African American – Page 4 – Southern Sources

Founded in 1865: African American Churches at the End of the Civil War

This year marks the close of the Sesquicentennial (150th) commemoration of the American Civil War, but it also marks the anniversary of the founding of many important institutions in the African American community, as many black churches trace their origins to this time around the end of the Civil War.

Prior to Emancipation, white southerners exerted control over African Americans in nearly every sphere of society, including religious worship. Slaves and free people of color were treated as second-class members of most churches, relegated to sitting in balconies or galleries of many churches, without much say in church affairs. Also, during slavery, many sermons were layered with messages emphasizing the obedience of slaves to their masters. But as freedom took hold for African Americans through Emancipation after the Civil War, many congregations began to split along racial lines and the institution of separate black churches emerged.

As a result of the Civil War, more than 300,000 formerly enslaved people in North Carolina —roughly a third of the state’s population—gained their freedom. Over 5,000 of these freedmen were in Orange County, with over 400 of these individuals in the town of Chapel Hill. There was great upheaval and movement as many of the newly free left their former masters and mistresses. Several first hand accounts of the war’s end describe an exodus of African Americans from the town. The same accounts indicate that some of those who left later returned.

Here in Chapel Hill, at least two historically African American churches were founded around the end of the war: St. Paul A.M.E. Church (founded in 1864) and First Baptist Church (1865).

The Southern Historical Collection preserves an important piece of the story of the founding of First Baptist Church, within the minute books of the University Baptist Church. The congregation of the University Baptist Church (which was simply called the Baptist Church back then) included white members, enslaved men and women, and free people of color.

An entry in these minute books, dated September 3, 1865, states, “On motion it was unanimously voted that the colored patrons of this church be allowed to withdraw from the church and organize a church to themselves.” Several pages later in the minutes, it was also noted, “Four members have been dismissed by letter besides sixty-one colored members dismissed in September for the purpose of forming a separate church. This separate church, known as the Colored Baptist Church of Chapel Hill, is now in an acceptable operation and hopes are entertained of its doing well.”

ubc_p — “List of Col. Female Members, C.H. Baptist Ch.,” from University Baptist Records, #4162, Southern Historical Collection, Wilson Library, UNC Chapel Hill.

The congregation of the new Colored Baptist Church initially met in an old schoolhouse on Franklin Street in Chapel Hill, known as the “Quaker Building,” until a church building could be built. Rev. Eddie H. Cole served as the church’s first pastor. The church changed names several times over the years, from Colored Baptist Church to First Baptist Church, then to Rock Hill Baptist Church and then back to First Baptist Church. This September will mark the 150th anniversary of the founding of First Baptist Church in Chapel Hill.

J. Eugene Grigsby, Jr.: Artist and Teacher

Guest Poster: SHC Student Worker, James A. Moore (UNC Class of 2015)

We here at the Southern Historical Collection are ecstatic to announce the opening of a new art exhibition in the library at the Sonja Haynes Stone Center. The exhibit, which is entitled, Selected Works of J. Eugene Grigsby, Jr: Returning Where the Artistic Seed was Planted, commences April 1 and will be open to the public through June 30. There will also be a reception on April 1^st in the Stone Center Library from 5:00-6:30 at which anyone is welcome, and no RSVP is required.

Born in Greensboro, N.C., J. Eugene Grigsby, Jr. earned his Bachelor’s Degree in art from Morehouse College in 1938. From there he went on to attain art degrees from Ohio State, New York University, Arizona State University, the American Artists School in New York City, and the Ecole des Beaux Arts in Marseilles, France. Throughout this time, J. Eugene Grigsby, Jr. became the object of artistic praise and admiration, running in the same circles as the most talented African-American artists in the United States.

Aside from J. Eugene Grigsby, Jr.’s obvious passion for producing art, Grigsby also possessed a passion for teaching art. Starting in 1946, Grigsby took on the daunting task of creating an art department for the African-American students at the segregated Carver High School in Phoenix, Arizona. Once Carver closed in 1954 (due to the Brown v. Board of Education case which outlawed segregated schools) Grigsby chaired the Art Department at Phoenix Union High School until 1966, when he would move on to become a professor in the School of Art at Arizona State University and retire as a Professor Emeritus of Art Education.

