SFC Halloween Spotlight: Roky Erickson live at Raul's

Good Evening_Roky Erickson“Children of the Night, what music we make” by Roky Erickson from CD-7041, Live at Raul’s (Dejadisc 1995)
Cover from 1995 Dejadisc CD reissue of Live at Raul’s

While perusing the the CD collections in the Southern Folklife Collection today and thinking of Halloween, I came across CD-7401, Live at Raul’s.  Recorded September 16, 1979, these recordings document the Austin punk scene that swirled around the Tex-Mex bar owned by Joseph Gonzales located just west of the University of Texas campus.  Featuring some of Austin’s most celebrated punk and new wave bands like The Standing Waves, The Skunks, and The Next, Live at Raul’s was also slated to feature two tracks by the legendary Roky Erickson.
Unfortunately due to contractual confusion, Erickson’s tracks did not appear on the original LP release in 1979, however they were included in the 1995 CD reissue. Studio versions of Erickson’s two tracks, “Don’t Shake Me Lucifer” and “Red Temple Prayer [Two Headed Dog]” were released a year later on Erickson’s first solo record, The Evil One (CBS 1980), an excellent record that features such Halloween appropriate subjects as ghosts, demons, vampires, zombies, and bloody hammers.
So as tribute to Halloween, rather than turn to The Evil One, we wanted to feature these lesser known versions of Erickson’s nightmare rock and roll songs. As you can hear from the clip at the top, Erickson fully immersed himself in the horror mood for a truly spooky performance.  Enjoy some Don’t Shake Me Lucifer” and “Red Temple Prayer [Two Headed Dog]” below.
Any of you readers have any Halloween favorites?  Please do share in the comments. Along with The Evil One, I usually give Sonic Youth’s Bad Moon Rising a spin, and I find a little Screamin Jay Hawkins or Darkthrone’s Transilvanian Hunger are always a treat while carving a jack-o-lantern.  Happy Halloween.
Roky Erickson_Don’t Shake Me Lucifer “Don’t Shake Me Lucifer” by Roky Erickson from CD-7041, Live at Raul’s (Dejadisc 1995)
Two Headed Dog_Roky Erickson “Two Headed Dog” by Roky Erickson from CD-7041, Live at Raul’s (Dejadisc 1995)

SFC Spotlight: Vogue Records


Another item from our upcoming exhibit.  This Vogue picture disc, catalog number R764 (according to this excellent discography), features Shep Fields and his Orchestra (also known as Shep Fields and his Rippling Rhythm Orchestra) performing Sunny Skylar and Patrick Lewis’s hit song “Whatta ya Gonna Do!” and everybody’s favorite “I Guess I’ll Get the Papers (and go home).”  The image is attributed only to the mysterious “Sprink,” an illustrator who painted many of the Vogue discs and we now know was the artist Walter F. Sprink.
Vogue picture discs were made from May 1946 until April 1947 by Sav-Way Industries, Inc. of Detroit, Michigan.  According to the history compiled by the now defunct Association of Vogue Picture Record Collectors, Sav-Way CEO Tom Saffady and his engineers developed a new and complicated manufacturing process to ensure 78 rpm discs that were not only aesthetically beautiful but also hi-fidelity audio.  Most of the Vogue records feature post-war big band jazz orchestras, but a few include blues and even some country from those famed Sweethearts of Country Music, North Carolina’s own Lulu Belle and Scotty (nee Myrtle Eleanor Cooper and Scotty Greene Wiseman), and Patsy Montana.
The exhibit opens this Thursday, October 20th, as part of a celebration of the UNC Music Library 75th Anniversary.
The exhibit Curating Sound: 75 Years of Music Collections at UNC will open with a keynote address at 5:45 p.m. by Dr. Tim Carter, the David G. Frey Distinguished Professor of Music at UNC, titled “Adventures of an Archive Rat, or How Kurt Weill Came to Chapel Hill in May 1936.”
At 6:30 p.m. will be a concert titled “From Early to Old-Time: A Concert of Music from the Collections.” UNC students, music library staff members, and community musicians will perform music in four genres: Irish traditional, Baroque, early rockabilly, and old-time.
Curating Sound features original publications and artifacts from the Music Library and the Wilson Special Collections Library and will be on view through Jan. 31, 2012.
We hope to see you on Thursday, October 20.

 

 

SFC Spotlight: Curating Sound and Seven Inch Records


On Thursday October 20, 2011, the UNC Music Library will celebrate its seventy-fifth anniversary with the opening of an exhibition in the Melba Remig Saltarelli Room on the third floor of the Louis Round Wilson Special Collections Library.  The exhibition, entitled “Curating Sound: 75 Years of Music Collections at UNC” will feature materials from the Music Library, the Southern Folklife Collection, and the Southern Historical Collection of the University Library.  On display will be items as diverse as Palestrina prints, libretti from the Florentine Camerata, Lully manuscripts, historic sound recordings, rare concert posters, and even Andy Griffith’s guitar.
The exhibition will open with a reception at 5 pm, a keynote address by Prof. Tim Carter, the David G. Frey Distinguished Professor of Music, and a short concert featuring works from the collection, including ensembles performing English baroque, Old-time stringband, early rockabilly, and Irish traditional music.
While looking for items to contribute from the Southern Folklife Collection, these two 7-inch 45 rpm records (above and below) caught our eye and seemed worthy of further exploration. Above is the cover to Chants au pied de l’Annapurna [Chants at the foot of Annapurna], field recordings from central Nepal by Rene de Milleville–a french writer who lived in Nepal, specializing in the study of rhododendrons and orchids of the region. The following is a sample of the track “Sitarané” from side A.
“Sitarané” performed by musicians from central Nepal Sitarane`
From closer to home in the John D. Loudermilk Collection (#20148), we found a 45 rpm record from Chapel Hill’s own Colonial Records, owned and operated by Orville B. Campbell. Johnny Dee, the first recording moniker of country great John D. Loudermilk, was a student at Campbell College when he recorded “A-plus In Love.” featuring Joe Tanner on the guitar. North Carolina Collection Photographic Archives blog, A View To Hugh, has an excellent article on Loudermilk, and for a few more tracks see this Field Trip South post from two years ago. More information and updates on the exhibit to come, but for now, enjoy a little Johnny Dee.
“A-Plus In Love” by Johnny Dee A-Plus In Love_Johnny Dee