Directed by Kenny Dalsheimer, You Gave Me A Song (http://www.alicegerrardfilm.com/) “offers an intimate portrait of old-time music pioneer Alice Gerrard and her remarkable, unpredictable journey creating and preserving traditional music.”
Check your local member stations for when it might air in your area, but North Carolina’s UNC-TV will air it in the coming days over its various stations:
Reel South – You Gave Me A Song
Thursday, May 14, 10:00 pm – UNC-TV
Friday, May 15, 04:00 am – North Carolina Channel
Sunday, May 17, 10:00 pm – North Carolina Channel
Explore a few of the SFC’s resources featured in the film and related to Alice Gerrard below:
Our efforts to expand and improve on audiovisual preservation continue here in Wilson Library, with the recent hiring of our third Audio Engineer, Dan Hockstein, and two Audiovisual Archives Assistants, Mel Meents and Andrew Crook. These positions have been funded by the Andrew W. Mellon Foundation as part of our Extending the Reach of Southern Audiovisual Sources: Expansion grant. This phase of the project scales the digitization and preservation work we’ve done for the SFC to all of Wilson Special Collections AV.
Andrew, Mel and I have recently moved into a new space in Wilson Library’s Digital Production Center, and we now have an official AV Lab to call our own in addition to the Ben Jones and John M. Rivers Jr. audio studios. Mel and Andrew have stayed busy working across collections in the building, producing item-level descriptions for videotapes in the University Archives’ Student Television at the University of North Carolina at Chapel Hill collection (#40326), prepping films for cool storage from the Florentine Films Archives (#20193), and managing monthly pre and post-digitization tasks.
Audio and video equipment in our new AV lab location
Our photo stand for photographing items in the collection
In early 2019 we look forward to sending off our next batch of video priorities for digitization to our vendor. These items will be joined by recordings from a few of the regional institutions we have partnered with as part of an initiative in the grant to provide services to external collections, including Appalachian State University and North Carolina State Archives. More on that soon!
As the AV Preservation team waits on the next large batch of digitized video content (check-in later this summer!), a small selection of videos has been described and made available for streaming in the last week, including: VT-20004/1:5th Annual Tennessee Grassroots Days Held in Nashville’s Centennial Park in 1980, this video features performances by Leola Cullum, Gospel Stirrers, Bud Garrett, Lizzie Cheatham, Nimrod Workman, Jo-El Sonnier with Frazier Moss, Sam’s Ramblers, and Hazel Dickens. Also included are shots of the festival grounds, with demos spanning quilt-making to beekeeping.
Additional footage, PSAs and television coverage of annual Grassroots Days through the 80s can be found in the Southern Folk Cultural Revival Project Collection (#20004)
VT-20466/5: James “Son Ford” Thomas at Bacchus, Newark, Del., winter 1978
I highlighted a different James “Son Ford” Thomas video in the Robert Bethke Collection (#20466) in a previous post, in which he performed with George Thorogood and Ron Smith. Primarily playing solo, but joined by Ron Smith eventually, this performance takes place at the University of Delaware’s Bacchus Theater.
VT-20018/1 & VT-20018/2: Walter Raleigh Babson at UNC Chapel Hill with Andy Cahan, 1987 Walter Raleigh Babson performed twice at Chapel Hill in 1987, including his last public concert with Andy Cahan on November 12th (VT-20018/2), 26 days before passing away. Along with the performance, this tape includes a retrospective of Babson’s life through home movies and photographs.
VT-20018/1 documents Babson’s performance earlier in 1987 at Gerrard Hall on March 28th for the Southern Accents Fine Arts Festival at UNC, where he is again joined by Andy Cahan. Additional audio recordings and interviews of Babson can be accessed in the Andy Cahan Collection (#20018).
Gene Bluestein hosted a number of guests on his series Folk Sources in American Culture while at California State University. Many of these segments can be found in the Gene Bluestein collection (#20379). On this particular day, he hosted Nona Beamer, who shared examples of instruments and related Hawaiian folk traditions.
This past month the SFC surpassed over 20,000 streaming files of digitized audiovisual recordings, all accessible through UNC Library finding aids. Digitized over the course of a number of years through in-house and outsourcing efforts, the content represents materials from over 75 different collections, ranging from Western North Carolina flatfoot dancers to Mississippi juke joint performances.
With the more recent addition of video content and the increase in production in our audio studios since starting our Andrew W. Mellon Foundation grant in August 2015, there’s a lot to explore online. Since it might be overwhelming to know where to start, I thought I’d share my top 5 countdown of memorable moments from watching and listening over the last couple of months.
5. The time Dr. William R. Ferris panned across the Mississippi and framed the New Orleans skyline, from the vantage point of what is now the Crescent City Park in the Bywater (one of my favorite places in N.O!), while documenting his trip on the Delta Queen in 1987 (VT-20367/24).