To commemorate J. Eugene Grigsby, Jr.’s invaluable work as an educator, and highlight the immeasurable influence he had on all of his students, we here at the SHC have selected various materials from Grigsby’s teaching career. If you would like to learn more about the life and work of J. Eugene Grigsby, Jr., feel free to look up his collection in the SHC, check out his upcoming exhibit at the Sonja Haynes Stone center, or join us at the exhibit’s opening reception on April 1^st from 5:00-6:30 in the Stone Center Library.

A final exam from an"Art Appreciation" class taught by J. Eugene Grigsby Jr., undated. J. Eugene Grigsby collection (#05295) — A final exam from an”Art Appreciation” class taught by J. Eugene Grigsby Jr., undated. J. Eugene Grigsby, Jr. collection (#05295)

Photo of Juanita Eddings, student of J. Eugene Grigsby Jr from Carver High School., showcasing a ceramic which she won an award for. — Photo of Juanita Eddings, student of J. Eugene Grigsby Jr from Carver High School., showcasing her award-winning ceramic plaque. March 1, 1953. J. Eugene Grigsby, Jr. Collection (#05295)

Eatonville, Florida: A Vital History

Contributed by Bryan Giemza, Director of the Southern Historical Collection

As part of the Collection’s ongoing work with the Historic Black Towns and Settlements Alliance, I visited the historic town of Eatonville, Florida in December. In recent days the town commemorated the legacy of one of its notable residents, as the Zora! Festival celebrated the life and work of writer Zora Neale Hurston. Professor William Ferris delivered a keynote address there, and attendees had the opportunity to soak up some of the atmosphere and remarkable local culture of a town that has retained its distinctiveness through the years.

A 2008 New York Times article gives a sense of the town and its atmosphere; I had a chance to visit some of the places and people it mentions. Stepping into Eatonville is transporting. Against all expectation, with the suburbs of Orlando at its doorstep and the interstate visible from the town center, Eatonville has survived the fragmentation common to many small southern towns. If Eatonville retains a small-town atmosphere, it is also mindful of deep history. Town residents told me of the sacrifices entailed in protecting those legacies; where they have succeeded, one said, is because the townspeople “have a backbone.” Eatonville is permeated with a sense of the importance of history as well as its fragility.

From the first, Mayor Bruce Mount and his staff were gracious hosts. Mrs. Maye St. Julien shared insights into town history and her life story was fascinating in its own right. The City Hall houses many artefacts and keeps the minutes of its meetings, dating back to the mid-twentieth century (many earlier records were lost to a fire). We were warmly received by Ms. Hortense Jones of St. Lawrence A.M.E., who opened the chapel, its walls brightened by the J. Andre Smith murals that incorporate scenes from local life. The paintings offer a kind of primer to fire a child’s imagination, with inscriptions such as “And when I am thirsty He brings me a bowl/Of life-giving water to sweeten my soul.”

Mayor Mount walking from the Moseley House (not visible), with St. Lawrence A.M.E. at center.

From the standpoint of historic preservation, there is much to sweeten the soul in Eatonville. I viewed the guest book of the Household of Ruth, and saw on its pages many names familiar from Zora Neale Hurston’s life and her writing. We enjoyed lunch at the restaurant owned by former mayor Abraham Gordon, Jr., and toured the Moseley House, which brims with period artefacts that reflect the careful stewardship of Hurston’s own Zeta Phi Beta sorority. Later we toured the school on the grounds of the Hungerford Institute, now closed, and gleaned a sense of its importance to the community. At various times during the day I benefitted from the archival perspective and generosity of Mrs. N.Y. Nathiri, and was privileged to meet her mother, Ms. Ella Dinkins, who at ninety-seven years of age remembered town history with unfailing clarity.

Mrs. N. Y. Nathiri — Mrs. N.Y. Nathiri displays artefacts in the home of Mrs. Ella Dinkins.

The day came to a fitting and memorably powerful end with a chance to walk the grounds around Mrs. Louise Franklin’s home. With a catch in his voice, her son explained how the family had held that had been purchased against all odds. It had long served as an oasis for black life—social gatherings, picnics, campouts, baptisms, community fellowship—in spite of segregation’s long grind. This history was made tangible, for example, in the lanyards that dangle where lanterns once glowed from tree branches, and in the planks that had served as simple benches, now overgrown by the trees. Seeing and touching that history made it real to him (and to me), and brought home the importance of conserving it.

Mrs. Franklin shows one of the benches on her historic and storied property.

