A festival like no other . . . the beginning

The 71st annual North Carolina Azalea Festival will take place in Wilmington beginning today, April 11th, and will run through the 15th, 2018. Thousands of visitors will gather in the port city to take part in the city’s premier event.  In addition to the millions of beautiful flowers, there will be a wide variety of entertainment, a parade, and the famous crowning ceremony of Queen Azalea LXXI . . . just as it has been since 1948.  Morton Collection volunteer Jack Hilliard looks back to 1948 and the beginning of this North Carolina tradition.

When Hugh Morton presented his slide shows across North Carolina, he almost always included slides from the first Azalea Festival. In addition to his magnificent photography, he would add a few light-hearted remarks about how he became the point-man for that first event in 1948. According to Morton, the story went something like this.

Prominent Wilmington physician Dr. Houston Moore had an idea as far back as 1934 to celebrate Wilmington’s magnificent azaleas. Then in the early 1940s he came up with the festival idea.  In 1947 he invited Wilmington’s major civic clubs to select one or two representatives to attend a festival organizational meeting.  Morton was there representing the Wilmington Jaycees.  April, 1948 was selected for that first festival. When the second planning session was held, Morton was out of town on business, but when he returned he learned that he had been elected president for the first festival.  Morton said he respectfully declined, but Dr, Moore was a very persuasive gentlemen, so Morton took charge and put his magnificent public relation skills to work on the first annual North Carolina Azalea Festival, held April 9h through April 11th, 1948.

Jacqueline White and E. L. White.

Jacqueline White, Queen of the first annual North Carolina Azalea Festival in 1948, on the back of a train, shaking hands with Wilmington mayor E. L. White.

The unofficial celebration for the first festival got underway at 12:30 p.m. on Thursday, April 8th with the arrival of Queen Azalea I: Jacqueline White, RKO movie actress from Hollywood.  Wilmington mayor E. L. White and a formal reception committee . . . plus a long line of autograph-seekers greeted Miss White at the Atlantic Coast Line train station.  She very graciously signed and spoke with many in the long line.

Jacqueline White signing autographs

1948 Azalea Festival Queen Jacqueline White, standing in the doorway of a train car, signing autographs for crowd.

Later that evening, Wilmingtonians greeted a second queen, Mrs. Barbara Randall, who had been selected “Queen for a Day” on the Mutual Radio broadcast the preceding day.  A trip to Wilmington was part of her prize.

Friday, April 9th was a beautiful spring day as a festival spirit filled the city.  Flower shows and visits to the famed Greenfield Park, Orton Plantation, and Airlie Gardens were high on the priority list.  At 11:45 a.m., ABC Radio’s Ted Malone broadcasted his nationwide radio program from a platform set up in front of Community Center.  A crowd of about 2,000 turned out for the broadcast.

On Friday evening, more than 4,000 people turned out for a band concert at Legion Stadium, featuring the New Hanover High School Band.  Following the band concert, the New Hanover High School Choral groups performed along with the Atlantic Coast Line Choral performers.  In all more than 600 musicians took part in the concert. The evening’s festivities closed with a community sing along, concluding with the “Hallelujah Chorus” from George Frideric Handel’s Messiah.

Long before the parade moved off from Front and Castle Streets at 11:04 a.m. on Saturday, April 10th, a huge crowd was in place for prime viewing.  The mile-long parade of sixteen floats, five marching bands and two military units, with Queen Jacqueline near the front.  The parade made its way through downtown, passing North Carolina Governor R. Gregg Cherry, Mayor White, and Queen Barbara Randall seated at the official viewing stand at City Hall and then back to its point of origin.

The closing and festival highlight event was held in Lumina Hall at Wrightsville Beach on Saturday evening. At that time, Queen Jacqueline was officially crowned by North Carolina Governor R. Gregg Cherry.

One of Hugh Morton’s favorite Azalea Festival photographs from the 1948 event was that of Governor Cherry crowning Queen Jacqueline.  A close look at the image shows the governor has the crown upside down. Morton loved to explain how that misstep occurred.

Governor Cherry came down to crown our first azalea queen, Jacqueline White of RKO Radio Pictures.  He had been in the National Guard with a group of Wilmingtonians, with whom he felt he always had to have a drink. (A separate toast for each Guard member.)  When time for the coronation arrived, the Governor was ‘toasted-out’ and a bit unstable on his feet as he put the crown on upside down.  Master of ceremonies, Carl Goerch publisher of The State and Chairman of the coronation ball, died a thousand deaths.

R. Gregg Cherry crowns Jacqueline White.

North Carolina Governor R. Gregg Cherry crowns the first Queen of the Wilmington Azalea Festival, Jacqueline White.

Queen Jacqueline smiled and kept her composure as the crown was then placed correctly on her head.  Following the coronation there was dancing with music by Bob Astor and his orchestra.  At day’s end, “it was quite an evening for Hugh Morton,” as author Susan Taylor Block said in her 2004 book, Belles & Blooms: Cape Fear Garden Club and the North Carolina Azalea Festival.  “He had ushered Dr. Moore’s dream into reality and witnessed the crowning event in Lumina, the pavilion created by his grandfather, Hugh MacRae, and named by his mother Agnes.”

Fifty-five years later, in a 2003 interview, Morton described that first festival.  “When the first Azalea Festival took place in April 1948 the gardens were at peak beauty, the weather was perfect, and the Festival cleared $5,000, a profit we knew we had to have or we would never see the second Festival.”

Today, the North Carolina Azalea Festival continues in its 71st year as a festival like no other.

Epilog

Another of Hugh Morton’s most reproduced photographs from the 1948 Azalea Festival was his image of Queen Jacqueline White seated under the Airlie Oak.

Jacqueline White sitting under the Airlie Oak.

First Azalea Festival Queen Jacqueline White sitting under the Airlie Oak at Airlie Gardens, Wilmington, N.C.

When the Festival celebrated its 25th anniversary in the spring of 1972, Jacqueline White Anderson returned as a special guest. And, as you might expect, Hugh Morton took her over to the Arlie Oak for yet another memorable photograph.

You can see more than 150 Azalea Festival photographs made by Hugh Morton in the online collection, plus explore even more by searching through the Morton collection finding aid.

Jacqueline White in 1972

First Azalea Queen Jacqueline White in 1972.

A drive to Washington DC with Barrier: part 3

Negative strips from the 1987 ACC Tournament

SLIM PICKINGS: Hugh Morton’s only black-and-white negatives from the 1987 ACC Tournament semifinals. The lower left images are likely from Dean Smith’s press conference after the Virginia game, because the next frame is a shot from the Wake Forest vs. North Carolina State game. The strip on the right contains more action from that game.

This is the third and final entry summarizing Hugh Morton’s drive to Washington D.C. with Smith Barrier to photograph the Jesse Helms, the ACC Tournament, and David Brinkley.  The series was to be four parts long, but the collection materials just didn’t rise to the occasion.  What happened?

Saturday, March 7: “ACC”

Strip of black-and-white negatives from 1987 ACC Tournament final

SLIMMER PICKINGS: The only extant black-and-white negatives from the 1987 ACC Tournament final won by North Carolina State over UNC, 68–67.

Morton, as you might expect, photographed the semifinals played between UNC and Virginia, and NC State and Wake Forest.  As noted in the previous post in the series, the images from this ACC tournament are a bit scattered in the collection. Negatives and slides from March 7 are very scarce and can be found here in the collection:

  • Roll Film Box P081/35BW-17 (35mm black-and-white negatives)
    • Envelope 6.1.1-5-304: includes UNC vs. Virginia (5 negatives), but only four shots on the sidelines of a young person next to a water cooler, and a shot of the scoreboard showing a 72–72 tie with 0:22 on the clock, plus two frames during Dean Smiths’s press conference.  There are no game action black-and-white negatives.
  • Slide Lot 009598 (35mm color slides)
    • UNC vs. Virginia (31 slides): Morton’s slides from this game are uncharacteristically under exposed.

Penciled into his calendar was a dinner with “Babb, Cookerly, Thigpen, Sachs” suggesting that the dinner gathering was planned after the initial entry of ACC in ink.  I searched the collection finding aid and online images and found nothing.  Does anyone know who these people were? With some more details we might be able to figure out if images exist under a topical description.

David Brinkley, 1987.

David Brinkley sitting at table in ABC Newsroom, Washington bureau, Sunday, March 8, 1987.

Sunday, March 8: “ACC”

Sunday morning at 9:30, Hugh Morton photographed fellow Wilmington native David Brinkley on the set of ABC News Washington.  Photographically speaking it was the highlight of his day.  That afternoon, UNC lost to NC State 68–67, and Morton’s 35mm slides were once again mostly underexposed.  The day’s end? “Drive Gbo.”  Unlike today’s digital days when you can instantaneously review of your exposures on the back of your camera, Morton would’t know until after he sent off his film to be chemically processed in a lab and reviewed the results on his light table that he had underexposed his ACC tournament color slides.

