Julius LeVonne Chambers (1936-2013)

Julius L. Chambers receiving The University Award

Julius L. Chambers receiving The University Award from Benjamin Ruffin, Chairman of the University of North Carolina Board of Governors, along with President of the University Molly Broad. Morton likely made the photograph during a banquet held on 8 November 2001. (Photographic negative —one of two—was labeled “Julius Chambers University Award”; persons in photograph identified and image cropped by author, and the date of the banquet comes from a program in the University Archives.)

Last Friday saw the passing of noted civil rights attorney Julius Chambers.  Chambers received his Juris Doctor degree from the University of North Carolina at Chapel Hill in 1962, graduating first in his class.  In 1964, he opened the state’s first integrated law firm in Charlotte. In 1965 he filed a desegregation lawsuit that became known as Swann vs. the Charlotte-Mecklenburg Board of Education.  The case rose to the United States Supreme Court, which ruled in his favor, in 1971.  The court’s decision led to the use of school busing as a vehicle to integrate schools nationwide.  Chambers would come to argue seven additional cases before the United States Supreme court, winning each time.

In 2001 the University of North Carolina Board of Governors honored Chambers with “The University Award” which Hugh Morton photographed.  The award recognizes the “illustrious service to higher education” and is the highest distinction of this nature that the university bestows.

An interesting side note: Hugh and Julia Morton received The University Award in 2003.

Mount Airy to Mayberry . . . Matlock to Manteo

It’s been a year since North Carolina said goodbye to one of its favorite sons.  It was Tuesday, July 3, 2012 that Andy Griffith died at his home in Manteo, a place where his acting career got an excellent start as Sir Walter Raleigh in Paul Green’s “The Lost Colony.” Morton collection volunteer and blog contributor Jack Hilliard takes a brief look at an American icon from Mount Airy, North Carolina.

Andy Griffith signing autographs in a crowd at the Wilmington, NC Azalea Festival in 1958.

It was Friday, February 13, 2004 when I attended the memorial service for Sarah Justice in Shelby, North Carolina.  At a reception following the service at The Church of the Redeemer, I had an opportunity to chat with my friend Hugh Morton who had just completed a book tour across the state.

“How is the book doing?” I asked.

“Pretty good,” he said.  “It’s selling far better that I ever thought it would.  You know I have really enjoyed meeting so many good Tar Heels during these book signings. I was in Manteo last week at a little book store.  I was just sitting there signing books when the next person in line stepped up to the table.  It was my dear friend Andy Griffith.”

Andy Griffith and Hugh Morton go back a long way.  All the way back to 1953 when Morton needed an entertainer for a banquet at the Carolina Inn in Chapel Hill. 
“Someone suggested a UNC graduate student who was active in the Carolina Playmakers,” said Morton in a 1982 interview.  “I was able to hire the student for 25 dollars and he performed a monologue called “What It Was, Was Football.”  He was known then as Andrew Griffith.  The crowd that night loved the routine that Griffith had written the year before and a couple of weeks later, Chapel Hill record producer Orville Campbell recorded it.  On November 14, 1953 Campbell released 500 copies of the tale and Griffith was on his way.

In January of 1954, Griffith’s new manager Richard O. Linke secured a live guest spot on the CBS-TV show Toast of the Town.  (That show would become The Ed Sullivan Show on September 25, 1955.)  It would be Andy’s introduction to live television.  His nervousness and his inexperience were clearly visible and the performance didn’t go over well.  Later Andy would say he had no recollection of his performance.

Griffith learned his live TV lessons well and on March 15, 1955 he starred in ABC-TV’s The United States Steel Hour production of No Time for Sergeants. This time the show was a hit and on October 20, 1955 the show opened on Broadway at the Alvin Theater. It would run for 796 performances and Griffith would be nominated for a Tony in 1956.  Playing the part of Corporal Manual Dexterity was Don Knotts who was making his Broadway debut as well.  Griffith and Knotts would become good friends . . . more on that later.  The show closed on September 14, 1957.

Next up for Griffith was the role of Larry “Lonesome” Rhodes in director Elia Kazan’s film A Face in the Crowd.  It debut in June 1957 and was another hit for Griffith.  Then in 1958 Griffith and company headed up the film version of No Time for Sergeants (watch the original trailer).  When the film opened at Greensboro’s Carolina Theater on July 5, 1958, Andy became an honorary citizen of the Gate City.

Andy Griffith was on a roll.

Andy Griffith, Dolores Gray, and Luther Hodges

Andy Griffith, actress Dolores Gray, with whom Griffith appeared in a 1959 Broadway production of “Destry Rides Again,” and North Carolina Governor Luther H. Hodges.

On April 23, 1959, he returned to Broadway for his first musical comedy Destry Rides Again.  That show would run for 472 performances at the Imperial Theater.  There was another Tony nomination for Andy.

Then, in the fall of 1959, Richard Linke called . . . this time about a possible TV show.
That show turned out to be The Andy Griffith Show, and was born during a series of meetings between Andy, Richard Linke, and Sheldon Leonard who was the producer of the highly successful The Danny Thomas Show, which, as it turned out, aired the Griffith pilot. (Watch the pilot—parts one, two, and three).  Between the pilot episode and the first Griffith show on October 3, 1960, Andy brought on board his old buddy Don Knotts to play Deputy Barney Fife.  As the TV sports guys would say “the rest is history.”  Sheriff Andy Taylor turned out to be the defining character for Andy Griffith and the show ran for eight seasons on CBS and continues to this day in reruns.

Following the final episode on April 1, 1968, there was a long dry spell for Andy Griffith.  Many mediocre movies and TV shows followed, but none came close to matching the success Andy had found in Mayberry, North Carolina.  Two divorces and a major health issue threatened to end his career, but Andy persevered.

It was in a 1984 NBC mini-series titled Fatal Vision that Andy caught the eye of NBC Entertainment President Brandon Tarnikoff and another gigantic TV series was born.  Andy became Benjamin Leighton “Ben” Matlock when the network broadcasted the television movie Diary of a Perfect Murder as the pilot for the TV series Matlock on March 3, 1986.   The first regular episode aired on September 23, 1986, and ran for nine seasons ending on May 7, 1995.  In 1989 Griffith brought the production to Manteo, the place where he would retire.

Andy Griffith and Governor Mike Easley at the dedication of the Andy Griffith Parkway, 2002.

Andy Griffith and Governor Mike Easley at the dedication of the Andy Griffith Parkway, 2002.

