The Delta Ministry, an ambitious self-help initiative for Mississippi

“Through the long, hot summer and the long cold winter, Delta Ministry looks ahead: to a total ministry, to growing self-respect and self-determination among delta Negroes, to a bold new start for some.”  So begins the text of a wonderful brochure (found in the SHC’s Delta Health Center Records) that tells the story of the Delta Ministry.

The Delta Ministry was a project begun in 1964 by the New York-based National Council of Churches to provide support to African Americans in the Mississippi Delta region. The project not only sought to bring economic aid to black Mississippians but also encouraged voter registration and greater political involvement.  According to Mark Newman’s 2004 book, Divine Agitators: The Delta Ministry and Civil Rights in Mississippi, the Delta Ministry began with a 10-year mandate but ended up stretching its support for the citizens of the Delta into the 1980s.  This, according to Newman, filled the vacuum created as other civil rights organizations, such as SNCC and CORE, discontinued similar programs of support for poor blacks in the Mississippi Delta.

The group has a fascinating story, much more deftly told by Newman’s extensively-researched book than I could do in this space.  The organization’s history deserves greater attention, it deserves even more ink from historians writing on the legacy of the American Civil Rights Movement.  As an intro, we hope you’ll read and enjoy this Delta Ministry brochure.   Click on each thumbnail to see a larger version of the image.  Finally, if you’re interested in digging deeper, there are other great materials in Box 59 of the SHC’s Delta Health Center Records.

New SHC collection: Harry Stanley mess book and other papers, 1863-1865.

Harry Stanley was born Tufton K. Stanley on 2 September 1832 in Boston, Mass. He first enlisted in the United States Navy in 1855 and then reenlisted on 21 September 1861. He was made master at arms, the chief disciplinary officer on the USS Ethan Allen, on 24 August 1863, and left the ship on 14 June 1865 as a yeoman. He died on 15 February 1890 in Boston, Mass.

The collection contains the mess book of Harry Stanley, the master at arms for the USS Ethan Allen. The beginning of the book lists the sailors on the ship, divided into the eight different messes with which they ate. The second part of the book is a list of disciplinary actions taken against crew members of the ship, listed by date. Typical entries contain the name of the crew member who was punished, the event for which they were punished, the dates on which they were punished and released, and by whom they were released. There are also drawings of the various semaphore flags and their meanings, a penciled copy of the list of members of the eight different messes, and a list of all money received and spent by Stanley on behalf of the USS Ethan Allen. There are also photocopies of Harry Stanley’s pension; his discharge; and a few documents relating to the widow’s pension of his wife, Margaret Stanley.

[You may click here to view the finding aid for this new collection.]


The lives of prisoners of war at Johnson’s Island

The SHC contains a number of collections that document the lives of Confederate prisoners at Johnson’s Island Prison near Sandusky, Ohio. [Click here to see a listing of catalog records of SHC material on the subject.]

Drawing of Johnson’s Island Prison, 7 October 1863, Sandusky Bay near Sandusky, Ohio
Drawing of Johnson’s Island Prison, 7 October 1863 (from Joseph Mason Kern Papers, SHC #2526-z)

The image above comes from the SHC’s Joseph Mason Kern Papers (SHC collection #2526-z).  Kern (b. 1842), of Romney, Va., served in the C.S.A. 13th Virginia Infantry Regiment during the Civil War, and was imprisoned for several months at Johnson’s Island. Kern compiled a scrapbook that documents his Civil War experiences and his time at Johnson’s Island, and includes this colored map of the prison.

A second example:  The SHC preserves two diaries of Robert Bingham (1838-1927) kept, 1863-1864, while he was a prisoner at Norfolk, Va., Fort Delaware, Johnson’s Island, Ohio, and Point Lookout, Md.  The diary describes prison life, including quarters, gambling, work, escape plots, sermons, food, illness, and hospitals at various prison camps.  Here’s his diary entry from August 26, 1863 (while imprisoned at Johnson’s Island):

Two months.  Yes it is a long time to be in prison. I have not heard a word from my wife in two months. It is very long.  How my heart has yearned for her in these two months! & for my child.  God bless them – & keep them.  The Lord make his face to shine upon them & be gracious to them.  The Lord lift up his countenance upon them & grant them peace.  Two months in prison.  I have suffered – some from sickness, much from anxiety about home – much from looking thro[ugh] bars & across bayonets – but I have much to be thankful for.  I have had money – not in abundance, but enough.  I have had books – & several very kind letters & have been very much more comfortable than I expected to be.  I wrote to Dell to day assuring her of this & I do hope the letter may get thro[ugh].  Other have got letters thro[ugh] both ways.

