We’re very pleased to announce that nine of our Worth 1,000 Words essays are now included as part of the online educational offerings of LEARN NC, a well-respected teaching and learning resource program from the UNC School of Education. The essays are part of North Carolina History: A Digital Textbook. Here’s the description from their website:
LEARN NC’s “digital textbook” for 8th-grade North Carolina history offers a new model for teaching and learning. This “digital textbook,” designed for grade 8 and up, covers all of North Carolina history, from the arrival of the first people some 12,000 years ago to the present. Far more than a textbook, though, it’s a collection of primary sources, readings, and multimedia that you can search, select, and rearrange to meet the needs of your classroom. To build critical thinking and literacy skills, special web-based tools aid reading and model historical inquiry.
We’re thrilled to be able to get our essay authors’ work more easily into the hands of teachers and students, and want to say thanks to LEARN NC for this great collaborative opportunity!
It is with both sadness and relief that I announce the final installation of our Worth 1,000 Words essay project . . . sadness because I’ve so enjoyed each new essay and the varying perspectives our authors have brought to the Morton collection, and relief because, wow, this has been a lot of work! (I have a whole new respect for editors/publishers).
But perhaps the sun hasn’t gone down for the last time on this project. All along, our intention with these essays has been to demonstrate the usefulness of Hugh Morton’s images beyond their obvious value as “pretty pictures.” As we stated in our original grant proposal to the North Carolina Humanities Council:
“Photographs are rich primary sources in themselves, full of historical detail, and as visual records, offer immediacy not available through text — a direct visual link to the past. Photography is also, of course, an art, one of which Hugh Morton was a master. The beautiful and communicative documents he created hold almost endless possibility for study, research, and exhibition. They also contain great potential for educational use at all levels, from grade school to graduate school.”
We heartily encourage researchers, journalists, students, teachers, history buffs, etc. to take up the mantle of our Worth 1,000 Words authors and continue to put Morton’s photos to work in the creation of new knowledge. We hope to find ways to encourage that in the future, e.g., through collaborations with media outlets and educators (here on UNC campus and/or in the public schools). We’d love to hear your ideas on ways to accomplish this.
And now to the final essay, entitled The Grandfather Backcountry: A Bridge Between the Past and Preservation, written by RANDY JOHNSON, the originator of Grandfather Mountain’s trail system. In this essay, Johnson provides his first-hand, behind-the-scenes perspective on the changing attitudes towards managing and providing public access to Grandfather’s backcountry. Combining Johnson’s piece with four of our other essays, by Drew Swanson, Anne Whisnant, Richard Starnes, and Alan Weakley, provides a fascinating, nuanced analysis (from multiple, sometimes conflicting perspectives) of the complex balancing act between profit and conservation at “Carolina’s Top Scenic Attraction.”
I’ll conclude with a final plug for our second (and last) Worth 1,000 Words event in Boone on Tuesday, August 10, which will feature both Johnson and Starnes. Come on out!
Tuesday, Aug. 10, 5:30 p.m.
Watauga County Library, Boone
Information: Evelyn Johnson, email@example.com, (828) 264-8784
“Brawny athletes, delicate dancers, noisy bagpipe band parades, rocking Celtic music and a spectacular highland setting makes this colorful celebration of Scottish culture the ‘best’ highland games in America . . .” (or so says the visitnc.com website).
The 55th Annual Grandfather Mountain Highland Games were held this past weekend in MacRae Meadows, at the base of Grandfather. The continuing popularity of the Grandfather Games is perhaps the most visible indication of a long history of Scottish settlement and the continuing influence of Scottish culture in the North Carolina Mountains. In our latest Worth 1,000 Words essay entitled Scottish Heritage at Linville, anthropologist CELESTE RAY explores these traditions and the role of the Morton family in attempting to maintain them. (Did you know, for example, that Hugh Morton’s mother and brother Julian began the development of “Invershiel,” a replica 16th-century Scottish village in Linville?). Read Ray’s essay to find out more.
And finally, for those of you in the Wilmington area, I’d like to offer one last reminder of our Worth 1,000 Words event this coming Monday. Details below; hope to see you there!
Monday, July 19, 5:30 p.m.
New Hanover County Public Library, NorthEast Branch, Wilmington
Information: Paige Owens, firstname.lastname@example.org, (910) 798-6327
This past Sunday, the joyful hordes descended on MacRae Meadows at the base of Grandfather Mountain for the “Singing on the Mountain” gospel festival, just as they have done every year since 1925. If you read this blog, you know that we’re all big fans of Hugh Morton’s evocative photographs of the “Sing” throughout the years. From the wonderfully-bearded Shelby Ever Gragg, to George Pegram, Johnny Cash, “Happy John” Coffey, Robert Harris, Jerry Falwell . . . they’ve all been to the Sing, and Hugh Morton was there to photograph them.
For more information on the Sing (and some choice quotes, such as the title of this post), please have a look at our latest WORTH 1,000 WORDS essay by authors DAVE HANEY and LISA BALDWIN entitled The Singing on the Mountain. Haney and Baldwin (recent exports from Appalachian State University to the faraway lands of Black Hills, South Dakota), offer unique interest in and perspective on the topic as traditional musicians themselves. Enjoy!