UNC doesn’t always win basketball tournaments, and even Hugh Morton had a bad couple days court-side.  Fortunately for us today, his trip to DC produced excellent results with several photographs of two of North Carolina’s most notable people of their time.

A drive to Washington D.C. with Barrier: part 1

It’s often useful when researching Hugh Morton images to check his executive planners.  I’ve used examples of this practice before, and for today’s post this tactic provided some insight into one particular journey in March 1987.

Executive planner page, 5–7 March 1987

The page for March 5 through 8, 1987 in Hugh Morton’s executive planner.

Wednesday, March 4: Drive Wash DC with Barrier

One of Morton’s two entries for March 4th reads, “Drive Wash DC with Barrier.”  Henri Smith Barrier Jr. was a member of the UNC class of 1937—just six years ahead of Hugh Morton’s class of 1943—but he received his Bachelor of Arts degree in Journalism in 1940 when Morton was UNC student.  Barrier was sports editor of the Concord Tribune, his hometown newspaper, for two years before he joined the Greensboro Daily News in 1941.  Just six years before this road trip, in 1981, Barrier wrote and edited the book The ACC Basketball Tournament Classic that featured Morton’s photography.  Barrier passed away a little more than two years after this DC journey on 2 June 1989.

Thursday, March 5: “Jesse Helms”

That’s Morton’s plain and simple entry, but why did Morton schedule a photography session with Jesse Helms?  I suspect it was a self-assignment for his collaborative book with Ed Rankin titled Making a Difference in North Carolina. Rankin and Helms were roommates in 1941 when they were newsmen at The News and Observer and The Raleigh Times, respectively.  In 1987 Helms was serving his third term as North Carolina’s senior United States Senator.  The state’s junior senator was Terry Sanford, elected just a few months earlier in November 1986.

Terry Sanford and Jesse Helms

North Carolina’s United States Senators Terry Sanford (Democrat) and Jesse Helms (Republican) on March 5, 1987 in the hallway outside of Helms’ office. (Photograph cropped by the author.)

The Morton collection finding aid states there are seventy-six black-and-white 35mm negatives in Subseries 2.1, which is devoted to the negatives Morton pulled together during the making of Making a Difference in North Carolina. There are thirteen 35mm color slides of from this same date in Subseries 2.6. “People, Identified.” Currently there are twelve of these images related to Morton’s coverage Helms available in the online collection.

A caption in Making a Difference in North Carolina notes that one event Morton photographed that day was a confirmation hearing for Jack F. Matlock Jr. held by the United States Senate Committee on Foreign Relations.  Matlock was a native of Greensboro and a Duke University alumnus.  From the extant negatives and slides, it appears Morton did not photograph Matlock.  On another note of interest, Senate Foreign Relations Committee member Senator Edward Zorinsky, Democrat from Nebraska, died the next day, March 6th, at the 1987 Omaha Press Club Ball.  In the photograph below, is that Senator Zorinsky on the right?  It may be hard to tell for certain because there is not a full resolution scan online to zoom in and look more closely, so below is a cropped detail.

Senator Jess Helms

Senator Jess Helms (left) during a meeting of the United States Senate Committee on Foreign Relations.

Possibly Edward Zorinsky

A cropped detail from the photograph above that might be Nebraska Senator Edward Zorinsky talking with Virginia Senator John Warner. If not, does anyone recognize who he and others may be?

Another similar photograph for a different angle . . .

Senator Jesse Helms

Senator Jesse Helms (left) during a meeting of the United States Senate Committee on Foreign Relations.

One photograph from the day serves as an excellent example of why photographic archives desire to obtain negative collections, not just photographic prints.  Below is a photograph of Helms with Senator John Warner of Virginia as published in Making a Deference in North Carolina . . .

Jesse Helms and John Warner, from book Making a Difference in North Carolina

. . . and here’s a scan of the entire negative . . .

United States Senators John McCain, Jesse Helm, and John Warner.

For the book, Morton decided to crop out Arizona’s senator John McCain.

Here’s another photograph from the day that’s not in the online collection:

United States Senators

United States Senators

I recognize Helms (left) and Dan Quayle (center).  Want to try your hand on the others?

Tune in tomorrow for part two: Friday, March 6: “ACC Landover”

ADDITION made on 8 March 2018: negatives depicting West Virginia Senator Robert Byrd appears in some of the negatives made on this day, but I did not use one for this blog post.  I noticed afterward, however, that there is a separate listing for three 35mm negatives in the Morton collection finding aid for Robert C. Byrd made on March 5, 1987 (the date in finding aid is March 6th) in Envelope 2.1.48-5-1.

JDF Rides the “Choo Choo”

Diabetes Month is observed every November so individuals, health care professionals, organizations, and communities across the country can bring attention to diabetes and its impact on millions of Americans.  A View to Hugh would like to relate an event from the past that raised about $20,000 for diabetes research while at the same time had some fun at the expense of a Tar Heel sports legend.  But first, a bit of history . . .

In 1970 a group of parents in New York City whose children had Type 1 diabetes founded an organization they called the Juvenile Diabetes Foundation, or JDF.  The group was defined by its commitment to research-funding and finding a cure for juvenile diabetes.  In 2012, the Foundation changed its name to the Juvenile Diabetes Research Foundation, or JDRF, putting a greater emphasis on the need for research.

No one in the celebrity world came close to doing what actress Mary Tyler Moore accomplished with JDRF.  Her efforts were tireless.  She had but one goal when it came to diabetes: to bring to the attention of the world the battle of diabetes and how important it is to one day cure it.  She attended events, met with elected officials, testified before congress, and was always available to help local JDRF chapters with local fund raising by offering her celebrity.  And that’s exactly how she helped the Charlotte chapter of JDF in 1984 when they staged their fifth annual JDF celebrity roast.  Moore recorded videotape spots for the local television stations to air promoting the importance of supporting the Foundation.

Mary Tyler Moore died at the age of 80 earlier this year on January 25, 2017, but she will always be remembered in Charlotte for what she did to make the JDF Celebrity Roast of Tar Heel football legend Charlie “Choo Choo” Justice a success thirty-three years ago.  Morton collection volunteer Jack Hilliard looks back to Monday, April 30, 1984.

Admission ticket, scan courtesy of Jack Hilliard.

Admission ticket, scan courtesy of Jack Hilliard.

A Prolog
A celebrity roast is an event in which a specific individual, a guest of honor, is subjected to good-natured jokes at their expense and it is intended to amuse the event’s audience and in many cases to raise money for a particular charity. Such events are intended to honor the individual in a unique way. In addition to jokes, such events may also involve genuine praise and tributes. The individual is surrounded by friends, fans, and well-wishers, who can receive some of the same good natured treatment as well during the course of the evening.

♦ ♦ ♦

Charles Justice has contributed his fame to hundreds of drives and worthy causes and has generally and consistently served as a wholesome example to impressionable youth.

—Hugh Morton, May, 2000

In early January 1984, it had been almost thirty years since Charlie Justice played his final football game with the Washington Redskins and almost thirty-four since he played his final varsity game with the Tar Heels.  Nonetheless, when the Charlotte Chapter of the Juvenile Diabetes Foundation approached him about being the honored guest at the Fifth Annual JDF Celebrity Roast, Charlie’s reply was yes, “these things are for a great cause and I enjoy them.” Charlie had been guest of honor for two other celebrity gatherings, one in Greensboro on October 29, 1980 called “Dinner of Champions,” sponsored by the Central North Carolina Chapter of the Multiple Sclerosis Society, and one in his native Asheville on January 27, 1984 sponsored by the Western Carolina Children’s Foundation.

Justice was in great company at the fifth annual event.  The four who preceded Justice were Clyde McLean of WBTV in 1979, Kays Gary of The Charlotte Observer in 1980, Eddie Knox, former Charlotte mayor in 1982, and famed basketball player and coach Horace “Bones” McKinney in 1983.

If you didn’t know better, you might think this was a UNC reunion. The event’s Honorary Chairman was Johnny Harris, UNC Class of 1969.  Two other Tar Heels who worked behind the scenes were Erskine Bowles ’67 and Ray Farris ’62.  Tar Heel roasters included newspaper publisher Orville Campbell ’42; Woody Durham, Voice of the Tar Heels, ’63; UNC President Dr. William Friday, ’48; and UNC All-America football star and Justice’s classmate Art Weiner, ’50.

Dignitaries featured during the Fifth Annual JDF Roast: (back row, left to right): Bill Hensley, Orville Campbell, Bill Friday; (front row, left to right): Woody Durham, Art Weiner, Charlie Justice, John "Buck" Fraley. Photograph by Hugh Morton, cropped by the editor.

Dignitaries featured during the Fifth Annual JDF Roast: (back row, left to right): Bill Hensley, Orville Campbell, Bill Friday; (front row, left to right): Woody Durham, Art Weiner, Charlie Justice, John “Buck” Fraley. Photograph by Hugh Morton, cropped by the editor.

With Master of Ceremonies Bill Hensley in control (sort of), the “roasting” fun began.  Charlie was ushered into the Sheraton Center with the singing of “All The Way Choo Choo” to the delight of the 450 guests. The singing was led by Charlie’s daughter Barbara Crews.