The visit was also a reminder of how fortunate the Southern Historical Collection is to work in partnership with communities that are using their unique heritage to support campaigns of renovation and preservation, as the HBTSA charter states, “such that those who follow will have the ability to assume active stewardship to understand, interpret and appreciate these historic places through the lenses of their inhabitants.” These projects require the talents of community members, students, and future archivists, and so we were grateful to have a chance to tell others about the work of HBTSA at a breakout session during the recent TEDx UNC conference. My good colleague Chaitra Powell and I shared information with attendees about the Historic Black Towns and Settlements Alliance (HBTSA), the summer fellowships in the towns sponsored by UNC’s Center for the Study of the American South, and the forthcoming ThatCamp Community Archives conference at UNC. We hope that the conference will contribute to the energy and creativity surrounding HBTSA and serve other communities as well.

Chaitra Powell shares information about the Historic Black Towns and Settlements Alliance and ongoing SHC projects at TEDx UNC.

SHC All-Star: John Hope Franklin

John Hope Franklin (photographed by Dan Sears) as featured in "African Americans and Segregation" portion of The Carolina Story: A Virtual Museum of University History — John Hope Franklin (photographed by Dan Sears) as featured in “African Americans and Segregation” portion of The Carolina Story: A Virtual Museum of University History

John Hope Franklin would have been 100 years old on January 2, 2015.

On this campus, we like to take a lot of pride in a well, sometimes I like to think of the curatorial work as building a well for present and future historians. The increased breadth and depth of our collecting will yield more satisfied and refreshed researchers. I admire John Hope Franklin because he was looking into wells that did not reflect his face, on property which he was not welcome to occupy; and drew conclusions that we still rely on today. More information on the treatment of African American scholars in public archival research spaces can be found in Alex Poole’s American Archivists article, The Strange Career of Jim Crow Archives: Race, Space, and History in the mid-20^th century American South.

John Hope Franklin signature in the Southern Historical Collection Registration Book (University Archives, #40052)

Among many of Franklin’s accomplishments, including degrees from Fisk University and Harvard University, teaching at St. Augustine’s (Raleigh, NC), University of Chicago, North Carolina Central University and Duke University; as well as numerous volumes on American, Southern, and African American history; I think that his involvement with the Southern Historical Association (SHA) is one of the highlights. It boggles my mind that in 84 years since emancipation, no descendant of a slave could stand up among scholars and talk about Southern history. In 1949, Franklin accepted his colleague, C. Vann Woodward’s request to be the first African American on the program at the SHA annual meeting. In his oral history session, Franklin reflects on the group’s concerns about where he would eat and sleep as well as if he would have the gall to stand at a podium and “talk down” to the white people in the audience.

Even after the presentation went on without any problems, racist historians continued to exclude black scholars in implicit and explicit ways. As the number of brilliant yet exiled historians began to mount (Franklin, Savage, Wesley, and Bacote), SHA leadership decided to re-locate the 1953 Knoxville meeting to a place where everyone could participate. The move to integrate the SHA was swift, which made Woodward and Franklin take notice. According to Woodward biographer, John H. Roper, the subsequent conversations among the scholars led to Woodward’s premise on the escapability of Jim Crow, which led to the seminal text, Woodward’s, The Strange Career of Jim Crow, published in 1955.

John Hope Franklin, President of the Southern Historical Association, 1971 (Southern Historical Collection, #04030)

More information on John Hope Franklin and his extraordinary career can be found in the following collections within the Southern Historical Collection:

John Hope Franklin Oral History (#04007: A-0339)

John Herbert Roper Papers (#04235)

Southern Historical Association (#04030)

Throughout 2015, major libraries in the Triangle including Durham Public Libraries, North Carolina Central University, and Duke University will be honoring the legacy of John Hope Franklin. More information on these events can be found here.

Next Stop: The Great State of Alabama

The documentation of African American “spaces and places” has been identified as a goal of the Southern Historical Collection, and to that end we have successfully partnered with the Historically Black Towns and Settlements Alliance (HBTSA). We are working with the leaders and community members of various towns to help them leverage their impressive histories to generate cultural tourism and a sense of pride among their citizens. The SHC curatorial team has made visits to these towns to examine archival materials for research and historic value, as well as making recommendations about preservation and potential community documentation initiatives.

Façade of New Hope Baptist Church, Hobson City, Alabama

In the second week of December 2014, I had the pleasure of visiting both Hobson City and Tuskegee, Alabama.