Creator of the Month: Walker Percy

Walker Percy as a student at UNC (from 1937 Yackety Yack - UNCs student yearbook)
Walker Percy as a student at UNC (from 1937 "Yackety Yack" - UNC's student yearbook)

In conjunction with the current exhibit “Four from between the Wars,” the creator of the month for September is Walker Percy. A UNC alum and celebrated Southern author, Percy’s works include The Moviegoer, which won the 1962 National Book Award for fiction, The Last Gentleman (1966), Love in the Ruins (1971), Lancelot (1977), The Second Coming (1980), and The Thanatos Syndrome (1987). He published two works of non-fiction, The Message in the Bottle (1975) and Lost in the Cosmos (1983).

Walker Percy’s papers are held by the Southern Historical Collection in Wilson Library. The collection consists of material produced by Walker Percy while working on his six published novels, two published book-length works of non-fiction, various essays and reviews, and three unpublished long works–two fiction (one of which is not extant) and one non-fiction. A description of the materials can be found in the finding aid, here on the SHC website. The finding aid has been recently revised to make the materials more accessible. Additional materials relating to Walker Percy, including his working library, can be found in the Rare Book Collection

“Author to Author” Exhibit Features SHC Literary Correspondence

Examples of correspondence among some of the South’s best-known authors will be on display in the Southern Historical Collection on the fourth floor of UNC’s Wilson Library from Aug. 18 through Sept. 30.

The free, public exhibit, Author to Author: Literary Letters from the Southern Historical Collection, illuminates ties within the community of Southern writers during much of the twentieth century.

William Faulkner with arm around Milton Ab Abernethy, publisher of Contempo, in Chapel Hill, 1931. North Carolina Collection Photographic Archives.
William Faulkner with arm around Milton "Ab" Abernethy, publisher of Contempo, in Chapel Hill, 1931. North Carolina Collection Photographic Archives.

On view will be original letters by authors including Clyde Edgerton, Gail Godwin, Langston Hughes and Erskine Caldwell. Photographs from the Southern Historical Collection (SHC) will also be included.

The letters show how the authors built and maintained community by writing to one another, even as many of them moved far from the South.  The correspondence also reveals the support and motivation—and sometimes friendly competition—that the writers provided to one another.

The exhibit also highlights the complex relationships and strong personalities of the figures involved. A 1932 “cease and desist” letter from William Faulkner instructs the Chapel Hill literary magazine Contempo not to list Faulkner as an associate publisher; a photograph from the same period shows Faulkner hugging Contempo‘s publisher, Milton “Ab” Abernethy.

Author to Author adds depth to the larger Wilson Library exhibit Four from between the Wars: Paul Green, Thomas Wolfe, Robert Ruark, and Walker Percy, on view in the Melba Remig Saltarelli Exhibit Room on the third floor of Wilson Library through Sept. 30.

Both exhibits complement the North Carolina Literary Festival, hosted by the Library on the UNC campus Sept. 10-13.

Details:

Author to Author:
Literary Letters from the Southern Historical Collection

Fourth floor of Wilson Library
Aug. 18-Sept. 30, 2009
Free and open to the public
Exhibit information: Biff Hollingsworth, (919) 962-1345
In conjunction with the North Carolina Literary Festival, Sept. 10-13, 2009

Wilson Library Exhibit Honors Four Alumni Writers

The lives and legacies of four writers who attended the University of North Carolina at Chapel Hill between the two world wars, will be the subject of an exhibit July 16 through Sept. 30 at UNC’s Wilson Special Collections Library.

The free, public exhibit, Four from between the Wars: Paul Green, Thomas Wolfe, Robert Ruark, and Walker Percy, will be on view in the Melba Remig Saltarelli Room on the third floor of Wilson Library.

Four from between the Wars exhibit flier
"Four from between the Wars" exhibit flier

Approximately 75 historic photographs, rare printed items, and original documents illustrate the development of these students into some of the South’s best-known writers of the 20th century. The exhibit will also explore their literary circles and work of their protégés.

Among the items to be displayed is a copy of Wolfe’s autobiographical novel Look Homeward, Angel that he inscribed for his mother in 1929, and first editions of Wolfe’s novels. More fanciful items include a Thomas Wolfe T-shirt and a commemorative postage stamp.