Roaster: Orville Campbell

Chapel Hill newspaper publisher and the man responsible for recording “All The Way Choo Choo,”  Orville Campbell then stepped up to the mic.  “We always liked to take our songs over to Mr. W. D. Carmichael, then acting University President, and get his opinion.  So when Hank Beebe and I finished All The Way Choo Choo, I went over to Carmichael’s office.  He was extremely busy that day, but I went in anyway.  His desk was covered with papers and he didn’t even look up.

“What do you want, Orville?” said Carmichael.

“I just wanted to know if you had heard our last song.”

“I hope the h— I have,” was Carmichael’s reply.

“Back in 1958,” Campbell continued, “I published a book which was written by Bob Quincy and Julian Scheer called Choo Choo: The Charlie Justice Story.  We still have a warehouse full of those books over in Chapel Hill and I brought a few of them over here tonight to see if anybody here would pay $25 for a copy and if so, we’ll donate that money to JDF.  And after we’re finished here, we’ll lock the door so Charlie can’t get away and have him sign ‘em.”

Campbell, who had been Charlie’s friend and fan since he arrived in Chapel Hill in 1946, then took out a letter that UNC Head Football Coach Carl Snavely supposedly wrote to Justice following that famous 1948 Texas game in Chapel Hill.

“In discussing your touchdown pass to Art Weiner, Charlie, Coach Snavely reminded you that, ‘Your wobbly pass to Art Weiner would have never been caught except that Art made a great catch and Texas had a poor pass defense.’”

Campbell then put on a number 22 college all-star jersey and modeled it for the crowd. Justice had donated the jersey to be auctioned with money going to JDF.  The jersey went for $1,000.

Roaster: Woody Durham

Next up was “The Voice” of Tar Heel football and basketball, Woody Durham.  Woody told the story of how Justice had decided to go to the University of South Carolina, when his brother Jack talked him out of it and convinced him he should go to UNC.  Durham then turned to Charlotte JDF Chapter President Cassie Phillipi and asked, “Cassie, how much money do you think we could raise if we were holding this gathering in Columbia tonight?”  Then Durham said he wanted to relate a recent story from his visit to Atlanta and added, “This is the only story I’ll tell from that Atlanta trip . . . I promise.”

“I was in Atlanta covering Dean Smith’s 1984 Tar Heels in the NCAA Tournament. The morning of the game, I was in the hotel room preparing for that night’s radio broadcast. The TV set was on but the sound was turned down real low and I wasn’t paying any attention to it. Then something caught my attention. The CBS program The Price is Right host Bob Barker had introduced a contestant form North Carolina. Then Barker said, ‘Who was the great All America football player from North Carolina back in the 1940s?’  Immediately someone in the audience shouted out, “Choo Choo.”  Barker quickly added, That’s right, Choo Choo Charlie Justice.’”

“Folks it’s been 35 years since Charlie played for Carolina, but his name is still magic.”

Roaster: Bill Friday

Up next . . . University of North Carolina President Dr. William Friday spoke of “the rightness of all he symbolizes in American Sports.”

“When thirty years pass, a haze often settles over memory but not the recollections of Charlie Justice on the football field.  He could do it all and he did. . . . All of the adulations and publicity never increased his hat size.  An unassuming and cheerful manner always has characterized this man of extraordinary gifts.  He has been greatly blessed in another way, he has Sarah.”

Woody Durham, John "Buck" Fraley, and Sarah and Charlie Justice during the evening's festivities. Photograph by Hugh Morton.

Woody Durham, John “Buck” Fraley, and Sarah and Charlie Justice during the evening’s festivities. Photograph by Hugh Morton.

The 52-page souvenir program book for the 5th Annual JDF Roast is, in reality, a Charlie Justice scrapbook with dozens of Hugh Morton photographs included.  The book was designed by George Van Allen of G.V.A. Associates and the Justice cover-caricature was done by Gene Payne of The Charlotte Observer.  Charlie must have approved of the caricature; there was a huge version of it on the wall of his Cherryville office.  Also included in the book is a beautifully written Justice profile by Observer columnist Ron Green.

Roaster: John Fraley

John L. “Buck” Fraley, President and Chief Operating Officer of Carolina Freight, was next up.  Fraley’s company was a prime client of the Justice-Crews Insurance Company in Cherryville and had been so for many years. Fraley, a NC State graduate, talked about Charlie’s brief 1964 venture into politics. Also in the audience was Ken Younger who would take Fraley’s place with the company in 1985 following Fraley’s retirement. And if memory serves me correctly, it was Younger who bought the Justice All-Star jersey and then presented it to Charlie’s daughter Barbara. And by the way, Ken Younger, is a 1949 Duke graduate, who played football against Charlie and the Tar Heels.

Roaster: Art Wiener

Hugh Morton and the Charlotte JDF Chapter had prepared several large Charlie Justice action pictures and offered them for sale—the profits, of course, going to the Diabetes Foundation.  So when Justice’s friend, teammate, and business partner Art Weiner stepped up to speak, he commented on the pictures.

“Did you ever wonder why there are so many fantastic Hugh Morton action pictures of Charlie Justice?  Well, Hugh Morton was a world class, fantastic photographer, but there is another reason.  We had one member on our team who never touched the ball . . . never made a tackle . . . never threw a block.  His only purpose in life was to let Charlie Justice know where Hugh Morton was on the sidelines.”

“Where do you suppose he had his first heart attack? At halftime at the Carolina-Pitt game a few years back. They were carrying him out on a stretcher and everybody was looking and there was Charlie, waving to the crowd.”

Weiner then looked over at Orville Campbell.  “I didn’t know the ball was supposed to spiral until I got into pro ball. Charlie always threw it end-over-end.”

“I lived beside Charlie for four years and he got new Cadilacs all four years.  There was always trucks backing up to his door and unloading things.”

“My scholarship was a piece of wood with a nail on it, and I was told that I could keep anything that blew across my yard.”

When the laughter died down, Weiner got serious.

“I can honestly say Charlie Justice is not only the best friend I ever had, but in my opinion he is greatest athlete North Carolina ever had.”

Charlie Justice

When Justice finally got to the mic, he denied all, then thanked all for attending, and poked a little bit of fun at his “roasters,” telling his dear friend Art Weiner, “at least you had a scholarship at Carolina. . . I didn’t even have a one. . . Sarah had the scholarship in our family.  And as for those four Cadilacs you mentioned . . . was really one ’48 Chevy.”  He then related the importance of the fund-raising for diabetes research.  At the end of the evening’s festivities, more than $20,000 had been raised for that research.

♦ ♦ ♦

Ron Green, writing in the May 2, 1984 edition of The Charlotte Observer under the headline “Highest Praise To Choo Choo,” said, “They came not to praise Charlie Choo Choo Justice but to roast him. They did both Monday night at the Sheraton Center. . .  Others of his era are yellowed memories now, but Justice shines on, brightly, like a star . . . the long, rambling touchdown runs . . . the winning passes . . . the record-setting punts that took North Carolina out of danger.  Almost campy.  Almost as if he were playing himself in the lead role of a low budget movie with the title ‘Justice Rides Again.’  So good. So right.”

♦ ♦ ♦

WFMY-TV in Greensboro recorded the JDF roast in Charlotte on videotape for filmmaker David Solomon, the President of David Solomon Productions in Winston-Salem.  Portions of the roast appear in Solomon’s Sports Extra TV production of All The Way Choo Choo.  I had the honor of directing and editing the program, along with Larry Fitzgerald, the late WFMY-TV photojournalist.  North Carolina Sports Hall of Fame Broadcaster Charlie Harville narrated the program.  And once again, Charlie Justice’s popularity across the entire state was shown when the TV documentary was sponsored by “Goody’s” of Winston-Salem.  The President of Goody’s, Duke University Class of 1949 football player Tom Chambers, was an opponent of Justice’s during their college days.  In addition to the “Goody’s” commercials, the program also included JDF-Mary Tyler Moore public service announcements.

♦ ♦ ♦

In closing, I would like to revisit words from Bill Friday:

“(Charlie Justice) is loyal. He has been on call when his alma mater needed him. He has lent his name in time and talent to a host of worthy causes since his jersey went into the trophy case.”

“He has shown in his personal life the same quality of courage and determination he exhibited in athletics. Charlie Justice was voted All-American for his exploits on those memorable Saturdays of another era.”

“I want to say, Charlie, that in the eyes of your legions of friends today, you are an All-American every day of the week.”

A memorial tribute, twenty years ago

Early on the morning of Friday, July 4, 1997 we heard the sad news from New York that Tar Heel Charles Bishop Kuralt had died of heart disease and complications from lupus, an inflammatory disease that can affect the skin, joints, kidneys and nervous system.  Four days later, a memorial service was held in Chapel Hill. On this, the twentieth anniversary of Kuralt’s passing, Hugh Morton collection volunteer Jack Hilliard recalls that day when a group of North Carolina’s finest gathered to celebrate the life of “CBS’ poet of small-town America.”