Andy Griffith returned to his hometown for the first time in 40 years.  Mount Airy held a dedication ceremony on October 16, 2002 in the parking lot behind City Hall.  Eleven miles of US Highway 52 became known as the Andy Griffith Parkway.  Andy, along with wife Cindi, was joined that day by his friends Dr. William Friday, Hugh Morton, and North Carolina Governor Mike Easley . . . along with more than 3,000 adoring fans.

Andy Griffith once said, “When I discovered I could entertain, I worked hard at it.  It’s the only thing I do well.  I can’t be a company director.  I can’t be an accountant.  I can’t make furniture, but I can entertain.”

I don’t know this for sure, but I believe that meeting with Hugh and Andy at the book store in Manteo in February of 2004 was their last meeting . . . that is until July 3, 2012 when I choose to believe Andy joined Hugh in a very special place.

 

The State of OUR STATE at 80

There’s going to be a special birthday party at the North Carolina Museum of History in Raleigh on June 8, 2013: Our State magazine will be 80 years old.  The celebration will begin at 11 AM and will include musical entertainment, exhibits, games and demonstrations.  A View to Hugh would like to congratulate Our State on this milestone.  Our volunteer contributor Jack Hilliard takes a personal look—through the filter of Hugh Morton’s lens—at some of the magazine’s fascinating history, which began as The State.
TheState_1948-12-04_coverMy first recollection of The State magazine was around Christmas time 1948 when I was visiting my grandmother.  She knew that Charlie Justice was my hero, so she had saved for me her copy of the December 4th issue, which featured a Hugh Morton cover picture of Justice following the ‘48 UNC vs. Duke game. I have been a fan of the magazine ever since that day.

At that time, the magazine was already 15 years old, but it was new to me and I didn’t know that there had been a previous cover with a photograph of Justice by Morton about a year before.  (I was able to get that earlier issue about 5 years later when I was working on a fund-raising scrap paper drive.)

Firts issue of THE STATE magazine

Cover of the first issue of THE STATE, June 3 1933. The North Carolina Collection has Carl Goerch’s personal copies of the publication for its first seventeen years.

WPTF (Raleigh) radio broadcaster Carl Goerch had started the magazine back in the late spring of 1933.  In the midst of the Great Depression he proposed a magazine that would be “a weekly survey of North Carolina, dedicated to cause people to be more appreciative of their state by becoming better acquainted with it.”  In order to publish his dream, Goerch needed advertisers, but times were tough so he told his prospective clients, “let me run an ad for you in the first four issues . . . if at the end of the month, you find that the publication isn’t worth anything, you can discontinue.  On the other hand, if you think it really is worthwhile, I hope you’ll continue using space.”  His first prospect was S. Clay Williams, president of R. J. Reynolds Tobacco Co.  Others who were willing to invest were Julian Price of Jefferson Standard Life, Robert M. Hanes of Wachovia Bank, Louis Sutton of Carolina Power & Light, Norman Cocke of Duke Power, W. D. (Billy) Carmichael of Liggett & Myers Tobacco Co., and Durham banker John Sprunt Hill.

The first issue hit the streets on June 3, 1933 for ten cents a copy, or three dollars for a year’s subscription.  Pictured on that first cover was North Carolina Governor J. C. B. Ehringhaus and inside were the first of Goerch’s long-running departments such as “Funny Experiences” and “Just One Thing after Another.”

The magazine “met a very favorable impression and kept right on growing,” according to Goerch, selling 2,500 copies.  Goerch and his magazine started out in an office in the Lawyers Building in Raleigh with a staff of two, including himself.  Inez Gehring took care of the office and Goerch did just about everything else, with help from some trusted freelance writers who sent in articles for which they were paid $2.50 per article.  Among those freelancers were W. O. Saunders, Tom Bost, Paul Green, Billy Arthur, H. G. Jones, Bill Sharpe, and others.

Moss-draped oaks on Walter Parsley's place on Masonboro Sound, near Wilmington

Captioned “Moss-draped oaks on Walter Parsley’s place on Masonboro Sound, near Wilmington,” this is Hugh Morton’s first credited photograph in THE STATE. Notice, however, how the credit line reads: “Photo by Pvt. Hugh Morton, Camp Davis.”

In addition to the impressive freelance writers were equally talented photographers like Aycock Brown, John Hemmer, and Hugh Morton.  Morton would go on to become a most prolific contributor with dozens of photographs and more than sixty photo covers between March 8, 1941 (uncredited) and December 3, 1949.  Three of the four issues published in January 1950 featured Morton photographs on their covers.  In the January 28th issue, The State named Charlie Justice “North Carolina’s Man of the Year for 1949,” with a Morton portrait of the Justice family on the cover.

When the magazine celebrated its tenth anniversary with the issue of June 5, 1943, the front cover consisted of a letter to Goerch from Governor J. Melville Broughton.
“This unique magazine under your able leadership has lived up to its name in the highest degree.”  Inside, in an editorial, Goerch said, “the last ten years have been the happiest of my entire life.”  Carl Goerch published the magazine for eighteen years before turning it over to Bill Sharpe on September 1, 1951.  A party was held in Sharpe’s honor when he took over the magazine and Hugh Morton was there and took pictures.

Party in honor of publicist Bill Sharpe

Party in honor of publicist Bill Sharpe (being held up on men’s shoulders) on the occasion of his retirement from the public relations staff of Carolina Power & Light Company to become editor of THE STATE magazine. Also shown are (L to R): Carl Goerch, R. Bruce Etheridge, Joe Lowes, Lynn Nisbet, John G. Hemmer, Norwood “Red” Pope, Carl Sink, Josh Horne, John Harden, and Bob Thompson. (Photograph cropped by editor.)

Sharpe’s stated philosophy for the magazine was:

North Carolina is settled by a whimsical race, forever busy at something interesting.  Somehow they continue to live in the most fascinating places, do the most ingenious things, have the most incredible experiences, catch the most outlandish fish and invent the most fantastic instruments.

Goerch continued to write columns and handle advertising.  Sharpe added his well-written columns—“Travel Topics,” “From Manteo to Murphy,” and “Remember.”  The magazine published its first full-color cover with the September 13, 1952 issue, featuring a photograph by Sebastian Sommer of a family picnicking along the Blue Ridge Parkway in the fall with Grandfather Mountain in distance.  In December the new “Down Home in North Carolina” slogan replaced the old “A Weekly Survey.”

In 1954 the magazine switched from a weekly to a bi-monthly.  W. B. Wright joined the team as advertising manager.  A Raleigh native, a navy veteran, and a Duke graduate, Wright fit right in.  Under Sharpe’s leadership, the magazine became somewhat of a lightning rod for conservative thought.  Sharpe was noted for his editorials against “centralization of power in the federal government.”  Wright became co-publisher with Sharpe in 1965.

