The Legend of the Wilson Library Dunce Cap

VIew of Polk Place on the UNC-Chapel Hill campus.

This mid 20th century photo shows the dunce cap effect of the Bell Tower on Wilson Library when viewed from South Building. UNC Image Collection, NC Collection Photo Archives.

Have you heard the story that the Bell Tower was intentionally placed right behind Wilson Library so that, when viewed from South Building, the top of the tower looks like a dunce cap on the round dome of the library?

The dunce cap story has been one of the enduring campus legends for decades. The story originally told was that John Motley Morehead, angered that Louis Round Wilson wouldn’t let him put the tower on top of the new library building, put it right behind to make fun of Wilson. I’ve heard a slightly different version on campus recently, which attributes it to an ongoing battle between two of the university’s “founding families,” the Moreheads and the Wilsons, making them seem like UNC’s version of the Hatfields and McCoys.

As with many campus legends, this one is not true, though some of the stories hint at what really happened.

The Bell Tower was the idea of John Motley Morehead, the Carolina alumnus and industrialist who donated the Morehead Planetarium and established the Morehead scholarships. According to Louis Round Wilson, Morehead’s first proposal was made during the renovation of South Building in the 1920s. Morehead, who had been interested in bringing a tower with chimes to the campus, suggested funding the construction of a tower on top of South Building under the condition that it be renamed the Morehead Building. The Trustees refused, and Morehead looked for other sites.

Morehead turned his attention to the new library building planned for the opposite end of Polk Place, and suggested a bell tower on top of it. This was indeed rejected by librarian Louis Round Wilson. Wilson spoke from his knowledge of bell towers on top of buildings at Cornell University and the University of Illinois. He wrote that, while pleasing to the campus in general, “the ringing of bells and chimes immediately above the reading rooms of the libraries in working hours played havoc with mental concentration and quiet study.”

Morehead had yet another idea: when the university announced a plan to move the large flagpole on campus from McCorkle Place to its current location in the center of Polk Place, Morehead suggested this as the perfect site for the bell tower. The flagpole could be placed on top.

Finally, by 1930, a location was settled. Though initially appearing to be at the very southern end of the campus, long-range plans to expand the university to the south would put the bell tower at the center of the campus, which is where it stands today. The Morehead-Patterson Memorial Bell Tower was dedicated on Thanksgiving Day, 1931.

"Wilson Wears Dunce Cap" article, Daily Tar Heel, August 25, 1975

Daily Tar Heel, 25 August 1975.

It’s not clear when the dunce cap story began. The earliest published reference to it that I could find was in a 1975 Daily Tar Heel article. The author of the story, Dan Fesperman, had the advantage at the time of being able to go straight to one of the sources: 99-year-old Louis Round Wilson was still living in Chapel Hill. Wilson reviewed the debate over the placement of the tower and then addressed the legend directly. “When Wilson was asked if there was even a speck of truth in the Bell Tower legend, he said, ‘It wasn’t designed for that purpose at all.’ He then added, ‘But it does look that way – like a fool’s cap.”

Sources: “The Saga of the Morehead Patterson Bell Tower.” In Louis Round Wilson’s Historical Sketches. Durham: Moore Publishing Co., 1976. https://catalog.lib.unc.edu/catalog/UNCb1408393

Daily Tar Heel, 25 August 1975. http://newspapers.digitalnc.org/lccn/sn92073228/1975-08-25/ed-1/seq-44/

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Henry Patrick Merritt, Jr.: An Archival Photo Mystery Revealed

We are pleased to present this guest post from UNC-Chapel Hill student Autumn Linford.

Aros Coke Cecil’s photographs could be the work of any UNC undergrad of any era. Playing sports, the Old Well, friends goofing around, socializing with pretty co-eds: the images in Cecil’s 1917-1918 album wouldn’t seem out of place on a student’s Instagram page today.  There are photos of students studying, photos of students procrastinating, and even one of Cecil and a friend clowning around with a classroom skeleton (see figure 1).

There is only one photo in the album that stands out. A young man, college-aged, stands in a dorm room holding a bucket and broom (see figure 2) Pennants and framed pictures are tacked to the wall behind him. It isn’t the scene that sets this photograph apart. It’s the fact that the young man, who looks at home casually leaning up against a desk with neatly stacked books, is black.

Three photos of campus scenes Photo of a young man holding a bucket and broom

Black men and women weren’t allowed to attend the university as students until 1951, following a federal court order that led to the admission of black students to graduate programs. African American undergraduates were not admitted until 1955. There were blacks on campus in 1917, but it was strictly in the role of staff, cooking or doing maintenance jobs or, as was likely case of the young man pictured, cleaning. That this man was photographed by a white student is surprising. That his photograph was carefully preserved in a book alongside Cecil’s other college memories seems remarkable.

While we know something about the photographer, nothing was written down about the young man pictured other than the suggestion that he may have been a janitor for the university’s dorms. Was he friends with Cecil? Was he seen as a mascot to the men in the dorm? Did he appreciate being photographed, or dislike it? Was he important to Cecil, or was this a way to finish out a roll of film?

There is so much that we can never know about this man, but I wanted to try to identify him with however much information I could. Utilizing the resources available online and in the Wilson Library’s collections, I was able to identify the young man in question as Henry Patrick Merritt, Jr.

My process was systematic and replicable. I first confirmed the janitor was, in fact, standing in a dorm room by examining other photographs in the collection and finding other shots of the same room. I then went through each page of Chapel Hill’s 1920 census record and found all black men employed on campus. I narrowed the list down to those working in dormitories, and then again to janitors, leaving about 10 men. It is difficult to tell how old the man in the picture is, but a conservative guess suggests he was between the ages of 15 and 35 at the time of the photograph. By eliminating all men whose ages were outside that frame, I was left with only three names: Johnson Merritt, Jr., Lee Baldwin, and Henry Merritt, Jr.

Other photographs in Cecil’s collection showed the college men receiving their draft information for WWI in 1917. I thought it likely that the black men on campus had received their notices at the same time. I looked up all three men in the WWI databases and found each of their war registration cards. In 1917, Johnson Merritt, Jr. wrote in his occupation as gardener for the college. Lee Baldwin listed his occupation as a laborer.  Henry Merritt, Jr., age 19, listed himself as a janitor for the dormitories at the University of North Carolina.

Merritt was born March 15, 1900 in Chapel Hill. His father, Henry Merritt, Sr. was a long-time janitor for the on-campus fraternity Kappa Sigma. Henry Jr. was the oldest of nine children: six sisters and two brothers. With so many younger siblings, the income Merritt made by working at the university would have been crucial to his family’s survival. At the time, janitors on campus were paid $14.93 a week, a wage that covered barely half of the average living expenses for blacks living in town at the time. Despite that, the wage was still considered “relatively high” for people of color at the time.[1]

After the war, Merritt worked for C. and P. Telephone Co. His father continued to work as a janitor at the university and features prominently in several editions of the Daily Tar Heel, including one with a four-column photograph in 1926 (see figure 3).[2]

A newspaper article titled "Five Cheerleaders at the Game Saturday" with a photo a five black men.

fig. 3 Henry Merritt, Sr. is pictured far right. [Click image to view article.]

We don’t know why Cecil took his photograph of Merritt, or why it was important enough for him to keep. We can’t know what Merritt felt while he posed or what he was thinking as he cleaned up after men he wasn’t allowed to call peers. But we do now know his name. In conjunction with the archivists at the Wilson Library, I have already begun the process of updating the system to include Merritt’s name and basic information. It is by treating him with dignity that we can begin to reckon with the past’s efforts to erase him and others like him.

References

[1] Dorothy Fahs, report. “Income and expenditure in 28 Chapel Hill Negro Families,” University of North Carolina Wilson Library.

[2] R.W. Madry, “Five Cheerleaders at the Game Saturday.” Daily Tar Heel, November 2, 1926. https://bit.ly/2rLme0j

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A certain “electricity” in the air

When Carolina played its 2019 home opener on September 7th against Miami, there was a certain “electricity” in the air…Head Football Coach Mack Brown was back…the Heels had beaten South Carolina the weekend before and expectations were high. While the feeling was a bit unusual in Chapel Hill, it wasn’t unique. A similar event took place on November 8, 1997, and Morton collection volunteer Jack Hilliard takes a look back 22 years ago today.

I remember in a 1973 conversation I had with UNC Legend Charlie Justice how excited he was recalling the famous 1948 UNC – Texas game. “People in ten-gallon hats and flashing big money showed up on Franklin Street as early as Thursday before the big Saturday game on September 25th. Tickets were being bought and sold for more than a hundred dollars…big money in those days. There was an excitement in the air…kinda’ like ‘electricity.’ If you were in Chapel Hill for the ’48 Texas game, you will always remember it.”

I was not in Chapel Hill for that big game celebration in 1948, but when I came into Chapel Hill on the afternoon of November 8, 1997 for the Carolina – Florida State game, I sensed what Justice was talking about.

In the early afternoon, Franklin Street was crowded with fans from each team. This time tickets were selling for as much as $500. One downtown merchant was quoted as saying, “I think this is the biggest sporting event this town has ever seen.”

In the southeast corner of Kenan Memorial Stadium, ESPN’s “Game Day” team of Chris Fowler, Lee Corso, and Kirk Herbstreit was set to send the game out across the nation. Major publications like USA Today and The New York Times were represented in the press box along with Sports Illustrated. NFL scouts were there in abundance as were guys in Orange jackets representing the Orange Bowl.  Woody Durham and Mick Mixon were in place for the Tar Heel Sports Network. And of course, photographer Hugh Morton was in his place along the Tar Heel sideline.

By late afternoon, Franklin Street looked a lot like it does after a big basketball win. The gray skies and mild temps made for perfect football weather as the 7:30 kickoff approached. The Florida State Seminoles, undefeated under head coach Bobby Bowden, were ranked second in the country while the undefeated Tar Heels were ranked fifth.  The newspaper headline above the masthead of Carolina Blue on November 8 simply said: “TITANS COLLIDE AT KENAN.”

Carolina Blue cover

Cover of the November 8, 1997 issue of Carolina Blue.

Then, just before the start of the game, a very light mist fell on the 62,000 who had jammed into Kenan Stadium.  It didn’t last long, however, and all was in order for the game. Newly elected Atlantic Coast Conference Commissioner John Swofford greeted both head coaches just prior to the kickoff.  When the clock said 7:30 PM, they began to play the game. Soon, the Seminoles pulled the plug on all that “electricity” from a week of hype and excitement.

Florida State quarterback Busby

Eleven minutes into the game, Florida State had its first score, an eight yard pass from quarterback Thad Busby to tight end Melvin Pearsall.  Then at the 4:27 mark of the second quarter it was Busby again—this time a fourteen-yard pass to wide receiver E.G. Green. And just seconds before the end of the first half, Sebastian Janikowski kicked a thirty-two-yard field goal that made the halftime score 17 to 0.

During the halftime break, Coach Bowden told his offensive coaches if Carolina didn’t score on its first drive of the second half, concentrate on the running game and eat some clock. The Tar Heels did not score on it first drive.  The teams traded field goals during the remainder of the second half, making the final score 20 to 3.  Florida State’s dominance was reflected in the final stats. The Seminoles finished the game with 334 net yards of offense with 19 first downs compared to Carolina’s 73 and 7.

North Carolina running back Dré Bly

North Carolina running back Dré Bly.

After the two head coaches shook hands at midfield, Coach Bowden turned and walked toward the southeast corner of the stadium where many of the Seminole fans were standing. Just then the Florida State band struck up Happy Birthday, as Bowden waved to the crowd. He had turned 67 on this day in Chapel Hill.

Coach Brown in his post-game news conference said, “I thought the week was a win. All the attention will really help our program. It will help in recruiting. Even though we lost tonight we’ll gain a whole lot out of this.”

The Tar Heels fell from fifth in both national polls to eighth in the AP Media Poll and ninth in the USA Today/ESPN Coaches’ Poll.  Florida State jumped to number one in the USA Today/ESPN Coaches’ Poll and remained number two in the AP Media Poll.

As the 62,000 fans filed out of Kenan Stadium that night in ’97, there were at least two who had been there in ’48…Charlie Justice and Hugh Morton. But the ’97 outcome was nothing like the one in ’48.

______________________________________________

Epilog:

Following a home win against Wake Forest on November 15th and a three-point-loss on November 22nd to Florida, Florida State would finish the season 11 and 1 and a national number three ranking. Coach Bowden would remain the head coach at Florida State until 2009 and would win a 2nd National Championship in 1999.

Carolina would close the season with a win at Clemson and a home win against Duke. They would finish the season at 11 and 1 and ranked number six. Following the 1997 regular season, Carolina Head Coach Mack Brown would leave and become the Head Coach at Texas where he would remain through the 2013 season, winning a BCS National Championship for the Longhorns in 2005. He would return to UNC in 2019.

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Location scouting for The Last of the Mohicans

A View to Hugh marks a dozen years today.  We published our very first post on November 1, 2007.  Casting about for subject matter to mark the occasion, I took to Hugh Morton’s executive planners with hopes that he would have been up to something interesting on one of the November firsts represented within the years covered by the planners.*  Thankfully, on November 1, 1990—twenty-nine years ago—he was.