"Chas Kuralt died"—Hugh Morton's entry for July 4, in his 1997 Executive Planner.

“Chas Kuralt died”—Hugh Morton’s entry for July 4, in his 1997 Executive Planner.

Charles really had the common touch.  He was so genuine and sincere.  I really believe he was the most loved, respected and trusted news personality in television.  —Hugh Morton

Shortly before noon on Tuesday, July 8, 1997 the old bell in South Building on the UNC campus rang for one minute. The bell is seldom used, reserved for marking such rare occasions as the installment of a new chancellor.  Earlier that morning Charles Kuralt was laid to rest in the Old Chapel Hill Cemetery, the place where he wanted to be buried on the campus he loved.  On July 2, two days before he died, Kuralt had sent his friend Dr. William Friday a note seeking help in securing the spot.

“I seem to be recovering nicely; but this experience has given me intimations of mortality.  I know you have better things to worry about, but I thought I would ask if you have any way of finding out if there are a couple of burial plots in Chapel Hill . . . I should have thought of this forty years ago!  Sorry to ask you to look into such a bizarre question.”

Charles Kuralt's last letter, written to Bill Friday, in the Charles Kuralt Collection #4882, Southern Historical Collection, The Wilson Library, University of North Carolina at Chapel Hill.

Charles Kuralt’s last letter, written to Bill Friday, in the Charles Kuralt Collection #4882, Southern Historical Collection, The Wilson Library, University of North Carolina at Chapel Hill.

Before Friday got the note, he got a phone call.  It was 6:00 a.m. on July 4th.  Kuralt’s assistant Karen Beckers was on the line.

“I’ve called you because I must tell you that Charles is gone.”

Beckers told Friday about the note he would be getting.  Friday and Chapel Hill Town Manager Cal Horton met at the cemetery with a map and determined that Chapel Hill resident George Hogan had several plots.  Friday then called Hogan and explained his situation.  Hogan’s reply: “No, I won’t sell them, but I’ll give Charles two.”  Turns out Hogan had worked for the Educational Foundation at UNC when Kuralt was editor of The Daily Tar Heel.

Kuralt now rests in peace near the center of the old cemetery near the gravesites of former UNC President Francis Venable and botany professor William Coker.  Not far away lie the graves of others who made Tar Heel history: former UNC System President Frank Porter Graham, playwright Paul Green, and UNC Institute of Government founder Albert Coates.

Said Friday, “He’s where I felt, and the others felt, he would like to be.”  Friday then added, “While he’s here with former presidents, he’s also here with the home folks of Chapel Hill.”  Charles’ brother Wallace said: “This is home for him.”

Dan Rather. Photograph by Hugh Morton, as cropped by the editor.

Dan Rather. Photograph by Hugh Morton, as cropped by the editor.

Following the private ceremony at the gravesite, people filed past the site all day.  Piles of flowers filled the spot where a future marker would be placed.  A teary-eyed Dan Rather, then anchor of the CBS Evening News, left the burial site emotionally shaken.  “I’m here in sympathy and support of his family.  He gave himself to America, and he gave it everything he had.”

Interior of Memorial Hall, University of North Carolina at Chapel Hill, during memorial service for Charles Kuralt. Photograph by Hugh Morton.

Interior of Memorial Hall, University of North Carolina at Chapel Hill, during memorial service for Charles Kuralt. Photograph by Hugh Morton.

Shortly after the service at Old Chapel Hill Cemetery, more than 1,600 people packed Memorial Hall for a celebration of Kuralt’s life, with UNC Chancellor Michael Hooker presiding.  WUNC-TV’s cameras were there to send the signal out across the Tar Heel state. Television personality Charlie Rose and WUNC-TV’s Audrey Kates Bailey anchored the broadcast.

The Memorial Hall stage was filled with an illustrious group of North Carolinians who came to share their friendships with Charles.  The group included UNC Chancellor Michael Hooker, North Carolina Governor Jim Hunt, Kuralt’s special friend Hugh Morton, former UNC presidents William Friday and C.D. Spangler Jr, and Kuralt’s friend, composer Loonis McGlohon.  The North Carolina Symphony’s Brass Ensemble was also on hand to perform segments from North Carolina is My Home, which Kuralt wrote and performed with McGlohon.  McGlohon performed “The Farmer” segment that he called his favorite.

William C. Friday during the memorial service for Charles Kuralt. Photograph by Hugh Morton, as cropped by the editor.

William C. Friday during the memorial service for Charles Kuralt. Photograph by Hugh Morton, as cropped by the editor.

“The world knew Charles as one of the most respected and trusted newsmen of this generation, a master storyteller and a tour guide to the back roads of our nation,” said Chancellor Hooker.  “The university knew him as a stalwart alumnus who never forgot his roots—whether it meant talking to our budding journalists or giving his time and effort on behalf of the School of Social Work to help promote his late father’s profession.  He was a kind and generous man who never hesitated to lend his alma mater a hand however and whenever possible.  He will be greatly missed.”

Morton told the standing-room only crowd at Memorial Hall, “I begged him to cancel everything and come to the mountains and sleep all day or fish all day, whatever it would take to restore his health.”  Kuralt said he had too much to do.

Left to right: James G. (Jim) Babb, then Executive Vice President at Bahakel Communications, with Loonis McGlohon, and Charles Kuralt at Belmont Abbey College, May 10, 1997. Babb is a class of 1959 alumnus of Belmont Abbey College.

Left to right: James G. (Jim) Babb, then Executive Vice President at Bahakel Communications, with Loonis McGlohon, and Charles Kuralt at Belmont Abbey College, May 10, 1997. Babb is a class of 1959 alumnus of Belmont Abbey College.

Morton wasn’t surprised when he got a call telling him that Kuralt had died.  Less than two months earlier on May 10, Hugh Morton met with Kuralt at Belmont Abbey College.  It was probably their last time together.  Kuralt was the commencement speaker and received an honorary degree.  McGlohon also received an honorary degree that day, along with Catholic theologian and author, the Reverend Terrence Kardong, and the Reverend David Thompson, Bishop of the Charleston diocese.  Kuralt had been diagnosed with lupus and his treatment regimen had taken a severe toll.

"Belmont Abbey / Loonis & Charles"—Hugh Morton's entry in his executive planner for May 10, 1997.

“Belmont Abbey / Loonis & Charles”—Hugh Morton’s entry in his executive planner for May 10, 1997.

Through his world travels, Charles Kuralt never forgot his North Carolina roots.  Governor Jim Hunt called Kuralt North Carolina’s storytelling ambassador, then added, “He was born on the coast, grew up in the Piedmont, loved the mountains, but he belonged to America. He was a fine reporter.  But when he started telling us America’s stories, we smiled and sometimes cried when we saw the goodness.”

In July 1997, television personality Charlie Rose was hosting an interview program on Public Broadcasting (PBS), so it was a natural for the North Carolina native to co-anchor the TV coverage of the Charles Kuralt memorial broadcast on the University’s Public Broadcasting station WUNC-TV.  Rose called Kuralt “a genuine American hero.”

“There was almost no one who didn’t know him. People would say ‘I was always wondering when you would show up.’” Then with a smile Rose added. “There was one exception, a woman Kuralt walked up to interview asked him to leave two quarts of milk, thinking he was the milkman.”

“All of us, when we heard the story (of Kuralt’s death) wanted to say ‘Stop—one more story, one more conversation. Introduce me to one more person that reflects America. Give me one more gentle reminder of who we are and what the great fabric of this nation is about.’ ”

Former UNC System President Dr. William Friday said, “No matter where he was in the world, he would call Chapel Hill and ask whether the dogs were still chasing the squirrels across campus and the flowers still blooming.”

When UNC System President C.D. Spangler, Jr. got to the podium to add his remarks, he opened with these words: “To Charles and all his family here, I say welcome back to Chapel Hill.”

Supplement

William C. Friday’s papers in the Southern Historical Collection contain the following letters between Friday and Hugh Morton, written soon after the Kuralt memorial service.

Epilog

On October 12, 2012 (University Day on the UNC campus), former UNC System President Dr. William Clyde Friday passed away.  He, too, is at peace in the Old Chapel Hill Cemetery.

Correction: A caption to a photograph in the original version of the story stated that the unidentified person on the left of the group portrait with McGlohon and Kuralt was thought to be Reverend David Thompson.  A reader’s comment identified the man as James G. Babb (7 July 2017).

Ella Fitzgerald’s 100th birthday

Ella Fitzgerald with the Chick Webb Orchestra, at the Howard Theatre in Washington, DC.

Ella Fitzgerald with the Chick Webb Orchestra, at the Howard Theatre in Washington, DC.

Today marks the 100 anniversary of Ella Fitzgerald’s birth.  In his book Making a Difference in North Carolina, Hugh Morton included a similar photograph to the one above with the caption,

Ella Fitzgerald, at age 18, sings A Ticket, A Tasket with Chick Webb’s Orchestra.  They played in North Carolina, but this photo is in the Howard Theatre in Washington, D.C.

Hm . . .

