“I was surprised to find that cinema had not deceived me. An old denim factory really is a funhouse of red exit signs and retractable doors that yank open with the pull of the cord. Terminator 2 really nailed the vats and chains, the smoke, chemicals, and decay. They got the catwalks and metal grates, and most of all the lengthening shadows.”
— From “White Oak Denim, Greensboro” a memoir-cum-social history from Aaron Lake Smith, who spent seven months as a security guard at the country’s oldest continuously-working denim mill (N + 1 magazine, May 27, 2011)
Thanks to the inexplicable vagaries of fashion and a new push to “Buy American,” the Cone plant has made at least a temporary comeback since Smith’s tenure.