Morton planner November 1 1990

Hugh Morton’s executive planner entry for November 1, 1990: “Lin. Falls – G Mtn – Mike Bigham and Michael Mann – ‘Last of the Mohicans'”

On that day, Morton accompanied movie director Michael Mann and his North Carolina locations manager Michael Bigham on a scouting trip for Mann’s film The Last of the Mohicans. According to an October 27, 1989 article in The Asheville Citizen, Mike Bigham was a member of the Western North Carolina Film Committee.  Information surrounding Morton’s involvement with Mann’s trip for his film is limited to the above entry in Morton’s planner and the negatives Morton made on during their search.

Hugh Morton's negatives made during location scouting.

Hugh Morton’s negatives (inverted as positives) made during the location scouting trip for The Last of the Mohicans (P0081 2.6.452-6-1). Several scenes suggest part of their trip was airborn.

Morton made two snapshot-like portraits of Mann (one can be seen at the end of this post) and one photograph as he walked on boulders just upstream from some rapids or a small waterfall.

Inspecting rapids, camera in hand.

Michael Mann walks along a stream, camera in hand.

The movie’s United States debut was on September 25, 1992 at Asheville’s Beaucatcher Cinemas.  On October 4, the city’s Sunday newspaper The Citizen-Times featured an article on the movie titled “Mohican madness.”  Written by Connie Mixson, the article explored the making of the film based upon an interview with Bigham, a UNC Chapel Hill Class of 1980 graduate.  Six years after Mohicans, Bigham would become the location manager for Patch Adams released in 1998—filmed in part on the UNC Chapel Hill campus including Wilson Library.

Mixson reported that Bigham had just finished working in Winston-Salem as the assistant locations manager for James Orr’s movie Mr. Destiny in October when he received a call from Mann’s office.  They told him to rent a copy of the 1936 black-and-white version of James Fenimore Cooper’s story.  Two days later Mann went to Asheville and met Bigham, “then they boarded a helicopter and scouted Western North Carolina.”  They “toured lakes in five states from the air, land and water, taking pictures . . .”  Mann selected Asheville and vicinity for his movie, set in upstate New York.  Part of the film was shot at Linville Falls.

Do you have more you can add to the story?  How did Hugh Morton become involved in the locations search?

Michael Mann during his scouting trip of the Linville River.

Michael Mann during his scouting trip of the Linville River.

  • Morton’s executive planners in the collection cover the years 1972–1978, 1981–1985, 1987, 1991–1992, 1995–1997, 2000, and 2002.
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A ho-hum-season-ending-game becomes a Tar Heel thrill

On this day, October 26, 2019, Carolina’s football Tar Heels will meet Duke for the 106th time, plus it is homecoming on the UNC campus. The winner will capture the Victory Bell.

Earlier this season, when Carolina beat Miami in Kenan Stadium with masterful play in the 4th quarter, the game became one of Kenan’s greatest wins…along with the ’48 Texas win, the ’57 Navy win, and the ’63 Georgia win (among others). One of those “others” was the 1978 Duke game—Coach Dick Crum’s first encounter with the Blue Devils from Durham. What transpired that afternoon is the stuff of legends, as Morton collection volunteer Jack Hilliard recalls.

Famous Amos Lawrence

“Famous Amos” Lawrence rushing during the 1978 Duke versus UNC football game.

The 1978 UNC football season was head football coach Dick Crum’s first, which he would later call “a season of considerable adjustment.” The season got underway with a 14-10 win in Kenan Memorial Stadium against East Carolina. Then came three losses: Maryland, Pittsburgh, and Miami of Ohio. A win at Wake Forest on October 14 snapped the losing streak, but on October 21, rival NC State came into Chapel Hill and dominated the Heels, 34-7. Three road games followed: a win at South Carolina, followed by losses at Richmond and Clemson.

Hugh Morton joined a full house in “Death Valley” to witness a memorable game against Clemson on November 11. The Tigers were picked as an easy winner. After all, their record was 7-1 thus far in the season while Carolina was 3-6. But through the first three quarters, the Tar Heels led 9-6. Then with 9:43 on the clock in the fourth quarter, Clemson finally got its first touchdown of the game to take a 13-9 lead—a lead that lasted.

Two home games in Kenan follow the Clemson contest: Virginia on November 18 and Duke on the 25th.  A 38-20 win against UVA set the stage for the famous 1978 game against Duke. Following the Virginia win, Coach Crum reminded his team about the importance of the Duke game.  He offered a very special win-incentive, one that I choose to believe changed the outcome of the game. (More about that later.)

Saturday, November 25 was an average fall day with temperatures in the high 40s.  At historic Kenan Memorial Stadium, 45,000 fans witnessed the 65th meeting between Carolina and Duke. On the sideline was photographer Hugh Morton in his usual position. Both teams had identical 4-6 records.

The first three quarters were ho-hum, with Duke dominating play.  In the opening quarter, Carolina scored first with a Jeff Hayes field goal, then Duke followed at the 8:05 mark with a Scott McKinney field goal. McKinney added two more 3-pointers in the second quarter, and Duke led 9-3 at the half.

The third quarter was scoreless, as was most of the fourth, but with 4:20 remaining on the game clock, Duke quarterback Mike Dunn got loose on a keeper for a 29-yard touchdown. The two-point conversion attempt failed, but Duke was in control 15 to 3. At this point many of the fans wearing light blue chose to head home. Like Woody Durham use to say, “They must be giving something away in the parking lot.”

UNC Duke score 3 to 15

But Carolina wasn’t finished. Starting at the Tar Heel 23 yard line, quarterback Matt Kupec completed six of eight passes—covering the needed seventy-seven yards in ninety-six seconds.  The final ten yards was a pass to end Bob Lommis. It was his seventh touchdown of the season, tying a record set by legendary Hall of Famer Art Weiner in 1949. Jeff Hayes converted the extra point, and cutting Duke’s lead to 15-10 with 2:46 remaining on the clock.

touchdown pass

Kupec readies his game winning pass with Lommis in sight.

Carolina’s ensuing kickoff pinned Duke deep in their own territory. The Tar Heels defense held forth. They used their final two timeouts to stop the clock and forced Duke to punt. With 1:42 remaining and starting at the Carolina 39-yard-line, the Tar Heels were able to run ten plays during the next 89 seconds. During that 1:29, it was running back Amos Lawrence for eighteen yards, then 4, then 21 more.  With the ball at the Duke 18, Kupec passed to end Jim Rouse who stepped out of bounds at the Duke 11.  At this point Duke lined up expecting another Kupec pass, but instead it was “Famous Amos” again who shook off tacklers and raced into the east end zone. Kupec’s pass for a 2-point conversion failed, but Carolina led 16-15 with the game clock at 13 seconds. During that final Tar Heel drive, Amos Lawrence was able to top the 1,000 yard mark for his second season in row. Following the scoring drive, the Carolina defense took over and preserved the win.