Today’s first order of business is to proclaim the availability of our newest Worth 1,000 Words essay, written by plant ecologist ALAN S. WEAKLEY and entitled Hugh Morton and North Carolina’s Native Plants (one of which can be seen at left). Weakley, Curator of the University of North Carolina Herbarium, a department of the North Carolina Botanical Garden, brings a unique perspective to our essay project as a scientist who worked closely with Hugh Morton on projects related to plant conservation at Grandfather Mountain. Please take a few minutes to read and respond to Weakley’s reflections.
Secondly, and speaking of Worth 1,000 Words, we’d like to announce two upcoming Morton Collection events, FREE and open to the public, to be held in Wilmington on July 19 and Boone on August 10. Further details available on the Library News and Events blog here. If you’re in the area, we hope you’ll take this opportunity to come say hi to those of us who work on the collection, as well as to hear from and chat with some of our essay authors. See you there!
As Susan Taylor Block notes in her recent essay, the port city of Wilmington, NC is known not only for its mansions, azaleas, and beauty queens, but also for its powerful, enterprising white men including Pembroke Jones and Hugh MacRae, grandfather of Hugh Morton.
A darker, lesser-known, and certainly lesser-discussed chapter of Wilmington’s history is that of the 1898 race riot, the only instance in American history of an elected government being overthrown. Spearheading the violent uprising was a group of elite Wilmingtonians, strong opponents of the “fusionist” coalition, strong believers in the supremacy of the white race . . . and outspoken among them was Hugh Morton’s grandfather, a young Hugh MacRae.
Four years ago this week, the 1898 Wilmington Race Riot Commission (a state-appointed panel tasked with studying the rebellion and recommending reparative actions) released its official report, available in full here.
Back on the occasion of the 1998 centennial, historians David S. Cecelski and Timothy B. Tyson put together a seminal volume about the events entitled Democracy Betrayed: The Wilmington Race Riot of 1898 and Its Legacy. While they learned much about MacRae’s role in the uprising, they never put a face to the name — that is, until Hugh Morton’s photographs became available online.
What Cecelski and Tyson discovered when they looked into that face is the topic of our latest Worth 1,000 Words essay, entitled Hugh MacRae at Invershiel.
We hope you’ll take some time to read this thoughtful exploration, and to consider the many layers of meaning that can be hidden in a single portrait. Let us know what discoveries you make.
As I hope you noted in my last post, the almost 71,000 Hugh Morton images from the Grandfather Mountain Series are now part of the collection’s online finding aid and are open for research. These images date from the late 1930s through the early 2000s, and thoroughly document Morton’s intimate, life-long connections to the Mountain.
In the latest essay in our Worth 1,000 Words series, scholar DREW A. SWANSON explores this relationship and also reminds us that the Mountain was there long, long before the man, and will exist long, long after. How did tourism and development affect the Mountain’s ecosystems before Morton inherited it? What impacts did his actions, in the areas of both development and conservation, have? What can we expect in its future as a state park?
Read Drew’s essay, entitled Grandfather Mountain: Commerce and Tourism in the Appalachian Environment, and let us know your thoughts about these issues.
The latest in our series of essays inspired by photographs from the Hugh Morton Collection focuses on images made of the Eastern Band of Cherokee, whose Qualla Boundary lands are primarily in eastern Swain and northern Jackson Counties, just south of the Great Smoky Mountains National Park. The essay, “More than Tourism: Cherokee, North Carolina, in the Post-War Years” is by Andrew Denson, Assistant Professor of History at Western Carolina University. Denson specializes in Native American history and the 19th-century United States.
In case you haven’t heard (perhaps you’ve been hibernating), 2010 marks the 75th anniversary of the Blue Ridge Parkway. Numerous events throughout the year will help mark this occasion, including a symposium next week at Appalachian State University, at which UNC Libraries’ Natasha Smith, Elise Moore, and faculty advisor Anne Mitchell Whisnant will unveil the exciting Driving Through Time digital project! (More on that after it’s launched).
Luckily, we were able to steal Dr. Whisnant (author of the 2006 book Super-Scenic Motorway: A Blue Ridge Parkway History) away long enough to write an essay for our Worth 1,000 Words project. It’s now available, and is entitled Roads Taken and Not Taken: Images and the Story of the Blue Ridge Parkway ‘Missing Link.’
It’s no secret that determining the route for the last leg of the Parkway was a protracted, complicated, and divisive process, but one that ultimately resulted in the much-celebrated (and photographed) Linn Cove Viaduct (shown from the air at left). In her essay, Whisnant uses some of Morton’s own images to shed new light on this conflict. She also provides a crucial backdrop for some of Morton’s later environmental work, which will be examined in future Worth 1,000 Words essays.
We look forward to receiving your thoughts and comments!
With the 63rd Annual North Carolina Azalea Festival kicking off next week, it seems an appropriate time to highlight the festival’s home turf: Wilmington, NC. Not only was Hugh Morton was born and raised in Wilmington, but he and his family played a major role in shaping the tourism industry and infrastructure of the charming, historic Port City.
Here to help us is another Wilmington native, author, and purveyor of all things Wilmington history-related, Susan Taylor Block. Susan is the author of a whole bunch of books and articles (including photographic histories) on Wilmington’s past, culture, and some of its residents. She’s also behind the latest entry in our Worth 1,000 Words series, entitled Wilmington: Faded Glory to Fresh Achievement.
We hope you’re enjoying the growing variety of the essay offerings, and the opportunity they offer to delve a bit deeper into the riches of the Morton collection.