Latest video roundup: From Tennessee to Hawaii

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As the AV Preservation team waits on the next large batch of digitized video content (check-in later this summer!), a small selection of videos has been described and made available for streaming in the last week, including:

VT-20004/1: 5th Annual Tennessee Grassroots Days
Held in Nashville’s Centennial Park in 1980, this video features performances by Leola Cullum, Gospel Stirrers, Bud Garrett, Lizzie Cheatham, Nimrod Workman, Jo-El Sonnier with Frazier Moss, Sam’s Ramblers, and Hazel Dickens. Also included are shots of the festival grounds, with demos spanning quilt-making to beekeeping.

Additional footage, PSAs and television coverage of annual Grassroots Days through the 80s can be found in the Southern Folk Cultural Revival Project Collection (#20004)

 

VT-20466/5: James “Son Ford” Thomas at Bacchus, Newark, Del., winter 1978

I highlighted a different James “Son Ford” Thomas video in the Robert Bethke Collection (#20466) in a previous post, in which he performed with George Thorogood and Ron Smith. Primarily playing solo, but joined by Ron Smith eventually, this performance takes place at the University of Delaware’s Bacchus Theater.

 

VT-20018/1 & VT-20018/2: Walter Raleigh Babson at UNC Chapel Hill with Andy Cahan, 1987
Walter Raleigh Babson performed twice at Chapel Hill in 1987, including his last public concert with Andy Cahan on November 12th (VT-20018/2), 26 days before passing away. Along with the performance, this tape includes a retrospective of Babson’s life through home movies and photographs.

 

Babson gracefully executes advanced yoga pose in home movie, undated (VT-20018/2)

VT-20018/1 documents Babson’s performance earlier in 1987 at Gerrard Hall on March 28th for the Southern Accents Fine Arts Festival at UNC, where he is again joined by Andy Cahan. Additional audio recordings and interviews of Babson can be accessed in the Andy Cahan Collection (#20018).

 

VT-20379/20 part 1 and part 2: Gene Bluestein with Nona Beamer on Folk Sources in American Culture, 1986

Gene Bluestein tries out the gourd rattle, with guidance from Nona Beamer

Gene Bluestein hosted a number of guests on his series Folk Sources in American Culture while at California State University. Many of these segments can be found in the Gene Bluestein collection (#20379). On this particular day, he hosted Nona Beamer, who shared examples of instruments and related Hawaiian folk traditions.

 

 

 

Now Available for Research: Joan Moser Collection

newspaper clipping of Joan Moser holding a medicinal plant

Asheville Citizen-Times clipping found in Folder 2 of the Joan Moser Collection #20370

We recently published a finding aid for the Joan Moser Collection (20370), which contains the papers and audiovisual materials of the western North Carolina based folk musician and historian, Joan Moser. There’s a chance you may have heard of Joan’s father, Artus Moser, whose collection of papers also resides at the Southern Folklife Collection. Like her father, Joan studied and taught the music and folk traditions of Appalachia. She also played – guitar, banjo, lute, and dulcimer, to name a few.

Joan’s collection is made up mostly of reel-to-reel tapes that she compiled over the years. Thanks to SFC’s ongoing audiovisual preservation grant from the Andrew W. Mellon Foundation, the Joan Moser Collection is now available for research and her tapes have been queued up for digitization.

Many of the tapes found in her collection have close ties to the music and traditions of western North Carolina. Below is a visual sampling of these tapes, including live recordings from the Asheville Mountain Dance and Folk Festival and recordings made at the Moser family home in Swannanoa, N.C., located on Buckeye Cove in Buncombe County.

open reel tape box from Joan Moser Collection

“Asheville Mountain Dance and Folk Festival, 1st and 2nd nights, tape 1, Asheville, N.C., 8 August 1959” (FT-20370/1) A live recording from the 32nd annual Mountain Dance and Folk Festival in Asheville, NC. The festival was founded by musician and folk historian, Bascom Lamar Lunsford.