Starts around the 33 minute mark Delta Queen, 17-24 April 1987: tape 1 of 4 Dr. William R. Ferris Collection, 20367 Video8
4. Finding this disc in the stacks during a conservation survey and spending many weeks curious about its contents before finally having it digitized. I’d be very curious if anyone knows the whereabouts of this band. (FD-20245/836) Chicken Way’s “Classy Lady ” Goldband Recording Corporation Collection, 20245
3. When James “Son” Thomas performed with George Thorogood and Ron Smith, and the video switcher employed some creative video effects (VT-20466/3) James “”Son Ford”” Thomas with George Thorogood and Ron Smith, 1978 Robert D. Bethke Collection, 20466
2. This SFC department favorite featuring Hazel Dickens, Alice Gerrard, Mike Seeger, Tracey Schwartz and a beautiful sunny backdrop (VT-20006/2). Bonus music videos by unidentified bands at the end! Woman Alive: Hazel Dickens and Alice Gerrard with Mike Seeger and Tracey Schwartz, November 1975 Alice Gerrard Collection, 20006
VHS dub from unknown format LAST, BUT NOT LEAST….
1. When a nightmarish Barney joined a Mt. Airy dance contest (VT-20009/272). The beloved dinosaur from our imagination appears around 5:20 minute mark Mt Airy Fiddlers convention, dance contest Rufus Kasey, Molln part 2, 1997 Mike Seeger Collection, 20009
Happy Field Tripping!
This morning, I had the great privilege of inspecting some 16mm film with AV Archivist Anne Wells and AV Conservator Erica Titkemeyer. The film is part of an unfinished documentary project created by folklorist Blanton Owen and features Tommy Jarrell and Fred Cockerham playing music and talking on the front porch at the Cockerham home in Low Gap, North Carolina on July 8, 1971. For more details see the Blanton Owen Collection (20027) finding aid. The collection includes an edited ten minute segment that Owen created from original elements. This unsynced segment consists of a 16mm magnetic soundtrack (F-20027/9) and a silent 16mm reversal print (F-20027/10), so we put the elements up on a Steenbeck flatbed editor to review the contents and shoot some quick cell phone video for documentation.
Owen recorded the image on 16mm film and recorded the audio on 1/4″ open reel using Nagra sync-sound. Owen then transferred these original 1/4″ open reels to 16mm magnetic soundtrack for editing purposes. The series includes both these original 1/4″ open reel audio recordings (FT-20027/16006-16011) and 16mm magnetic soundtrack film elements (F-20027/8-9) along with the original 16mm picture elements and outtakes (F-20027/1-7, F-20027/10), and field notes associated with the master 1/4″ open reel audio recordings (Folder 1).
The film is not currently digitized for access, however, the quality of the image and the sound recordings are such that we could not help but share.
As of late 2015, SFC’s audiovisual preservation and access project team has grown to include three new members! To welcome them, I will be highlighting their work through a series of posts, starting with our AV Archivist, Anne Wells.
Anne is charged with increasing access to SFC collections, old and new, through the development of item level finding aids (for reference, check out the McCabe’s Guitar Shop Collection). Currently, only 30% of SFC collections containing audiovisual materials are described through these finding aids, making the work Anne carries out extremely important to the visibility of SFC holdings. Additionally, as the primary location for streaming our digitized content, the increase in finding aids will allow us to serve more recordings to our patrons and the general public.
For this post I asked Anne to describe the type of work she is currently taking on…
As Erica mentioned, I have been primarily working with SFC’s finding aids since I began last November. These finding aids provide comprehensive overviews of SFC’s unique collections. Thus far, I have spent the majority of my time cleaning up previously made finding aids, or more specifically, EAD XML schema, to make sure they meet specific requirements necessary for the linking of streaming digital access copies. During this process I have also created a standardized language to describe SFC’s audio visual items, including consistent descriptions of format, length, playback attributes and credits, when known.
I have also been lucky enough to get my hands on some of SFC’s AMAZING collections. For instance, I processed the McCabe’s Guitar Shop Collection, which includes over 2,000 live concert recordings on ¼” open reel, audiocassette, DAT and CD. I accessioned the collection, arranged the materials chronologically by format, and created a new item level finding aid for the collection. Just to give you a sense of the large scope of the collection, here’s a cropped glance at some of the audiocassettes within the collection:
And here’s a personal favorite found in the collection:
I am now transitioning into mostly creating new SFC finding aids from scratch. I find this kind of work super rewarding, since I personally have a hand in making these collections known and available to the general public for the first time. We’ll be sure to keep you posted on these new finding aids as they become published.
Prior to Anne’s arrival, significant work was put into developing a prioritization model for SFC collections, both for digitization and description. In considering the number of variables that make a collection a high priority, a questionnaire was developed to rate collections on certain factors, including the following factors:
Percentage of formats at risk of deterioration or obsolescence in the collection (including lacquer discs, polyester-based audiotape, and 2” Quadruplex video)