airlines DC-4 was labeled “Cotton Bowl Special,” and carried Justice and Weiner plus 46 other UNC players and part of the coaching staff. Then at 2 PM, the second plane carrying the remainder of the team and staff took off.  On hand for both takeoffs was Chapel Hill Mayor Ed Lanier.
The first flight arrived in Dallas at 4:25 PM and was greeted by 3,000 Tar Heel fans and coeds from SMU plus Mr. SMU himself, Doak Walker.  Originally, Charlie and Sarah Justice were going to stay at the Melrose Hotel with the coaches and team, but Justice got a letter a week earlier from Doak Walker inviting them to spend the week at the Walker home.
UNC's Charlie Justice and SMU's Doak Walker inside Dal-Hi Stadium, Dallas, Texas.
UNC’s Charlie Justice and SMU’s Doak Walker inside Dal-Hi Stadium, Dallas, Texas.

December 29th was a practice day for Carolina . . . a workout at Dal-Hi stadium in the morning and movie viewing in the afternoon.  Walker was present for both sessions, adding coaching suggestions along the way since he had already played Rice earlier in the season.  Morton’s picture of Justice, Walker, and Snavely viewing game movies made the papers back in North Carolina on December 30th.
Carl Snavely, Charlie Justice reviewing football filmAlso, early on the morning of the 30th, the football team got the good news from Chapel Hill that Carolina’s basketball team had upset Duke 59 to 52 in the first annual Dixie Classic back in Raleigh the night before.
Following an afternoon practice, Coach Snavely said:  “Right now we are in the best condition for the ball game this season.  The boys are in good spirit and I know they are having a good time here in Dallas.”
UNC football team practice session at Dal-Hi Stadium.
UNC football team practice session at Dal-Hi Stadium.

The Carolina team and coaches along with photographer Hugh Morton attended the annual Cotton Bowl luncheon put on by the local Optimist Club on Saturday the 31st.  The keynote speaker was Supreme Court Justice Tom C. Clark, a native of Dallas.
The Sunday papers predicted clouds and a 7-point win for Rice on Monday.  Back home, The Greensboro Daily News published on the front page of the Sports section a picture of Justice and Bob Gantt at work on the practice field.  It was now time to get serious about the 14th Annual Cotton Bowl.
Monday, January 2, 1950 was a cold, damp day in Asheboro, North Carolina.  I remember sitting with my best buddy on the front steps listening to the game on his portable radio that he had gotten for Christmas.  Legendary NBC sports broadcaster Bill Stern was the play-by-play announcer with analysis and color by Kern Tips. We were listening to station WBIG in Greensboro. (The game was also on WSJS radio in Winston-Salem).  The Greensboro Daily News headline that morning read:
Charlie Justice runs onto the field for the last time for Carolina at the Cotton Bowl on January 2, 1950, Dallas, Texas.
Charlie Justice runs onto the field for the last time for Carolina at the Cotton Bowl on January 2, 1950, Dallas, Texas.

The University of North Carolina Band, under the direction of Prof. Earl Slocum was part of the pre-game festivities as Charlie Justice ran onto the field for the final time in a Carolina varsity uniform.  Morton’s image of Justice and the band is the first picture in the 1958 Quincy-Scheer Justice biography (on page 3).
Then as 75,347 fans watched, UNC Captain Charlie “Choo Choo” Justice met at midfield with Rice Co-Captains James “Froggy” Williams and Gerald Weatherly for Referee Ray McCullock’s coin toss.  Hugh Morton documented that scene as well before returning to his Carolina sideline position.
Gloomy skies prevailed as neither team could do much in the first quarter of play which ended with neither team on the scoreboard.  Early in the second quarter, Rice quarterback Tobin Rote passed to Billy Burkhalter for a 44-yard touchdown.  Later in the quarter, Rice took possession at midfield and drove for a second score with fullback Bobby Lantrip going the final three-yards to make the halftime score 14 to 0.
Rice right halfback Billy Burkhalter (#12), UNC right tackle Bill Kuhn (#51), and UNC Right End Ed Bilpuch (#47).  Crop from Morton's original negative for this blog post, the image appeared evern more tightly cropped—and without credit—in the January 4th issue of the Wilmington Morning Star.
Rice right halfback Billy Burkhalter (#12), UNC right tackle Bill Kuhn (#51), and UNC Right End Ed Bilpuch (#47). Crop from Morton’s original negative for this blog post, the image appeared evern more tightly cropped—and without credit—in the January 4th issue of the Wilmington Morning Star.

