This week on Hell or High Water, we’ll be featuring music from the three volumes of the 1964 Newport Folk Festival evening concerts, largely inspired by last Monday’s SFC lecture by Elijah Wald, “Dylan Goes Electric! Music, Myth, and History.”
Dylan’s electric performance in 1965, according to Wald, “split the Sixties.” Previously, the Newport Folk Festival had been a time celebrating traditional folk music alongside popular “new wave” artists, like Pete Seeger, Joan Baez, and Phil Ochs. The hopes were that pairing these traditions with popular artists would draw a crowd and help new or unknown artists gain a following.
The Newport Folk Festival showcased the many different types of traditional folk present in this country, from cajun to country to blues. We hope that featuring this record will, like the original festival, showcase the diversity of what constitutes folk music.
To quote Stacey Williams on the 1964 festival, “And what was most remarkable was the homogeneity of the event as a whole, with all this wonderful variety adding up to a feeling of one brotherhood, as hard to define as it is easy to sense; ‘many branches from the same tree’ is a lame way to put it, but it hints at the idea.”
Tune in this Sunday from 1-2pm on WXYC-Chapel Hill, 89.3FM, or online via live stream.
The Southern Folklife Collection is thrilled to welcome back Elijah Wald to discuss his new book, Dylan Goes Electric! Newport, Seeger, Dylan, and the Night that Split the Sixties (Dey Street/Harper Collins, 2015).
In Dylan Goes Electric! Elijah Wald explores the cultural, political, and historical context of Bob Dylan‘s 1965 performance at the Newport Folk Festival. He delves deep into the folk revival and its intersections with the civil rights movement, the rise of rock, and the tensions between traditional and groundbreaking music to provide new insights into Dylan’s artistic evolution, his special affinity to blues, his complex relationship to the folk establishment and his sometime mentor Pete Seeger, and the ways he reshaped popular music forever.
Join us on Monday, November 16 for a book talk by Wald and view related materials from the Southern Folklife Collection, including the 1965 Newport program featured here (top and bottom) from the Southern Folklife Collection Festival Files (30007), folder 518, and the brochure and schedule from the Guy and Candie Carawan Collection (20008), folder 172 (above). The Carawans were traveling with the Moving Star Hall Singers from Johns Island, South Carolina (notice the notation on the program by Guy Carawan to make note of the Moving Star Hall Singers performance times). Even after looking at this schedule countless times, we still can’t believe that a single event could feature such a remarkable schedule of performers: Cousin Emmy, Roscoe Holcomb, Gary Davis, Lightning Hopkins, Mance Lipscomb, Fannie Lou Hamer, Eck Robertson, Memphis Slim, Mississippi John Hurt, Dylan, Donovan, Pat Sky, Kweskin Jug Band, Bill Monroe, Ed Young (!), Sam and Kirk McGee with Arthur Smith (!!!), and so many more.
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