Silent Sam Under Fire Again

Postcard of dedication of Silent Sam
Unveiling of Confederate Monument, June 2, 1913
The monument to the Confederate dead on the UNC-Chapel Hill campus, commonly known as Silent Sam, was the site of protest yesterday. Leaders of the Real Silent Sam movement seek to draw attention to the monuments and buildings on campus that honor people and ideals that they consider non-representative of today’s students and their views.

Want some background before you form an opinion? Our collections include speeches from the dedication and newspaper coverage of Silent Sam over the years–both the praise and the criticism.

Bettie Jackson London spoke on behalf of the United Daughters of the Confederacy.

Industrialist Julian Carr, a UNC trustee and Confederate veteran, also delivered a speech. You can read the first few pages by going here, selecting item 93 and then clicking next within the blue band at the right of your screen until you reach item 100. An additional 12 pages are here. Select item 101 and click next within the blue band on the right. I know. We don’t make it easy. But the speech is worth the effort.

Fun and Worship in the N.C. Mountains

Ridgecrest Worship Hour postcard
Lake Junaluska postcardStunt Day at Montreat postcard

As summer winds down, some children and families are returning from sojourns at their respective churches’ assemblies in the mountains. Presbyterians, Baptists and Methodists have been congregating at their mountain resorts since the turn of the 20th century. Presbyterians chartered the Mountain Retreat Association in 1897 and shortened the first two words of their organization to give name to their Buncombe County community, Montreat. Elsewhere in Buncombe County, Southern Baptists began working on Ridgecrest in 1907. And, inspired by summer assemblies they had attended at Chautauqua Lake, New York and Winona Lake, Indiana, Methodist leaders George R. Stuart and James Atkins pushed for their church to create a place for spiritual gathering in the South. The Southern Assembly, Inc. was formed in 1908 and shortly thereafter plans for Lake Junaluska, in Haywood County, were drafted.

In recognition of the long history of church assemblies in the N.C. mountains (and the recent addition of a number of postcards of Montreat and Ridgecrest to North Carolina Postcards), we present you with a few postcards recalling the early days of such gatherings.

Creative Education at Asheville’s Plonk School


On Monday we added more than 300 postcards of Asheville to our North Carolina Postcards online collection. You’ll find some intriguing images of the Biltmore Estate and the Grove Park Inn. But the postcard that caught my attention is the one above. Mind you, I wasn’t drawn to it because of the photo. Rather it was the title that piqued my interest. Was the Plonk School of Creative Arts for kids? Or adults? What did they teach at such a school? What did the “creative arts” entail at the time the postcard was published?

The Plonk School of Creative Arts was the brainchild of sisters Laura and Lillian Plonk of Kings Mountain. According to a 1964 profile in The Asheville Times, Laura was a 1910 graduate of Lenoir-Rhyne College, did post-graduate work at the Boston School of Public Speaking and received a teacher’s diploma from the School of Expression, also in Boston. Her career included stints teaching speech in Kings Mountain and “oral English and Dramatics” at Wheaton College in Norton, Massachusetts and at Curry College in Boston.

As befitting someone with her education and experience, Laura Plonk placed a great emphasis on speech and drama at the Plonk School. The school’s 1961 catalog suggests that “all the faculties of a child or a young person–mind, body, voice, spirit–must be awakened, trained and directed before a well-provinced and a rich and distinctive personality can be compassed and achieved.” In addition to reading and basic math, preschool-aged children were tutored in speech, Dalcroze Eurythmics, group singing, poetry and French. Children in the primary grades continued studying all of the above and also had classes in “character and spiritual training” to help them with “better school and social behavior.” A similar curriculum was offered for junior high and high school students with the addition of classes in art, math, science and history (the full catalog is below).

One student of the Plonk School was writer Gail Godwin, who spent much of her youth in Asheville. In an interview with Asheville journalist Rob Neufield, Godwin relates that the fainting spells suffered by Jane in her novel The Odd Woman were based on her experiences at the Plonk School. The writer says she didn’t actually faint at the school.

What was true was, there was a school in Asheville called the Plonk School of Creative Art. It was run by two sisters, Laura and Lillian Plonk . . . I couldn’t stand it . . . For one thing, they tried to get our accents out of us so we wouldn’t speak like hillbillies. You’d have to say, “I never saw a purple cow.” Cow, not caih-ow.