TheState_1962-01-06_cover

In the January 6, 1962 issue, the magazine announced Hugh Morton as its “North Carolinian of 1961.”  Morton had continued to make a huge photographic contribution to the magazine, but was likely selected because of his efforts to bring the battleship USS North Carolina home to Wilmington.  In the October 1, 1968 issue, Hugh Morton listed his favorite ten photographs.  His 1968 top-ten list turned out to be a good cross-section of what would become his almost-seventy-year portfolio.

On January 6, 1970, Bill Sharpe died suddenly and the logical choice to take over was W. B. (Bill) Wright, who had earlier worked for Sharpe during his efforts to establish a weekly newspaper in Winston-Salem in 1940.  Wright followed in the footsteps of Goerch and Sharpe with little change to the magazine.

The sad news on Monday, September 16, 1974 was that Carl Goerch had died at his home in Raleigh.  He was praised for “accurately informing North Carolinians of their history and progress” during his 55 years of work for newspapers, magazines, radio, and television, and as a public speaker.  Carl Goerch was 83 years old.

Cover of The State, August 1978

By the time the August, 1978 issued arrived on the scene, the magazine was published monthly and that August issue featured a Morton cover image of Grandfather Mountain’s most famous citizen, Mildred the Bear, feeding a cub. The issue turned out to be one of the most popular and Bill Wright staged a contest for readers to title the Morton photograph.

The State cover, November 1980

With the November, 1980 issue, there was yet another Hugh Morton cover photo of UNC’s Charlie Justice.  Morton was having a photo exhibit in the Morehead Planetarium and the magazine was promoting the event. The Justice image selected for the cover was a familiar one and was described as Justice running onto the field at the Cotton Bowl in Dallas, his last varsity game at UNC.  The enlarged image on the cover gave one the ability to see the Justice uniform and it was clearly a 1948 style—not the one worn at the Cotton Bowl on January 2, 1950.

In a 1984 interview, I asked Justice about the uniform discrepancy, but he couldn’t explain it.  When Justice passed away in October of 2003, the same image was used in several North Carolina newspapers with the same caption. Then in 2008, Elizabeth Hull sent me a series of Justice images for additional identification and this image was part of the group; however she had scanned the entire negative image and the background was clearly Kenan Stadium.  It seems that somewhere along the way, two similar negatives had gotten switched and for more than thirty years this image was incorrectly identified.  It is now correct in the Morton online collection.

Cover of The State, January 1982

The January, 1982 issue cover featured a Morton bird’s-eye-view photograph of the Cape Hatteras Light.  At the time, Morton was heading up a committee to save the historic structure from being swept into the sea.

In its fiftieth anniversary edition, actually published in January, 1984, Bill Wright said:
“The magazine hasn’t changed a great deal over the years, and therein might lie an explanation to its success.”  The front cover of that fiftieth issue contained a montage of magazine covers from years past, including the Morton image of Mildred from 1978.

Bill Wright continued to publish The State until 1987 when he sold it to Shaw Publishing Company of Charlotte. New publisher Sam Rogers brought a new design with fresh typefaces and eye-catching color.  These changes brought letters, pro and con, but Rogers insisted “the flavor is still present.”

The November 1992 issue featured a Hugh Morton profile, complete with a picture of Morton on the cover.

Cover of The State, November 1992Rogers continued publishing the magazine for the next nine years.  Then, in the spring of 1996—enter Bernard (Bernie) Mann.   A native New Yorker, like Carl Goerch, Bernie Mann, president of Mann Media, Inc, bought the operation, moved the editorial offices from Charlotte to Greensboro, and expanded the staff from four to fourteen. Soon after Mann took over the publishing duties, he was presented some amazing information.  A well-known research firm presented him a report that said at most magazines, 35 to 37 percent of the readers renewed their subscriptions when they came due.  A rate of 50 percent was considered phenomenal.  The State’s rate was 87 percent. One of the researchers told Mann, “you didn’t buy a magazine, you bought a public trust.”

Mann made several changes to the magazine, and when the August 1996 issue arrived, readers first noticed a name change.  Gone was The State, and replacing it was Our State.  “I thought it was more inclusive,” Mann said of the change.  “I thought it gave a more personal feel.”

I remember in early May 1998 Lee Kinard, “Good Morning Show” executive producer and my boss at WFMY-TV, called me in one morning and said, “We need to do a feature on Our State magazine.”  I called marketing director Amy Jo (Wood) Pasquini, and she graciously set up a time when we could come over for an interview.  On the morning of May 26, 1998 Kinard, photographer George Vaughn, and I went over to the magazine office and met with Pasquini, Mann, and editor Mary Ellis.  I remember how impressed we were with these folks who went out their way to provide us with a fantastic segment for our show.

The June 2003 issue celebrated the magazine’s 70th birthday with a 188-page collector’s edition.  Now in June, 2013, issue number 2047 is out with a keepsake edition celebrating another milestone: an 80th birthday.  I was not surprised that the photo essay featuring many of the magazine’s covers, which is on pages 78 through 103, includes numerous Hugh Morton cover photographs.

UNC class of 1943 20th reunion

This coming Saturday, May 11th, “University History Lives in Wilson Library” from 1:00 to 5:00 p.m. during our annual open house for Reunion Weekend.  For the past few years, materials from special collections relating to the featured classes are on display in the Pleasants Family Assembly Room, including a projection show of images running on continuous loop that I create using scans from negatives in the University of North Carolina at Chapel Hill Photographic Laboratory Collection drawn from the 50th reunion year.  This year’s show honors the class of 1963.

While going through the negatives made during the 1963 commencement weekend, I saw images for other classes that also held their reunions . . . 1953 . . . scan it, nice bold banner . . . 1943 . . . . skip it, ordinary group shot . . . 1938 . . . 1933 . . . wait! . . . 1943?  I pulled out the 1943 negative from its envelope and grabbed a magnifying loupe.  Yep, Hugh and Julie Morton in attendance.

UNC class of 1943 in 1963

Class of 1943 reunion attendees in front of the University Faculty Club, University of North Carolina at Chapel Hill, 1 June 1963. This building is now know as Jackson Hall. Hugh and Julia Morton are second and third persons from the left in the back row. Photograph by Don Needham and Barney Young. (UNC Photo Lab Collection, 24311)

Detail of Hugh and Julia Morton

Detail from the above photograph highlighting Hugh and Julia Morton.