open reel from Joan Moser Collection

“J. J. Bailey and A. M. Moser, oral history continued, 5 July 1972” (FT-20370/3) An oral history conducted with Artus Moser and Jesse James Bailey. According to the Southern Highlands Research Center Oral History Collection at UNC-Asheville, “Bailey was born 14 June 1888 in Madison County, N.C. He was Sheriff of Madison County (1920-1922) and Buncombe County (1928-1930). For 58 years he worked as a telegrapher and then as a detective for the Southern Railroad.”

open reel tape box from Joan Moser Collection

“Pleaz Mobley at Artus Moser’s House, 7 August 1959” (FT-20370/17). In 1959 Joan Moser recorded the Kentucky born attorney, politician, and ballad singer, Pleaz Mobley, at the Moser family home. A note found on the recording reads, “Pleaz Mobley often stayed with Mosers when coming to Asheville Mountain Dance and Folk Festival.”

open reel tape box from Joan Moser Collection

“Party at Home with Ruth and Latrobe Carroll and children, 1960” (FT-20370/23) A home recording featuring the Asheville based children’s books illustrator, Ruth Crombie Robinson Carroll, with her husband and co-collaborator, “Archer” Latrobe Carroll.

open reel tape box from Joan Moser Collection

“Fiddle music 4: Mrs. Edd Presnell, Marcus Martin, August-September 1959” (FT-20370/42) Recordings featuring traditional musicians from western North Carolina, including Mrs. Edd Presnell on dulcimer and Marcus Martin of Macon County, N.C. on fiddle.

Documenting the origins of SNCC in the Guy and Candie Carawan Collection

The back of Guy Carawan singing to audience in auditorium at Shaw University, Durham, NC, 1960. Founding meetings of SNCC.

Our colleagues at Duke University are hosting a conference March 23-March 24 to honor the work of the Student Nonviolent Coordinating Committee and the creation of the SNCC Digital Gateway, a “documentary website tells the story of how young activists in SNCC united with local people in the Deep South to build a grassroots movement for change that empowered the Black community and transformed the nation.” [“About,” SNCC Digital Gateway]

In solidarity with the conference and the SNCC Legacy Project, we present these two images from the Guy and Candie Carawan Collection (20008).  The top image shows the back of Guy Carawan singing to the audience in an auditorium at Shaw University in Durham, April 1960. Brought together by the encouragement of SCLC Executive Director Ella Baker and Dr. Martin Luther King, Jr., the protest leaders founded SNCC at this meeting.

The image below shows the members of newly founded SNCC demonstrating the power of music and the movement at Fisk University. Guy Carawan is playing guitar, Candie Carawan is second from the left in the back row, and Congressman John Lewis is at the far right. These images serve as a powerful reminder that youth have been, and remain, at the forefront of activism advocating for social change.

Members of SNCC singing onstage at FIsk University, 1960, including Guy Carawan, Candie Carawan, and John Lewis, amongst others. PF20008_0058_0006_002. Guy and Candie Carawan Collection (20008).

Czech Bluegrass Residency – Banjo Romantika at UNC, February 8-10, 2018

We are very excited for next week’s Czech Bluegrass Residency – Banjo Romantika at UNC and Chapel Hill, February 8-10, 2018. See the complete schedule of events, including performances, film screening, and banjo workshop below.

Czech bluegrass might seem like a contradiction, but work by musician and ethnomusicologist Dr. Lee Bidgood and banjo virtuoso Richard Ciferský shows how this music that emerged from post-WWII America has come to flourish in the heart of Europe. Bidgood and Ciferský are bringing their research and music to UNC Chapel Hill for a special three-day residency.

The residency will feature a screening of Banjo Romantika, a feature length documentary film that Bidgood co-produced with filmmaker Shara Lange,at the Nelson Mandela Auditorium in the FedEx Global Education Center on UNC’s campus. Dr. Bidgood (East Tennessee State University) will discuss the film briefly at the screening.

Based on Bidgood’s fieldwork in the Czech Republic, the documentary explores the Czech musicians’ lives, connections to bluegrass, and understanding of their culture as they blend and reimagine a style imported from beyond the Iron Curtain in the 1950s and cultivate it as their own. Music in the film includes live concert and festival recordings, field recordings of jams and interviews, studio recordings. The film incorporates additional footage with Slovak banjo standout Richard Ciferský and faculty from the East Tennessee State University’s Bluegrass, Old Time, and Country Music Studies program including Dan Boner, Ed Snodderly, and contemporary mandolin master Adam Steffey.

