Sounds of ’68: Electric Ladyland

jimi hendrix experience, electric ladyland cover, closeup of face in orange

Electric Lady Land, The Jimi Hendrix Experience, Released on Reprise, August 1968

Electric Ladyland, the Experience’s third and final album, marked a new direction as Jimi took took greater control. Sessions held in London’s Olympic Studios and the Record Plant in New York City were looser, more jam oriented, and took on a party-like atmosphere, causing friction between Jimi and co-manager/producer Chas Chandler and bassist Noel Redding, ultimately leading to Chandler’s exit and the disintegration of the band. In addition to the two versions of Voodoo Chile, the sprawling 15-minute jam with Steve Winwood and Jack Cassidy, and the tighter pop Voodoo Chile (Slight Return), Ladyland is best known for Hendrix’s reinvention of Bob Dylan’s All Along the Watchtower (U.S. # 20), which Dylan performed in Jimi’s style thereafter.

[This item was on display during the Wilson Special Collections Library exhibition, “Sounds of ’68: Revolution in the Air,” January – April, 2018. Drawing from the deep holdings of UNC Libraries’s North Carolina Collection Photographic ArchivesMusic Library, and Southern Folklife Collection, The exhibit celebrates the recordings and the artists that defined an era.]

jimi hendrix experience, electric ladyland backcover, the three men of the experience seated

jimi hendrix experience, electric ladyland left gatefold, b&w collage w/ text

jimi hendrix experience, electric ladyland right gatefold, b&w collage w/ text

Cats of the SFC

One of my favorite parts about digitizing photographers’ collections or searching through stacks of photos to find something specific is finding the rare photo that seems out of context but says a lot about the person who captured it. Oftentimes I see photo after photo of performers and performances and famous artists, but sometimes a photo of a pet or a flower or a road sign finds its way into the mix. It’s a fun reminder that the photographers, while focusing on their work, still let a little bit of their personality shine through in ways other than their shooting style. In the Ronald D. Cohen Collection, I noticed a bunch of photos of cats sprinkled throughout images of the folk revival movement in and around New York City in the 60’s, and I thought it was only fair to give them a spotlight since the photographers clearly thought they were worth the film. The cat photos, of which the ones you see here are but a few, are mostly captured by Aaron Rennert, with some additional shots from Ray Sullivan. They were documenting the folk scene in Greenwich Village for Caravan magazine, and I think these cats exemplify the spirit they were trying to capture. Continue reading

Clifton Chenier, King of Zydeco

Here’s a photo I came across while musing through the John Edwards Memorial Foundation Records Collection: Clifton Chenier with his accordion. Clifton was a prominent zydeco artist from Opelousas, Louisiana, known as the “King of Zydeco,” and sometimes billed as “King of the South.” He was born in 1925 and lived to be 62 years old. He began his recording career in 1954 when he signed with Elko Records, and went on to sign with Chess Records and Arhoolie, for which the above is a publicity photo. Clifton won a Grammy in 1983 for his album, I’m Here, and was the second Louisiana Creole to do so, following Queen Ida. He was well-known for his accordion playing and was inducted into the Blues Hall of Fame posthumously in 1989, and The Louisiana Music Hall of Fame in 2011. Check out some video of him performing!