End zone celebration after scoring the winning touchdown. “Famous Amos” Lawrence is elevated by teammates in the middle of the pack. Is that the game winning ball on the left? Maybe, or it may one in the hand of a “ball boy.”

In his post game interview, Crum said, “That was simply one great football game.”

On Thursday, March 29, 1979, Crum made the 55-minute drive from Chapel Hill to Greensboro where he was the guest speaker at the Greensboro Kiwanis Club meeting. In addition to his speech notes, he also carried with him a very special piece of memorabilia.

Spring football practice was underway in Chapel Hill, so the first part of Crum’s presentation was about those things that define spring practice…momentum, fundamentals, and recruiting. In the audience was a Kiwanian who was also a former UNC football player who understood all that spring practice stuff: Charlie Justice.

This day was Charlie’s first club meeting since his open heart surgery. Back on October 22, 1978, Justice was in Rockingham at North Carolina Motor Speedway where he was scheduled to be the Grand Marshall for the American 500 NASCAR race. But in the early morning hours he suffered chest pains and was transported to the local hospital. About three weeks later, on November 14, the legendary Tar Heel won his greatest victory: successful open heart surgery at Duke University Medical Center. He would later say, “that’s probably the best place for me to have serious surgery. . . You don’t think they would let me die on their watch, do you?”

At the Kiwanis meeting, after all was said about spring football practice and the upcoming UNC season, Crum took out a football that was signed by the 1978 UNC team members. “[In 1978], we had a season of considerable adjustment and needed a little incentive,” said Crum. “We had the Duke game coming up. If you’re not winning at Carolina you want to beat Duke to make things more peaceful in Chapel Hill for the winter. Charlie Justice was in the hospital . . . so after the Virginia game, I told the team if we beat Duke, we’d sign the ball and give it to Charlie.”

“To our players Charlie Justice is a legend.”

“You know what happened? With four minutes to go and trailing 15-3, I call the team in a huddle around me and tell them ‘we’ve got to win this one, remember, for Charlie Justice.'” Crum then called Justice to come forward and accept the game ball—the ball Famous Amos” Lawrence carried across the goal line for a victory over Duke from a ho-hum-game that became a Tar Heel thrill.

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Elephants and Butterflies . . . and Contraceptives

This post contains information about reproductive health that may be sensitive for some readers. 

A decade of change in UNC’s student population sparked several changes in reproductive and sexual health dialogue on campus.  From 1967 to 1977, women grew from 28.7% of the student body to 49.2%. Women were first allowed to enroll as freshman in most programs at the University in the early 1960s, and were admitted based on a higher academic standard until Title IX in 1972 (OIRA Fact Book, 1994). 

In December 1970, in response to a recognized need for more open dialogue about reproductive health on campus, a student and a faculty member started “Elephants and Butterflies,” a weekly column in the Daily Tar Heel. Created by student-activist Lana Starnes and Dr. Takey Crist, activist and Assistant Professor of Obstetrics and Gynecology, the column featured their responses to anonymous letters about health and sexuality.

dr. crist and lana starnes in office

Dr. Crist, holding a copy of the Elephants and “Butterflies…and Contraceptives” booklet and Lana Starnes, from “Rebellion in Black and White” by Robert Cohen and David J. Snyder

Some of the reasons Starnes and Crist cited for the necessity of the column were the high rate of unwanted pregnancies and the high rate and danger of illegal abortion (Bobo, 1973). Starnes noted that about 25,000 women sought an illegal abortion in North Carolina annually (Starnes, 1971). A few years earlier, in 1968, campus research showed that 60% of sexually-active women surveyed had not used contraceptives (Morrow, 2006, p. 12). Around the time, UNC administration denied the prescription of birth control to unmarried women, fearing that access to birth control and information would increase sexual activity (Warren, 1967). To make matters more difficult, if a student were unmarried and pregnant or found to have sought an illegal abortion, she would not be permitted to continue school (Unwed Pregnant Student Policy, Collection # 40124). 

The column grew out of the sexual health booklet titled “Elephants and Butterflies…and Contraceptives,” co-written by Dr. Crist and released in 1970.  To combat stigma and help dymystify human sexuality, Starnes and Crist wrote of their column:

“It is not our purpose to cause embarrasment or fear or shame, but to allow students to examine their educational presuppositions and value judgments concerning human sexuality. We feel your questions are legitimate, necessary and should make us respond thoughtfully, adequately and honestly.” (Starnes & Crist, 1971) 

Elephants and Butterflies newspaper column

Elephants and Butterflies column, Daily Tar Heel, February 14, 1972

The name of the booklet and column came from that same commitment to openness. It is a reference to the E.E. Cummings fairy tale, “The Elephant and The Butterfly”, a sweet, short story about love and dedication written for Cummings’ daughter (Popova, 2013). The story was printed in the beginning of the booklet, representing sexual relationships as ones that should be entered into with “caring and trust” (Cohen & Snyder, p. 201) In the health booklet, male physiology is described in the “Elephant” section and female physiology in the “Butterfly” section. (Starnes & Cheek, 1970)

the elephant and the butterfly front page

E.E. Cummings, Fairy Tales, illustrated by John Eaton [Rare Book Collection, Wilson Special Collections Library]

Subjects covered in the column ranged from how smoking affects sexual functioning (Sept. 6, 1971) to pregnancy after having a miscarriage (March 5, 1973). Sometimes, in leui of questions, readers could match definitions to a reproductive organ diagram (Sept. 25, 1972) or read an informative guide on STDs (October 1, 1973).

In 1972, the March 6th column was left blank in memory of an 18-year old student who died seeking an illegal abortion. That day, a somber message from Starnes and Crist in place of their usual advice asked if her death could have been prevented with proper birth control and counseling, ending with “We mourn in silence.” (March 6, 1972)

The final column was the seventh in a series of columns about contraception (March 4, 1974).  They omitted the recurring section requesting that students send in letters, but stated that the next essay (presumably the eighth) in the series would be on the future of birth control. They did not mention whether or not the column would return.