A Chapel Hill native, Bidgood graduated from Chapel Hill High School then received a degree in viola performance at UNC Chapel Hill. While a student, he played mandolin with Steep Canyon Rangers during their early years. Bidgood traveled to the Czech Republic on a student Fulbright grant, and completed a PhD from the University of Virginia with a dissertation based on his fieldwork in the Czech Republic. Bidgood’s book, Czech Bluegrass: Notes from the Heart of Europe, was published in 2017 by University of Illinois Press. He also reaches audiences through his radio show on global country music, “Over the Waves,” that is broadcast on Bristol, VA station WBCM.

Richard Ciferský, born in Pezinok, Slovakia, brings a lifetime of musical experience that seems far greater than his age. He first encountered bluegrass through a scout troop. His first instrument was a guitar, but he soon switched to banjo and started playing in bands. Richard co-founded the Slovak Bluegrass Association (SkBMA) in 1999 and served as its president from 2000 to 2005. He has toured in Europe and the US and recorded with artists including The Chapmans, Dale Ann Bradley, and Becky Buller. Fluent in both traditional and progressive styles, his technique is dazzling, and his soulful expression runs deep.

In addition to events on campus, Bidgood and Ciferský will visit the Czech and Slovak School of North Carolina on Saturday morning to meet with adults and children who are renewing their language skills, or are working to make new connections through this language and its related cultures.

The Czech Bluegrass Residency with Dr. Bidgood and Mr. Ciferský is organized as part of UNC’s Bluegrass Initiative to integrate the study and performance of this music into the curriculum and artistic life of UNC. This residency will be a terrific opportunity to hear about their work and their music, and experience their playing live. Bidgood recognizes that a global awareness was one of the things he drew from his own undergraduate education at UNC, and he is eager to provide a new sense of the global dimensions of bluegrass to current students: “Gaining a global perspective is an important part of the college education experience, and considering Czech Bluegrass provides us with new insights on the processes, the problems and promise, of globalization.” It is also a chance to experience some fascinating music!

UNC Events – Banjo Romantika Residency

Thursday, February 8, 2018

12:30 p.m. Masterclass and Lecture with MUSC 144 Students, hosted by Dr. Jocelyn Neal, UNC Chapel Hill Hanes Auditorium

Friday, February 9, 2018

7:00 p.m. Banjo Romantika Band with Richard Cifersky perform at Vimala’s Curryblossom Cafe, 431 W Franklin St, Chapel Hill Free and open to the public.

Saturday, February 10, 2018

10:00 a.m. Visit to the Czech and Slovak School of North Carolina (contact: Marta McCabe: mccabe.marta@gmail.com)

2:00 p.m. Banjo Workshop with Richard Ciferský, UNC Chapel Hill, Person Recital Hall. Free and open to all banjo or bluegrass players.

4:00 p.m. Banjo Romantika, a film screening and Q&A with Dr. Bidgood, UNC Chapel Hill, Nelson Mandela Auditorium. Free and open to the public.

Sponsors:
UNC Bluegrass Initiative
Southern Folklife Collection
Germanic and Slavic Languages and Literatures
Czech and Slovak School of North Carolina

Doc Watson, Live At Club 47 Out February 9, 2018

Doc Watson, Live At Club 47 (YepRoc, Southern Folklife Collection, 2018)Doc Watson, Live At Club 47 Out February 9, 2018

Yep Roc Records and UNC Libraries’ Southern Folklife Collection Release Never-Before-Heard Live Album Recorded At Club 47 (Club Passim) February 10, 1963

Pre-order Doc Watson, Live At Club 47 HERE!

Yep Roc Records and the Southern Folklife Collection at the University of North Carolina at Chapel Hill Libraries announce the release of Doc Watson, Live at Club 47, set for a February 9 release on CD and digital, nearly 55 years to the date of the original recording. The LP release will follow April 27. The album is now available for pre-order.

