Ella Fitzgerald’s 100th birthday

Ella Fitzgerald with the Chick Webb Orchestra, at the Howard Theatre in Washington, DC.

Ella Fitzgerald with the Chick Webb Orchestra, at the Howard Theatre in Washington, DC.

Today marks the 100 anniversary of Ella Fitzgerald’s birth.  In his book Making a Difference in North Carolina, Hugh Morton included a similar photograph to the one above with the caption,

Ella Fitzgerald, at age 18, sings A Ticket, A Tasket with Chick Webb’s Orchestra.  They played in North Carolina, but this photo is in the Howard Theatre in Washington, D.C.

Hm . . .

Fitzgerald would have been eighteen in 1935 to 1936.  According to Stuart Nicholson’s Ella Fitzgerald: The Complete Biography (2004) and Ella Fitzgerald: The Chick Webb Years & Beyond by Ron Fritts & Ken Vail (2003), Fitzgerald recorded that song for the first time on May 2, 1938 at Decca studios in New York.  Fitzgerald and the Chick Webb Orchestra first performed at the Howard Theatre for one-week engagement that opened on November 22, 1935.  Hugh Morton would have been fourteen years old.  Perhaps this photograph is from a later date?

Another Morton Mystery is at hand.  I learned late in the day that today was Fitzgerald’s 100th birthday, so this will need some follow up.  Can any readers of A View to Hugh fill in some of the story?

Addendum

According to Fritts and Vail, Ella Fitzgerald and the Chick Webb Orchestra also played a one-week engagement at the Howard Theatre from March 26 through April 1, 1937.  Fitzgerald would have been nineteen, just shy of her twentieth birthday., while Hugh Morton would have been sixteen.  It was billed as an “Easter Swing Session” and a “Gay Holiday Revue” with Bardue Ali, Charles Linton, and Taft Jordan.  Fitzgerald and the orchestra returned to the Howard Theatre for another one-week stand from January 28 through February 3, 1938.  The following week, the entourage began a five-week stint in Boston at the Flamingo Room at Levaggi’s Restaurant.  According to Nicholson, Fitzgerald “worked out the outline of ‘A-Ticket, A-Tasket'” at Levaggi’s.”

Fitzgerald and the orchestra’s next one-week stop at the Howard Theatre came on March 31, ending on April 6.  An advertisement for the engagement portrays her as “First Lady of Swing ‘Ella A-Tisket A-Takset Fitzgerald.'”  Webb, however, did not perform; he entered John Hopkins Hospital in Baltimore for a back operation.  He left the hospital the following week. Webb would died on June 16, 1939, but Fitzgerald continued to play with his orchestra—which playbills began to list as “her Chick Webb Orchestra” or other such variations. At some point soon there after the design and the initials on the front of the music stands changed to EF.

The next appearance by Fitzgerald at the Howard, according to Fritts and Vail is a one-week gig from March 7 to 13, 1941. This performance seems to be an unlikely candidate for Morton’s negatives. He attended Episcopal High School in Alexandria, Virginia before enrolling at UNC in the autumn of 1939, so his proximity to Washington, D.C. coupled with the release date of “A-Tisket, A-Tasket” favors a twenty-one, soon to be twenty-two, year-old Fitzgerald. If so, then Morton’s negatives capture Fitzgerald on the cusp of an important turning point in her a career.

Taking “A Tisket A Tasket” to Task

In a 1981 interview by Ron Wellburn, Teddy MacRae spoke about the origins of “A-Tisket A-Takset.”  He said, “That was Ella own thing.  It was her own idea. That was her thing that she would sing up in Yonkers. . . . ”  Fitzgerald, born in Newport News, Virginia, was raised in Yonkers from the age of three until her mother died suddenly of a heart attack in 1932.  The lyrics are based up a very old nursery rhyme.  MacRae continued, “We [the orchestra] had nothing to do with that. We called Van [Alexander] to put it down on paper for her, and Van made the arrangements.”

Biographer Robertson, quoting liner notes from the 1986 Swingtime LP Ella Fitzgerald Forever Young, volume 2 (ST 1007) quoted Alexander as saying “I was terribly busy at the time so I did nothing about the tune. But Ella approached me again after about a month, and I went home and put the melody and her lyrics together, copying all the parts myself, and took it to Webb.  He rehearsed the song for about an hour in the afternoon and that very night, from the Savoy, he broadcast it. And that’s how ‘A-Tisket, A-Tasket” was born and popularized.”

For a version of the story from her at the time, we turn to The Ella Fitzgerald Companion (1998) that includes a 1938 New York Post article by Earl Wilson in which Fitzgerald said, “we was playing’ Boston in April, and I says to Al Feldman [the birth name of Van Alexander], our arranger, ‘Look here, I got something terrific! They’re swing’ everything else—why not nursery rhymes?’  I had most of the words wrote out, so we sat down and jammed around till we got the tune, and that’s the way it was.”  Well, that’s Ella’s version of the story.  Up next for yet a different take . . .  the biography First Lady of Song: Ella Fitzgerald for the Record by Geoffrey Fidelman (1994).

In that his biography Fidelman notes that the band had nightly broadcasts of their performances at the Levaggi.  His spin on the story is that Feldman said he was so busy because of the constant need for new material for the radio broadcasts.  “I turned her down flat,” said Feldman recalling when Fitzgerald approached him because of his workload.  Fidelman then notes that Ella again approached Feldman a few days later [not a month as Teddy MacRae recalled.]  Fidelman states Click Webb “put ‘Tasket’ on the air almost immediately and the band played it nightly for almost a month before the May 2 recording date for Decca, and this version has the song’s debut at Levaggi’s not the Savoy.

And of course there’s yet another version of the story that Fidelman refutes with his research.  I cannot sort out all the stories here, but in each of these accounts, “A-Tisket, A-Tasket” comes together after the February 1938 engagement at the Howard Theatre. If Hugh Morton photographed Fitzgerald then, she wasn’t singing the song that burst her into stardom.  Either that, or there was another performance by Ella and the Webb band not recorded in the extensive chronicle constructed by Fritts and Vail.

We may never know . . .

Note: The final two sections added on 26 April

THE Voice of the Tar Heels

Tar Heel Sports Network play-by-play announcer Woody Durham (right) with son Wes Durham (play-by-play announcer for Georgia Tech) after receiving Marvin "Skeeter" Francis Award at 2002 ACC basketball tournament, Charlotte, NC.