The Alumni Review April-May issue (which must have been a few months late) used the photograph with the caption title “Emphasis Was Placed on Low-Pressure, Family Type of Reunion for ’43.”  The event’s focus was “an enjoyable supper on June 1 at the Monogram Club dinning room.”  According the caption, by comparison, the “Pearl Harbor generation” classes of 1941, 1942, and 1943 held a joint reunion in 1962 at the Hope Valley Country Club in Durham.

An interesting biographical comment turned up in the column, “Some Notes from the ’43 Reunion”:

Hugh Morton of Wilmington, realtor, owns and operates Grandfather Mountain, known as “Carolina’s Top Scenic Attraction,” and also does some photographic work. . . .”

Some photographic work, indeed.

Wait, wait . . . is that Carl Kasell?

Carl Kasell and Stephen Fletcher

NPR’s Carl Kasell and North Carolina Collection Photographic Archivist Stephen Fletcher examine photographs in the Wilson Library Grand Reading Room, University of North Carolina at Chapel Hill. Photograph by Mark Perry.

Last Tuesday was a fun day at the office.  In the morning, library staff gave Carl Kasell a tour of Wilson Library.  Kassel, a UNC alumnus, returned to Chapel Hill for an evening event sponsored by the library moderated by WUNC radio host Eric Hodge.  Kasell was a member of UNC’s class of 1956 (although he did not graduate, having been drafted into the United States Army after four years as a student).

Kasell’s tenure at National Public Radio began in 1975 as a part-time news announcer for Weekend Edition.  Starting in 1979 he was the voice of the network’s morning news for the next thirty years.  Since retiring from that role at NPR in 2009, Kasell became a “roving ambassador,” and continued as the judge and scorekeeper for the “Oddly Informative News Quiz” Wait Wait . . . Don’t Tell Me!, which debuted in January 1998.

As you might imagine, Kasell has received several awards during his sonorous career.  In 2004 the UNC School of Journalism and Mass Communication inducted Kasell into the North Carolina Journalism Hall of Fame.  In 2010 the National Radio Hall of Fame inducted Kasell into its ranks.  In March 2013 the North Carolina Press Association named Kasell “North Carolinian of the Year” for 2013, and the association made a wonderful biographical video available on their YouTube site.  Despite his stature in journalism, A View to Hugh has not been able to feature Kasell because Hugh Morton hadn’t photographed him, even though he been a co-founder of WUNC radio with Morton’s long-time friend Charles Kuralt.

Or so we thought.

Andy Griffith as Sir Walter Raleigh in The Lost Colony.  Carl Kasell, as Wanchese, is in the lower right corner of the photograph.

Andy Griffith as Sir Walter Raleigh in “The Lost Colony.”  Carl Kasell, as Wanchese, is in the lower right corner of the photograph.

We featured the above photograph a few years ago in a post about the comeback of The Lost Colony after a fire destroyed the production’s costumes and props.  Playing the role of Sir Walter Raleigh (right) is Andy Griffith.  But wait . . . wait!  Who is the fellow in the lower right corner wearing too much face paint?  None other than Carl Kasell!

As seen in the opening photograph, I showed Hugh Morton’s photograph to Mr. Kasell and he confirmed that that indeed was he in the corner.  The reference to too much face paint came from a story Kasell told during Tuesday evening’s event, when Andy Griffith told Kasell he had been a bit heavy handed in the makeup room before dress rehearsal.  Kasell confided that Griffith later helped him with a more appropriate application of face paint, and that Griffith was “a big, big help” during that season. (Kasell’s high school drama teacher was Clifton Britton, not Griffith as is often incorrectly stated on numerous web pages.)

We don’t know if Morton made the above photograph before or after that cosmetic lesson, but we now know the year Morton made the photograph: Kasell said it was 1952 after he had graduated from high school, and 1952 is the only year Kasell’s name appears in the official program.  And because we know what Kasell’s costume looked like, we can now identify other Morton photographs of Kasell.

Lillian Prince and Carl Kasell in The Lost Colony

Lillian Prince as Queen Elizabeth and Carl Kasell as Wanchese in “The Lost Colony,” 1952.

Kasell played the role of “Wanchese, an Indian chief.”  I believe as he looked at Morton’s photograph he dredged up from his memory a couple of his lines: “Mish-wi aga, Wingina” and “Wanchese no more chief.  Wanchese now king.”

Carl Kasell as Wanchese confronts Old Tom

Wanchese confronted by the character “Old Tom” holding his arquebus. “Get out of here, ye knavish rogues! Scat!”  Is this also Carl Kasell?  If so, Frederick Young played the part of Old Tom Harris in 1952.

If you couldn’t make the evening with Carl Kasell, you can watch a video recording of the event, which includes Kasell’s recollections from his performance in The Lost Colony while Morton’s photograph is projected on the screen.  Below is an image from a color transparency from the Morton collection not previously scanned.

Scene from The Lost Colony with Andy Griffith as Sir Walter Raleigh

This photograph is remarkably similar to the one that appears on the cover of the 1953 “The Lost Colony” souvenir program (see below).

1953 "The Lost Colony" Souvenir Program.

Cover of the 1953 edition of “The Lost Colony” Souvenir Program.

But least we think that the similarity between the two photographs means that Hugh Morton made the eventual 1953 cover photograph, too, here is a photograph published on page 35 of the 1952 souvenir program:

Lillian Prince and Carl Kasell pose for photographers

Lillian Prince and Carl Kasell pose during the 1952 annual press photographers day.

The cover photograph could have been made by any of the photographers above. . . . But wait . . . wait, don’t tell me!  Is that Hugh Morton (center right) among the press photographers?!

Library Snapshot Day

Today is “Library Snapshot Day” on the UNC-Chapel Hill campus, so what better way for A Hugh to Hugh to participate than to highlight photographs of the library made by Hugh Morton.  Opened in 1929, The University Library was only ten years old when Morton arrived as a student in the autumn of 1939.  Renamed Wilson Library in 1956, the building has been home for the library’s special collections since 1987, including Morton’s photographic legacy since 2006.

Wislon Library, circa 1946-1947

The University Library (now Wilson Library), University of North Carolina at Chapel Hill. Morton probably made this photograph with infrared film. It appears (cropped vertically) on cover of the April 1947 issue of THE ALUMNI REVIEW. Morton presented the Alumni Office with six photographs of campus in autumn of 1946, or the image may date from early 1947.