Godwin’s mother, Kathleen, occasionally taught at the school. In a 1989 essay, the writer recalls that her mother “taught Drama or Poetry or Creative Writing, or whatever the autocratic Miss Laura Plonk, who thoroughly believed in Kathleen’s versatility, decided needed teaching that day.” Kathleen Godwin also taught at Asheville’s St. Genevieve’s Junior College, which had a grammar school tied to it. And it was to that school that the younger Godwin fled from the rigid speech lessons of the Plonk sisters.

The Plonk School began as the Southern Workshop, a program offered as a summer term in an Asheville public school in 1924. Five years later the sisters opened the Grove Park School. And in 1939, the Grove Park School and the Southern Workshop merged to become the Plonk School of Creative Arts. The school was at several sites. The building in the postcard above is at 1 Sunset Parkway. That site is now home to Zion Ministries Inc. We were unable to find a date for when the school closed. Laura Plonk died in March 1966 and Lillian died in June 1979.
First page of Plonk School catalog

The best hot dog in Wilson

Postcard of Dick's Hot Dogs
It’s lunch time as I write, so I’m thinking with my stomach. And my stomach is wishing that it and the rest of my body was in Wilson. Today’s Raleigh News and Observer features a mouth-watering article about one of Wilson’s culinary treasures. Sadly, work keeps me here in Chapel Hill today. But the next time I’m on the road in Wilson County, I plan to check out Dick’s Hot Dog Stand.

The postcard above and the three photos below (from Wilson Public Library and available to you via the North Carolina Digital Heritage Center website) provide you with a look at Dick’s inside and out.
http://library.digitalnc.org/u?/ncimages,3810
http://library.digitalnc.org/u?/ncimages,3811
http://library.digitalnc.org/u?/ncimages,3786

Unfortunately we don’t have a photo of the secret to Dick’s longevity. You’ll need to check out the N&O’s image gallery to see a Dick’s hot dog.

Time to eat!

New Photographic Collection Finding Aids: P73: North Carolina Railroad Station Photograph Collection and P74: Albertype Co. Collection of North Carolina Photographs

Greetings from the North Carolina Collection Photographic Archives Technical Services!

We are pleased to announce that two new collections containing images from vast areas of N.C. now have finding aids containing enhanced arrangement and description.

Both of these collections were originally part of the North Carolina County Photographic Collection (P0001), but each is now an independent collection.

The two new collections are:

P73: North Carolina Railroad Station Photograph Collection
–Brand new EAD finding aid; Enhanced arrangement/description
–69 digital images in Digital NCCPA and available via the finding aid

The North Carolina Railroad Station Photograph Collection consists of 66 images of North Carolina railroad stations. Images depict railroad stations in over 40 counties in North Carolina and consists of photographic prints made from images taken by unidentified photographers. Materials are arranged by location, and many descriptions include the name of the railroad company that owned or managed the stations.

P74: Albertype Co. Collection of North Carolina Photographs
–Brand new EAD finding aid; Enhanced arrangement/description

The Albertype Co., headquartered in Brooklyn, N.Y., produced postcards and other printed materials from 1890 until 1952. The company utilized a specific photomechanical processes process invented by Joseph Albert in Australia in the late 1860s, which was an improvement on the collotype photographic process. The company had teams of photographers who traveled across the United States taking and buying images depicting people, places, and activities in all parts of the country. A majority of the images were published as postcards and marketed to be sold in the locales depicted in the images. The images in this collection, circa 1900-1930s, depict buildings, monuments, people, and scenes in a number of cities and towns across North Carolina in over 50 different counties. Included are black-and-white photographic negatives (original and duplicates) and black-and-white photographic prints.

Several of the negatives found in The Albertype Co. Collection of North Carolina Photographs (P0074) were used to created postcards that can be found in two other collection in the North Carolina Collection Photographic Archives: The Durwood Barbour Collection of North Carolina Postcards (P0077) and the North Carolina Postcard Collection (P0052).

Digital versions of many of the postcards from both of these related collections can be viewed at http://www.lib.unc.edu/dc/nc_post/index.php

Enjoy!

-NCCPA Technical Services

The Short Lived Monument to Elisha Mitchell

Mitchell Monument
Today marks the 154th anniversary of the date on which Elisha Mitchell is believed to have died. Mitchell, a professor at UNC, fell about 40 feet to his death after apparently slipping on a precipice by a waterfall that now bears his name. The UNC professor was in Yancey County to measure the altitude of a mountain then known as Black Dome. Mitchell had recently come under attack from Congressman Thomas Lanier Clingman for his claim that Black Dome was the tallest peak in the eastern United States. Clingman claimed that another mountain in the Black Mountain range was taller.