Tar Heel Sports Network play-by-play announcer Woody Durham (right) with son Wes Durham (play-by-play announcer for Georgia Tech) after receiving Marvin “Skeeter” Francis Award at 2002 ACC basketball tournament, Charlotte, NC.

Today, April 22, 2017, Carolina’s Woody Durham will receive the Lindsey Nelson Broadcasting Award at the University of Tennessee Orange and White spring football game in Knoxville. This will be just the latest in a long line of awards that fill his trophy case. Woody’s son Wes will be on hand to accept the award for his dad.  On this special day, Morton volunteer contributor, Jack Hilliard, reminisces about his long-time friend and UNC classmate.

Many of the recent reports in the media of Woody Durham’s health issues have described him as “The Voice of the Tar Heels for 40 Years.” While that is true, there is far more to it than that. Woody Durham was, is, and forever will be The Voice of the North Carolina Tar Heels, period. Others will broadcast the play-by-play of the Tar Heel games and will do it well, but none will ever come close to what Woody Durham was able to accomplish . . . the bar is just too high.

I came to work for WFMY-TV in Greensboro on February 6, 1963 and worked until July 24th, when I left for a short tour of active duty with the US Army. When I returned in January, 1964, WFMY’s long-time sports director Charlie Harville had left for the new station in High Point and taking his place was Woody Durham, a classmate from UNC. While at Carolina, I had often watched Woody and news anchors Ray Williams and Dave Wegerek from the WUNC-TV control room in Swain Hall as director Wayne Upchurch directed the evening news. I decided then that I wanted to direct a show like that someday.  But I never imagined that my path would cross with Woody’s and Dave’s down the road.

Woody Durham and Ray Williams on news set, April 19, 1961. (University of North Carolina at Chapel Hill Photographic Laboratory Collection Photographer: Bill Prouty.)

Woody Durham and Ray Williams on news set, April 19, 1961. (University of North Carolina at Chapel Hill Photographic Laboratory Collection Photographer: Bill Prouty.)

When I returned to WFMY in ’64, I got a promotion from the floor crew to a control room job—audio and technical director, then assistant director.  And in early November of 1966, I got to direct my first newscast and for me it was magical.  As had been the case back at WUNC-TV, Dave Wegerek anchored the news and Woody Durham anchored the sports.  I had the honor and privilege of working with Dave for four years, and with Woody for almost fourteen, until August of 1977.  During that time with Woody, I saw a master at work.  From a ten-second promotional announcement to a one-hour documentary it was always the same: carefully research, then script it and deliver it with dignity, class, and style. That’s the way Woody has lived his life, with perhaps a bit less emphasis on the scripting part.  And that’s the way he’s approaching his current health struggles.

As most of the Tar Heel Nation will recall, Woody delivered a letter to his many friends and fans on June 1, 2016.  In it he explained his current health condition with primary progressive aphasia, a neurocognitive disorder that affects language expression:

I can still enjoy the company of friends and traveling with my wife, Jean, but I am not able to address groups as I did in the past,” Durham said. “While learning of this diagnosis was a bit of a shock for Jean and me, and yes, quite an ironic one at that, it also brought a sense of relief to us in terms of understanding what was happening to me and how best to deal with it.

Goodness knows, Tar Heel fans have heard him often over the years telling the Tar Heel story for the Athletic Department, the General Alumni Association, the Tar Heel Sports Network, and you name it, Woody has been there. And as you would likely guess, Woody is using his health issue to help people become aware of aphasia and how it affects individuals and families.

As in the past, I will continue to attend Carolina functions and sporting events as my schedule permits, and be part of civic and other charitable endeavors throughout the state. As part of these events, we want to make people more aware of primary progressive aphasia, and the impact that these neurocognitive disorders can have on individuals, families and friends.

Along with raising awareness, we hope to encourage financial support for continued research and treatment in our state, as well as nationally.

Over the years, Woody has urged us to “go where you go, and do what you do” when a close game was on the line.  As Woody’s friend for more than 50 years, I would urge all to take Woody’s game advice because he is involved in yet another difficult struggle. And in the end, when he wins this battle, (and I choose to believe he will), he can say, as he often has said following a big Tar Heel victory: “Act like you’ve been there before.”

Woody Durham interviews King Rice following win over Duke in the 1991 ACC Tournament. Also in the frame is #32 Pete Chilcutt, and Rick Fox (right). Jim Heavner, Tar Heel Sports Network and CEO of The Village Companies of Chapel Hill can be partially seen in extreme left of the frame.

Woody Durham interviews King Rice following win over Duke in the 1991 ACC Tournament. Also in the frame is #32 Pete Chilcutt, and Rick Fox (right). Jim Heavner, Tar Heel Sports Network and CEO of The Village Companies of Chapel Hill can be partially seen in extreme left of the frame.

I think it’s appropriate that we update Woody’s progress on the web site which is everything Hugh Morton. Woody was a Hugh Morton photo subject often and during the 2005-2006 UNC basketball season, Woody gave us periodic reports on Hugh’s condition.

On October 5, 2013, there was a very special event at the Turchin Center on the campus of Appalachian State University in Boone. I was honored to be a panelist along with Betty McCain, Robert Anthony, and Woody Durham.  Our topic: “Hugh Morton and His Photography.”  It was a magical afternoon . . . one to forever remember.

So on this special day I say: “Best wishes, dear friend, our thoughts and prayers are with you, Jean, and family.”

He came to Chapel Hill to argue with someone

Leon Henderson (right), head of the Office of Price Administration established within the Office for Emergency Management of the United States Government by Executive Order 8875 on August 28, 1941. Henderson was the speaker for the Carolina Political Union's sixth anniversary on 15 April 1942 in Memorial Hall at the University of North Carolina at Chapel Hill. This photograph appears in the May 1942 ALUMNI REVIEW with caption headline "Have a Cigar!" and caption, "Evidently Price-Administrator Leon Henderson is not having to worry about cigar rationing. Here he is conferring with student leaders Ridley Whitaker, chairman of the Carolina Political Union, who hails from Goldsboro; Hobart McKeever of Greensboro, who was one of the candidates for presidency of the University Student Body; and Lou Harris of New Haven Conn., vice-president of the CPU. Mr. Henderson was one of the series of speakers brought to campus this year by student organizations." A slightly different Morton photograph of this group appeared in the 10 May issue of THE DAILY TAR HEEL.