Learn more about Dr. Crist, Lana Starnes and “Elephants and Butterflies” in “Sexual Liberation at the University of North Carolina,” by Kelly Morrow, a chapter in Rebellion in Black and White: Southern Student Activism in the 1960s. (Robert Cohen and David J. Snyder, eds., Johns Hopkins Univ. Press, 2013). The article is based on Morrow’s 2006 master’s thesis, available in Carolina Digital Repository: https://cdr.lib.unc.edu/concern/dissertations/d504rm21k.

Sources:

Bobo, M. (1973). Lana Starnes: the woman who helped bring ‘Elephants and Butterflies’ to UNC. The Daily Tar Heelhttp://newspapers.digitalnc.org/lccn/sn92073228/1973-02-09/ed-1/seq-1/  

Cummings, E. E. & Eaton, J. (1965). Fairy tales. New York: Harcourt, Brace & World. https://catalog.lib.unc.edu/catalog/UNCb3123616

OIRA. Fact Book: Bicentennial Edition, 1793-1993. https://oira.unc.edu/files/2017/07/fb1994_bicent.pdf 

Morrow, K. (2006). Navigating the “sexual wilderness”: The sexual liberation movement at the University of North Carolina, 1969-1973.

Morrow, K. (2013) “Sexual Liberation at the University of North Carolina.” Rebellion in black and white: Southern student activism in the 1960s. Edited by Robert Cohen and David J. Snyder. The John Hopkins University Press: Baltimore.

Popova, M. (2013). Vintage illustrations for the fairy tales e.e. cummings wrote for his only daughter, whom he almost abandoned. Brain Pickings.

Starnes, L. & Cheek, T. (1970). Elephants and butterflies..and contraceptives. The Daily Tar Heel. http://newspapers.digitalnc.org/lccn/sn92073228/1970-10-11/ed-1/seq-3/  

Starnes, L . & Crist, T. (1971). Elephants and Butterflies. The Daily Tar Heel. http://newspapers.digitalnc.org/lccn/sn92073228/1971-08-31/ed-1/seq-50/

Starnes, L. (1971). College loans for abortion? The Daily Tar Heelhttp://newspapers.digitalnc.org/lccn/sn92073228/1971-04-08/ed-1/seq-8/ 

Starnes, L. (1972). Elephants and Butterflies. The Daily Tar Heel. http://newspapers.digitalnc.org/lccn/sn92073228/1972-02-14/ed-1/seq-6/

Starnes L. & Crist, T. (1973) Elephants and Butterflies. The Daily Tar Heel. http://newspapers.digitalnc.org/lccn/sn92073228/1973-04-16/ed-1/seq-6/

Starnes L. & Crist, T. (1974) Elephants and Butterflies. The Daily Tar Heel.

Unwed Pregnant Student Policy, 1967, in the Office of the Vice Chancellor for Student Affairs of the University of North Carolina at Chapel Hill Records #40124, University Archives, The Wilson Library, University of North Carolina at Chapel Hill.

Warren, V. (1967). Should university health services provide the pill?”. The Daily Tar Heel. http://newspapers.digitalnc.org/lccn/sn92073228/1966-02-03/ed-1/seq-1/

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The amazing resume of Robert Vinsant Cox

1948 UNC Football Starters

This Hugh Morton negative is labeled “’48 Starters.” Pictured are Art Weiner (left), Bob Cox (center), Charlie Justice (right), and Hosea Rodgers (top left).

On this day three years ago, September 19, 2016, the Tar Heel Nation lost an icon with the passing of Robert Vinsant (“Bob”) Cox. He was 90-years-old. Many Tar Heels remember Bob as a player on the UNC football teams of the late 1940s. While that’s true, there is much, much more to his resume, as Morton collection volunteer Jack Hilliard recalls.

In the Spring of 2004 when Hugh Morton put together a committee of former UNC football players to critique sculptor Johnpaul Harris’ Charlie Justice statue, Bob Cox (UNC Class of 1949) was one of the first team members selected. Cox would make two visits to Harris’ Asheboro studio during June, 2004 and was instrumental in the final statue presentation which was dedicated in November, 2004 and now stands at the east end of Kenan Memorial Stadium.

Cox was a team member of the Justice Era teams of the late 1940s, having arrived on the UNC campus in 1945 following duty with the United States Marines during World War II. He became a member of the Sigma Alpha Epsilon fraternity and was a pass-catching end and place-kicker for the Tar Heels. His 18-yard field goal in the second half of the 1947 Sugar Bowl against Georgia gave Carolina a brief 10-7 lead. When Georgia returned to Chapel Hill for a rematch on September 27, 1947, the pass-catching Cox led a Tar Heel win. The sports headline in the Greensboro Daily News on Sunday, September 28th read:
“End Bob Cox Steals Show.”

Cox was second in team scoring in 1947 and 1948—second only to Justice—and was described as “Mr. Extra Point” by Harold Styers in his 1996 book Hark The Sound: A Time Remembered and a Sentimental Journey.  He also joined Carolina’s golf team when it reformed in 1946 following World War II, and was a member of the 1947 Southern Conference Golf championship team.

Cox became a favorite photo-subject of Hugh Morton and following UNC’s great 20-0-win over Duke in 1948, Cox helped carry Charlie Justice off the field. The Morton image of that scene graced the front cover of The State on December 4, 1948.

Following his UNC graduation on June 6, 1949, the NFL’s Chicago Cardinals drafted Cox but he chose to stay at Carolina and attend graduate school.  He also became a member of Head Football Coach Carl Snavely’s coaching staff, working with the varsity ends and the freshman teams from 1949 thru 1951.

Cox has two degrees from UNC: a BA and MA in physical education. Following his time at UNC, he became a member of the Carolina Clowns, a basketball team featuring several former Tar Heel athletes. The Clowns formed in 1949, offering those Tar Heels an opportunity to stay in shape and at the same time raise money for various charity events.
Over the years the Clowns’ roster changed as new players became available while others moved on to different endeavors. Cox joined UNC football players Charlie Justice, Art Weiner, Joe Wright, Jim Camp, Kenny Powell, Sid Varney, Don Hartig, Hosea Rodgers, and Jack Fitch, among others.

About the same time he was playing for the Clowns, Cox operated a Chapel Hill clothing store on Franklin Street called “Town & Campus.” The store was a favorite for ten years. During that time, he was also a member of the Chapel Hill Junior Chamber of Commerce and in 1957 was elected President of the North Carolina Junior Chamber. Then, he was elected President of the United States Jaycees in 1958. As President of the U. S. Chamber, he was a judge at the famous Miss America Pageant in Atlantic City, New Jersey. At the pageant on September 6, 1958, Cox and follow judges selected Mary Ann Mobley from Mississippi as Miss America of 1959 before a national TV audience of 60 million on CBS-TV.