Fitzgerald would have been eighteen in 1935 to 1936.  According to Stuart Nicholson’s Ella Fitzgerald: The Complete Biography (2004) and Ella Fitzgerald: The Chick Webb Years & Beyond by Ron Fritts & Ken Vail (2003), Fitzgerald recorded that song for the first time on May 2, 1938 at Decca studios in New York.  Fitzgerald and the Chick Webb Orchestra first performed at the Howard Theatre for one-week engagement that opened on November 22, 1935.  Hugh Morton would have been fourteen years old.  Perhaps this photograph is from a later date?

Another Morton Mystery is at hand.  I learned late in the day that today was Fitzgerald’s 100th birthday, so this will need some follow up.  Can any readers of A View to Hugh fill in some of the story?

Addendum

According to Fritts and Vail, Ella Fitzgerald and the Chick Webb Orchestra also played a one-week engagement at the Howard Theatre from March 26 through April 1, 1937.  Fitzgerald would have been nineteen, just shy of her twentieth birthday., while Hugh Morton would have been sixteen.  It was billed as an “Easter Swing Session” and a “Gay Holiday Revue” with Bardue Ali, Charles Linton, and Taft Jordan.  Fitzgerald and the orchestra returned to the Howard Theatre for another one-week stand from January 28 through February 3, 1938.  The following week, the entourage began a five-week stint in Boston at the Flamingo Room at Levaggi’s Restaurant.  According to Nicholson, Fitzgerald “worked out the outline of ‘A-Ticket, A-Tasket'” at Levaggi’s.”

Fitzgerald and the orchestra’s next one-week stop at the Howard Theatre came on March 31, ending on April 6.  An advertisement for the engagement portrays her as “First Lady of Swing ‘Ella A-Tisket A-Takset Fitzgerald.'”  Webb, however, did not perform; he entered John Hopkins Hospital in Baltimore for a back operation.  He left the hospital the following week. Webb would died on June 16, 1939, but Fitzgerald continued to play with his orchestra—which playbills began to list as “her Chick Webb Orchestra” or other such variations. At some point soon there after the design and the initials on the front of the music stands changed to EF.

The next appearance by Fitzgerald at the Howard, according to Fritts and Vail is a one-week gig from March 7 to 13, 1941. This performance seems to be an unlikely candidate for Morton’s negatives. He attended Episcopal High School in Alexandria, Virginia before enrolling at UNC in the autumn of 1939, so his proximity to Washington, D.C. coupled with the release date of “A-Tisket, A-Tasket” favors a twenty-one, soon to be twenty-two, year-old Fitzgerald. If so, then Morton’s negatives capture Fitzgerald on the cusp of an important turning point in her a career.

Taking “A Tisket A Tasket” to Task

In a 1981 interview by Ron Wellburn, Teddy MacRae spoke about the origins of “A-Tisket A-Takset.”  He said, “That was Ella own thing.  It was her own idea. That was her thing that she would sing up in Yonkers. . . . ”  Fitzgerald, born in Newport News, Virginia, was raised in Yonkers from the age of three until her mother died suddenly of a heart attack in 1932.  The lyrics are based up a very old nursery rhyme.  MacRae continued, “We [the orchestra] had nothing to do with that. We called Van [Alexander] to put it down on paper for her, and Van made the arrangements.”

Biographer Robertson, quoting liner notes from the 1986 Swingtime LP Ella Fitzgerald Forever Young, volume 2 (ST 1007) quoted Alexander as saying “I was terribly busy at the time so I did nothing about the tune. But Ella approached me again after about a month, and I went home and put the melody and her lyrics together, copying all the parts myself, and took it to Webb.  He rehearsed the song for about an hour in the afternoon and that very night, from the Savoy, he broadcast it. And that’s how ‘A-Tisket, A-Tasket” was born and popularized.”

For a version of the story from her at the time, we turn to The Ella Fitzgerald Companion (1998) that includes a 1938 New York Post article by Earl Wilson in which Fitzgerald said, “we was playing’ Boston in April, and I says to Al Feldman [the birth name of Van Alexander], our arranger, ‘Look here, I got something terrific! They’re swing’ everything else—why not nursery rhymes?’  I had most of the words wrote out, so we sat down and jammed around till we got the tune, and that’s the way it was.”  Well, that’s Ella’s version of the story.  Up next for yet a different take . . .  the biography First Lady of Song: Ella Fitzgerald for the Record by Geoffrey Fidelman (1994).

In that his biography Fidelman notes that the band had nightly broadcasts of their performances at the Levaggi.  His spin on the story is that Feldman said he was so busy because of the constant need for new material for the radio broadcasts.  “I turned her down flat,” said Feldman recalling when Fitzgerald approached him because of his workload.  Fidelman then notes that Ella again approached Feldman a few days later [not a month as Teddy MacRae recalled.]  Fidelman states Click Webb “put ‘Tasket’ on the air almost immediately and the band played it nightly for almost a month before the May 2 recording date for Decca, and this version has the song’s debut at Levaggi’s not the Savoy.

And of course there’s yet another version of the story that Fidelman refutes with his research.  I cannot sort out all the stories here, but in each of these accounts, “A-Tisket, A-Tasket” comes together after the February 1938 engagement at the Howard Theatre. If Hugh Morton photographed Fitzgerald then, she wasn’t singing the song that burst her into stardom.  Either that, or there was another performance by Ella and the Webb band not recorded in the extensive chronicle constructed by Fritts and Vail.

We may never know . . .

Note: The final two sections added on 26 April

THE Voice of the Tar Heels

Tar Heel Sports Network play-by-play announcer Woody Durham (right) with son Wes Durham (play-by-play announcer for Georgia Tech) after receiving Marvin "Skeeter" Francis Award at 2002 ACC basketball tournament, Charlotte, NC.

Tar Heel Sports Network play-by-play announcer Woody Durham (right) with son Wes Durham (play-by-play announcer for Georgia Tech) after receiving Marvin “Skeeter” Francis Award at 2002 ACC basketball tournament, Charlotte, NC.

Today, April 22, 2017, Carolina’s Woody Durham will receive the Lindsey Nelson Broadcasting Award at the University of Tennessee Orange and White spring football game in Knoxville. This will be just the latest in a long line of awards that fill his trophy case. Woody’s son Wes will be on hand to accept the award for his dad.  On this special day, Morton volunteer contributor, Jack Hilliard, reminisces about his long-time friend and UNC classmate.

Many of the recent reports in the media of Woody Durham’s health issues have described him as “The Voice of the Tar Heels for 40 Years.” While that is true, there is far more to it than that. Woody Durham was, is, and forever will be The Voice of the North Carolina Tar Heels, period. Others will broadcast the play-by-play of the Tar Heel games and will do it well, but none will ever come close to what Woody Durham was able to accomplish . . . the bar is just too high.

I came to work for WFMY-TV in Greensboro on February 6, 1963 and worked until July 24th, when I left for a short tour of active duty with the US Army. When I returned in January, 1964, WFMY’s long-time sports director Charlie Harville had left for the new station in High Point and taking his place was Woody Durham, a classmate from UNC. While at Carolina, I had often watched Woody and news anchors Ray Williams and Dave Wegerek from the WUNC-TV control room in Swain Hall as director Wayne Upchurch directed the evening news. I decided then that I wanted to direct a show like that someday.  But I never imagined that my path would cross with Woody’s and Dave’s down the road.

Woody Durham and Ray Williams on news set, April 19, 1961. (University of North Carolina at Chapel Hill Photographic Laboratory Collection Photographer: Bill Prouty.)

Woody Durham and Ray Williams on news set, April 19, 1961. (University of North Carolina at Chapel Hill Photographic Laboratory Collection Photographer: Bill Prouty.)

When I returned to WFMY in ’64, I got a promotion from the floor crew to a control room job—audio and technical director, then assistant director.  And in early November of 1966, I got to direct my first newscast and for me it was magical.  As had been the case back at WUNC-TV, Dave Wegerek anchored the news and Woody Durham anchored the sports.  I had the honor and privilege of working with Dave for four years, and with Woody for almost fourteen, until August of 1977.  During that time with Woody, I saw a master at work.  From a ten-second promotional announcement to a one-hour documentary it was always the same: carefully research, then script it and deliver it with dignity, class, and style. That’s the way Woody has lived his life, with perhaps a bit less emphasis on the scripting part.  And that’s the way he’s approaching his current health struggles.

As most of the Tar Heel Nation will recall, Woody delivered a letter to his many friends and fans on June 1, 2016.  In it he explained his current health condition with primary progressive aphasia, a neurocognitive disorder that affects language expression:

I can still enjoy the company of friends and traveling with my wife, Jean, but I am not able to address groups as I did in the past,” Durham said. “While learning of this diagnosis was a bit of a shock for Jean and me, and yes, quite an ironic one at that, it also brought a sense of relief to us in terms of understanding what was happening to me and how best to deal with it.

Goodness knows, Tar Heel fans have heard him often over the years telling the Tar Heel story for the Athletic Department, the General Alumni Association, the Tar Heel Sports Network, and you name it, Woody has been there. And as you would likely guess, Woody is using his health issue to help people become aware of aphasia and how it affects individuals and families.

