This week we published a new finding aid for the Duck Kee Studio Collection (20553), which contains multi-track and mixdown studio master tapes of Triangle favorites recorded at Duck Kee Studio from 1984-2009. Recordings are on 2″ open reel, 1/2″ open reel, and ADAT analog formats.
Duck Kee Studio was founded by musician and recording engineer, Jerry Kee (Dish, Regina Hexaphone, Cat Toy), who began recording local bands out of a house in Raleigh in the late 1980’s. In 1995, Kee relocated the studio to Mebane, N.C., its eighth location.
The studio has close ties to the Triangle’s indie rock music scene, recording early work by Archers of Loaf, Tift Merritt, Pipe, Polvo, and Superchunk, among others. Kee has historically relied on analog recording equipment, including a 4-track and later a 24-track tape machine.
In January 2018, Duck Kee Studio no. 8 was tragically damaged in a fire. Kee recently talked with WUNC’s “Songs We Love” podcast about the fire, which destroyed his recording equipment and severely damaged open reel tapes stored at the studio.
Thankfully Kee donated a large batch of master tapes (about 175 in total) to the Southern Folklife Collection before the studio fire. These tapes are featured in the newly published finding aid and include recordings by local acts, like Cobra Kahn, Dish, Eyes to Space, Jennyanykind, Malt Swagger, Picasso Trigger, Portastatic, Queen Sarah Saturday, Regina Hexaphone, Schooner, and Superchunk.
The collection also includes an early recording of Tift Merritt with her full band, dubbed The Carbines, which included Margaret White on fiddle, Christopher Thurston on bass, Greg Readling on keyboard and pedal steel, and Zeke Hutchins on drums. Above is an image of their fall 1998 recording that resulted in a self-released 7-inch single featuring “Juke Joint Girl” and “Cowboy” (1999, Oil Rig Music).
Duck Kee Collection materials are available for research on-site at Wilson Special Collections Library. The collection is a nice addition to the SFC and its growing collection of materials related to the Triangle’s independent music scene (Ron Liberti Collection, Merge Records Collection, Tift Merritt Collection, and Craig Zearfoss Collection, to name a few).
Remember those fire damaged tapes I mentioned earlier? About 170 of them arrived at SFC this past spring via Jerry Kee. We are currently assessing the tapes conditions and crafting a plan of attack to help preserve and provide access to the them. Stay tuned. Sending lots of positive thoughts and energy Jerry Kee’s way. We are hopeful that most of the damaged tapes can be salvaged.
And last but not least, shout-out to our graduate research assistant, Rae Hoyle, who helped process the Duck Kee Studio Collection – thank you, Rae!