Hobson City, Alabama was founded in August 1899 by a group of African Americans when they were politically excluded from the neighboring town of Oxford, Alabama. This made Hobson City the first all Black municipality in Alabama. Through changes in society, industry, and the economy; the town has maintained itself for 115 years. My hosts shared with me the incredible significance of the Calhoun County Training School, the five local churches, and Holloways (a club that was a stop on the illustrious chitlin circuit). One of the highlights of the trip was the delicious barbeque ribs and coleslaw from Brad’s BBQ!

(l-r) Carthell Green, Mayor Alberta McCrory, and Barnard Snow, looking at artifacts in Hobson City

Artwork near the mayor's office in the municipal complex, Tuskegee, Alabama — Artwork near the mayor’s office in the Municipal Complex, Tuskegee, Alabama

I thought that I knew a lot about Tuskegee; starting with the University, Booker T. Washington, George Washington Carver, the Tuskegee Airmen, and the Syphilis Experiment. While all of these elements are commemorated in museums and archives, there is a history of a community in Tuskegee that is not very well known. In the 1923, a Veteran’s hospital, staffed by Black doctors and nurses, was established to care for Black soldiers who fought in World War 1. Dyann Robinson, formerly of the Dance Theater of Harlem is the artistic director of the Tuskegee Repertory Theater. Deborah Grey is the director of the Tuskegee Civil and Human Rights and Multicultural Center which tells the story of Tuskegee from the original indigenous inhabitants to the election of its first Black mayor, Mr. Johnny Ford, in 1972.

Chaitra and Mayor Johnny Ford stand in the middle of the Tuskegee History Committee and various city officials, Tuskegee, Alabama

Both visits were incredibly informative and signal the beginning of a long series of partnerships between the Southern Historical Collection and diverse communities throughout the American South.

Breaking New Ground – now online with the Southern Oral History Program

This post was contributed by Adrienne Petty.

Three years ago, historians Mark Schultz and Adrienne Petty set out on an urgent mission to record the stories of African American farm owners. Time was of the essence. Land ownership among African Americans peaked during the early twentieth century and continues to decline. Fearful of losing their stories forever, Schultz, a professor at Lewis University, and Petty, a professor at the City College of New York, led a team of undergraduate and graduate students from universities throughout the South in collecting and preserving digitally recorded oral history interviews for their project, “Breaking New Ground: A History of African American Farm Owners Since the Civil War.” The fruits of their labor are now available on the Southern Oral History Program site. Funded by a $230,000 collaborative research grant from the National Endowment for the Humanities, the collection includes more than 300 interviews with black farm owners and their descendants from Maryland to Oklahoma. The collection covers a range of topics related to farming, landownership and post Civil War U.S. history, including Reconstruction, the Great Depression, the world wars, the Civil Rights Movement, and the contemporary black farmers’ activism.

The goal of “Breaking New Ground” is to explore how rural black families “made a way out of no way” and became farm owners against considerable odds, how land ownership affected their experience of the Jim Crow era, and how their privileged positions shaped the destinies of their descendants. We want to ask, How did some black farmers acquire land? Did land ownership empower African Americans in the racially segregated South? How did African American land ownership differ in different parts of the region? What was their legacy? Answers to these questions and others will deepen our understanding of an essential, but overlooked, element of southern history.

Adrienne Petty is a descendant of black farm owners and is currently working on a book entitled, Standing Their Ground: Small Farm Owners in the South. Mark Schultz, author of The Rural Face of White Supremacy: Beyond Jim Crow, has recorded hundreds of interviews with Georgians, many of which are already in the SOHP collection at the Southern Historical Collection in Carolina’s Wilson Library.

We hope that the oral histories we collect as part of this project will not only lay the foundation for a history monograph that fills a glaring gap in the scholarship, but also creates a rich resource for historians, students, teachers, and researchers of all kinds.

You can access the 300+ interviews from this project in the SOHP database here.

Daniel Webster recommendation letter on behalf of former slave Paul Jennings

Paul Jennings was born a slave at Montpelier, James and Dolley Madison’s Virginia plantation home, in 1799. He served as President Madison’s personal body servant before and during Madison’s time in the White House. Jennings was with Madison when he died in 1836. Struggling financially after her husband’s death, Dolley Madison eventually sold Paul Jennings to an insurance agent for $200. Senator Daniel Webster interceded and bought Jennings from the agent for $120. Webster then arranged for Jennings to work to purchase his freedom, which Jennings obtained in 1847.

