Savory Sailors or Neptune’s Barber: Sweeney Todd and the Royal Navy

James Malcolm Rymer, String of Pearls (London, 1850) / PR5285 R99 S8 1850
James Malcolm Rymer, String of Pearls (London, 1850) / PR5285 R99 S8 1850 / William A. Whitaker Fund

In 1846, the prolific but now-obscure Victorian writer James Malcolm Rymer introduced the notorious Sweeney Todd in the String of Pearls, or, The Barber of Fleet Street: A Domestic Romance. The story of a London barber who kills and robs his clients, and whose accomplice turns their remains into meat pies, became an immediate bestseller. Originally published serially, it appeared in 1850 as an expanded one-volume edition, which is a book of excessive rarity today.

Rebecca Nesvet, UNC Ph.D. candidate in English and Comparative Literature, had been able to find only one  institution holding that illustrated classic, the British Library in London. She became aware, however, of another copy for sale by an antiquarian book dealer and alerted the RBC. Thanks to Ms. Nesvet’s tip and the William A. Whitaker Fund, which provides generous amounts for the purchase of English literature at Chapel Hill, that fine copy of the String of Pearls now sits on a shelf at the Rare Book Collection, next to other rare Rymer novels: Grace Rivers; or, The Merchant’s Daughter (1844) and Paul Clifford; or Hurrah for the Road (1853).

As Rebecca Nesvet notes: “Like Sweeney Todd’s Fleet Street establishment, Rymer’s String of Pearls contains intriguing mysteries. Such as, how did Rymer come up with his outrageous premise?”

Rebecca
Rebecca with String of Pearls open to the portrait of Sweeney Todd

On Wednesday, March 6, 2013, Ms. Nesvet answered that question for a full house in the Friends of the Library room in Wilson. She made the new and novel argument that Rymer drew inspiration from a Royal Navy initiation or hazing ritual, the Line-Crossing Ceremony. “Performed at the Equator, Tropics, and Arctic Circle from at least the early nineteenth century through the late twentieth, the Line-Crossing Ceremony features a veteran sailor masquerading as Royal Barber to King Neptune, God of the Sea,” Ms. Nesvet informed the intimate gathering. “Neptune’s Barber shaves first-time crossers of the line, often barbarously.”

Ms. Nesvet, who is writing her dissertation “The Disappearing Explorer, 1818-1900,” directed by Prof. Jeanne Moskal, further elaborated on the ritual in history. “In 1832, as the HMS Beagle approached the Equator, Charles Darwin prepared himself to endure ‘razors sharpened with a file & a lather made of paint & tar, to be used by the gentlest valet de chambre’ during ‘the disagreeable operation of being shaved.’ A certificate awarded to twentieth-century line-crossers depicts Neptune’s Barber as an amphibious monster in a hat attended by a razor-bearing penguin. Close-reading the String of Pearls with attention to this context reveals that by reinventing the Royal Navy’s demon barber as a monstrous human, Rymer created an enduring legend.”

The Sweeney Todd legend was revived in 1979 for Broadway by Stephen Sondheim in his Sweeney Todd, The Demon Barber of Fleet Street: A Musical Thriller. Ms. Nesvet quotes the following verse from it:

Attend the tale of Sweeney Todd
His face was pale and his eye was odd
He shaved the faces of gentlemen
Who never thereafter were heard of again.

The RBC is grateful to Ms. Nesvet for reviving the legend for the UNC community in 2013, by her apt acquisition suggestion and an afternoon of sharing her research.

 

Ken Hillis on Libraries

If you didn’t have a chance to join us at Prof. Hillis’s lecture “From Alexandria to Google: The Mythic Quest for Universal Libraries”, tune into the “State of Things” podcast on “What is a Library in Today’s High Tech Tech Age?”  Prof. Hillis is one of the respondents, covering some of the same ground he did at Wilson, but to give an historical perspective to the opening of NC State’s new James B. Hunt Library.

All the World’s Knowledge

Spines of the first American encyclopedia, published by Thomas Dobson (1798) / AE5 .E342 1798 v.1-18 c.2
Spines of the first American encyclopedia, published by Thomas Dobson (1798) / AE5 .E342 1798 v.1-18 c.2

The month of February ended with an opening for the new RBC exhibition The Encyclopedic Impulse. Last Wednesday evening, over one hundred people attended a reception and viewing and a related lecture that followed.

This year marks the three hundredth anniversary of the birth of French philosopher Denis Diderot, co-editor and visionary of the French Encyclopédie. To commemorate the occasion, the RBC decided to display multiple volumes of that work, but as with any encyclopedic endeavor, the project expanded.

Louse seen through a microscope as rendered in a plate volume of the Encyclopédie (1768) / AE25 .E53 Plates v.6
Louse seen through a microscope as rendered in a plate volume of the Encyclopédie (1768) / AE25 .E53 Plates v.6

The exhibition further illuminates the encyclopedia concept by including other encyclopedias and reference works, as well as significant writings on knowledge. Pliny the Elder, Francis Bacon, Athanasius Kircher, Abraham Ortelius, H. G. Wells, and Jorge Luis Borges are all invoked in the exploration of the human impulse to collect and organize knowledge in a single bibliographic entity.

B765_L83_L57_1953-llull_ed2
Ladder of ascent and combinatory wheel in Llull, Libro del ascenso, y descenso del entendimiento (1753) / B765.L83 L57 1753

To celebrate the exhibition, Ken Hillis, professor of media and technology studies, delivered a lecture entitled “From Alexandria to Google: The Mythic Quest for Universal Libraries.” He organized his talk around four ideas/entities: the Tower of Babel; the Library at Alexandria; the art of knowing of medieval mystic Ramón Llull; and H. G. Wells’ conception of a “World Brain.”  Co-author of the recent book Google and the Culture of Search (2012), Prof. Hillis ended with a discussion of Google and a reflection on the ways in which its knowledge project coincides with and differs from previous quests.

It was a thought-provoking talk, in sympathy with the Rare Book Collection exhibition, and one entirely appropriate to a university library. The show is up in Wilson Library’s Melba Remig Saltarelli exhibit room through May 26, 2013.