Recalling James Baldwin

James Baldwin in Daily Tar Heel

NPR’s Morning Edition today featured North Carolina author and UNC-Chapel Hill professor Randall Kenan discussing James Baldwin. Kenan is the editor of a soon-to-be published volume of Baldwin’s uncollected writing. The book is Kenan’s second work on the writer. He published a young adult biography of Baldwin in 1994.

Listening to the interview with Kenan, I recalled a moment 26 years ago that he and I shared with Baldwin. Kenan and I were undergrads in an African-American literature class taught by J. Lee Greene at UNC-Chapel Hill. Kenan was a star pupil, full of insightful comments. I, on the other hand, was a diligent note taker, hoping the brilliance of Kenan and a few other students would help me better understand such classics as Baldwin’s Go Tell it On the Mountain and Ralph Ellison’s Invisible Man.

As I recall, on this particular morning Professor Greene was slow in arriving for class. And, when he finally walked in, he was accompanied by a diminutive and elegantly-dressed African-American man. That man was, of course, James Baldwin.

Sadly, I don’t remember much of what Baldwin said. I do recall being impressed by the preciseness of his speech, the mellifluousness of his voice, the angles of his face and his large eyes. Heck, he might have even lit a cigarette as he stood at the front of the class addressing our questions (the campuswide prohibition on smoking wasn’t in place then). I suspect that Randall Kenan asked a question or two. And I’m sure his memories of that day are a little more vivid than mine.

Baldwin was apparently on campus as the keynote speaker for the university’s Human Rights Week. The Daily Tar Heel reports that the writer spoke to a crowd of 1,500 at Memorial Hall on November 12. According to the paper’s account of the speech, Baldwin addressed head-on the nation’s troubled history of race relations. Here are a few quotes from that speech:

“Who is Sambo? Who is a nigger? Who is Uncle Tom? The question must come up, who is Scarlett O’Hara? What I’m suggesting is that History with a capital H is a creation of the people who think of themselves as white.”

“The people who conquered the North American wilderness were not white before they came here, not before they found me. They were Russian, Turk, Greek and French. But they were not white. They became white out of the bitter necessity to justify their crime.”

“It was not true that I was waiting to be discovered, it was not true that my discovery was by Christians who wanted to save my soul. It’s not true that I came here in chains, the happy darkie; it’s not true that I picked cotton for free out of love.”

“According to me the Civil Rights Movement was one of the last slave insurrections.”

A literary great in my presence and I failed to soak it all in. Thanks to Randall Kenan, then and now, for helping me know Baldwin a little better.

Search for ‘Flim-Flam Man’ will be rewarded

Paul Krugman’s recent  column in the New York Times got me thinking about Guy Owen, the Clarkton native and N.C. State writing teacher best remembered for “The Ballad of the Flim-Flam Man” (and the subsequent movie starring George C. Scott).

And that got me thinking about how “out of print” is no longer such a disheartening condition. Both the 1965 edition (Macmillan)  of “Flim-Flam Man” and the 2000 reprint (Coastal Carolina Press) are available only second-hand — but thanks to the Internet, that’s no barrier to distribution (even though these transactions leave both publisher and author empty-handed).

And the 1967 movie, though not yet officially released to DVD, is offered by a number of online sellers. Scott called Mordecai Jones, the Eastern North Carolina con man, one of his two favorite roles (the other being Buck Turgidson in “Dr. Strangelove”).

Weekend link dump: Books, bricks, Frying Pan

— North Carolina’s infamously swiped copy of the Declaration of Independence, which rated a chapter in “Priceless: How I Went Undercover to Rescue the World’s Stolen Treasures,” graduates to a whole book in “Lost Rights: The Misadventures of a Stolen American Relic.” (Coming soon, a major motion picture?)

— UNC Chapel Hill historian Marcie Cohen Ferris and Durham author Eli Evans are among those weighing in on the question “Did Harper Lee Whitewash The Jewish Past?”

— Death noted: Alton Stapleford, creator of Kinston’s CSS Neuse II.

— Controversy over a dormitory at the University of Texas at Austin named for a Klansman recalls a similar issue at Chapel Hill.

— Can’t pass up a chance to mention Frying Pan Shoals, especially when the link includes such comments as “An offshore light that resembles a drill rig is not a prime sale item” and “One of the nice things about living in America is that an average guy like me can take on a half-crazy project like this.”

Betty Smith, inventor of the ‘beat cop’?

“Over the course of my career [as police chief in New York, Philadelphia and Miami, the lament I heard repeatedly from citizens was] ‘the only thing I really want is a cop on the beat, like the guy who patrolled the streets when I was growing up.’