Leon Henderson (right), head of the Office of Price Administration established within the Office for Emergency Management of the United States Government by Executive Order 8875 on August 28, 1941. Henderson was the speaker for the Carolina Political Union’s sixth anniversary on 15 April 1942 in Memorial Hall at the University of North Carolina at Chapel Hill. This photograph appears in the May 1942 ALUMNI REVIEW with caption headline “Have a Cigar!” and caption, “Evidently Price-Administrator Leon Henderson is not having to worry about cigar rationing. Here he is conferring with student leaders Ridley Whitaker, chairman of the Carolina Political Union, who hails from Goldsboro; Hobart McKeever of Greensboro, who was one of the candidates for presidency of the University Student Body; and Lou Harris of New Haven Conn., vice-president of the CPU. Mr. Henderson was one of the series of speakers brought to campus this year by student organizations.” A slightly different Morton photograph of this group appeared in the 10 May issue of THE DAILY TAR HEEL.

Yesteryear is filled with those whose names today mean nothing to most, but in their day were lightning rods.  Leon Henderson is one of those people.

Henderson became a member of Franklin Roosevelt’s inner circle, perhaps the result of his 1937 memorandum “Boom and Bust” written when he was Director of Research and Planning with the National Recovery Administration.  Roosevelt appointed him to the Securities and Exchange Commission in 1939, and in 1941 to head the Office of Price Administration.  John Kenneth Galbraith, a historically important economist, public official, and diplomat, begins Chapter 8, “Washington, 1940,” of his autobiography A Life in Our Times: Memoirs (Houghton Mifflin Company, 1981):

Leon Henderson was slightly under average height, of rather more than average width, and he seemed always to be adjusting his pants, pulling a little on his belt as though this would reduce his waistline.  Perhaps because they had to be so large at his stomach, his trousers were always very loose below.  They flopped when he walked or the wind blew.  The rest of Leon’s attire was somewhat more disorderly.  He shaved regularly but without precision.  His face altered between an expression of unconvincing belligerence and one of shocked, unbelieving innocence, and sometimes he affected both at the same time.  Mostly, however, he favored the belligerent expression, and this he sought to reinforce with a sharply jutting cigar that he rolled in his mouth but rarely smoked.  He was highly intelligent, with a strong retentive mind.  After a few minutes’ study of a paper on any subject, however complex, he not only had absorbed it for all needed use but could give convincingly the impression that he had written it himself.

It was during 1940 that Galbraith would become Henderson’s deputy when he served on Roosevelt’s National Defense Advisory Commission.  Among those serving on the commission with Henderson was Harriet Elliot, Dean of Women at the Woman’s College of the University of North Carolina (now UNC Greensboro).

Galbraith devotes many pages of his first-hand accounts surrounding Henderson and his role in determining American economic policies during the critically important years from the mid 1930s into the first year of the United States’ direct involvement in the second World War.  Galbraith attributes Henderson as the person “who first voiced the thought that having a little inflation was like being a little pregnant” during “the almost paranoiac concern of 1940 and 1941 over inflation.”

Word that Leon Henderson would visit the University of North Carolina at Chapel Hill first appeared in The Daily Tar Heel on April 5, 1942.  Ridley Whitaker, chair of the Carolina Political Union, a non-partisan and non-political student group formed in 1936, announced that three important men had been sign to speak during the week of April 23:

Whitaker noted that past invited speakers had been “reluctant to talk,” but that these men would. “We’re having those men down to talk.  They were signed with that purpose.  Henderson has already wired that he’s coming here because he wants someone to argue with him.”  Harriet Elliot would introduce Henderson.

The Daily Tar Heel reporter Paul Komisaruk, who covered the Henderson story during the next two weeks, describe Henderson as “More colorful than Davis” and “clearly one of ‘America’s New Bosses,’ who with his control of prices profoundly influences the cost of living in every home in America.”  Komisaruk was not exaggerating, and he attributes Henderson’s “Boom or Bust” [sic] memorandum to Henderson’s rise to Roosevelt’s “inner-brain trust.”

Within a week, Komisaruk reported that Henderson’s visit would be moved up to April 15, a date which also marked the sixth anniversary of the Carolina Political Union.  Henderson’s “pressing duties in Washington” necessitated the change.  Komisaruk wrote, “Holding down the most difficult and delicate job in Washington, the quick-tempered Henderson will explain to students and visiting dignitaries, the Congressional battles over price-fixing that rocked the halls of Congress, and still, to develop into the biggest domestic issue of the war.”  He also reported that Whitaker had developed the evening’s program to include a banquet and a reception, and that attendees would include Governor J. Melville Broughton and Josephus Daniels, who had been the United States Ambassador to Mexico from April 1933 until November 1941 and who was at that time the editor of his family-controlled newspaper The News and Observer in Raleigh.

On the day prior to Henderson’s visit, The Daily Tar Heel editorial staff column included a segment titled “A Man Who Knows . . .” in which the editors wrote, “This is the man who can tell you why Lenoir Hall prices are going up and when they will stop.  He doesn’t speak with an accent and he can’t sing the praises of the fighting soldiers, but he can tell you the effect of the war effort on the consumer.”

On the day of Henderson’s trip to Chapel Hill, Kamisaruk noted that Henderson was departing Washington “in the midst of a growing storm over issues pertaining to setting a ceiling on labor’s wages.”  He expected Henderson “to explain the stand he took last week before the War Labor Board, when he warned that a ceiling must be set or the country will be faced with ‘devastating inflation,’ that may cause the US to lose the war.”  Kamisaruk also noted that “political observers” say that “Henderson’s warnings about inflation and frozen wages are not to be taken lightly despite the violent recriminations they have brought from labor leaders throughout the country. They point to the depression of 1937 that Henderson anticipated and warned about, and was ridiculed for until the ‘Henderson depression’ came right along as he said it would.”  Kamisaruk concluded with an unattributed quotation: “his idealism springs out of the soil of harsh facts.  And the harshest of these facts are prices, prices, prices.”

An example of opposition to Henderson can be seen in Ray Tucker’s syndicated column “National Whirligig” for April 15.  In a section he titled “Sleuths” Tucker noted that since February 17, 1941 when the “first move to regulate the main factors underlying our artificial war economy,” Henderson had “issued one hundred and six permanent rulings and fifteen temporary decrees.” Tucker took exception to these, noting that “the rapidity with which prohibitions have had to be extended into the retail field is what reflects graphically the failure of the present philosophy.”  According to Tucker, between March 1941 to March 1942, wholesale costs had risen nineteen percent and living costs twelve percent.  Tucker feared the installation of a “more drastic regime will flood the country with a locustlike army of regulators and sleuths,” concluding “But this condition appears to be a necessary touch of totalitarianism.”