Recorded live February 10, 1963 at Club 47 in Cambridge, MA, today known as Club Passim, this never-before-heard album features four previously unreleased songs from Doc’s early repertoire, in addition to performances of Doc’s favorite songs of the Carter Family, Frank Hutchison, Charlie Poole, and Merle Travis. Doc is accompanied by John Herald and Ralph Rinzler of The Greenbrier Boys on five of the album’s tracks. Here is the schedule from Club 47 as printed in The Broadside of Boston, volume 1, no. 24, Feb. 8, 1963 from the Southern Folklife Collection Serials (30017)Schedule for Club 47, Boston, from p.6, The Broadside, vol. 1, no. 24, February 8, 1963

In celebration of the release, Club Passim, the UNC Libraries’ Southern Folklife Collection and Yep Roc Records present an evening with songwriter, multi-instrumentalist, and IBMA guitarist of the year Molly Tuttle February 13. Tickets are on sale and available here.

“This recording documents a pivotal moment in virtuoso Doc Watson’s early solo career,” notes Steven Weiss, director of the Southern Folklife Collection. “This is Doc, paying his dues and playing his heart out, performing two sets of classic, old-time country songs he learned as a child from his family and from old 78 RPM records.”

Friends of Old Time Music flier, Doc Watson, 20001_pf1912_01_0001_Mike Seeger Collection (20009) Southern Folklife Collection, UNC Chapel Hill

Friends of Old Time Music flier, 20001_pf1912_01_0001 in the Mike Seeger Collection (20009) Southern Folklife Collection, UNC Chapel Hill

Following the success of the Club 47 show, Doc was booked at the 1963 Newport Folk Festival and released his debut solo album on Vanguard Records in 1964. He went on to become America’s premier folk guitarist earning seven Grammy Awards, a Lifetime Achievement Award from the National Academy of Recording Arts & Sciences, and in 1997 was presented with the National Medal of Arts at the White House by then-President Bill Clinton, who introduced him saying, “There may not be a serious, committed baby boomer alive who didn’t spend at least some of his or her youth trying to learn to pick guitar like Doc Watson.”

Doc Watson, Live at Club 47 Track listing:

  1. Wabash Cannonball – A.P. Carter
  2. The House Carpenter — Traditional
  3.  I Wish I Was Single Again** – Traditional
  4. Little Darling Pal of Mine – A.P. Carter
  5. Train That Carried My Girl from Town – Doc Watson
  6. The Worried Blues –Traditional
  7. Old Dan Tucker** – Traditional
  8. Sweet Heaven When I Die – Claude Grant
  9. The Talking Blues – Chris Bouchillon
  10. Little Margaret**  — Traditional
  11. Sitting on Top of the World – Lonnie Carter and Walter Jacobs
  12. Don’t Let Your Deal Go Down – Doc Watson
  13. Blue Smoke – Merle Travis
  14. Deep River Blues – Doc Watson
  15. Way Down Town (w/ Ralph Rinzler and John Herald) – Doc Watson
  16. Somebody Touched Me (w/ Ralph Rinzler and John Herald) – Doc Watson
  17. Billy in the Low Ground (w/ John Herald) – Traditional
  18. Boil Them Cabbage Down – Traditional
  19. Everyday Dirt – David McCarn
  20. I Am a Pilgrim – Merle Travis
  21. No Telephone in Heaven – A.P. Carter
  22. Hop High Ladies the Cake’s All Dough** –Traditional
  23. Little Sadie – Doc Watson
  24. Black Mountain Rag (w/ John Herald) – Doc Watson
  25. Blackberry Rag (w/ John Herald) – Doc Watson
  26. Days of My Childhood Plays – Alfred G. Karnes

John Herald (guitar and harmony vocals). Tracks 15, 16 (second guitar) 17, 24, 25.

Ralph Rinzler (mandolin and harmony vocals). Tracks 15, 16.

**previously unreleased tracks.

Pre-order Doc Watson, Live At Club 47 HERE!

Between Midnight and Day: The Photography of Dick Waterman

Between Midnight and Day: The Photography of Dick Waterman, flier featuring Buddy Guy5:30 p.m. Reception and exhibit opening
4th Floor Reading Room

6:00 p.m. Film screening of Two Trains Runnin’
Pleasants Family Assembly Room

7:20 p.m. Q&A with Dick Waterman, moderated by author Peter Guralnick
Pleasants Family Assembly Room

The exhibit Between Midnight and Day: The Photography of Dick Waterman, is set to open September 26 in Wilson Library, featuring Waterman’s iconic photographs of Joan Baez, Bob Dylan, Son House, Howlin’ Wolf, Janis Joplin, and the Rolling Stones.