“I found this lament was not of recent vintage…. My research [finally] took me to Hollywood, where I think I found our missing beat officer. His name was Officer McShane. He walked a foot beat in the 1945 movie ‘A Tree Grows in Brooklyn.’ Officer McShane knew the problems of the people on his beat intimately. He was around day and night, and he looked after the neighbors on his beat, including the family with the alcoholic father and exasperated wife and two adorable little girls. Eventually and predictably, the father dies from his affliction and Officer McShane is there to ease the widow’s pain….

“Yes, I found the beat officer, or should I say, I found the myth…. It is the job of every police officer and every police chief to help make the myth a reality, or at least make the ideal a goal.”

— From “Beat Cop to Top Cop” by John F. Timoney (2010)

Perfectly cast as McShane in the movie version of Betty Smith’s novel: Lloyd Nolan (no relation to the protagonistic Nolans).

Tip o’ the Miscellany mortarboard to delanceyplace.com

The Nash-Hooper House, Hillsborough, NC

nashhooperhouse

The postcard above shows an image of the Nash-Hooper House in Hillsborough, NC. William Hooper, a Revolutionary War hero and signer of the Declaration of Independence, moved into the Nash house in 1782.

The caption on the back of the postcard alerted us that Inglis Fletcher featured the Nash-Hooper House in two of her novels.  These novels are from Fletcher’s fabulous historical fiction series, “The Carolina Series,” documents events and people in North Carolina’s early beginnings.  These novels have been reviewed on our sister blog, Read North Carolina Novels, and you can read the reviews here:

  • The Wind in the Forest
  • Queen’s Gift
  • W.E.B. Du Bois and Durham

    Did you know that W.E.B. Du Bois was so impressed with booming African American business and commerce in early twentieth century Durham, he wrote an essay about it?

    “Du Bois’s essay ‘The Upbuilding of Black Durham'[…]sounds a hopeful note, praising a North Carolina town in which a flourishing black middle class had developed robust manufacturing and service sectors without white interference. Based on his first-hand observations, Du Bois describes a bevy of black-owned businesses including grocery stores, barber shops, drug stores, a bank, ‘a shoe store, a haberdashery, and an undertaking establishment,’ as well as factories that produced ‘mattresses, hosiery, brick, iron articles, and dressed lumber’ (pp.334-335). He praises the industry and thrift of Durham’s African American residents, noting that they own ‘a half million dollars’ worth of property,’ though their ‘pretty and well-equipped homes’ show ‘no evidence of luxury.'”

    Read more about what the Harvard-educated African American activist, historian, and sociologist had to say about Durham in Documenting the American South’s monthly highlight.

    Visualizing NC’s Literary Landscape

    UNC Greensboro and the North Carolina Center for the Book have collaborated to develop their new Web-based tool, A Literary Map of North Carolina.  You can use the map to browse by geographic location, author, or genre.

    literarymap

    The comprehensive project includes works (fiction, biographies, histories, poetry, plays, and children’s literature) written about North Carolina, works set in North Carolina, and works by authors who were born in North Carolina, who live or have lived in North Carolina, or who have written about North Carolina.

    …  And don’t forget to visit NCM’s sister blog, Read North Carolina Novels!

    Were-cheetahs in Charlotte!

    Shape-shifters in Durham. Mobsters in Wilmington. Biker gangs in Wake County. Women on the run in North Carolina mountains. Lots of romance on the coast. Readers of our sister blog, Read North Carolina Novels, know that North Carolina has been the setting for all kinds of fictional tales. Just as the themes and subject matter of these novels have been all over the map, so have the locations-almost. Try as we might, we have not found a novel for each of our 100 counties. Gentle readers, can you help us? Take a look at this list, and let us know if you’re aware of a novel set in any of these counties:
    Alexander, Alleghany, Beaufort, Camden, Cherokee, Columbus
    Franklin, Gates, Greene, Harnett, Lee, Lenoir, Lincoln
    Mitchell, Perquimans, Pitt, Stokes, Union, Vance, Washington, Yadkin.

    R.I.P, newsprint? How great a loss?

    “It made me furious, it filled me with both hatred and pity, and it made me ashamed. Some one of us should have been there with her! I dawdled in Europe for nearly yet another year, held by my private life and my attempt to finish a novel, but it was on that bright afternoon that I knew I was leaving…

    “I could, simply, no longer sit around in Paris discussing the Algerian and the black American problem. Everybody else was paying their dues, and it was time I went home and paid mine.”

    —Writer James Baldwin, recalling his reaction to seeing in the news kiosks along Boulevard Saint-Germain the image of Dorothy Counts being spat on as she entered Harding High School in Charlotte in 1957. (Observer photographer Don Sturkey’s negatives from that day belong to the North Carolina Collection.)

    As someone who began work for newspapers in the lead-type era, I have to wonder: Would Baldwin have been so viscerally moved by seeing Counts’ image online?