Komisaruk’s coverage of Henderson’s evening on campus noted that he delivered only “perfunctory remarks, and promptly announced that the floor was open to discussion.” Henderson had indeed come to Chapel Hill to argue. “Spectators fired a barrage of questions,” one of which concerned the forty-hour work week. The Associated Press picked up this nugget, as printed in The Burlington Times.  The AP noted that Henderson believed suspension of the 40-hour week would decrease production because, “I don’t believe human beings will respond a 10 per cent cut.”  He also said the nation might be forced to adopt a general sales tax, which he did not favor, unless wages were stabilized.

"Unaccustomed as I am . . . " is the quotation printed on the "Discussion Groups" opening section page in the 1942 YACKETY YACK. On the facing page is this Hugh Morton photograph, cropped here as it is in the yearbook. The photograph is not captioned. It depicts Leon Henderson (left) and Ridley Whitaker, Chairman of the student group Carolina Political Union. Whitaker was identified from other photographs in the collection and within the YACKETY YACK, but the identity of Henderson was unknown until researching this blog post.

“Unaccustomed as I am . . . ” is the quotation printed on the “Discussion Groups” opening section page in the 1942 YACKETY YACK. On the facing page is this Hugh Morton photograph, cropped here as it is in the yearbook. The photograph is not captioned. It depicts Leon Henderson (left) and Ridley Whitaker, Chairman of the student group Carolina Political Union. Whitaker was identified from other photographs in the collection and within the YACKETY YACK, but the identity of Henderson was unknown until researching this blog post.

Morton's negative without cropping.

Morton’s negative without cropping.

The Daily Tar Heel also reported that a Henderson answer to one questioner “drew roars of laughter” when asked for “a few words about that ‘great American patriot Martin Dies.'” (Martin Dies Jr. was a co-creator and chairman of the House Committee Investigating Un-American Activities.)  Henderson replied, “. . . it always happens once an evening—a question the speaker can not answer glibly.  I can only repeat what I have said on other occasions. ‘I will eat on the steps of the Treasury building at high noon any organizations I have belonged to that Martin Dies proves is subversive.” He added with a smile, “Of course there are some high school groups I belong to that his flat-feet haven’t gotten around to inspecting yet.”

Detail from the only other negative found thus far from Leon Henderson's speech in Memorial Hall. The woman in the background of each image is presumably Harriot Wiseman Elliot, Dean of Women at the Woman's College of the University of North Carolina in Greensboro.

Detail from the only other negative found thus far from Leon Henderson’s speech in Memorial Hall. The woman in the background of each image is presumably Harriot Wiseman Elliot, Dean of Women at the Woman’s College of the University of North Carolina in Greensboro.

A few days after Henderson’s evening in Chapel Hill, The Daily Tar Heel opinion column noted that “Memorial hall overflowed . . . for the CPU’s first speech of the spring quarter.  There were many who expressed disappointment at Mr. Henderson’s speech and then there were those who felt it to be the first speech of the year during which you had to think to be able to understand what was being said.  Regardless of what opinions are being batted around campus, Leon Henderson’s address goes down as one of the meatiest of the year.”

Henderson’s story looms larger than A View to Hugh can tackle.  In short, the midterm elections of 1942 saw Democrats lose nine seats in the United States Senate and forty-three in the House of Representatives.  Democrats still maintained a significant majority, but it was the smallest since Roosevelt’s first election a decade earlier. In V was for Victory: Politics and American Culture During World War II, author John Morton Blum cites a survey taken of “Democratic Senatorial and Congressional candidates, whether they were victorious or not” by Edwin W. Pawley, then Secretary of the Democratic National Committee.  Blum describes the polling as “probably the shrewdest and most self-interested postelection [sic] analysis that Roosevelt received.”  Pawley reviewed the replies and compiled a list of five factors that contributed to the Democratic Party losses.  Number three on the list was “Resentment of O.P.A. Particularly of Mr. Henderson.  This was the most universal and serious complaint of all . . . It appears from the letters that the complaint is directed rather at Mr. Henderson and his attitude and methods than at the abstract question of . . . rationing and price control . . . .”  Pawley suggested the complaints against Henderson were “correctable” and Blum states that “Roosevelt got the message.”

In December 1942 Henderson called Galbraith and others to his office where they learned of Henderson’s intention to resign.  He stated that his health, and particularly his eyesight, would not permit him to continue.  Henderson didn’t expect anyone to believe that, so he kept repeating it “with increasing emphasis and indignation. In fact he was persuaded that there would be ever more severe attacks on our front and that he could blunt them by removing himself from the scene.”

Looking back, Galbraith believed Henderson was “never completely happy again” and that “the debt owed to Henderson for preparing the civilian economy for World War II has never been even partially recognized.  Had it not been for his bold, intelligent actions and those he authorized, civilians would have suffered.  And so assuredly would those who did the fighting.”

CORRECTION: This post was edited on 17 April 2017.  In the opening quote from Galbraith, the word tentative was changed to retentive.

Morton photographs of Augusta National

Yesterday while looking through Sheet Film Box P081/C-24 in the Hugh Morton collection, I came across the above color negative labeled “Augusta Nat’l for John Wms.”  Today, coincidentally, is the opening round of the Masters Tournament, so I had the negative digitized for posting on A View to Hugh.  Turning to the finding aid to see what additional material on Augusta National might be in the collection, I found the following:

Roll Film Box P081/35C-6

  • Envelope 6.4-6-1, “Golf, Augusta,” 1971, Color 35mm roll film negatives, 35 images

Roll Film Box P081/120C-5

  • Envelope 6.4-4-1, “Augusta” (mostly scenic golf course), 1971?, Color 120 roll film negatives, 31 images
  • Envelope 6.4-4-10A, “Augusta National for John Williams” (golf course), 1970s-early 1980s, Color 120 roll film negatives, 6 images

Some of the images depict a foursome and others playing the course; many other negatives are scenic views.  The images didn’t seem to merit scanning them all just to select a few to use for the blog, but if anyone is ever looking for images of the Augusta National circa 1971 (the 35mm negatives are labeled Spring 1971 but the reaming dates are estimates), you may aways request to see them or have them digitized.  One of the negatives, however, depicted a gentleman sitting outside a door with the nameplate “John H. Williams.”