In December of 1961, when the city of Asheville celebrated “Charlie Justice Day,” two former Justice teammates were part of the celebration: Art Weiner and Bob Cox. The Asheville Citizen published a picture of the three on the front page of its December 2, 1961 issue.

Bob could often be seen on campus during Graduation/Reunion weekends and in 1989 he led the annual “Saturday Morning in Chapel Hill” before a full house in Memorial Hall. The topic that May morning, “Why Did We Have it So Good and What Made Us Different?” The program featured a panel of 1940s and 1950s Tar Heel legends including Hugh Morton who presented one of his slide shows.

I remember calling Bob in the late summer of 1996 when I was working with him on the 50th anniversary celebration of the Golden Era teams. I didn’t get an answer when I called, so I called back several minutes later. When I told him I had called earlier, he said, “I was in the car and I don’t talk on the phone while I’m driving. Don’t want to put anyone in danger if my distraction might cause an accident.”

In 1999, Bob Cox was selected to head the class of 1949’s 50th reunion. In the spring of ’99, he wrote a letter to his fellow classmates. In that letter, he said:

“To do anything for 50 years is quite a feat. We are indeed fortunate to be in that elite group that makes up the Class of ’49, which allows us to ask ‘Do you remember when…’

“The walks were gravel; Justice was running rampant at Kenan; Woodhouse was enthralling us on the beauties of ‘Poli-Sci’; Graham, House, and Carmichael were doing their thing at South Building; and hysteria-in-the-wisteria made the Arboretum more than just a name on the sign.

“We are blessed and privileged to call ourselves ‘Alums’ of the University of North Carolina. The years there were absolutely magic; but, even though those years were a special time, appreciation for the contributions of UNC has grown. The UNC reward continues throughout and we should be grateful—emotionally, spiritually, politically, and oh yes, financially.

“Let’s all make a pledge to stay in touch and do what we can to ensure that Carolina’s greatness will continue to grow and prosper. After all, we’re the Class of ’49 and that makes us special. Don’t you agree?”

Best always,

Bob

The letter appeared in the “50th Revised Yackety Yack: Carolina Class of 1949”
Bob was a financial advisor professionally, but he loved fishing, playing tennis, and gardening.  He was often called “Rosebud” because of the beautiful roses he grew.
Finally, during one of those Justice statue visits mentioned earlier in this post, Cox provided the question that prompted one of my favorite Hugh Morton stories. It was during a visit on June 21, 2004. After all of the players had added comments for Johnpaul Harris to note, Morton decided it was time to take some pictures. As he was meticulously checking focus with his trusty 35mm camera, Cox asked, “Hey, Hugh, do you have one of those new digital cameras?”

Morton’s answered,” I sure do,” as he reached down in his camera bag and pulled out a digital camera. “This is a good one,” said Hugh. “It has all the bells and whistles.”

Morton then put the digital camera back in his camera bag and continued taking shots with his conventional 35mm camera.

I don’t know if Bob Cox ever met best-selling author Tom Brokaw; but I choose to believe Robert Vinsant “Bob” Cox could very easily be the poster-boy for “The Greatest Generation.”

Posted in Biography, Football, Sports, UNC | Comments Off on The amazing resume of Robert Vinsant Cox

Did UNC Really Lose to Wake Forest in 1888?

In the University Archives, our work often has us viewing contemporary events with an eye toward the past. So while we look ahead to Friday night’s football game between UNC and Wake Forest, we see it not just as an important matchup for the undefeated Tar Heels, but also a chance for Carolina to avenge its loss to Wake Forest on October 18, 1888, in the first football game played by UNC.

Or maybe not. We thought the facts were pretty clear when we looked at newspaper coverage of the game, which was played in Raleigh at the State Fair. The News and Observer mentioned the game in the following day’s paper as part of its coverage of the fair: 

Decidedly one of the most interesting features of the whole fair was the game of foot ball yesterday between Wake Forest and Chapel Hill, resulting in a victory for Wake Forest. The game was exciting and was played by excellent teams on both sides. It was witnessed by a tremendous crowd. The players were uniformed and were a skilled and active set of boys. (News and Observer, 19 October 1888).

Official records have the final score as a 6-4 in favor of Wake Forest. But the coverage of the game by UNC students tells a different story. 

At the time the game was played, there was no student newspaper (the Tar Heel was established five years later, in 1893). The primary student publication on campus was the University Magazine, a professionally-printed periodical that included essays, stories and poetry, and campus news. 

The University Magazine reported on the football game in its next issue, in an unsigned column called “The College World.” At first it seems to match the newspaper story: “A game of foot-ball was played at Raleigh during Fair week between the Wake Forest team and the University Soph. Class team, under a set of improvised rules. The score was two goals to one in favor of Wake Forest.” Then the story gets confusing. The Magazine report quotes the coverage in The Wake Forest Student, which seems to describe three different games (maybe they were three periods in the same game?). The response from the Magazine is pretty direct: 

No one objects to The Student’s exulting over the victory (?), if it can find anything in it to exult over, but it should be fairer towards its opponents. There were many more rules which were strange to the University than to the Wake Forest team. It was by these rules, unfair and peculiar, that Wake Forest got the credit of a victory . . .” (University Magazine, vol. 21, no. 2, 1888, p.85). 

The Magazine goes on to compare the game to the one played between UNC and Trinity College (predecessor to Duke University) a month later, which it called the first “scientific” game of football played in North Carolina. It’s certainly understandable that the very first game of what was a new sport to all involved would result in some misunderstandings about the rules. As the debate continued in the student press, the Magazine remained adamant that UNC was the superior team and that the October 18, 1888 victory for Wake Forest did not count. By contrast, the student authors conceded that the UNC team was outplayed in a fair game against Trinity. 

The next issue of the Magazine continued the debate, responding at greater length to more claims from the Wake Forest student paper. It’s worth reading in its entirety. In closing, the author continued to insist that the game against Wake Forest did not count, writing:  

A fair-minded man likes to see merit win, whoever possesses it, and can admire it in an opponent. The University team has played but one game of foot-ball, and was then beaten fairly as this Magazine cheerfully acknowledged. It wished to show that, while in the game with Trinity merit won, in that on Thursday of Fair week it did not. (University Magazine, vol. 21, no. 3, 1889, p. 137). 

 While this was clearly a spirited debate at the time, history seems to have come down on the side of Wake Forest. Some long-lasting rivalries have disputed games in their past (see for example, Georgia-Florida), but there is no further record that we could find of the earliest UNC game being contested. In everything we have read online and in print, the October 18, 1888 loss to Wake Forest is widely credited as being UNC’s first football game. To be fair, the UNC and Wake Forest teams definitely played on that date, and the News and Observer report did not refer to it as a scrimmage or unofficial game. In an era well before the establishment of the NCAA or other governing bodies, the very idea of an “official” game would have been an unfamiliar concept. 

