It’s Burns Day, and I hope you have been practicing your “Address tae the Haggis.” Folklorist, teacher, author, and friend of the Southern Folklife Collection, Burgin Mathews, hosts a Burns Supper that I will someday be lucky enough to attend, however this year I’ll have to offer the Immortal Memory address to myself in a quiet kitchen. Thankfully I found a wealth of supporting materials in the SFC to assist in my Burns Night activities. The LP pictured above, call no. FC18057, offers a great start with Frederick Worlock reading some of Robert Burns best, including “To a Louse (on seeing one on a lady’s bonnet at church).” Listen to the clip above.
Thanks to inspiration from the SFC’s recent Fiddle Concert and Symposium, I pulled out a record, call no. FC1508, produced by Mark Wilson that features some of his excellent recordings of Cape Breton musician Joseph Cormier. Scottish Violin Music from Cape Breton Island, kicks off with a perfect set of reels for Burns Night, “Haggis; Glennville’s Dirk; Bird’s Nest.” Listen to “Haggis” here:FC1508_Southern Folklife Collection
Your guests will likely need some source material for their Burns recitations after dinner, so you may want to reference The Merry Muses of Caledonia, call no. PR4322.M42 1965, and possibly copy the glossary for those less familiar with the particulars of Scottish vocabulary. (click images to enlarge)
Finally, no Burns Supper is complete without a rousing rendition of Robert Burns most famous and most misunderstood poems, “Auld Lang Syne.” I never imagined that I would someday offer the following advice, but take a cue from Guy Lombardo and His Royal Canadians and pour your heart and soul into the song (it may help if you have a cup of “uisge beatha,” aka the “water of life, aka Scotch whisky, in advance). Sing along won’t you? 45_2046
For auld lang syne, my jo,
for auld lang syne,
we’ll tak a cup o’ kindness yet,
for auld lang syne.