First editions of the works of Ruark, a journalist and novelist, are on exhibit, along with cartoons he drew for campus publications as a student.

Green, a dramatist, teacher, and humanitarian, is represented with letters from fellow writers and collaborators including Richard Wright, Betty Smith, and Orson Welles. The exhibit also includes images and artifacts relating to the production of Green’s outdoor drama The Lost Colony (1937), which is still performed each summer on Roanoke Island, near North Carolina’s Outer Banks.

“It was during the interwar period that UNC became a modern research university,” said Eileen McGrath, assistant curator of the North Carolina Collection and one of the exhibit organizers.

“These authors came to the University as young men, novice writers,” McGrath said. “Their experiences here enabled them to develop their understanding of themselves and the world.”

Four of Wilson’s special collections— the North Carolina Collection, the Rare Book Collection, the Southern Historical Collection and University Archives— are jointly sponsoring this exhibit as a contribution to the 2009 North Carolina Literary Festival. The biennial festival will take place on the University campus Sept. 10-13.

“The festival focuses on contemporary writers,” said Biff Hollingsworth, collecting and public programming archivist for the Southern Historical Collection. “We wanted to offer a space for people to come and reflect on the historical aspect of Southern writing.”

Details:

Four from between the Wars:
Paul Green, Thomas Wolfe, Robert Ruark, and Walker Percy

Melba Remig Saltarelli Exhibit Room, Wilson Library
July 16-Sept. 30, 2009
Free and open to the public
Exhibit information: rbcref@email.unc.edu, (919) 962-1143
In conjunction with the North Carolina Literary Festival, Sept. 10-13, 2009

Dad, send money. I need pantaloons. (1846)

[Our final installment of our “welcome back” series.]

Ah, it’s a phenomenon old as time:  college-age sons and daughters contacting home to ask for more money.  The following letter was sent from James Johnston Pettigrew to his father Ebenezer Pettigrew on 8 February 1846.  J.J. needed some money for some new duds.  (This letter comes from the Pettigrew Family Papers, SHC #592):

James Johnston Pettigrew, circa 1855
James Johnston Pettigrew, circa 1855 (from the 1898 book "Lives of distinguished North Carolinians")

Although it is early in the session, I presume it will not be out of place to make a statement of the clothes I shall want, more especially since my wardrobe is nearly exhausted.  The present underclothes are the ones I had when I left Hillsboro [sic], with the exception of four bosoms and collars, which I bought two years ago.  Most of these, that is to say, shirts, drawers, stockings, collars, handkerchiefs, & cravats, are either worn out or have become too small.  The same is the case with my outer clothes, with the exception the two pairs of pantaloons, which were purchased at Raleigh last summer, and are bothe [sic] too small by this time.  In the article of shirts, I am almost certainly deficient.  My present cap has lasted two winters, and Sister Mary can inform you with regard to its shabby appearance during the vacation.  This I mention, merely to show, that I am not diposed to be extravagant in my dress.  The following is a list which I have made out of my probable wants.  I have only one coat for this winter, so that it will be better to get another for Commencement.

  • One Coat.
  • One pair of Pantaloons.
  • Two vests. (I am entirely out of vests, also.)
  • One hat.
  • Shirts.
  • Drawers.
  • Stockings.
  • Two or three handkerchiefs.
  • One or two cravats.
  • Shoes.

There is in addition to these another want, which may appear trifling, but which in my situation is absolutely necessary as a Marshal for Commencement, namely, a cane.  Judging the price of these articles from my clothes last summer and the summers before, the amount will probably be $70 or $80, a very large sum, but I do not see how it is to be avoided, without an appearance which I wouldn’t wish to show.

An illusionist comes to town, gunplay ensues (1845)

(Part 3 of our “welcome back students” series…)  It seems that Chapel Hill has seen quite a parade of entertainers and other characters come through town over the years.  One such visit from an intriguing 19th-century illusionist named the “Fakir of Ava” is described in the letter below.