As in the past, I will continue to attend Carolina functions and sporting events as my schedule permits, and be part of civic and other charitable endeavors throughout the state. As part of these events, we want to make people more aware of primary progressive aphasia, and the impact that these neurocognitive disorders can have on individuals, families and friends.

Along with raising awareness, we hope to encourage financial support for continued research and treatment in our state, as well as nationally.

Over the years, Woody has urged us to “go where you go, and do what you do” when a close game was on the line.  As Woody’s friend for more than 50 years, I would urge all to take Woody’s game advice because he is involved in yet another difficult struggle. And in the end, when he wins this battle, (and I choose to believe he will), he can say, as he often has said following a big Tar Heel victory: “Act like you’ve been there before.”

Woody Durham interviews King Rice following win over Duke in the 1991 ACC Tournament. Also in the frame is #32 Pete Chilcutt, and Rick Fox (right). Jim Heavner, Tar Heel Sports Network and CEO of The Village Companies of Chapel Hill can be partially seen in extreme left of the frame.

Woody Durham interviews King Rice following win over Duke in the 1991 ACC Tournament. Also in the frame is #32 Pete Chilcutt, and Rick Fox (right). Jim Heavner, Tar Heel Sports Network and CEO of The Village Companies of Chapel Hill can be partially seen in extreme left of the frame.

I think it’s appropriate that we update Woody’s progress on the web site which is everything Hugh Morton. Woody was a Hugh Morton photo subject often and during the 2005-2006 UNC basketball season, Woody gave us periodic reports on Hugh’s condition.

On October 5, 2013, there was a very special event at the Turchin Center on the campus of Appalachian State University in Boone. I was honored to be a panelist along with Betty McCain, Robert Anthony, and Woody Durham.  Our topic: “Hugh Morton and His Photography.”  It was a magical afternoon . . . one to forever remember.

So on this special day I say: “Best wishes, dear friend, our thoughts and prayers are with you, Jean, and family.”

Red tide fear: trouble at sea

Twenty-nine years ago the North Carolina coastal fishing and tourist industries faced a very real problem.  As most often is the case, the Hugh Morton family stepped in to offer help. Morton collection volunteer and blog contributor Jack Hilliard looks back to January, 1988 and a unique gathering of loyal North Carolinians.

First, a little history . . .

In August 1987 off the coast of Naples, Florida, microscopic algae began to reproduce at a rapid rate, thriving and expanding in a matter of days into a large toxic bloom that dominated the Florida coastal environment.  Two months later that same organism, Ptychodiscus brevis, had spread to the North Carolina coast—closing 170 miles of coastal fishing waters and affecting 9,000 commercial fishermen.  North Carolina had never had a toxic algae bloom.  In fact a toxic bloom had never been seen north of Jacksonville, Florida, about 800 miles to the south.

At the time, some scientists described the situation as a spreading global epidemic of toxic and nontoxic algae blooms called “red tides.”  North Carolina’s bloom is believed to have traveled north in the Gulf Stream, bypassing other Southern states. Some of those scientists believed the causes of the red tide epidemic likely included climatic changes, natural growth cycles, and man-made pollution among others.  Other scientists remained unconvinced.  “I wouldn’t want to come down and say pollution is causing red tide expansions,” said Daniel Kamykowski, a professor of oceanography at the University of North Carolina. “I don’t think pollution is that well defined in terms of the cause of red tides.”

At this point it should be pointed out that commercial seafood found in restaurants and grocery stores is safe because it comes from red tide-free-water and is monitored by the U.S. government for safe use.  That being said, in early 1988, North Carolinians were skeptical: they were not eating fish, and that was hurting the coastal fishing and tourist business in at least 600 restaurants, hotels, and seafood markets.  At the time, Hugh Morton, Jr. was the Director of the North Carolina Division of Travel and Tourism, having been in that position since March of 1987.

When there was a North Carolina concern that needed attention, Hugh Morton, Jr., like his father, was always ready to help.  So in early January, 1988, along with the North Carolina Association of Broadcasters, Morton and Governor Jim Martin launched a campaign to aid the fishing and tourism industries that were facing the red tide scare.

Governor Jim Martin addressing a crowd of food workers and celebrities including Charlie Justice, Phil Ford, Clyde King, and William Friday. Taken at a North Carolina tourism event coordinated by Hugh Morton, Jr. to address the effects of "red tide" algae.

Governor Jim Martin addressing a crowd of food workers and celebrities including Charlie Justice, Phil Ford, Clyde King, and William Friday. Taken at a North Carolina tourism event coordinated by Hugh Morton, Jr. to address the effects of “red tide” algae.

On January 6, 1988, Governor Martin and Hugh, Jr. staged a seafood feast at the Governor’s mansion in Raleigh. The invited guest list read like a who’s who in the Tar Heel state: Jesse Haddock, Bill Friday, Kay Yow, George Hamilton IV, Captain Frank Conlon, Kyle and Richard Petty, Clyde King, Loonis McGlohon, Charlie Justice, Shirley Caesar, Bones McKinney, Tommy Amaker, Tommy Burleson, Miss North Carolina Seafood Evonne Carawan of Morehead City, Bob Timberlake, Bobby Jones, and Phil Ford, plus a variety of costumed characters from a variety of state travel attractions, like Daniel Boone (portrayed by Glenn Causey.)  In all, more than thirty loyal North Carolinians participated.

They all ate North Carolina seafood, and Hugh, Jr. put to work his advertising agency skills and produced a number of TV public service announcements using this impressive group of North Carolina legends. Hugh Morton, Sr., as would be expected, was there with camera in hand.  In his 2003 book, Hugh Morton’s North Carolina, he called the group “one of the most impressive groups of celebrities ever gathered in the state.”  Some of the celebrities shared their own seafood recipes, like “Richard Petty’s Favorite Crabmeat Casserole,” and “George Hamilton IV’s Favorite Scallops and Shrimp.”  Both of these favorite recipes appeared in the March, 1988 issue of The State (now Our State).

Governor Jim Martin confers with Richard Petty, as Charlie Justice looks on. Duke basketball star Tommy Amaker may be the person on the far left. (Photograph cropped by the editor.)

Governor Jim Martin confers with Richard Petty, as Charlie Justice looks on. Duke basketball star Tommy Amaker may be the person on the far left. (Photograph cropped by the editor.)

According to the Saturday, January 9 Wilmington Morning Star, the campaign was to begin on Monday.  I recall vividly the day the reel of two-inch videotape announcements arrived at the WFMY-TV studio in Greensboro.  One of my duties at the time was to pre-screen all incoming video material.  The spots were magnificent.  We were pleased to air them in the Greensboro, High Point, and Winston-Salem television market.  A letter enclosed with the videotape from Wade Hargrove, Executive Director of the North Carolina Association of Broadcasters explained the purpose for the TV project:

These announcements come at a time when the seafood industry (which is very important to the state’s economic health) has been hit hard by the “red tide” along the coast. Unfortunately, despite the best efforts of everyone, there seems to be a widespread misconception that the red tide has had an adverse effect on the state’s fish and shrimp industry—which is not the case. . . These PSAs are designed to clear up that misconception in a positive, upbeat way.

I also recall that catchy phrase that ended each spot: “North Carolina . . . first in freedom . . . first in flight . . . and first in fish.”

Artist Bob Timberlake (left) and basketball player and coaching legend Horace "Bones" McKinney (right) pose with plentiful edible seafood. The woman is unidentified, perhaps a member of an N.C. outdoor drama. With Glenn Causey, as Daniel Boone, in attendance, she might be from the cast of "Horn in the West." Other possible identifications for this photograph: Kay Yow just over Timberlake's shoulder, and Shirley Caesar second from the right background. Miss N.C. Seafood is in the background (far right).

Artist Bob Timberlake (left) and basketball player and coaching legend Horace “Bones” McKinney (right) pose with plentiful edible seafood. The woman is unidentified, perhaps a member of an N.C. outdoor drama. With Glenn Causey, as Daniel Boone, in attendance, she might be from the cast of “Horn in the West.” Other possible identifications for this photograph: Kay Yow just over Timberlake’s shoulder, and Shirley Caesar second from the right background. Miss N.C. Seafood is in the background (far right).

In the weeks and months that followed, seafood consumption began the long road to recovery.  Jesse Jackson visited Wilmington for four hours on January 27 during his presidential campaign, “focusing on the economic plight of shell fishermen,” according to Janet Olsen, staff writer for the Wilmington Morning Star.  On February 2 Governor Martin launched “Operation Red Tide,” a $120,000 relief fund for those fishermen who suffered losses during the epidemic. She reported that the red tide “put almost 11,000 commercial fishermen out of work in North Carolina.”  On February 12 Bryson Jenkins, Public Information Spokeswoman with the North Carolina Division of Environmental Management, announced that algae counts were at 5,000 cells per liter, down from “hundreds of thousands.”

Meadow George Lemon III, 1932–2015

Booklet, His Home Town's Tribute, with inscription on cover from Hugh Morton to Sam Ragan. Copy in the North Carolina Collection.