The photograph above dates from Morton’s post World War II days, but naturally he photographed The University Library as a student, too.  The Daily Tar Heel published the  two following photographs on September 26, 1941 to illustrate an article about remodeling and changes in the library.  The top image depicts the reserve and general reading room (what is now the Pleasants Family Assembly Room).Reserve and general reading room, The University Library

The photograph below shows the new browsing room and Bull’s Head Bookshop, at the time just moved from the first floor to the second.

Browsing Room and Bull's Head bookshopCharles E. Rush, University Librarian, made the changes because, “he felt the [undergraduate] students were either too timid or too rushed to get books on their fields other than those assigned.”  In the interest of comfort, Rush permitted students to smoke in the east end of the room, with ashtrays placed on the ends of the tables.  You can see an ashtray on the table in the top photograph.

University Librarian Charles Rush

University Librarian Charles E. Rush (right) with two unidentified men in The University Library. The index on far right is dated 1940. Rush became university librarian in May 1941.

A January 2012, A View to Hugh blog post on the UNC Information Center for Civilian Morale during World War II features a photograph made in the lobby of the library, which also includes Rush who had had begun his appointment at UNC merely half a year before the bombing of Pearl Harbor.

More photographs of Wilson Library can be seen in the online collection.

Another view of ’82

Wednesday afternoon was one of those times, like so many others in this line of work, where what you end up working on isn’t even on your radar when you step off the bus and head to the office.  Here’s what happened . . . .

Around 2:30 a new staff member in the the library’s Digital Production Center received a phone call from Yahoo! Sports requesting Hugh Morton photographs.  He asked me who should take the call, and I recommended he transfer the call to Keith Longiotti in our Research and Instructional Services Department.  Keith handles most of the image requests for the North Carolina Collection Photographic Archives.

Shortly after the call I saw an email that I had received before the phone call, but hadn’t seen because I had been away from my desk.  The email was from an associate producer at Yahoo! Sports, and had its beginnings on Tuesday with a referral from The Daily Tar Heel to the journalism school’s librarian Stephanie Brown.

Yahoo! Sports has been producing a series called “Memorable Moments: March Madness.”  Their last episode was to feature the 1982 NCAA men’s basketball championship game between UNC and Georgetown.  They requested photographs or footage from the game, mentioning that they had seen some Hugh Morton photographs in the online collection of Morton images, but nothing from the closing moments of the game.  The producer wrote,

I’m looking for any photos AFTER Michael Jordan’s go-ahead jumper with :17 left in the game.  Specifically Georgetown’s Fred Brown throwing the ball away to James Worthy during the subsequent play.  Anything of Worthy and/or Brown from the final moments (before the steal, during the steal, after the steal, huddles, shooting free throws, etc.) would be outstanding.

Stephanie replied that the Park Library did not hold such materials, and that she should talk to me about the Hugh Morton collection.  I wrote the associate producer immediately after I finished reading her email, telling her that I had read her email shortly after the telephone call.

If you are a regular reader of A View to Hugh, then you know only 8,000 of the 250,000 items in the Morton collection are online.  I told the associate producer that I would look in the remainder of the collection to see if I could locate any images that were not online.  The catch?  They needed images that day, or early Thursday at the latest.  (Luckily their offices are on the west coast so that gave me an additional three hours to work on the request.)  They had seen Morton’s photograph of the team huddle shown above, but not in the online collection.  Did we have it?  Did we have anything else?

Given their tight deadline and the proximity to closing time, we could have settled for the images they already seen and requested.  Keith sent them scans of the images they’d seen so they could get started.  I couldn’t fathom, however, that Hugh Morton would not have photographed the pivotal closing moments unless he had been on the opposite end of the court.  That, coupled with an opportunity to give the Morton collection some national or even international exposure was too good to pass up.  I jumped on it.

First I checked for scans saved on our image server, but not used in the online collection.  (Yes, there are thousands of them!)  To do that, I had to review all the prints, negatives, and slides from the games, because the scan’s file names are written on the storage enclosures.  The huddle scene above was previously scanned, but not included online.

But look at what else I found that wasn’t scanned:

P081_1982NCCAfinal_Worthy 01

After watching the closing moments of the game on YouTube, I was convinced the scene above was James Worthy driving the basketball down court after stealing Fred Brown’s errant pass.  The steal and drive happened right in front of Morton.  He snapped the camera shutter just a moment before Worthy was intentionally fouled by Georgetown’s Eric Smith (#32).  Eric “Sleepy” Floyd (#21) is on the left.  Both Floyd and Worthy are from Gastonia, North Carolina and were good friends.  The turnover happened so unexpectedly on the other end of the court, and so quickly that it may have caught Morton off guard because Worthy is out of focus.  The result, however, means that Morton captured the dismay on Floyd’s face, and the expressions on the bench and cheerleaders are more visible.

(By the way, if you watch the CBS broadcast, you can see Hugh Morton pop into the frame about 25 seconds after the end of the game.  This may be when Dean Smith told Morton, “Stick with me.”)

Below, Morton photographed Worthy taking one of his free throws with only two seconds remaining on the clock.

P081_1982NCCAfinal_Worthy 02

A staff member of the Digital Production Center helped me make the scans of the two 35mm slides.  (I couldn’t do it because they just starting using new software.)  We had the slides finished before 6:00.  I continued to dig Thursday morning, taking advantage of the time zones difference, but didn’t find additional images that fit the hole they needed to fill.  We delivered the scans by their deadline, and Yahoo! Sports was thrilled.

We received the link to the story, “Michael Jordan’s gutsy shot leads to North Carolina title” this morning.  The downside of our efforts is that Yahoo! Sports doesn’t credit their sources after the episodes in “Memorable Moments: March Madness,” so you won’t see Morton or the photographic archives credited.  The upside is that seven Hugh Morton photographs appear in the episode (one of Worthy during the East Regional final game against Villanova in Raleigh, and six from the championship game), and the library did receive a respectable commercial use fee to help support the work that we do with the collections.  The team huddle photograph also opens a one-minute piece, “Memorable Moments: The huddle before Michael Jordan’s shot.”  Another of Morton’s images appears in a second short, “Memorable Moments: James Worthy remembers UNC vs. Georgetown.”

A remaining mystery emerged from this reference request.  I didn’t find a photograph of Michael Jordon’s game winning shot, which occurred near the very spot of the Worthy photograph above.  Did Morton photograph that memorable moment, too?  If so, I didn’t find it.  Yet.

Player, Preacher, Coach, and Commentator

UNC’s men basketball team bowed out of the NCAA tournament over the weekend, but the UNC women’s team continues on its quest for a national championship this evening.  With basketball season still in high gear, Hugh Morton collection volunteer Jack Hilliard looks back at a North Carolina basketball legend on the anniversary of UNC’s second place finish in the 1946 NCAA championship game played on March 26, 1946.