[detail] William Bagley to Mose G. Pierce (from William Bagley Letter Books, SHC #863-z)
(detail) William Bagley to Mose G. Pierce, from William Bagley Letter Books, SHC #863-z.
William Bagley to Mose G. Pierce, 13 February 1845 (from William Bagley Letter Books, SHC #863-z)

A fellow, calling himself the “Fakir of Ava” came through here the other day with a boy & girl proposing to give a grand scientific entertainment to the inhabitants of Chapel Hill; after procuring a house & getting in readiness about a hundred of the students went down & the house I understood was crowded to such an extent that the “Fakir” had very little opportunity for “showing off” & the students being rather noisy he dismissed the assembly, gave them tickets & told them that on the next night he would have a better place & consiquently a better chance for exhibition, but the next morning he left having made some forty or fifty dollars at the expense of the students, several of them followed him to Hillsboro [sic] & I expected that an engagement would have taken place there but as he was exhibiting he let the students go in which I supposed pacified them one of them however, while there became intoxicated & with some other fellows went to one of the taverns & began to be rather noisy & the landlord came out & ordered them off & to enfore his command raised a chair at one of them & this fellow immediately shot him, the ball went into his arm near the shoulder but they say his life is not endangered; the name of the fellow that shot him is Ruffin, he was a member of the sophomore class & lives in Alabama, I believe he has not been heard of since the occurrence.

A freshman stands up to being hazed

In our second installment of our “welcome back” series, we feature a letter from Neil A. Sinclair (a freshman) to his mother, 9 September 1882, in which he recounts his experiences with being hazed by the older boys at Carolina. Hazing was frequent during the early years of the University.  In Kemp Plummer Battle’s “History of the University of North Carolina. Volume II: From 1868 to 1912,” available online through DocSouth, you’ll find a lot of description about these hazing practices (starts around page 294 of the electronic version), including descriptions of the “blacking parties” mentioned in Sinclair’s letter below:

There has been [a] good deal of “freshing,” but I’ve been troubled but very little.  The first of the week, while going to supper one evening, a fellow thought he would be smart & stepped up in my path & drew his fist as if he were going to knock me down.  He came meeting me, but I deliberately walked on till we met & ran up against each other, but instead of backing off I stood firm & looked him square in the eyes.  He seemed rather disappointed & after a while asked what I was looking at him so hard for, thinking he would create a laugh, but I said, “I was just going to keel you about 10 ft. out there on the grass if you had touched me,” & I would have done it too.  He saw I was in earnest & he got mighty small & slunk around to one side of me & passed on leaving me in possession of the field.  Then I started on without even looking back & the crowd first yelled at the Sophomore about allowing a Freshman to bully him.  I was not troubled any more till Wednesday night.  About 25 boys came around & told me I had to make them a bow, but I told them I would do nothing of the kind.  They also tried to make me get on the table & speak & to dance but I would not. They said they would black me then.  Ransom & 2 others about drunk were going to do the blacking.  I told them that was one thing I did not propose to allow & that I would not be blacked alive & that the first man that attempted to black me would get that. I told them there was but one thing they could make me do & that was to trot[?], that I would not think of fighting a man for such a thing as that, & I knew they could carry me by force.  So they gave out their blacking notion & we started out & just as we got to the door, Pres. Battle met us & said, “Gentlemen, this devilment has got to stop.”  In five minutes the whole campus was quiet, & for 3 hours before you could have heard the noise for 5 miles….

Beware of fiddlin’ roommates

As our way of welcoming Carolina students back to campus, this week we’ll share a few reflections and experiences of bygone Tar Heels.  These letters and diary entries are rich, funny, often surprising accounts of student life in Chapel Hill.

Take, for example, this 21 January 1834 letter from Charles L. Pettigrew to his father in which junior writes of the challenges in finding (and keeping) a good roommate.

Letter from Charles L. Pettigrew to his father, 21 January 1834 (from Pettigrew Family Papers, #592)
Letter from Charles L. Pettigrew to his father, 21 January 1834 (from Pettigrew Family Papers, #592)

The business of the session has again commenced and I am in a very neat and warm room with out a room-mate, nor do I intend to take a room-mate because good ones are so hard to find; I had one last session, I was compelled to take him his brother wrote to me to take him in my room and there by he would be under some restraint, his brother had just graduated, and had left me his room one of the best rooms and some say the best in college and therefore I felt myself under some sort of obliation [sic] to him, for the first two months he made no noise studied hard and behaved himself well and properly and I liked him very much, the affection was reciprocated, but after a while he got a fiddle and of course got among the fiddlers in college idle and worthless fellows, then he began somewhat to absent himself from his room and finally he went and staid [sic] with one altogether although his trunk was in my room, so we parted and and [sic] very seldom see each other, after he left me he began to drink considerably and to have wines and brandy continually, and boy of about 15, I am afraid he will not do much good in this world…