His Home Town’s Tribute, with inscription on cover from Hugh Morton to Sam Ragan. Copy in the North Carolina Collection.

The moon is not ready for us yet, so we must live together here on earth . . .

I woke up this morning to the news that Meadowlark Lemon passed away yesterday.  I logged into A View to Hugh to create a blog post.  Jack Hilliard had already left a comment about Lemon’s passing in Susan Block’s essay, “Wilmington: Faded Glory to Fresh Achievement” and he mentioned the above booklet.  I retrieved it from the stacks first thing after arriving in my office.  Leafing through its pages alludes to why the city conveyed the honor to Lemon when it did—but it never even mentions the exact date, only “on a day in March 1971.”  Lemon’s visit to Wilmington lasted forty-eight hours (maybe more) and took place only six weeks after the February 6th firebombing of Mike’s Grocery and the rioting that followed, and the arrest of suspects that became known as The Wilmington Ten.  Lemon’s autobiography, Meadowlark (1987) tells part of the story, too, a story that extends beyond an honorific day.

Born Meadow George Lemon III on April 25, 1932 in Wilmington, North Carolina (though some sources state he was born in South Carolina and his family moved to Wilmington when he was about six years old).  When Lemon was eleven years old he saw a newsreel at The Ritz movie theater about the Harlem Globetrotters.  Lemon’s heart raced as he watched the players handle a basketball, passing it around their “Magic Circle” with faking and mugging while dancing to the music of “Sweet Georgia Brown.”  He couldn’t believe what he was seeing. “In a flash,” he wrote in Meadowlark, “I knew I wanted to be on that team, the Harlem Globetrotters.”  As soon as the newsreel ended, Lemon ran out of the theater, skipping the feature films, to his father’s house.  He had had a life-changing experience and he had to tell his dad—but he wasn’t home.  Rummaging around he found a nearly empty onion sack and threaded it onto a wire hanger, which he nailed the crudely made hoop to a neighbor’s tree.  He went back to his dad’s house and found a Carnation Evaporated Milk, which he scrunched for his ball.  He played basketball this way for hours until his father came home.

Meadowlark Lemon’s story of his basketball origins proceed through Wilmington’s Community Boy’s Club where he played his first organized basketball just after finishing sixth grade and continued learning the game there into his freshman year at Williston Industrial High School, the city’s only black high school.  During his first basketball game as a freshman he played as a substitute center for an injured teammate against Laurinburg Industrial with their star forward and guard Sam Jones—a future Boson Celtic and NBA Hall of Fame inductee.  Lemon was green and outplayed by the Laurinburg center; the next year, however, Lemon was named all-state and continued to be a star player throughout high school.  He graduated from Williston in 1952

After graduation Lemon was indecisive about going to college despite dozens of scholarship offers.  His father decided for him and sent off Meadow by train to Florida A&M.  Lemon thought he had also earned a football scholarship there but he had not.  Unhappy and unwilling to wait until basketball season, after just a few weeks he returned to Wilmington, prepared to serve in the U. S. Army having received his draft notice while away.

Upon Lemon’s return from Tallahassee his high school coach told him the Globetrotters would be playing in Raleigh in two weeks.  His coach had previously written a letter requesting a tryout on behalf of Lemon to his friend Abe Saperstein, owner of the Globetrotters, but had never heard back.  Lemon asked his coach to call Saperstein and secure a tryout for the Globetrotters while they were playing in Raleigh.  His call was successful: all Lemon had to do was get to the arena in Raleigh and ask for Marques Haynes.  Much to Lemon’s surprise, he tried out by suiting up for the game.  Haynes was nursing an injured knee and decided Lemon could show him what he had on the court during the game.  As he enter the gym wearing the colors he had only seen as black-and-white in a newsreel, the announcer read from a slip of paper: “For the first time in a Globetrotter uniform, the Trotters present Meadow Lemon, from our own Wilmington, North Carolina.”

Full frame scan of Hugh Morton's negative used for the cover of the souvenir program His Home Town's Tribute.

Full frame scan of Hugh Morton’s negative used for the cover of the souvenir program His Home Town’s Tribute.

There’s plenty more to Lemon’s story, which indeed took him around the world as a Harlem Globetrotter.  In 1971, however, Wilmington needed Lemon back home.

According to the booklet His Home Town’s Tribute, talk of having a Meadowlark Lemon Day dated as far back as 1965.  So in late 1970 when the Wilmington Jaycees scheduled the Globetrotters for a date at Brogden Hall for March 1971, the Chamber of Commerce was quickly able to form a special committee that included city and county government officials, and educational and civic leaders.  Shedding more light on those developments, Hugh Morton wrote in his profile of Meadowlark Lemon in Making a Difference in North Carolina (1988):

Tom Jervay, editor and publisher of the black-oriented Wilmington Journal refers to [Lemon] not as the “Clown Prince of Basketball” but as the “Clown Apostle of Interracial Good Will.”  Jervay, whose newspaper office was one of several places bombed or burned in the spring of 1971 during a period of racial violence, remembers that his son, Tom Jervay, Jr. and former Wilmington Jaycee Ed Godwin telephoned from the Journal office to Lemon, whose Globetrotters were playing in Charleston, S. C. at the time, to invite the basketball star to help Wilmington.  Goodwin arranged for a private plane to bring Lemon to the trouble city.

Editor Jervay says, “Meadowlark really cooled things down here when we needed him.”  Looking back on the strife in Wilmington which he helped defuse, Meadowlark says he would do it again, but that he will never have to, because things like that happen due to ignorance on the part of both whites and blacks, and “all of us have grown.”

Meadowlark Lemon Day was Friday, March 19, 1971.  The previous day’s editorial column in the Wilmington Star News began with the headline, “The trouble here must stop now!” Earlier that week racial tensions erupted into riots at Williston Junior High School (Lemon’s former high school, then recently integrated), Hoggard Junior High School, and New Hanover High School.  The school district closed the three schools for Thursday and Friday.

According to a photograph’s caption the tribute booklet, Wayne Jackson interviewed Lemon on television Thursday evening.  On set with Lemon was Earl Jackson and Walter Bess of the Community Boys Club, and Hugh Morton as a member of the Chamber of Commerce committee. (For context, in December 1971 Morton would begin his short-lived Democratic Party gubernatorial race.)  On Friday Lemon appeared for a press conference, followed by a luncheon with city and county officials at the Timme Plaza ballroom.  He then visited schools, including Williston, and the Community Boys Club.  Lemon stressed the need to work together to get the schools open.  In Meadowlark, Lemon says he told students, “Get the education. Stay in school.  Let’s get things together and get this trouble over.”

The tribute booklet includes a letter from Lemon in which he acknowledges the importance of the Community Boys Club in his life.  He noted that in two to three years the club’s outdated facility would fall inside the Urban Renewal area and would be torn down.  He added,

At that time a new and better home for the Club must be built.  I am grateful to Tom Jervay, Jr. and Hugh Morton for contributing, without cost, the pictures and text of this book, and to the Greater Wilmington Chamber of Commerce for publishing it.  All profits from the sale of this souvenir book of the greatest day of my lifetime will go to begin the capital account that has been established in the Wachovia Bank in Wilmington to help build a new Community Boys Club.

There is so much good to be done in the world, I know I cannot do it all, but in the part of it I can do I want Community Boy’s Club to be included.  The moon is not ready for us yet, so we must live together here on earth, and the Boy’s Club makes life mean more to a lot of young boys. . . .

Meadowlark Lemon at the foul line during the Harlem Globetrotters game at Brogden Hall in Wilmington, North Carolina on March 19, 1971.

Meadowlark Lemon at the foul line during the Harlem Globetrotters game at Brogden Hall in Wilmington, North Carolina on March 19, 1971.

In Meadowlark, Lemon devoted about three pages to his account of events and circumstances surrounding Meadow Lark Lemon Day.  He recalled being flown into Wilmington five straight days before the game.  Despite concerns that violence may break out during the game, none occurred.  Lemon wrote in his autobiography, “No threats, no staring down.  Blacks and whites sat together, laughed together, sang together.  I felt it was one of the best things I ever accomplished.”

Closing Note: Were you living in Wilmington during this time?  Do you have recollections about Meadowlark Lemon’s visit?  If so, what level of importance do you place on his role at that crucial time?  Please share your experience by leaving a comment.  I believe there’s more to be learned about this topic!

Arthur “Guitar Boogie” Smith (1921–2014)

Arthur Smith passed away one year ago today.  At the time, I hurriedly started a V2H blog post to mark the occasion.  As I worked on it I kept finding more and more interesting material . . . and April 3rd slipped farther and farther into the distance before I just could wrap it up. It’s been sitting in the unpublished drafts section of the blog ever since.  Then a week or so ago, volunteer Jack Hilliard sent me post about Arthur Smith for use today.  After I finished working on Jack’s piece I dusted off this post, cleaned it up, and published it today even though it could use some more work.  The result? A twin bill!  This post is mine; the “special connection” post is Jack’s.  We hope you enjoy today’s double feature.