But the student authors of the Magazine were persistent in their claims. What do you think: does Wake Forest really deserve credit for their 1888 victory over Carolina? Will “Avenge 1888!” be the rallying cry that leads Mack Brown and the Tar Heels to victory tomorrow night? Here’s hoping so. Go Heels.

University Magazine, vol. 21, no. 2, 1888, p. 185.

University Magazine, vol. 21, no. 2, 1888, p. 185.

University Magazine, vol. 21, no. 3, 1889, p. 137

University Magazine, vol. 21, no. 3, 1889, p. 137

 

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The “Ol’ Professor” of the “Kollege of Musical Knowledge”

James Kern Kyser, better known as Kay Kyser, the “Ol’ Professor” of the popular radio program of the late 1930s and 40s, the “Kollege of Musical Knowledge,” retired and returned to his alma mater UNC-Chapel Hill in 1951 and started a second career. Earlier this week, on June 18th, 2019, Kyser would have turned 114.  Morton collection volunteer Jack Hilliard briefly looks back at both of his storied careers.

Hugh Morton with Kay and Georgia Kyser

Hugh Morton (left) with Kay and Georgia Kyser during the 1951 Short Course in Press Photography, probably during the Saturday evening banquet at the Carolina Inn, Chapel Hill, North Carolina. The negative is in the Morton collection, but the photographer is unknown and the date is determined by the published photograph of the Kysers seen below.

Soon after his retiring return to Chapel Hill, Kay Kyser picked up where he left off on stage with far less fanfare but as a true friend to his native North Carolina. On April 14, 1951, Kyser, along with his wife Georgia, joined his friend Hugh Morton at the second annual Southern Short Course in Press Photography banquet.

Clipping from the Statesville Daily Record, 18 April 1951

Photograph clipped from the front page of The Statesville Daily Record, Wednesday, April 18, 1951. The clipping depicts the Kysers as they examine a prize-winning photograph by Max Thorpe during the Southern Short Course on Press Photography banquet, held the previous Saturday, April 14.

Editor’s note: Kyser made an appearance at another short course banquet, probably 1952, seen below.  The two scans from negatives shown here are the only photographs of Kay Kyser in the collection.  Neither appear to have been made by Morton unless he used a long cable release and triggered the exposure from a distance.  The photograph below probably dates from the April 1952 short course because Morton’s photograph of  “Happy John”—likely made in 1951—can be seen in the upper right corner of the photographs on display.

Kay Kyser entertaining guests during Southern Short Course in Photography banquet

This negative in the Morton collection had an extensive caption written on the original negative envelope: “Kay Kyser and Billy Arthur are having fun kidding each other at the Southern Short Course In Press Photography in Chapel Hill as Norman Cordon and Beatrice Cobb look on. Kay Kyser and Billy Arthur were both former Head Cheerleaders at UNC, and both are standing (Billy Arthur’s height is about 3 feet 6). Kyser was so much a celebrity and so recognizable when wearing his trademark horn rimmed glasses that he often did not wear the glasses in order to retain his privacy in Chapel Hill. Norman Cordon was a famous Metropolitan Opera star, and Beatrice Cobb was Publisher of the Morganton News-Herald and Secretary of the North Carolina Press Association. Billy Arthur was a newspaper Publisher at Jacksonville, N.C., and later worked for the Chapel Hill paper, and he was also a press photographer.”

Kyser’s participation in the photographic short course was just one example of his many contributions to his native state following his long career in show business. His enthusiasm, energy, and dedication were the prime forces for WUNC-TV to get on the air in January of 1955. His faith and his dedication to the Christian Science Church became his passion. From his office on Franklin Street, Kyser became the producer-director of the film broadcasting department of the Christian Science Church.

Another Editor’s Note: While preparing Jack’s post and researching the Southern Short Course in Press Photography for an upcoming post, I encountered another Kyser contribution: a film titled, Dare: The Birthplace of America, produced by the University of North Carolina with its debut in May 1952.  In a promotional news article printed in advance of the movie’s launch, playwright Paul Green wrote, “And anonymously behind [the film] was the imaginative dynamic of that gifted and devoted North Carolina citizen—Kay Kyser.”

The boy from Rocky Mount became one of the most famous faces of the swing era.

When James K. Kyser entered the University of North Carolina in 1923, his parents, both of whom were pharmacists, thought he would be a lawyer. But he had other ideas. He switched his major to economics because, according to Kyser, “the legal profession meant lots of work.”

Being selected a Carolina cheerleader gave him the opportunity to “perform.” He enjoyed riding around campus in a Model T Ford with the word “Passion” painted on its side. He excelled not only in academics, but he also excelled in extracurricular activities. He acted in Carolina Playmaker productions, was a Sigma Nu fraternity member, and was a member Alpha Kappa Psi, Order of the Grail, and the Golden Fleece honor societies.  Because of his popularity on campus, he would, in 1926, inherit the job of leadership of the UNC campus band; although he couldn’t read music and he played no musical instrument. In addition, he was senior class president in 1928.

After graduation, he took the band on the road, but it didn’t really take off until the mid-1930s when he hired singer Ginny Simms and cornet player Ish Kabbible (his real name Merwyn Bogue). But when it did take off, it was in a league of its own.

Kyser was featured in several Hollywood movies.  His first was That’s Right—You’re Wrong in 1939 with Lucille Ball; the last was Carolina Blues in 1944.  He was often joined by such stars as Milton Berle, Dorothy Lamour, and Rudy Vallee.

He was called “The Ol’ Professor,” and he wore a short academic robe complete with mortarboard and tassel. He loved to clown-around with cornet player Ish Kabibble, plus he did a bit of dancing.  At the top of his career, Kay Kyser’s band scored 35 top-ten hits, and appeared in Hollywood and New York. He played to 60,000 during one week at New York’s Roxy Theater.

The boy from Rocky Mount became one of the most famous faces of the swing era.

During the Depression and throughout World War II, Kyser offered his zaniness as a cure for adversity. At 9:30 on Wednesday nights, more than twenty million Americans would turn their radios to the NBC Red Network to hear Kay Kyser say, “Now we’re gonna have a little syncopation, so I want you to toddle out here and truck around the totem pole and sashay around the stage. What I mean is, C’mon, chillun. Le’s dance!”