Bones McKinney

Wake Forest men’s basketball Head Coach Bones McKinney on bench/sidelines. Possibly during a UNC-Chapel Hill versus Wake Forest University basketball game.

“I don’t remember exactly when everyone started calling me Bones, but with a name like Horace Albert, the sooner the better, right?”

—Bones McKinney from Bones: Honk Your Horn if You Love Basketball (1988)

His resume is like no other.  It goes something like this:

  • High School All-Star Basketball at Durham High
  • Varsity basketball at North Carolina State
  • United States Army, Fort Bragg (basketball coach and player)
  • Varsity basketball at University of North Carolina
  • Basketball Association of America, Washington Capitols
  • National Basketball Association, Boston Celtics
  • Ordained Baptist minister
  • Head coach, Wake Forest
  • Head coach, American Basketball Association, Carolina Cougars
  • TV commentator and analyst, Raycom
  • Newspaper columnist
  • Author
  • Humorist and motivational after-dinner speaker

Folks born on New Year’s Day are special people.

For Horace Albert (Bones) McKinney, born in Lowlands, North Carolina on January 1, 1919, that specialty was his love for the game of basketball.  When he was five years old, the McKinney family moved to Durham and that’s where young Horace began playing his favorite game—starting at Watts Street Grammar School, then to Central Junior High, the YMCA, and finally to Durham High where, under Head Coach Paul Sykes, he led the team to two South Atlantic Prep Tournaments, two Duke-Durham Tournaments, three state championships, and the Interscholastic Basketball Tournament in Glens Falls, New York . . . all the while racking up sixty-nine straight wins.

McKinney graduated a little late from Durham High in the spring of 1940, then headed over to Raleigh for a college career at North Carolina State College (now North Carolina State).  A year of freshman ball was followed by a sophomore year when he led the Southern Conference in scoring with 200 points and was an all conference selection. On Christmas Day, 1941, Bones McKinney married the love of his life, Edna Ruth Stell.

UNC 1946 NCAA Men's Basketball Championship runners-up

Group portrait of UNC-Chapel Hill men’s basketball team after their loss to Oklahoma A&M in the 1946 NCAA championship at Madison Square Garden, New York, NY. Among those pictured are head coach Ben Carnevale (back row, second from left) and Horace “Bones” McKinney (back row, second from right).

A week after the 1942 season ended, on April 2, 1942, he joined the Army.  At Fort Bragg, Bones played, coached, and led the team to wins in the Southeastern Amateur Athletic Union (AAU) Tournament in Savannah and the Southern AAU in Raleigh.  While at Fort Bragg, he became good friends with Ben Carnevale the head coach at UNC and on January 9, 1945, Bones McKinney became a Tar Heel—but the UNC basketball team was called the White Phantoms in those days. The highlight of the 1946 season, which was his only season at UNC, was a NCAA national championship game against Oklahoma A&M at Madison Square Garden.  The 43–40 loss was difficult for Bones as evidenced by Hugh Morton’s photograph of the award ceremony following the game.

1946 UNC coach Ben Carnevale receiving runner-up trophy

“In 1946, before the NCAA national championship became known as the Final Four, UNC lost in the championship game, 43 to 40 to Oklahoma A&M. The game was played in the old Madison Square Garden before 18,479 spectators. UNC head basketball coach and Navy lieutenant Ben Carnevale (shaking hands), who had responsibilities as the Navy Pre-Flight School at Chapel Hill as well, accepted the runner-up trophy. Carolina’s Horace ‘Bones’ McKinney (far left) was not pleased at being runner up.” Presenting the award is Harold G. Olsen, who was serving his final year as the NCAA basketball tournament chairman. (Identification obtained from book ON TOBACCO ROAD.)

By the end of the ‘46 season, the McKinney family had grown to three and Bones realized that he needed a paying job to support the family, so he left UNC and went to work for Hanes Hosiery.  It was while there that an unbelievable phone call came.  On the other end of the line was Red Auerbach, who was going to form the “Basketball Association of America”—and he wanted Bones to play for him.  Just when it looked like basketball was over for Bones McKinney, along came an opportunity to play for pay: $6,750 for a season with a $500 advance.  He would play for the Washington Capitols for five seasons, making all pro and led the team to the Eastern Division championship his first season, 1946-47. He led the team into the playoffs each year from 1946 through 1950.

On January 9, 1951 the Washington Capitols folded, and McKinney was sent to the Boston Celtics as a player-coach.  While there he made some NBA history.  He recruited and signed Earl Lloyd, the first African American player in the NBA.  Following the ’52 season, McKinney left pro basketball and enrolled in the Southeastern Theological Seminary at Wake Forest.  While in class on November 8, 1952, Wake Forest Head Basketball Coach Murray Greason walked in and asked Dr. Bill Strickland if he could speak with student McKinney.  Greason needed an assistant coach and offered Bones the job, a job that would last until March 26, 1957 when he took over the head coaching position at Wake.

In February of 1960, a writer for the magazine Life came to Winston-Salem to do a McKinney feature story.  It wasn’t the first time he had made the big time.  There is an action shot by Hugh Morton contemporary Hy Peskin on the front cover of Collier’s dated January 15, 1949.  Life published another article, titled “Basketball’s Incredible Mr. Bones” in its February 22, 1960 issue, which featured the following:

People go to Wake Forest basketball games to see a winning team perform.  For the same price, they get Bones McKinney, the coach with his own private volcano.  Once the game starts, the bench can’t hold him.  The climactic moment arrives when Mr. Bones erupts dramatically from the sideline, looking like a dead ringer for Ichabod Crane.

In 1961 and 1962, McKinney led the Deacons to Atlantic Coast Conference championships, with the ’62 team playing in the NCAA Final Four.  Following the ’64-’65 season, Wake Forest made a coaching change and Bones McKinney took a job with the North Carolina Board of Corrections, but soon after the ’65-’66 basketball season started, he got a call from ACC TV producer Castleman D. Chesley.  It seems that Bones’ good friend Charlie Harville had recommended him as a possible broadcaster with the ACC network.  Bones was eager to get back into basketball, so on January 8, 1966 at the UNC vs. Duke game in Chapel Hill, Bones McKinney became a TV basketball commentator and analyst, working with play-by-play man Jim Thacker, and stat man Charlie Harville.  At first, McKinney didn’t think he was very good as a broadcaster, but when he was invited back, he figured he must be OK.

Then in early 1969 . . . another phone call and another basketball opportunity.  On January 2, 1969, Southern Sports Corporation purchased the Houston Mavericks, a team in the American Basketball Association.  President Jim Gardner was planning to move the team to North Carolina and he wanted Bones as his head coach.  Gardner and McKinney struck a deal and Bones McKinney became to first head coach of the newly formed Carolina Cougars, leading them that year to the ABA playoffs.

One of my favorite Bones McKinney stories came during that ’69-‘70 season. During a hotly contested game, Bones yelled out at an official following a questionable call.

“Hey, you’re either blind or you’re a crook.”
“And you’re out of the game,” yelled back the ref.
“Why?” asked Bones defiantly.
“Because you called me a crook,” replied the official.
“Did not,” yelled Bones, looking back over his shoulder as he departed, “I gave you a choice.”

While still coaching the Carolina Cougars, McKinney was inducted into the North Carolina Sports Hall of Fame with the Class of 1970.

Bones McKinney, Billy Packer, and Jim Thacker, with Castleman Chesley at UNC-Chapel Hill versus Marquette basketball game, 1977 NCAA

Seated are (L to R) Bones McKinney, Billy Packer, and Jim Thacker, with Castleman Chesley (standing) behind the scenes at UNC-Chapel Hill versus Marquette basketball NCAA finals in Atlanta, Georgia.

The 4th Annual ABA All-Star Game was played in the Greensboro Coliseum on January 23, 1971 and CBS-TV carried the game nationwide, with play-by-play by Don Criqui and Pat Summerall and color commentary by Bones McKinney.

On November 18, 1979 during halftime of the Washington Redskins vs. Dallas Cowboys game in RFK Stadium, McKinney was inducted into the Washington Hall of Stars.  In 1985 his longtime friend Charlie Justice joined him in the DC Hall.  McKinney continued to coach all-star games, and was in high demand as an after-dinner speaker during the 1980s and early ‘90s.

When the Greensboro News and Record arrived on Saturday morning May 17, 1997, the front page headline read, “Legendary Wake Coach Dies at 78.”  Staff writer Jim Schlosser related the story of McKinney’s death at 5:05 PM on Friday, May 16th at Wake Medical Rehab Center following a stroke two weeks earlier.  On Sunday, I went out to WFMY-TV and put together a video piece for Monday’s “Good Morning Show.”  As I was putting the piece together, I kept thinking about a Bones McKinney quote that I had read years before in his 1988 book.  The quote was part of the short section about his broadcasting career.  It went like this: “I soon found out that if your director ain’t no good, you ain’t no good.”  He went on to talk about the magnificent Raycom directors, Norman Prevatte from WBTV in Charlotte, John Young from WUNC-TV, and Frank Slingland from WRC-TV in Washington, DC.

During my time in broadcasting, I never had the honor of directing a Bones McKinney game or a Bones McKinney broadcast.  However, I worked several Carolina Cougar games in 1972 after Bones had moved on.  But in 1969, WFMY-TV produced the Carolina Cougar coach’s show.  It was called, of course, “The Bones McKinney Show.”  Veteran WFMY Producer/Director George Leh was director and Woody Durham was producer along with Bones. The show was usually taped on Thursday afternoons for weekend playback.  On this particular Thursday, Leh was not available to direct so production manager Jack Forehand asked me to direct the show. For twenty-eight minutes and thirty seconds on Thursday afternoon, March 5, 1969, I knew I was part of something very special.

Back at the Top . . . Back on the Bayou

UNC basketball team huddles during 1993 NCAA final

UNC basketball team in huddle during the North Carolina versus Michigan basketball game at 1993 NCAA finals in New Orleans.

It’s that time of year again when hundreds of thousands of college basketball fans huddle secretively with their notes on “bracketology.”  The NCAA basketball championship tournaments broke onto the stage this week and, once again, the UNC men’s and women’s teams find themselves in the mix.  Always hard-earned, NCAA tournament appearances are nonetheless commonplace for UNC’s basketball teams.

Readers of A View to Hugh know that Hugh Morton had a great love for UNC men’s basketball, photographing games regularly as far back as his days as a student in the late 1930s and early 1940s.  As the basketball teams head into their championship runs, Morton collection volunteer Jack Hilliard takes a look back at the men Tar Heels’ 1993 trip to “The Final Four” twenty years ago, when Carolina won its fourth national championship under legendary head coach Dean Smith.

It was one year ago today that library staff members learned of the untimely passing of our colleague, Bill Richards. In 1982, Bill was the Chief Photographer for the Chapel Hill Newspaper.  In 1988, he began working as a photographer and graphic designer in the UNC Office of Sports information.  He began working in the Library Photographic Service  in 1998, but continued working for Sports information into the 2000s. This post is dedicated to Bill who, like Hugh Morton, was an avid UNC basketball fan.

UNC student fans during the 1993 NCAA championship

UNC student fans during the 1993 NCAA championship at New Orleans, Louisiana.

Eleven seasons had come and gone since Dean Smith’s basketball Tar Heels had won the 1982 NCAA championship in the Louisiana Superdome.  But in early April 1993 his team was poised and ready for another run at the big game in “The Big Easy.”

Most UNC fans agree that Smith’s 1992-93 team was one of his best. When all was said and done, their record was 34–4, with 26 wins in the regular season and 8 wins in the post season.  The one post season loss came in the ACC Tournament final, a two-pointer to Georgia Tech.  Following that disappointment, it was on to NCAA March Madness and a number one seed in the East, starting in Winston-Salem.  A twenty-point win over East Carolina and a forty-five-point win against Rhode Island put the Heels in the “Sweet 16” at the Meadowlands in New Jersey.  Then came a six-point win over Arkansas and a seven-point overtime victory versus Cincinnati . . . and it was on to the Crescent City and another Final-Four for Coach Smith (his ninth).

The 1993 Final Four was unique.  Three number one seeds and one number two seed would be playing for the championship: North Carolina, Michigan, and Kentucky along with number two seed Kansas.  The first national semi-final on Saturday, April 3rd would match Dean Smith’s UNC Tar Heels and Roy Williams’ Kansas Jayhawks.  Needless to say, there was plenty of ink and airtime about this rivalry.  Two years earlier, Kansas had beaten Carolina in the national semi-final 79 to 73.  Dean Smith played at Kansas in the early 1950s.  Roy Williams played and coached at Carolina in ‘70s and ‘80s, and one of Williams’ assistants was Matt Doherty who played for Smith during the 1982 NCAA championship season.  If the truth be known, Smith and Williams probably would rather be playing someone else in the semi-final game but they didn’t set the brackets.