So two question remained: Who is John Williams and what is his connection to Hugh Morton? According to his obituary from May 2013, Williams “was recognized nationally as one of the great financial minds and deal-makers in America during the 1960s and 1970s.”    The portrait of Williams in his obituary looks very much like the man pictured above, so it’s safe to say this is photograph of Williams at Augusta National.

Based in Tulsa, Oklahoma, Williams was co-founder, president, and chief executive officer of The Williams Companies from 1949 to 1971, and chairman and CEO from 1971 to 1979.  When he retired, the company’s assets were $2 billion.  Listed among his many accomplishments and associations: Williams served on the board of Augusta National Golf Club . . . and “Grandfather Golf and Country Club and Linville Golf Club of Linville, NC.”  At the time of his death, Williams and his wife resided in both Tulsa and Linville.  And therein lies his connection to Hugh Morton.  Turning back to the Morton collection finding aid, there are thirty-one entries for John Williams spanning the 1960s through the 1980s.

That’s what I discovered after a little investigation.  Please leave a comment if you would like to add to the story.

Putting a “value” on the Gate City

Interior of Greensboro Coliseum before the March 4, 1977 ACC Men's Basketball Tournament semifinal game between UNC and NC State.

Interior of Greensboro Coliseum before the March 4, 1977 ACC Men’s Basketball Tournament semifinal game between UNC and NC State.

There has been an ample amount of media ink and airtime since Syracuse University Head Basketball Coach Jim Boeheim made his comments about Greensboro and the Atlantic Coast Conference Men’s Basketball Tournament back on March 8.  Following his team’s loss to Miami in the quarterfinals, Boeheim went before the media and bashed the “Gate City” as the ACC Tournament site, saying: “. . . There’s no value in playing Greensboro, none. It’s there because the league’s been there and the office is there, and they have 150 people that the ACC needs. That’s why it’s there. It should not be there.”

As one would expect in this day and age, Greensboro city officials—including Mayor Nancy Vaughn—came back in force on Twitter tweeting, “We kindly disagree. But I guess you can lose in the 1st round anywhere. At lease it’s a quick ride home.”  In a later statement Mayor Vaughn added: “Unfortunately for Syracuse they didn’t stay around long enough to experience the Greensboro value.”

It seems history might be on the Gate City’s side.  Greensboro has hosted the ACC Tournament twenty-eight times going back to 1967 and has hosted the NCAA Tournament first and second round games twelve times going back to 1976. And two weeks after the Greensboro Coliseum hosted the 1974 ACC event, they hosted the thirty-sixth annual NCAA semifinals and championship game. So as the UNC Tar Heels head to Phoenix for the 79th annual NCAA Final Four, Morton collection volunteer Jack Hilliard looks back at that 1974 tournament that put Greensboro in the national spotlight on March 23rd and 25th, 1974.

NC State cheerleaders displaying a banner that reads"You are in Wolfpack Country" before the start of the NC Stave versus UCLA 1974 NCAA Mens' Basketball National Semifinal at the Greensboro Coliseum, on March 23.

NC State cheerleaders displaying a banner that reads”You are in Wolfpack Country” before the start of the NC Stave versus UCLA 1974 NCAA Mens’ Basketball National Semifinal at the Greensboro Coliseum, on March 23.

It wasn’t called the “Final Four” in 1974—that term would first appear a year later—but in mid-March, four regional-winning teams came into the Greensboro Coliseum to compete in the thirty-sixth annual NCAA Men’s Basketball Championship.  The road to Greensboro started on March 9 with twenty-five teams looking to upset defending NCAA champion, UCLA.  Two weeks later the list was down to four teams headed to the Gate City to do battle: UCLA from the West Region, North Carolina State from the East, Marquette from the Mideast, and Kansas from the Midwest.

NBC-TV Sports was in the house with legendary broadcaster Curt Gowdy calling the game.  At the media table was the Coliseum’s announcer Johnny Phelps, a sports anchor at Greensboro’s WFMY-TV.  Hugh Morton, typically on the floor for basketball games, photographed from the stands.

A moment before tip-off of the 1974 NCAA National Semifinal basketball game at Greensboro Coliseum, Greensboro, NC. North Carolina State University played the University of California at Los Angeles, March 23, 1974.

A moment before tip-off of the 1974 NCAA National Semifinal basketball game at Greensboro Coliseum, Greensboro, NC. North Carolina State University played the University of California at Los Angeles, March 23, 1974.

Head Coach John Wooden’s UCLA squad had won nine of the last ten NCAA tournament championships and opened play against Norm Sloan’s NC State Wolfpack, a team the Bruins had beaten earlier in the season by eighteen points, snapping a twenty-nine-game winning streak for the ‘Pack.  State was accustomed to winning in the Greensboro Coliseum, having won the ACC Tournament a couple of weeks earlier with a 103-to-100 overtime victory over “Lefty” Driesell’s Maryland Terps.  Hugh Morton and Smith Barrier, in their 1981 book, The ACC Basketball Tournament Classic, called the 1974 ACC final the “Greatest Game Ever.”  I believe most of the 15,451 screaming fans in attendance would have agreed.

The NCAA semifinal game between State and UCLA turned out to be a classic as well. It was a two-overtime affair with State, led by All-American David Thompson, finally winning 80 to 77. UCLA lost a five-point lead near the end of regulation play and a seven-point lead in the second overtime.  The game is number thirteen on the USA Today “Greatest 63 games in NCAA Tournament history.”  UCLA’s All-American Bill Walton, who scored twenty-nine points and grabbed eighteen rebounds in the semifinal game, calls it, the most disappointing loss of his entire basketball career.

UCLA All America center Bill Walton shoots over the outstretched arm of NC State's Tommy Burleson, as NC State's Moe Rivers (#10) focuses on Walton. In the foreground, NC State's David Thompson tries to out position UCLA's Dave Meyers. Hugh Morton's game-action photographs focused on the two seven-foot centers, this being his best shot.

UCLA All America center Bill Walton shoots over the outstretched arm of NC State’s Tommy Burleson, as NC State’s Moe Rivers (#10) focuses on Walton. In the foreground, NC State’s David Thompson tries to out position UCLA’s Dave Meyers. Hugh Morton’s game-action photographs focused on the two seven-foot centers, this being his best shot.

The second semifinal game pitted Kansas, coached by Ted Owens, against Al McGuire’s Marquette Warriors (they’re called the “Golden Eagles” today.)  Marquette came away a winner 64 to 51, thus setting up the championship game between the Wolfpack and the Warriors. Most fans would say that State and UCLA played the championship game on March 23, but two days later, State met Marquette for the real championship.  The contest was close in the first half, but State pulled away in the second.  The Wolfpack led by nineteen at one point, finishing with a twelve-point win, 76 to 64.

UCLA won the “Third Place” game, 78 to 61, as Bill Walton closed out his college career. In a 1987 interview with then basketball broadcaster Billy Packer, Walton said of the lost to State: “We were incredibly disappointed. You just don’t have the opportunity to win championships that often and when you do and lose, it changes your life.”

NC State finished the ’73-’74 season as national champion for the first time with a 30-and-1 record.  They became only the fifth school in history to win the national championship playing in its home state—in Greensboro, NC—slightly more than seventy-five miles from its home court in Raleigh.

And, oh yes, Greensboro is scheduled to host the ACC Men’s Basketball Tournament again in 2020.  Coach Boeheim, who said he would likely retire following the 2017- 2018 season, has now signed a contract extension beyond the end of that season.  So it looks like he might once again have the opportunity to enjoy—or endure—yet another ACC Men’s Basketball Tournament in Greensboro—a city he said he loves, backtracking the day after his March 8 postgame remarks.

The Razorbacks are back

UNC head basketball coach Dean Smith on sidelines during national semifinal match-up against Arkansas in the Kingdome in Seattle, Washington on April 1, 1995. (Hugh Morton photograph cropped by the author.)

UNC head basketball coach Dean Smith on sidelines during national semifinal match-up against Arkansas in the Kingdome in Seattle, Washington on April 1, 1995. (Hugh Morton photograph cropped by the author.)

On March 18th, 2012 Bill Richards, a colleague who worked in the library’s Digital Production Center, passed away unexpectedly while watching the Tar Heel’s basketball team defeat Creighton University in the “Sweet Sixteen” round of the NCAA Men’s Basketball Tournament.  In 1982, Bill was the Chief Photographer for the Chapel Hill Newspaper.  In 1988, he began working as a photographer and graphic designer in the UNC Office of Sports information.  In 1998 he started working in Library Photographic Services, but continued shooting for Sports Information into the 2000s.  I am dedicating this blog post, as I have each year since his departure, to Bill who, like Hugh Morton, was an avid UNC basketball fan.

Here we are again . . . it’s March Madness time and UNC is in the NCAA Mens Basketball Tournament for the forty-seventh time.  Yesterday’s 103 to 64 first-round win against Texas Southern, coupled with Arkansas’ 77-to-71 defeat of Seton Hall, set up the sixth tournament meeting between the Tar Heels and Razorbacks.  Hugh Morton photographed three of those contests in 1990, 1993, and 1995. In the latter two face-offs, the victors continued on to play for the national championship.

North Carolina's Donald Williams (#21) and Arkansas' Corliss Williamson (#34) battle under the basket during the East Regional Semifinal at 1993 NCAA tournament in East Rutherford, New Jersey.

North Carolina’s Donald Williams (#21) and Arkansas’ Corliss Williamson (#34) battle under the basket during the East Regional Semifinal at 1993 NCAA tournament in East Rutherford, New Jersey.

The first of these two encounters was the 1993 tournament’s East Regional Semifinals played at East Rutherford, New Jersey.  Arkansas was fueled by eleven three-pointers, but but UNC’s sophomore guard Donald Williams scored the last nine Tar Heel points—including three foul shots at the end—to clinch the game 80 to 74.  At one point in first half Arkansas led by eleven, but the game was often close.  The score at halftime was 45 to 45, and with 6:30 left to play it was 69 to 69.  It was then that North Carolina’s Brian Reese bucket gave the Tar Heels a  lead that would not give back.

A monstrous dunk by 245-pound Razorback freshman Corliss Williamson bought  Arkansas to within two points, 73 to 71, and their fans leapt to their feet.  With just over a minute to play in the game, Carolina held onto a 75-to-74 lead.  UNC’s legendary coach Dean Smith called a time out at the 0:51.7 mark and drew up play.  Rather than stall in a patented four-corners set, he designed a quick-scoring backdoor pass from George Lynch to Williams for a lay-up that extended the score to 77 to 74 with 0:42 seconds left.  An Arkansas turnover forced the Razorbacks to foul Williams.  He iced the free throws and capped the Tar Heel victory.  George Lynch led UNC in scoring with twenty-three points and ten rebounds.  Eric Montrose added fifteen points.  The win sent the Tar Heels to the East Regional Finals against Cincinnati.

UNC's Jerry Stackhouse guarded by Arkansas' Scotty Thurman during their 1995 national semifinal game played on April 1, 1995 in Seattle's Kingdome. (Photograph by Hugh Morton, cropped by the author.)

UNC’s Jerry Stackhouse guarded by Arkansas’ Scotty Thurman during their 1995 national semifinal game played on April 1, 1995 in Seattle’s Kingdome. (Photograph by Hugh Morton, cropped by the author.)

April Fools Day was no laughing matter for UNC in the 1995 NCAA tournament when the Hogs beat the Heels 75 to 68 in the tournament semifinal played at the Seattle Kingdome.  UNC had returned to the Final Four after exiting early in 1994, and Arkansas was the returning national champion.  UNC led at the half 38 to 34.  The score would normally have been 38 to 31, but Arkansas’ Dwight Stewart heaved a 55-foot shot at the buzzer that found nothing but net to end the first half.  The bomb enlivened the lackluster Razorbacks and left the Heels stunned.

The energy boost carried Arkansas well into the second half, reeling off an early 17-to-5 run.  UNC suffered twelve-and-a-half minutes without a score until a three-pointer by Stackhouse with 15:14 left to play.  Carolina closed the deficit to one, 69 to 68, with 47.7 seconds left, but the Tar Heels scoring ended there.  They made only seven shots in the closing half after hitting fifteen in the opener, including seven threes.  Equally domineering, Arkansas made ten shots from close-range inside the paint in the second half, compared to Carolina’s two.  Donald Williams, now a senior, finished with nineteen points, but Corliss “Big Nasty” Williamson scored the same amount in just the second half, finishing with twenty-one. UNC’s Jerry Stackhouse scored eighteen.

Arkansas coach Nolan Richardson said afterward, “We’re called the ‘Cardiac Kids’ and we tried to do it again.” With their victory Arkansas earned the right to defend their title against UCLA, which defeated Oklahoma State 74 to 61. UCLA, however, denied the Razorback repeat by scoring an eleven-point win, 89 to 78.  After the season, as a junior, Williamson declared for the 1995 NBA draft and was the thirteenth pick overall by the Sacramento Kings.  From UNC, Jerry Stackhouse was the third overall pick by the Philadelphia 76ers, and the Washington Bullets selected Rasheed Wallace next as the fourth selection.  Both Stackhouse and Wallace left UNC as sophomores.

Post Script

Morton also photographed the North Carolina versus Arkansas regional semifinal in March 1990 won by Arkansas 96 to 73, but there are no images of that game in the online collection of images.

Correction

A previous version incorrectly stated “In the latter two face-offs, the victors continued on to win the national championship.”  This has been corrected and now reads “to play for the national championship.”

Charlotte News photographer Jeep Hunter, age 91, passes

Lawrence G. "Jeep" Hunter

Lawrence G. “Jeep” Hunter

This morning’s Charlotte Observer reported that longtime Charlotte News photographer Jeep Hunter passed away yesterday at the age of 91.  Hugh Morton made the above portrait of Hunter circa the 1950s.  The negative is a deteriorated acetate negative, which is why the image has a mottled look and a crease in the upper right corner.

A day without unidentified women

Woman at The Blowing Rock

Woman at The Blowing Rock

Today is International Women’s Day, a day that has been recognized since the early 1900s.  The theme for this year is “Be Bold for Change.” In the United States, today is also being observed as “A Day Without a Woman.”

A View to Hugh would like to participate in the celebration by asking you to help change some things in the online collection of Hugh Morton photographs: reduce the number of photographs that have in their descriptions the phrase “unidentified woman” or “unidentified women.”  The combined total currently stands forty-six images. Wouldn’t it be great if we could reach the ultimate goal of “a day without unidentified women?”

Here’s how you can participate. Click on either of the following linked phrases: “unidentified woman” or “unidentified women.”  Each will take you into the online image collection via a pre-determined search.  You can then browse through the images looking for anyone you can identify.

If you recognize someone you have two options: add the information to the comment section at the bottom of that webpage, or preferably, add the information as a comment to this blog post so we can see what progress we are making.  Commenting here is a great option if you aren’t sure about a possible identification. Just say who you think it might be and we can have a conversation about it.

You’ll want to have either two windows or two tabs open in your Web browser.  Before you comment here at A View to Hugh, go to the image’s webpage and click the phrase “Reference URL”—a unique Web address used only for that image’s record—and copy the web address provided in the top box.  See the sample below:

Reference URL

Next, come back to this webpage and leave a comment below AND paste the Reference URL into the comment so we know the image you are identifying.

Please note that your comment may not show up immediately.  Because of the enormous amount of comment spam we receive, I need to approve comments, especially those commenting for the first time or for comments with multiple links.

And most important of all . . . have fun!

If it’s March, there must be madness

Jeff Lebo cutting down net after UNC win over Duke at 1989 ACC tournament, Omni Coliseum, Atlanta, Georgia.

Jeff Lebo cutting down net after UNC win over Duke at 1989 ACC tournament, Omni Coliseum, Atlanta, Georgia.

“March Madness” is only a week away when the 64th annual Atlantic Coast Conference Men’s Basketball Tournament takes place starting today, March 7, through March 11, 2017 at the Barclays Center in Brooklyn, New York.  Officially, it’s the “New York Life ACC Tournament,” but a title sponsor has not always been attached.  That addition is just one of the many changing facets of this classic sporting event that have taken place over the years— and photographer Hugh Morton was there for twenty-one (at least) of them between 1954 and 2005.  On day one of the ACC Tournament, Morton collection volunteer and A View to Hugh contributor Jack Hilliard takes a brief look at the record book.  Within the story, you may follow the links to see Morton’s photographs for the years available in online collection. (Not all the years photographed by Morton are available in the online collection.  See Series 6.1 in the collection finding aid for a full listing.)

In early March, 1997, the ACC Tournament was staged in Greensboro for the 17th time, but the front page basketball story in the March 9th edition of the “News & Record” was titled “Shooting with the Best of Them: At 76, Hugh Morton still keeps life in focus.”  The article told the Hugh Morton story and how he had covered the ACC tournament starting back in 1954. In fact, feature writer Jim Schlosser’s article said:  “He’s been shooting Carolina wins, and the occasional loss, in every ACC tournament, save one, since the first in 1954 in Raleigh.”

The fifteen-team league competing for the 2017 ACC Tournament Championship is a far cry from the league that Morton first photographed in 1954 when only 8 teams made up the conference. That ’54 tournament was played in Raleigh’s William Neal Reynolds Coliseum and was won by Coach Everett Case’s NC State Wolfpack…an 82 to 80 overtime thriller against Coach Murray Greason’s Wake Forest Demon Deacons.  State went on to win the event in ‘55 and ’56 before North Carolina won its first tournament in 1957. And Carolina continued its winning ways as the NCAA Champion that year…the first North Carolina based team to do that since the official formation of the Atlantic Coast Conference in May of 1953.

The University of Maryland won the 1958 tournament, defeating the defending champion Tar Heels as the Terps became the first out-of-North Carolina tournament champion.  In ’59, NC State came back as a winner for the 4th time with a win over UNC.

Duke beat Wake Forest for its first ACC Tournament in 1960, while Wake beat Duke in ’61 for its first tournament win. Wake won again in ’62.  During the next four years, Duke won three more times and State won in ’65. Hugh Morton photographs can be seen in the online collection for the UNC vs USC semifinal game in 1963 and the Duke vs NC State first-round game in 1964.

In 1967, the tournament moved from Reynolds Coliseum to the Greensboro Coliseum where Carolina beat Duke for the title. Carolina continued its winning ways with two wins over State and Duke as the tournament moved to Charlotte in 1968 and 1969.

Following NC State’s 1970 win in Charlotte over South Carolina, it was back to Greensboro for the next five years.  South Carolina won its only ACC Tournament in 1971 and Carolina and State split the next four years: Carolina winning in 1972 and 1975, and State winning in 1973 and 1974—and of course State won the National Championship in 1974, the only time the “Final Four” championship round has been played in Greensboro.

