78 of the week: Jesse Rodgers with Kama's Moana Hawaiians

78_828_A_San Antonio Blues_Southern Folklife Collection (30001)_UNC Chapel Hill78_828_San Antonio Blues_Southern Folklife Collection
Two excellent sides for you by the great Jesse Rodgers (first cousin to Jimmie), from Southern Folklife Collection disc call no. 78-828. A successful musician who appeared on the “border-blaster” radio stations XERA and XERN in the late 20s and early 30s, Rodgers career took off in an unexpected direction after Jimmie’s untimely death in 1933. Always looking to repeat past successes, RCA-Bluebird picked up Jesse in hopes he would continue where Jimmie left off, even setting Jesse up to record with the great steel guitarist Charles Kama and his Moana Hawaiians who had recorded previous sides with Jimmie. These two tracks were recorded 28 Feburary 1936 at the Texas Hotel in San Antonio. Kama’s guitar work is superb and his musical arrangement wonderfully compliments the tune. Listen to the solo in the second clip below and note Kama’s masterful accompaniment to Rodger’s blue yodeling. Fantastic. 78_828_Old Pinto, My Pony, My Pal_part1 78_828_Old Pinto, My Pony, My Pal_part2
78_828_Old Pinto, My Pony, My Pal_Southern Folklife Collection (30001)_UNC Chapel Hill

Photo of the week: The Shanty Boys

I20239_pf0018a: Roger Sprung, Mike Cohen, and Lionel Kilberg, from their monthly CBS broadcast. Photo by Ray Sullivan of Photo-Sound Associates. From the Ron Cohen Collection (20239). Southern Folklife Collection, Wilson Library, UNC Chapel Hill.

The Shanty Boys (Roger Sprung, Mike Cohen, and Lionel Kilberg), from their monthly CBS broadcast. Photo by Ray Sullivan of Photo-Sound Associates. From the Ron Cohen Collection (20239). Southern Folklife Collection, Wilson Library, UNC Chapel Hill.

In the early 1950s, Roger Sprung spent time in Asheville, NC, meeting and learning from banjo greats Bascom Lamar Lunsford and Samantha Bumgarner. He returned to New York and is often credited with introducing bluegrass banjo style to the northern folk revival through his playing in Washington Square park. For more information on Sprung and the Shanty Boys, see Ron Cohen’s excellent book on the folk revival, Rainbow Quest: The Folk Music Revival and American Society, 1940-1970 (Culture, Politics, and Cold War), (University of Massachusetts Press, 2002).

Cataloger's Corner: Managed Care Plans–Songs and Music

Newly cataloged and available at the SFC are two releases by Dr. Sam and the Managed Care Blues Band: the full-length album, Minimal Service: CPT 99211, and the single, You Picked a Fine Time to Leave Me Blue Shield (B-side: Mastoid Sally). Liner notes to Minimal Service state that: “These CDs and cassettes are great gift ideas for trade shows, medical conferences, sales reps, party favors, Doctors’ Day, Nurse Day, Nurses Week, Christmas and Chanukah.”
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“Dr. Sam” is known in real life as Samuel Bierstock, MD, a practicing physician in Boca Raton, Florida. Since 1996, he has been writing songs on themes of illness, hospital stays, and HMOs, performing and recording them with his blues band in which he sings and plays harmonica. Bierstock and his band have been featured in People Magazine, USA Today and on CNN; they have also mailed their CDs to politicians across the U.S. (including former President Clinton) in order to raise awareness of issues in patient care. The themes tackled by the band are as relevant today as they were in 1990s.
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Although, according to the DSATMCBB website, the band’s CDs have been distributed to every member in Congress, the SFC is the only collection listed in Worldcat with copies. In fact, the SFC also appears to be the only repository with  holdings in the subject area of “Managed care plans (Medical care) – Songs and music.”
In the track “No Overnight Blues” Dr. Sam sings of a new mother whose insurance company will not pay for an overnight hospital stay.
“No Overnight Blues,” Dr. Sam and the Managed Care Blues Band
Minimal Service