The Holiday Season is upon us again. The SFC’s Ralph Epperson Collection holds several recordings from WPAQ Radio that are related to, or were recorded on, Christmas Day.
FT-8006 “Christmas Time is Coming”, WPAQ Merry-Go-Round Jam Session. (Glen McPeak, Rex Hodges, Walter McMillian, Amos Dawson, and Clyde Johnson.) December 19, 1981:
FT-8006 Christmas Time is Coming WPAQ Merry Go Round Jam Session. Glen McPeak, Rex Hodges, Walter McMillian, Amos Dawson, and Clyde Johnson December 19, 1981
FT-9745 “Ballad Of The Lawson Family”, WPAQ Merry-Go-Round, Kinney Rorrer and Sweet Sunny South from April 21, 1984:
FT-9745 Ballad Of The Lawson Family WPAQ Merry-Go-Round Kinny Rorrer and Sweet Sunny South April 21, 1984
Other notable recordings include FT-8074-FT-8076 – the WPAQ Merry-Go-Round on Christmas Morning Jam Session that took place December 25, 1982, with a variety of WPAQ area favorites:
FT-8075 Merry-Go-Round on Christmas Morning Jam Session December 25, 1982
Students, scholars, and fans of folklore often can’t help but romanticize the experiences of early field collectors, discovering lost tunes and musicians unknown outside their local communities. The music is just so compelling and raw and often very good, from the legendary Lomax (John and Alan) recordings of the 1930s to the astounding body of work collected by the scholar/musicians like Mike Seeger and John Cohen in the 1960s, and countless others whose collections remain tucked away in attics or housed in archives like the Southern Folklife Collection and in institutions across the country.
Hearing the music today offers glimpses to worlds of experience foreign to most listeners. The listener becomes a voyeur, peeking through the window into the homes and lives of the performers (and often the field recorders too) of a forgotten past. While the feeling of being “let in on a secret” is profound and exciting, regarding the documented performance as a “secret” or a private moment between a few individuals distances the listener, and the temporal difference between when the material was recorded to when it is shared with a larger listening audience only further emphasizes that distance. Instead of the field recording creating a cultural connection, it is exoticized to the point where such an experience (finding and recording lost or forgotten or ignored practitioners of a similarly lost, forgotten or ignored art form) seems impossible to replicate in the present, “modern” time. Thankfully there are those who refuse to relegate those experiences exclusively to the past. Instead, these individuals constantly seek to break down the barriers created by an Orientalized other represented solely by the sounds on a tape by finding the hands, faces, and minds behind the music.
Alice Gerrard and Andy Cahan spent many years in the late 1970s and early 1980s seeking out musicians in and around Galax, Virginia and Toast, North Carolina. They developed strong relationships with some of these regions’ greatest living musicians, including Luther Davis, Roscoe and Leone Parrish, and Tommy Jarrell. Cahan and Gerrard recorded hundreds of hours of interviews, lessons, jam sessions they shared with these musicians. They learned countless tunes these performers but they also became their very good friends, sharing meals, helping with chores when health problems interfered, and even sharing holidays with them like a family. In 1983, Cahan and Gerrard spent Christmas day with Tommy Jarrell and his daughter Ardena “Dena” Jarrell at her house in Toast, NC, eating, drinking eggnog and, of course, playing music. They had such a good time that the ensemble composed a song to commemorate the event, “Xmas 83 at Dena’s.”
I’m including 3 clips here: an introduction, a clip of the song itself, and a brief moment after the song when Tommy, Andy and Alice talk about composing fiddle tunes and recording. Please enjoy. Sounds like they did.
Xmas83 at Dena’s_intro
XMas at Dena’s
Xmas83 at Dena’s_outro
All clips from audiocassette FS-8341: Tommy Jarrell with Alice Gerrard and Andy Cahan, recorded on 25 December 1983, in Toast, N.C. From the Alice Gerrard Collection.
The ongoing digitization project Fiddles, Banjos and Mountain Music: Preserving Audio Collections of Southern Traditional Music, is made possible by a grant from the National Endowment for the Humanities.
Here’s an interesting new arrival to our book collection:
The Bosses’ Songbook: Songs to Stifle the Flames of Discontent is “a collection of modern political songs of satire”, edited by Dave Van Ronk and Richard Ellington, self-published by Ellington in New York in 1959 and dedicated “to our constant companion, J. Edgar Hoover”.
Below is the seasonally appropriate “Twelve Days of Marxmas”, which should be a big hit at your office Christmas party: