I was reflecting on this crazy year recently, and feeling grateful for our Elizabeth Cotten event earlier in November, a heartwarming hour amid all the noise of the previous few months that was fun to share and experience with all who tuned in.
In case you missed it, the full event is available to stream below from the UNC Libraries YouTube channel.
Cotten’s great-grandson John Evans, Jr. and his family, along with Yasmin Williams, bookended the event with performances that recalled the origins of Cotten’s music, along with how it continues to inspire contemporary musicians.
There was also a glimpse and mention of Dick Waterman in Gerrard’s slideshow, and the SFC holds the Dick Waterman Photography Collection (https://finding-aids.lib.unc.edu/20533/), a rich resource of photographs documenting the blues, country, and rock music scenes from the 1960s to the early 2000s.
The Elizabeth Cotten appearance on Pete Seeger’s Rainbow Quest TV show that opened the event can be found here a little more smoothly than the video capture over Zoom. The SFC has the original 2″ quad video of that show in the Pete Kuykendall Collection (https://finding-aids.lib.unc.edu/20546/).
Directed by Kenny Dalsheimer, You Gave Me A Song (http://www.alicegerrardfilm.com/) “offers an intimate portrait of old-time music pioneer Alice Gerrard and her remarkable, unpredictable journey creating and preserving traditional music.”
Check your local member stations for when it might air in your area, but North Carolina’s UNC-TV will air it in the coming days over its various stations:
Reel South – You Gave Me A Song
Thursday, May 14, 10:00 pm – UNC-TV
Friday, May 15, 04:00 am – North Carolina Channel
Sunday, May 17, 10:00 pm – North Carolina Channel
Explore a few of the SFC’s resources featured in the film and related to Alice Gerrard below:
Founded in 1966 by Anne Romaine and Bernice Johnson Reagon, the Southern Folk Cultural Revival Project (SFCRP) worked to present traditional musicians from black and white cultures in performance together at a time when this was considered controversial. The SFCRP continued presenting musical performances throughout the South until the late 1980s and kept close ties with the activism of the civil rights era. Hazel Dickens and Alice Gerrard participated in numerous tours, from 1968 to the 1980s, even assisting in the organizing, production, and promotion at times. The Southern Folk Cultural Revival Project Collection (#20004) includes numerous promotional materials as well as correspondence, both business and personal, between Anne Romaine, Hazel, and Alice. The letters and contracts provide fascinating details about the cultural industries related to traditional music in the late 1960s and early 1970s as well as information about lives of struggling folk musicians like Hazel and Alice as they carved out their early careers. In a letter dated 19 February 1968, Anne wrote to Alice:
I have narrowed the tour schedule down to two weeks instead of three. It will be from the 7th of April through the 20th. Can you and Hazel come for the second week which will be from the 14th through the 20th? The other performers for that week will be the Blue Ridge Mt. Dancers, Mike Cooney, Mable Hillary, Rev. Brown. I hope that change doesn’t mess up yalls plans too much. The tour will concentrate almost entirely in North Carolina. I could get you a weekend date here in Atlanta at the Crucible coffee house at Emory University which pays 70% of the gross for Fri. and Sat. They usually have about 70 people in there each night” [letter from Anne Romaine to Alice Foster, Feb. 19, 1968. From the Southern Folk Cultural Revival Project Collection (#20004)]
Below is a promotional brochure for Hazel & Alice from the early 1970s.