Recently, archivists in the Southern Historical Collection re-discovered a short recommendation letter written in 1851 by Daniel Webster on behalf of Paul Jennings. The letter is filed with the SHC’s Alfred Chapman Papers (#1545). We have now updated the description in the finding aid to make specific mention of this letter. Please see below for a scan and transcription of Webster’s letter.

For a more complete history of Jennings’s life, please see:
A Slave in the White House: Paul Jennings and the Madisons, by Elizabeth Dowling Taylor (New York: Palgrave Macmillan, 2012).

*****

Item description: Recommendation letter, dated 23 June 1851, written by Daniel Webster (1782-1852) about his former slave, Paul Jennings (1799-1874).

Item transcription:

Paul Jennings was a servant in our house, for a considerable time. We think him very honest, faithful and sober; and a competent dining room servant. Formerly he was body servant to Mr. Madison.

Daniel Webster
June 23, 1851

Item citation:

From folder 3 of the Alfred Chapman Papers, #1545, Southern Historical Collection, The Wilson Library, University of North Carolina at Chapel Hill.

New Collection: Lewis Family Papers, #5499

We are pleased to announce that the newly acquired Lewis Family Papers (SHC #5499) collection is open and available for research. For more about this collection, please view the finding aid. Here’s a brief summary…

The Lewis family arrived in Raleigh, N.C., in 1923, when John D. Lewis Sr. took a job as a district manager for North Carolina Mutual Life Insurance Company of Durham, N.C. He and his wife, Luella Alice Cox Lewis, and their two children, J.D. Lewis (John D. Lewis Jr.) (1919-2007) and Vera Lewis Embree (1921-2004), lived in southeast Raleigh and were members of First Baptist Church. J.D. Lewis was a Morehouse College graduate, one of the first African American members of the United States Marine Corps, and the first African American radio and television personality, corporate director of personnel, and director of minority affairs for WRAL of the Capitol Broadcasting Company (CBC). J.D. Lewis also worked as the special markets representative for the Pepsi Cola Bottling Company; as the project director of GROW, Incorporated, a federally funded program for high school dropouts; and as the coordinator of manpower planning for the state of North Carolina. Lewis was active in many civic and community organizations as well. Vera Lewis Embree (1921-2004) graduated from the Palmer Institute for Young Women and Hampton Institute. She built a successful and celebrated career as a choreographer and professor of dance at the University of Michigan. The collection consists of papers, photographs, and audiovisual materials that chiefly relate to J.D. Lewis’s working life and the civic and community organizations he supported. Lewis’s career is documented by materials from Capitol Broadcasting Company, including editorials he wrote and produced; GROW, Incorporated; Manpower; Pepsi-Cola Bottling Company; National Association of Market Developers; and the National Business League. Lewis’s civic leadership is evident in records of the Raleigh Community Relations Committee, which worked to integrate Raleigh public schools; political campaigns; and the Team of Progress, a group interested in political leadership at the city and county levels of government. Community organizations represented in the collection include the Garner Road YMCA; Alpha Kappa Alpha Debutante Ball; the Eastside Neighborhood Task Force; the Citizens Committee on Schools; Omega Psi Phi; and Meadowbrook Country Club, which was founded in 1959 by a small group of African American community leaders. Other materials document the Method Post Office dedication in 1965; the Montford Point Marine Association; and a youth charrette, possibly on integration of Durham schools. There are also clippings and printed materials on such topics as black power, African American history, Morehouse College, and Shaw University. There are several issues ofPerfect Home, a home design and decorating magazine published by John W. Winters, a real estate broker, home builder, city councilman, state senator, and civic leader. Family materials are mainly biographical and include newspaper clippings, funeral programs, school materials, awards and certificates, and photographs. There are a few family letters, including one from 1967 with a first-hand account of rioting on Twelfth Street in Detroit and a copy of a 10 January 1967 letter in which the Lewis family opposed the selection of Mark Twain’s Mississippi Melody for student performance on the grounds that it perpetuated stereotyped images of African Americans. Photographs include portraits and snapshots of four generations of the Lewis and related Cox families, documenting family life from the 1910s through the 2000s. There are non-family group portraits of Omega Psi Phi members of Durham, North Carolina Mutual Life Insurance Company employees on its 21st anniversary, and of unidentified groups at other civic and community events. There is one folder of J.D. Lewis photographs that depict him in various work contexts. Also included is a portrait of a young Clarence Lightner, who owned a funeral home business and later served as the first African American mayor of Raleigh. Audiovisual materials chiefly relate to J.D. Lewis’s work at Capitol Broadcasting Company/WRAL and his interest in African American community and history. Included are audiotapes of his editorials for WRAL; videotape ofHarambee, a public affairs program about the concerns of the general public and especially African Americans; audiotape of musical performances, possibly for Teen-Age Frolic, a teenage dance and variety show; audiotape of Adventures in Negro History, an event sponsored by Pepsi-Cola Bottling Company of Raleigh; and film of unidentified wedding and seashore scenes. Also included are several published educational film strips on African American history with accompanying audio.