Row Williams, Dean Smith, and Bill Guthridge

Row Williams, Dean Smith, and Bill Guthridge prior to the 1993 NCAA tournament semifinal in New Orleans, Louisiana. Cropped by the editor; the full-frame image (click to see photograph without cropping) includes Kansas assistant coach and former UNC player Matt Doherty.  A slightly wider crop, also without Doherty, appears in the book Return to the Top: The Inside Story of Carolina’s 1993 NCAA Championship.

During the warm-up for the game, photographer Hugh Morton got a classic shot, one that he would include in all his future slides shows.  The image shows Smith, Williams, Doherty, and then UNC assistant Bill Guthridge, current and future Carolina coaches from 1961 to the present.

A crowd of 64,151 watched as Kansas took an early 3–2 lead, but Brian Reese hit a driving layup to put Carolina up by a score of 4–3. The Heels would retain a lead the rest of the way.  Kansas kept it close; Carolina led by only four at halftime, 40–36.  In the second half when George Lynch hit a layup at the 17:01 mark, the Tar Heel lead was seven, 48 to 41; but one minute later, Kansas had cut that lead to two at 48 to 46.

Donald Williams’ twenty-one foot three ball made the score 63–55 with 9:35 to play.  But five minutes later, Carolina’s lead was once again down to four, 67–63 and Coach Smith called a time-out to change his lineup.  In the final 2:36, Donald Williams scored seven points as the Heels finally pulled away for a 78–68 win.  Eric Montross and Donald Williams accounted for forty-eight Carolina points.

Coach Williams, in his post-game news conference, said, “I’ll be pulling like the dickens for Carolina Monday night.”

Later that day, Michigan defeated Kentucky to set up a UNC vs. Michigan national final.  It would be only the second time two number one seeds had met for the championship.  (The other time was Carolina and Georgetown in 1982).

Once again there was lots of media coverage, focusing on a Rainbow Classic game between Michigan and Carolina, which Michigan wound up as the 79–78 winner back on December 29, 1992.

Monday, April 5th was a long day for me.  I did my usual morning show shift at WFMY-TV, and then returned in the evening for a “NCAA Countdown” special program just before CBS’ live coverage of the game.  By the time I got home, the game was well underway and Carolina trailed 23–13.  But three-and-a-half minutes later, the Tar Heels had tied the score at 25.  George Lynch, Eric Montross, and Derrick Phelps kept Carolina in front going into the halftime break.

Halfway through the second half, the Wolverines caught the Heels, tying the score at 56.  Chris Webber’s alley-oop at the 8:35 mark gave Michigan a 60–58 lead.  Five minutes later, Derrick Phelps’ fast break layup put Carolina back on top 68–67.  An Eric Montross dunk at the 1:03 mark pushed the UNC lead to 72-67.  Then Ray Jackson’s 18-foot jumper brought Michigan within three at 72–69.  Following a Michigan timeout, Chris Webber’s follow up shot made the score 72–71.  Then with twenty seconds remaining in the game Michigan’s Rob Pelinka fouled Carolina’s Pat Sullivan, who hit one of two foul shots.  Chris Webber got the rebound . . . seemed to travel, then took the ball the length of the court into the corner in front of his bench.  At this point, Carolina had fouls to give, so Lynch and Phelps set up a vicious trap.  Webber picked up his dribble.  With nowhere to go, only eleven seconds left in the game, and the Michigan coaches shouting “NO,” Webber called a timeout—a timeout he didn’t have.  Donald Williams calmly stepped to the line and hit the two technical foul shots, raising the score to 75–71.  Williams would hit two more foul shots following a Ray Jackson miscue, thus giving Dean Smith his 774th win and his 2nd NCAA Championship.  Final score:  Carolina 77, Michigan 71.

Victorious UNC men's basketball team after the 1993 NCAA championship game.

Victorious UNC men’s basketball team after the 1993 NCAA championship game.

As the CBS cameras focused on the team celebration, a celebration of another kind began back in rainy Chapel Hill as 25,000 fans stormed Franklin Street—light blue paint in hand. As the bell from University Methodist Church rang out, a Tar Heel fan was heard to say:
“Dick Vitale, you picked the wrong winner tonight, baby.”  The headline in Tuesday’s Gastonia Gazette read: DEJA BLUE.

About 3 p.m. on Tuesday, April 6, 1993, a crowd started gathering in the Smith Center on the UNC campus. The crowd would eventually grow to be about 20,000 strong by the time the team bus pulled into the parking lot at 4:47.  As the Marching Tar Heels played the fight song, Pat Sullivan and Senior Matt Wenstrom, with NCAA trophy in hand, led the victorious Tar Heels into the arena.  Each team member was introduced by the “Voice of the Tar Heels” Woody Durham, and each spoke briefly.  Said Eric Montross:  “It just doesn’t get any better than this.”

Missing from the festivities was the man who had orchestrated the “Season of Dreams.”  Head coach Dean Smith wanted the celebration to be about his players, so he had scheduled a recruiting trip to Pennsylvania for Tuesday, April 6, 1993.

For those wanting to read more about UNC’s 1992-1993 season, see the book Return to the Top: The Inside Story of Carolina’s 1993 NCAA Championship.  The book contains an ample serving of Hugh Morton photographs made throughout that season.  You may see additional images of the UNC versus Kansas game and the 1993 championship game versus Michigan as part of the more than 8,000 Hugh Morton photographs online (A mere sampling of the 250,00 images in the entire collection!)

Another birthday for Dean Smith

Dan Smith cutting net after winning 1993 NCAA championship

UNC men’s basketball team Head Coach Dean Smith cutting down net at UNC vs. Michigan NCAA championship win at the Louisiana Superdome in New Orleans, 5 April 1993.

We’re celebrating another birthday here at A View to Hugh: today is legendary UNC basketball coach Dean Smith’s 82nd.

This morning’s Daily Tar Heel features a front-page story using two Hugh Morton photographs (unfortunately Morton is not credited): the one above following the 1993 NCAA championship nearly twenty years ago, and the one below after winning the 1967 ACC championship game.  As of 10:15 a.m., there’s no online version of the story, but there is an online readable version of the print edition.

UNC 1967 ACC Tournament champions

UNC-Chapel Hill men’s basketball team celebrating their win over Duke University after the 1967 ACC tournament championship game played in Greensboro, NC. Among those pictured are Head Coach Dean Smith (front row, third from left) and ACC tournament MVP Larry Miller (front row, fourth from left).