“Is Andy Griffith our Robert Burns? One should argue Whitman or Poe, or even Frost, makes for a richer comparison. Certainly self-invented Whitman, who loved Burns, is the triumphant American version — yet the Whitman house in Camden, New Jersey, receives scant visitors. The same is true for Poe’s tidy home in Baltimore, now temporarily closed for lack of community support; and poor Frost’s New Hampshire farmhouse was vandalized and set aflame by a horde of drunken teenagers, who literally pissed on his stuff. Maybe these aren’t fair comparisons. But in the second half of the 20th century, television is popular culture.
“Perhaps whatever impulse propelled Keats in the 19th century — and Clark Gable, Irving Berlin, Joe Louis, and the Prince of Wales over a century later — to make a pilgrimage to the simple birthplace of poet Robert Burns, propels people to commune with the spirit of Andy Griffith in Mount Airy.
“The city earned over $100 million last year because people want to witness the place where this man came into being, and as any casual observer can discern from fans talking on the candlestick courthouse phone, they desire to exist inside his fiction.”
— From “Our Town: Andy Griffith and the Humor of Mourning” by Evan Smith Rakoff” in the Los Angeles Review of Books (April 20, 2013)