Please click here to view the finding aid.

New Collection: Lewis Family Papers, #5499

Please click here to view the finding aid.

Four activists to be honored in Chapel Hill, SHC preserves documentation of their legacy

This Sunday, August 28, 2011, four names will be added to a plaque at Chapel Hill’s “Peace and Justice Plaza.” Yonni Chapman, Rebecca Clark, Rev. Charles M. Jones and Dan Pollitt will all be honored posthumously for their contributions to civil rights, social justice and equality in the Chapel Hill community. The ceremony will begin at 3pm in front of the Historic Chapel Hill Post Office on Franklin Street, just across the street from UNC’s McCorkle Place. For the full story, see the article, “Four Honored for Activism,” from the Chapel Hill News.

The Southern Historical Collection is proud to preserve a large body of material that documents the lives and legacies of these four activists, including:

Charles Miles Jones Papers – The collection includes correspondence, church documents and publications, clippings, and other items reflecting Jones’s ministry and concern for civil rights. Materials generally focus on his public rather than personal life with a special emphasis on the 1952-1953 investigation of his Chapel Hill Presbyterian Church ministry. General correspondence includes letters from supporters (among them Frank Porter Graham) and detractors, commenting on the investigation, Jones’s sermons, and several well-publicized actions in support of social justice causes.

Oral history interview with Rebecca Clark (1 interview available online via DocSouth’s Oral Histories of the American South project) – In this interview, Rebecca Clark recalls living and working in segregated North Carolina. She finished her schooling in all-black schools, so the bulk of her experience with white people in a segregated context took place in the work world. There she experienced economic discrimination in a variety of forms, and despite her claims that many black people kept quiet in the face of racial discrimination at the time, she often agitated for, and won, better pay. Along with offering some information about school desegregation, this interview provides a look into the constricted economic lives of black Americans living under Jim Crow.

John K. Chapman Papers (available Fall 2011) – This collection documents Yonni Chapman’s social activism and academic achievements, and offers an account of nearly four decades of progressive racial, social, and economic justice struggles in the central North Carolina region. Organizational materials, including correspondence, notes, newsletters and reports, document the activities of the Communist Workers’ Party, the Federation for Progress, the Orange County Rainbow Coalition of Conscience, the New Democratic Movement, the Freedom Legacy Project, and the Campaign for Historical Accuracy and Truth, among other organizations on the UNC-Chapel Hill campus, in Chapel Hill, N.C., Durham, N.C., Raleigh, N.C., and Greensboro, N.C. Workers’ rights and racial justice campaigns and commemorations, including those of the Greensboro Massacre and the campaign to end the Cornelia Phillips Spencer Bell Award on the UNC-Chapel Hill campus, are documented in paper, audio, visual, and photographic formats.

Daniel H. Pollitt Papers (available Fall 2012) – This collection documents Dan Pollitt’s distinguished career as an attorney, professor in the University of North Carolina Law School, and civil rights activist in the American South. The collection documents Pollitt’s activities with a number of organizations, including: the National Labor Relations Board, the National Sharecroppers Fund, the NAACP, the North Carolina Civil Liberties Union, the American Association of University Professors, the Rural Advancement Fund, and other organizations. Material also covers Pollitt’s involvement with the Speaker Ban controversy at the University of North Carolina, his opposition to the death penalty in North Carolina, issues of congressional misconduct, and many other legal and ethical matters.

Oral history interviews with Daniel H. Pollitt (13 interviews, many of which are available online via DocSouth’s Oral Histories of the American South project)