The halftime show, directed by Frank Malone, Jr. featured the Rice Institute Band plus nine high school bands from the Dallas-Fort Worth area.  The highlight of the show was a performance by the Apache Bells of Tyler Texas Junior College and finally the presentation of the 1950 Cotton Bowl Queen, Miss Eugenia Harris from Houston.
When the third quarter began, Rice picked up where they left off, this time it was a 17-yard pass from Tobin Rote to “Froggy” Williams to make the score 21 to 0 with 15 minutes to play.
Early in quarter number four, following an interception at the Carolina 15, Rice, on two plays, scored their final points of the day when Burkhalter scored his second touchdown of the afternoon.  With 9 minutes remaining, the score was Rice 27 – Carolina 0.
At this point, Carolina seemed to come alive.  They drove 65 yards—the final 7 yard a touchdown pass from Justice to Paul Rizzo.  During this drive, Morton took one of his most famous Charlie Justice pictures.  The image is part of the North Carolina Collection Photographic Archives exhibit, “Photographs by Hugh Morton: An Uncommon Retrospective.”
P081_NTBF3_005643_07_fused_print1_13 copyThen Carolina put on another drive—this one 80 yards— and fullback Billy Hayes accounted for 41 of them.  The final play of the drive came when Justice went off left tackle, but Rice defensive end Billy Taylor grabbed him by the sleeve.  Justice tossed the ball to his left where Rizzo caught it and raced into the end zone.  Abie Williams’ extra point made the final score 27 to 13.  The Carolina comeback was too little, too late.
The post-game handshake between Rice head coach Jess Neely—joined by his daughter’s Joan (left) and Mary– and UNC head coach Carl Snavely (right). This Morton photograph appeared in the January 4th issue of the Greensboro Record,

Following the traditional coaches handshake at midfield, each coach commented on the game.  Rice head coach Jess Neely simply said, “I had figured we could run against North Carolina.”  And run they did—226 yards to 174 for UNC.  Tar Heel head coach Carl Snavely said, “We simply did not have a bowl team this year.”
Charlie Justice, in a 1995 interview with biographer Bob Terrell, said, “We didn’t deserve the bowl trip.  The Cotton Bowl invited us so my playing could be measured against Doak Walker, who had a great season at SMU.  Texans had seen Doak play all season but hadn’t seen me, so this gave them the opportunity.”
Carolina and Rice each got a check for $125,951, while the players each got engraved Cotton Bowl watches and beautiful Cotton Bowl blankets.
On Wednesday, January 6th, Hugh Morton’s post-game picture of Charlie Justice and Paul Rizzo graced the sports page in The Greensboro Daily News.  The picture also turned up in the 1950 UNC yearbook, the “Yackety Yack” on page 271.
The game was not national televised, but even if it had been, North Carolina’s two TV stations at the time, in Greensboro and Charlotte, would not have been able to carry it because the AT&T cable had not been completed in the state.  That would come nine months later on September 30, 1950.
So WFMY-TV in Greensboro made arrangements to get NBC-TV to film the game, then fly the film back to Greensboro for showing. WFMY Sports Director Charlie Harville would narrate the film. The showing was scheduled for 9:30 PM on Wednesday, January 4th.  However, rainy, foggy weather in Dallas prevented the plane carrying the film from taking off, so the showing had to be delayed until 9:30 PM on Thursday.  Folks from all across the state came into Greensboro to watch.  It turned out to be the largest single audience in the history of television in North Carolina at that time. The program was so popular, the station repeated the film on Friday, January 6th.  If Carolina could have won, the station probably could have made an unprecedented third showing.

Nixon and Graham though the voice of Haldeman

Billy Graham and Richard M. Nixon, arm-in-arm, wave to the audience during "Billy Graham Day," Charlotte Coliseum, October 15, 1971.  H. R. Haldeman appears to be next to Pat Nixon.
Billy Graham and Richard M. Nixon, arm-in-arm, wave to the audience during “Billy Graham Day,” Charlotte Coliseum, October 15, 1971. H. R. Haldeman appears to be next to Pat Nixon.

Yesterday on WUNC’s program The State of Things, host Frank Stasio interviewed Carolina Public Press reporter Jon Elliston, who has listened to the H. R. Haldeman audio diaries recently released by the Richard M. Nixon Presidential Library.  On Wednesday, November 12th, the Carolina Public Press website published Elliston’s article about the Billy Graham–Richard Nixon alliance as revealed on Haldeman tapes. During the interview, Stasio and Elliston briefly discuss Haldeman’s diary entry for “Billy Graham Day” in Charlotte on October 15, 1971.
Billy Graham speaking during "Billy Graham Day" in Charlotte, North Carolina, 15 October 1971.
Billy Graham speaking during “Billy Graham Day” in Charlotte, North Carolina, 15 October 1971.

As you might expect, Hugh Morton was there.  He was located stage left, slightly elevated and slightly forward of the podium—either seated in the audience just behind the press photographers platform or on the platform behind the television cameras.  He photographed using 35mm cameras loaded with black-and-white negative and color slide films, and was switching lenses.  Two of Morton’s color images appear in the book Making a Difference in North Carolina; those two original slides, however, are not in the Morton collection.
Several of the black-and-white negative frames are double exposures, but it’s difficult to say if they were intentional or accidental.  Broken sprocket holes on the film suggest Morton experienced a camera failure during the event. Below is one of the double exposures that produced an interesting result: Nixon and Graham’s sculpted face (from an unveiled historical marker) appear to be looking at each other.
In recent months we’ve run two blog posts related to this time period, when Hugh Morton was an undeclared candidate for governor in the Democratic Party: the Governor’s Down-East Jamboree in Atlantic Beach in mid September, and The National 500 NASCAR race on October 10th in Charlotte.  Billy Graham Day was just five days after the race.
In addition to Morton’s photographs of the Billy Graham Day, the North Carolina Collection Photographic Archives also holds forty-two 35mm slides by Charlotte Observer Chief Photographer Don Sturkey.
Richard Nixon’s speech can read at University of California, Santa Barbara’s “The American Presidency Project” website.