Mitchell was last seen alive at about noon on June 27, 1857. He dismissed his son Charles, who had accompanied him on the survey trip, and told him that he would meet him two days later. While Charles Mitchell headed toward an inn in a nearby valley, his father set out in the opposite direction to meet guides who had worked with him on a survey of the peak in 1844. When Elisha Mitchell did not appear for the rendezvous with his son, local residents mounted a search party and scoured the mountain. Mitchell’s body was found July 8 at the base of what is now known as Mitchell Falls. His claim to having identified the tallest peak was later borne out and the 6,684 foot mountain today bears his name.

Although originally buried in Asheville, Mitchell’s body was re-interred at the top of Mount Mitchell in June 1858. The burial site was marked by a simple cairn until 1888 when the monument pictured in the postcard was erected. Fabricated of white bronze in Connecticut, the memorial was packed in seven cases weighing a total of 1, 041 pounds and transported by train and wagon to a spot about 10 miles from the peak in early August. The nine-piece monument was then unpacked and fastened to poles so that a team of men could carry it the remainder of the way to Mitchell’s grave. On August 8th the group was forced to abandon a “wigwam” in which they were sleeping and take shelter under a rock overhang as a violent thunderstorm raged overhead.

Describing the storm several months later in a speech published in The University Magazine, team member William B. Phillips wrote:

The thermometer fell to 40 degrees F., the wind blew with a violence unknown in these lower regions, while the incessant and blinding sheets of lightning lit up the sombre gorges to right and left and before with lurid and ghastly flames, and each neighboring peak echoed in thundering reverberations the shoutings of the great storm king….

On Thursday, August 9th, however, the sun rose majestically from behind the sharp outline of the Pinnacle, gazed for a moment upon that cowed and shivering group and then betook himself to his daily task of warming and beautifying the earth.

The monument was erected and the last screws of the inscription plate turned on August 18. The plate reads:

Here lies in hope of a blessed resurrection the body of the Rev. Elisha Mitchell, D.D., who after being for 39 years a Professor in the University of North Carolina, lost his life in the scientific exploration of this mountain in the 64th year of his age, June 27, 1857.

Phillips writes that no ceremony marked the erection of the monument. His account of the transport and building of the memorial was delivered as a speech at UNC in October 1888. Phillips closed his address with these words:

This simple bronze monument will stand for many generations, overlooking the beautiful valley of the Catawba and the Estatoe, fronting the graceful outlines of the Linville Mountains and Grandfather, marking the spot where repose the remains of a great and good man, whose example shineth ever more brightly, and whose memory will ever be cherished at this venerable seat of learning, so dear to him, so full of memorials of one of the wisest and best of teachers. Si monumentum queris, circumspice!

While Elisha Mitchell is remembered in numerous ways today–the mountain, the waterfall, a building at UNC and the state’s scientific society–the monument pictured above lasted just 27 years. A victim to defacement by “irreverent visitors” (in the words of former Governor Locke Craig), the bronze memorial was blown down by the wind in January 1915. However, a plaque bearing the inscription cited above sits at the base of the observation tower on Mount Mitchell. Could it be the original?

A Veterans Day Look Back at “The Great War”

In honor of Veterans Day, let’s take a look back at North Carolina’s involvement in World War I:

“North Carolinians and the Great War”

“‘North Carolinians and the Great War’ examines how World War I shaped the lives of different North Carolinians on the battlefield and on the home front as well how the state and federal government responded to war-time demands. The collection focuses on the years of American involvement in the war between 1917 and 1919, but it also examines the legacies of the war in the 1920s.”

You can also take a look at the following postcards from the World War I-era from the North Carolina Postcards digital project:

World War, 1914-1918 — North Carolina

New Towns on NC Postcards

During the month of May, we uploaded quite a few new towns to the North Carolina Postcards digital collection.  Be sure to check them out below:

Dixonville, Wayne County
Fremont, Wayne County
LaGrange, Lenoir County
Lake Phelps (aka Lake Scuppernong), in Washington and Tyrrell Counties
Salvo, Dare County
Sharpsburg, in Edgecombe, Nash, and Wilson Counties
Singletary Lake, Bladen County
Skyland, Buncombe County
Snow Camp, Alamance County
Wise, Warren County

We also recently uploaded a unique postcard of Raleigh.  The card below, Seeing Raleigh, was published in 1907, and shows a tour bus on front, with a space for a message and another image inside.  The inside of the card shows an automobile’s grill that features a fold-out strip of miniature postcards of various Raleigh sights!