Dick Waterman played a key role in the folk revival of the 1960s, helping to revive the career of Son House and managing many prominent blues artists including Skip James, Mississippi John Hurt, and Bonnie Raitt.

Join us for the exhibit opening which will also feature a screening of the Sam Pollard documentary Two Trains Runnin’, a film centered on an astonishing historical coincidence: on June 21, 1964, two lost giants of the Delta blues were located and three civil rights activists disappeared. A Q&A with Waterman will follow.

Complete Keynote Collection, Record 5- Charlie Shavers Quintet featuring Earl Hines

Despite what the name might suggest, holdings in the Southern Folklife Collection span the globe, including Japanese imports like today’s featured record (FC-21963). This the fifth volume of a rare Japanese 21-record box set released on Nippon Phonogram in 1986. The set compiles all of the jazz ever recorded for the Manhattan-based Keynote label, spanning from 1941 to 1947. This LP presents the recordings of the Charlie Shavers Quintet featuring Earl “Fatha” Hines, one of the most influential jazz pianists of his time. Among the recordings are three takes of the tune “Rosetta,” a Hines original.

Presented here is a portion of the second take, featuring portions of both Hines’ and Shavers’ solos

Rosetta

Brownie McGhee – Blues

Brownie McGhee was a Tennessee-born bluesman (and very briefly an off-broadway actor) who recorded his fingerpicked delta-blues for hallowed labels such as Okeh and Savoy from the early 40’s all the way until his death in 1996. His second album Blues (FC-5898), was released on the short-lived 10-inch, 33 1/3 rpm album format by Folkways Recordings in 1955, and was accompanied by notes written by early influential jazz critic Charles Edward Smith and art by the prolific David Stone Martin

Here’s a snippet from the song “Me and Sonny,” referring to McGhee’s frequent collaborator and North Carolina native Sonny Terry —

Me and Sonny

12″ transcription disc of the Week – Novelty Inst. Group’s “Oklahoma Stomp”

 

As we continue our dig through the Eugene Earle Collection (20376) we’ve found an outlier amongst the transcription discs of government-issued country music. This 12″, 78 rpm, transcription disc, call no. TR-20376/1948,  was originally manufactured for use in Seeburg Select-O-Matic jukeboxes that were produced in the late ’40s. The bright red color of the vinyl certainly added to the spectacle of watching the mechanism in action.
Here’s a swinging track from the record by the Novelty Inst. Group, entitled “Oklahoma Stomp”

Oklahoma Stomp

Happy National Fried Chicken Day (belated)!

D. Kent and Sue Meyer Thompson Collection 20479, Rick Miller, Southern Culture on the Skids at the Milestone, Charlotte, NC, photo by Kent Thompson

Apparently yesterday was National Fried Chicken Day. We have to admit that we were caught unawares and unprepared for the celebration. Making it up today with this image from the D. Kent and Sue Meyer Thompson Collection (20479) featuring some of the world’s most studied fried chicken aficionados, Southern Culture on the Skids. Here is Rick Miller offering up snacks for appreciative fans at the Milestone in Charlotte. All photos by D. Kent Thompson.

D. Kent and Sue Meyer Thompson Collection 20479, Southern Culture on the Skids at Sleazefest, 1994, Local506, Chapel Hill, NC, photo by Kent Thompson

Southern Culture on the Skids at Sleazefest, 1994, Local506, Chapel Hill, NC, photo by Kent Thompson, in the D. Kent and Sue Meyer Thompson Collection (20479)

Southern Culture on the Skids, Rick Miller, Dave Schmidt, and Mary Huff, photo by Kent Thompson, in the D. Kent and Sue Meyer Thompson Collection 20479

Southern Culture on the Skids, Rick Miller, Dave Schmidt, and Mary Huff, photo by Kent Thompson, in the D. Kent and Sue Meyer Thompson Collection (20479)