Dyann Robinson is the heart and soul of the Tuskegee theater scene. She founded the Tuskegee Repertory Theater in 1991 and established a permanent home for the theater company in the former post office in downtown Tuskegee. Robinson’s impressive career as a dancer and choreographer started with her casting in the original Broadway production of Bubbling Brown Sugar in 1976.
She also worked as a member of Maurice Bejart’s Ballet of the Twentieth Century, in Brussels Belgium. Check out this Huffington Post article on visual history of 20th century ballet to see Robinson’s national and international peers of elite ballerinas looked in the 1970’s and 1980’s. For a special treat, you can go to the New York Public Library and track down photographs and a videotape of a young Dyann Robinson dancing in New York City. Robinson brings her world class training and discipline to all her community theater work (writing, producing, directing, and acting) in Tuskegee, Alabama. She also sees the immense power of theater to transmit the cultural legacy of African Americans. We are proud to house filmed versions of several of Tuskegee Repertory Theater’s productions:
I can personally attest to the toe tapping nature of Dyann Robinson’s lyrics and Bill Perry’s musical arrangements when I saw a live performance of “Booker T’s Towns” in Orlando, during the Zora Festival earlier this month. The story is told from the perspective of husband/wife pairs of each town’s leaders during their attendance at the National Business League Conference in 1913. Isaiah T. Montgomery’s wife sings about “clearing the land” when explaining how town founders transformed a swamp into a bustling black town in 1898. The Booker T. Washington sings about “getting new life” when he is spending time with these community leaders and learning about their accomplishments. the whole play builds a world where real people existed and made important contributions. It wasn’t lost on me that Hamilton was playing in same theater on the same night as Booker T.’s Towns, people that can turn history into musical theater are remarkable, and this post is a tribute to people doing it on every scale.
The documentation of African American “spaces and places” has been identified as a goal of the Southern Historical Collection, and to that end we have successfully partnered with the Historically Black Towns and Settlements Alliance (HBTSA). We are working with the leaders and community members of various towns to help them leverage their impressive histories to generate cultural tourism and a sense of pride among their citizens. The SHC curatorial team has made visits to these towns to examine archival materials for research and historic value, as well as making recommendations about preservation and potential community documentation initiatives.
In the second week of December 2014, I had the pleasure of visiting both Hobson City and Tuskegee, Alabama.
Hobson City, Alabama was founded in August 1899 by a group of African Americans when they were politically excluded from the neighboring town of Oxford, Alabama. This made Hobson City the first all Black municipality in Alabama. Through changes in society, industry, and the economy; the town has maintained itself for 115 years. My hosts shared with me the incredible significance of the Calhoun County Training School, the five local churches, and Holloways (a club that was a stop on the illustrious chitlin circuit). One of the highlights of the trip was the delicious barbeque ribs and coleslaw from Brad’s BBQ!