Kyser also performed for thousands of World War II soldiers, feeling guilty that so many were marching off to their deaths while he was making big money.  In a 1981 interview with Greensboro Daily News reporter Jim Jenkins, Kyser recalled being on a hillside in the Pacific Theater in the summer of 1945.  “Countless thousands of GIs were sitting on these banks, and we could hear the firing in the background. They’d come up to you after and wring your hand, thanking you, completely oblivious to the fact that they were offering their lives so we civilians would have a good go at home. I thought, my, if that isn’t the ultimate of humility . . . I knew right then I’d never play another theater for money.”

Kyser returned to the UNC campus several times during his musical career.  He often recalled in later interviews, how much he enjoyed the Carolina–Duke football games in 1939 and 1948.

In a Charlie Justice profile in Sports Illustrated magazine in October of 1973, Kyser stated: “It is simply a matter of thinking it through . . . all this glamour can end quite suddenly, so you have to think where you will be when the superficialities are through.  I watched UNC football legend Charlie Justice when he was on top.  I was up to here at the time with my own entertainment career, so I was looking to see if it was getting to him.  It takes a thief to know one, you know.  I tell you, when they recruited Charlie to play here, after his great football career in the Navy, it was a little like getting Clark Gable to appear in a local little-theater production.  He was a star even before he got here.

“But Charlie was just the opposite of a prima donna. It never got to him, as it has to so many people in entertainment . . . .”

“Let me tell you a little story. I took Charlie to a big Hollywood party once.  The Hollywood people were dying to meet him.  Charlie was flabbergasted.  His face must have fallen a foot when he walked into that place.  He didn’t act like a football hero at all. He acted like the smallest of small-town hicks.  He was the one impressed with them. All those movie stars.  He’d never seen anything like it.  I remember he came over to me and said, in that high voice of his, ‘Man, this is tall cotton.’  He just kept on saying it: ‘Taaa-lll cotton.'”

Kay Kyser passed away on July 23, 1985 in Chapel Hill. He was eighty years old.

Georgia Carroll Kyser

Actress and singer Georgia Carroll Kyser, wife of Chapel Hill bandleader Kay Kyser, at a football game in UNC-Chapel Hill’s Kenan Stadium. The Carolina Band in the background was playing “Tar Heels On Hand” to honor Kay Kyser.

Kyser’s wife Georgia Carroll remained in Chapel Hill until her death in 2011 at age 91. She donated Kyser-related photographs and papers to the university. You can still see Kay’s picture in The Carolina Inn on the UNC campus and he is enshrined in the North Carolina Music Hall of Fame.  But for the most part, you won’t find many people who know the words to “Three Little Fishies.”  Just so you know the words go like this: “Boop boop diddum daddum waddum choo, and they swam and they swam all over the dam.”

Posted in Biography, Photojournalism, UNC | Comments Off on The “Ol’ Professor” of the “Kollege of Musical Knowledge”

Still Alone at the Top

This post comes from regular contributor Jack Hilliard, who takes another look at the man “Still Alone at the Top” because today, May 18th, marks a special day for long time Tar Heels like Jack.

On this day, in 1924, a boy was born in the Emma community of Asheville. He would grow up to be the greatest athlete to ever play sports at the University of North Carolina at Chapel Hill.

UNC tailback Charlie Justice (#22 with ball) and UNC blocking back Danny Logue (#66) during the 1949 Blue-White intrasquad game played at Kenan Stadium. Until researching this blog post, the online Morton collection of Morton images had this image incorrectly dated as 1946—Justice's freshman year when he played on the White team.

UNC tailback Charlie Justice (#22 with ball) and UNC blocking back Danny Logue (#66) during the 1949 Blue-White intrasquad game played at Kenan Stadium. Until researching this blog post, the online Morton collection of Morton images had this image incorrectly dated as 1946—Justice’s freshman year when he played on the White team. [Click on the photograph to see the full negative without cropping.]

UNC’s Michael Jordan was one of the most effectively marketed athletes of all time, and thanks to the emergence of the 24/7 cable sports channels, and in the latter part of his playing career the internet, Jordan’s heroics became all access, all the time. His image has been on the cover of Sports Illustrated more than sixty times . . . so far. And it’s no surprise that he also has seventy-eight mentions on the TV quiz show Jeopardy.

In the fall of 1999 when UNC’s campus newspaper, The Daily Tar Heel selected a panel of Tar Heel sports experts to determine the ten greatest UNC athletes of all time, many long-time Tar Heels, like me, thought Michael would be the top vote getter. Each week the paper listed one of the top ten athletes, and as expected, Jordan beat out Phil Ford, Mia Hamm, Lawrence Taylor, Lennie Rosenbluth, B. J. Surhoff, and Sue Walsh. In fact, Jordan beat out every other Tar Heel athlete, except one. He finished second to Charlie Justice.

Justice never had his picture on a Sports Illustrated cover and was never mentioned on Jeopardy.  When Justice played for Carolina during the seasons between 1946 and 1949, there were no 24/7 cable sports channels. In fact there was no TV in North Carolina at that time and the Internet was decades away.

I once asked Justice, “How did you become so famous without TV or the Internet.” Said Justice, “I didn’t need ‘em, I had Jake Wade writing stories and Hugh Morton taking pictures.” (Jake Wade was the award-winning Sports Information Director for UNC from 1945 until 1962).

I remember getting up early on the morning of Monday, November 29, 1999 and driving from Greensboro to Chapel Hill. I wanted to make sure that I got a copy of The Daily Tar Heel. It didn’t take me long to find that collector edition of the paper with the Section B headline that said “The Making of a Legend,” with Charlie’s life story filling the page. To support the DTH story, there were three Justice pictures, two of which were taken by Hugh Morton: the photograph above that opens this post, and the one that follows.

UNC fullback Walt Pupa (L) and UNC Tailback Charlie Justice in the locker room at Griffith Stadium, Washington DC.

UNC fullback Walt Pupa (L) and UNC Tailback Charlie Justice in the locker room at Griffith Stadium, Washington DC prior to the 1947 game versus the University of Maryland.

In an interview on October 18, 2003, Hugh Morton had this to say about his dear friend: “Clearly the most exciting football player I’ve ever seen and I’ve seen a lot of them.” And as for Justice’s life after football, Morton added this: “There was not a worthy cause in this state he didn’t support. He used his fame to do good things. He wasn’t charging for it, he just wanted to do it.”

So, on this day, May 18, 2019, a tip-of-the-hat to Tar Heel Legend Charlie “Choo Choo Justice” who would have turned 95.  If a survey were taken on the UNC-CH campus all these years later, I don’t believe there would be many, if any, students who knew him or ever saw him play. That is their loss, because it’s doubtful we’ll ever see the likes of Charlie Justice again.

Posted in Biography, Football, Sports, UNC | Comments Off on Still Alone at the Top