For many, if not most, Arthur Smith may not be a household name.  Have you seen Deliverance—or played an “air banjo” version of the well-known version called “Dueling Banjos” from the memorable scene in that 1972 movie?  If so, then you have a piece of Arthur Smith in the fiber of your being because Smith is the original writer of that song, which he played and recorded with Don Reno as “Fuedin’ Banjos” in 1955.

Arthur Smith and the Cracker-Jacks, probably 1952.

Arthur Smith (front, with guitar) and the Cracker-Jacks, including Ralph Smith (rear left, with accordion), Tommy Faile (rear, second from right), and Sonny Smith (rear, right) posing in front of a brick wall. A detail of Smith’s face appears in an advertisement for the Fifth Annual Azalea Festival in March 22, 1952 issue of THE STATE magazine. Arthur Smith and the Cracker-Jacks performed during the festival on March 29th.

Arthur Smith was born in Clinton, South Carolina in 1921.  The 1930 United States Census enumerated his family in Flat Creek Township in Lancaster County on April 4th, just a few days after Arthur’s 9th birthday.  He is the son of Clayton S. Smith and his wife Viola Fields, both North Carolinians by birth.  In the 1930 census Arthur had two older and two younger siblings: Ethel, age 13; Oscar, 9; Ruby, 7; and Ralph, 6.  Clayton’s occupation is listed as a weaver in a cotton mill.

The most likely matching “Arthur Smith” in the 1940 census shows Arthur as one of three lodgers at home of what looks like Dixon G. and Sybil Stewart (the census taker’s handwriting is difficult to read) at 442 Kennedy Street in Spartanburg, S.C.  Stewart and the lodgers all have their occupation listed as “Advertise” and written (again hard to decipher) in the Industry column is “Radio” and what looks like “Vine Herb.”  This is a nugget for a future researcher to resolve.

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Arthur Smith was already an accomplished musician well before “Fuedin’ Banjos.”  When Smith was in eighth grade, he and brothers Ralph and Sonny formed a Dixieland jazz band called The Arthur Smith Quartet.  At the beginning their financial prospects were bleak.  Smith said during an interview with Don Rhodes for his article “Arthur Smith: a Wide & Varied Musical Career” in the July 1977 issue of Bluegrass Unlimited,

We nearly starved to death until one day we changed our style.  We had been doing a daily radio show in Spartanburg, South Carolina, as the “Arthur Smith Quartet.”  One Friday morning we threw down our trumpet, clarinet, and trombone and picked up the fiddle, accordion, and guitar.  The next Monday we came back on the radio program as “Arthur Smith and the Carolina Crackerjacks.”  My brother, Sonny, came up with the name.  The Carolina was because we were from South Carolina, and the Crackerjack part came when Sonny found that the word according to the dictionary meant one who is tops in his field.

This would probably be as good a place as any in this story to state that there is no definitive biography Arthur Smith, and much of what is on the Internet or in print is anecdotal, sketchy or brief, and with a fair amount of rehashing of what someone else had already written.  Pulling this post together has been a bit of a challenge, so please leave a comment with corrections or clarifications.

When Arthur Smith was in tenth grade, the group made their first recording during a field recording session for RCA Victor in 1938.  According to one discography, the recording date was 26 September 1938 at the Andrew Jackson Hotel in Rock Hill, S. C.  Smith recalled in the booklet The Charlotte Country Music Story, that their best song from that session was “Going Back to Old Carolina” (Bluebird Records recording B-8304).

Smith must have paid attention to the school books, too, because he was the class’s valedictorian.  Smith had an opportunity to attend the United States Naval Academy after graduation, but he declined because he knew he wanted to be a musician.

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The band’s success grew and at some point in time, possibly 1941, Smith moved to Charlotte when he and the Crackerjacks became regularly featured on WBT’s country music radio programs, among them probably Carolina Barndance.

As with most born in this era, however, WWII brought disruption and the Crackerjacks disbanded.  All three brothers served in the military, Arthur Smith in the Navy.  He played in his military band, and it was there that he wrote “Guitar Boogie,” his breakthrough recording that sold more than a million copies in 1945.  After the war, the Smith revived the Crackerjacks.

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I’ve not found mention of how Hugh Morton and Arthur Smith met, but I hope those that might know will comment below.  Morton photographed Smith with and without the Cracker-Jacks (that variant spelling, with and without a hyphen, was often used) on several occasions over many years.  Both were born in 1921, and both served in the military during World War II; Morton as a photographer and cameraman in the United States Army 161st Signal Corps, Smith in the United States Navy.  The photograph at the top of this post dates from 1952, used to promote the Azelea Festival in WIlmington that year.

Smith and Morton may have met earlier, however, at Singing at the Mountain in 1950.  In his book with Edward Rankin, Making a Difference in North Carolina, published in 1988, Hugh Morton recalled that it was around 1950 that Singing on the Mountain had a “big boost” in attendance.  Singing’s co-founder Joe L. Hartley soon thereafter gave Smith the designation “Music Master” for the annual event because Smith “played a major role in inviting other outstanding musical groups.”  Singing on the Mountain was already growing crowds prior to 1950.  A brief article about the 1949 “Singing” published in the Watauga Democrat noted that 25,000 people had attended, the largest crowd to date.  The following year, an article in the 29 June 1950 issue of the Wautaga Democrat about that year’s singing described the previous Sunday’s event: “One of the musical highlights during the beautiful summer day was provided by Hillbilly Headliner Arthur Smith and his Crackerjacks from Columbia Broadcasting System and Radio Station WBT, Charlotte. . . . Highway patrolmen reported that during one period around noon, the highways leading to this convention were crowded by cars bumper to bumper, stretching four miles in one direction and three in the other.”

Morton wrote in Sixty Years with a Camera,

Arthur Smith is one of my dear friends, and for thirty consecutive years he was the singing master for “Singing on the Mountain” at Grandfather.  He of course wrote the Number 1 banjo song in the world, “Duelling Banjos,” [sic] and the Number 1 guitar piece “Guitar Boogie.”  He is also a very religious man, and he plugged the daylights out of the “Singing” and brought big crowds.  Mr. Joe Hartley, the founder and chairman of the annual event, thought that his homemade sign out on the highway attracted the people.  He never did understand that Arthur Smith’s promotion of the program on television was the reason for the huge crowds.

The next two photographs below may not have been published before this post.

Arthur Smith playing his guitar at Sining on the Mountain, date unknown.

Arthur Smith playing his guitar with the Cracker-Jacks at Singing on the Mountain, at MacRae Meadows near Linville, N. C. The date for this negative, one of four extent made at this performance, is unknown. Arthur Smith and the Cracker-Jacks first performed at the 1950 Singing.

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Unidentified group portrait of Arthur Smith with other musicians circa 1960s.

There’s no identifying information about this group portrait of Arthur Smith and the Cracker-Jacks. The colors, clothes, and art styles all seem to be singing 1960s. Can anybody identify people, place, time, or event? Was this photographed on the television set at WBTV for either “Carolina Calling” or “The Arthur Smith Show?”  Groovy points will be awarded for proper identification of this photograph.

Hugh Morton photographed Smith on numerous occasions, including many made for record album dust jackets.  Notice the photography credit for Hugh Morton on back of the following album’s cover . . .

Arthur Smith Great Country and Western Hits_album cover

An Arthur Smith recording from 1965, from the Southern Folklife Collection in Wilson Library.

Verso of Arthur Smith Great Country & Western Hits

Verso of the album Arthur Smith Great Country & Western Hits showing credit to Hugh Morton for the cover photograph.

Hugh Morton may be the photographer for Smith’s LP album The Guitars of “Guitar Boogie” Smith published by Starday Records in 1968.  There is a 4″ x 5″ color transparency in the Morton collection that is an extremely similar pose to that on the album.  Smith moved his hands slightly but his facial expression looks to be identical.  I prefer the hand positioning in the one not used on the cover because his right hand is concealed.

Arthur Smith posing for album cover portrait for "The Guitars of Arthur 'Guitar Boogie' Smith", circa 1968.

Arthur Smith posing for album cover portrait for “The Guitars of Arthur ‘Guitar Boogie’ Smith”, circa 1968.

Interestingly, CMT used a tightly cropped pose from this sitting in its obituary of Smith.  The image source is Getty Images.

There’s a lot more Arthur Smith images to parse through in the Morton Collection, more than can be featured in this post.  Needless to say, when someone writes the definitive biography of Arthur Smith. the Hugh Morton collection is a “go to” collection for visual research.

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ANY RELATION? The 1940 United States Census enumerated a James Arthur Smith, age ten months, living with his family on Florida Street in Clinton, Laurens County, South Carolina.  James Arthur was the second son of Broadus E. and Annie Mae Smith.  He had an older brother Edward, age 4 years old.  The census taker’s handwriting for his father’s name is hard to decipher, but a Google search revealed a Broadus E. Smith who wrote four church hymns.  Is this is likely connection.  Broadus’s occupation is listed as a carpenter in the building construction industry.