In 1976, the tournament moved to the Capital Center in Landover, Maryland where Virginia won its first ACC Tournament, beating North Carolina 67 to 62.  It was back to the Greensboro Coliseum in 1977 for a four year stint.  Carolina and Duke split with UNC winning in 1977 and 1979 and Duke winning in 1978 and 1980.  (Note: four photographs in the online collection lack definite identifications with “late 1970s” being the estimated date range, and another photograph only dated as “1980s” appears for all searches for the years 1980 through 1989.  Please try your hand at identifying the photographs and leave a comment with your findings!)

Carolina won in 1981 back at Capital Center, and then again in Greensboro in 1982, where the Tar Heels won the NCAA Championship again 1982.  The tournament moved again in 1983—this time to the Omni in Atlanta where NC State won over Virginia and went on to its second NCAA Championship.  Maryland beat Duke back in Greensboro in 1984 and Georgia Tech won its first ACC Tournament at the Omni in 1985, beating North Carolina.

Duke won twice in Greensboro in 1986 and 1988 while NC State won at Capital Center in 1987.  Carolina beat Duke 77 to 74 in 1989 at the Omni before the tournament moved back to the Charlotte Coliseum in 1990 for five years with Georgia Tech winning twice, in 1990 and 1993, and North Carolina twice, in 1991 and 1994.  Duke won in 1992 adding a NCAA Championship. The years 1995 to 1998 were back in Greensboro where Wake Forest won twice, in 1995 and 1996, and Carolina won in 1997.  And I believe that’s where we came in with Morton shooting the 1997 tournament in Greensboro.  Morton’s last ACC Tournament was in 2002 at the Charlotte Coliseum.

Since Morton made “tournament headlines” in Greensboro in 1997, the ACC Tournament has played out nineteen times and Morton’s Tar Heels have won only four of those events, while Duke has won ten. (And it should be pointed out that Duke’s wins in 2001, 2010, and 2015 were followed up with NCAA championships). Florida State, Miami, and Notre Dame have added one win each while Maryland and Virginia have added one each to their championships lists.  Also, the tournament has added two additional venues since 1997: DC in 2006 and Tampa, Florida in 2007.

Ten years after Tampa was added, the tournament moves to Brooklyn, New York in 2017—where Duke will be going for overall tournament championship number twenty, UNC will be going for number nineteen, NC State will be looking for number eleven, and Wake Forest number five.  But as ACC basketball goes, any one of the now fifteen member teams could win in the “Big Apple” this March as “Madness” abounds.

A personal look back in time on a very special day

Portrait of Hugh Morton by Wootten-Moulton Studio, circa 1941-42, in the Bayard Morgan Wootten Photographic Collection (negative WM-O-1517-1, cropped by the editor).

Portrait of Hugh Morton by Wootten-Moulton Studio, circa 1941-42, in the Bayard Morgan Wootten Photographic Collection (negative WM-O-1517-1, cropped by the editor).

On February 19, 2017, Hugh Morton would have turned 96 years old. And with this post, Hugh Morton collection volunteer and contributor Jack Hilliard is celebrating a personal “View to Hugh” milestone.

. . . you could not contain him [Hugh Morton]. . . There was never any negativism.  He was creative, forward thinking. . . As a promoter, he was North Carolina’s best.  His first love outside Grandfather Mountain was this place [UNC].  He loved this place with a passion.

Dr. William Friday, Windows (Fall 2007)

On February 19, 1921, 96 years ago today, Hugh MacRae Morton was born in Wilmington, North Carolina.  Morton’s first published photograph appeared in Time when he was fourteen, and over the next seventy-plus years, he took well over two hundred thousand pictures of life in “his” North Carolina and beyond.

During World War II Morton was attached to the 37th Infantry Division where he was a newsreel cameraman and photographed the South Pacific Theater, including an occasion to photograph General Douglas MacArthur at Binalonan and San Manuel on Luzon Island in the Philippines. While on the island of Luzon, Morton was injured by a Japanese explosive. He was later awarded the Bronze Star and the Purple Heart.

Upon his return from the war, Morton picked up where he left off, taking pictures across his native state. His work has been featured in hundreds of publications including Life, National Geographic, Esquire, Saturday Evening Post, and Collier’s. Two magnificent books of his photographs have been published, so far…one in 2003 titled Hugh Morton’s North Carolina and a second one titled Hugh Morton: North Carolina Photographer, published soon after his death on June 1, 2006.

It was at his memorial service at First Presbyterian Church in Greensboro on June 9, 2006 that I learned from Dr. William Friday that Morton’s photographic archive was going to be donated to the University of North Carolina and was to become a part of the North Carolina Collection at Wilson Library on the UNC campus. My first thought was that the Library would most likely just store the boxes of photographs, negatives, and slides in a safe place. And that was a comforting feeling, knowing that the images would indeed be safe.

Then, in early fall of 2007, I received my copy of Windows, a UNC library publication published by the Friends of the Library.  The lead, front-cover-story was about the Hugh Morton photography archive coming to the North Carolina Collection. The magazine called the estimated 530,000-item-collection a stunner and North Carolina Collection Curator Bob Anthony said it was the largest collection ever given to the library (to date).

The amazing article also indicated that the photographs would be cataloged, identified, and filed for easy use. North Carolina Collection archivist Stephen Fletcher along with his assistant Elizabeth Hull would lead a team of students and volunteers in doing the work. A sidebar article called “Processing the Morton Collection (Wrestling the Bear)” told of the challenges the team faced, since many of the photographs did not contain identifying captions. (Elizabeth wrote a blog post on the subject on November 7, 2007 titled “A Processor’s Perspective.”)

As I read through the article, I thought, “What a great job, going to work each day and your duties included looking at Hugh Morton photographs.”  So I wrote Stephen and Elizabeth an email on December 12, 2007 and offered to help identify some of the football pictures since I have been a UNC fan since the age of 6.  I received a reply that said the team had not gotten to the identifying point yet, but I might be able to help later.  The article also mentioned the “processing blog” that offered readers an opportunity to comment. I immediately logged in and read each entry and comment starting with Fletcher’s first entry on November 1, 2007.  Then on January 21, 2008 I added my first comment. I have continued to add comments when I thought I could offer something of interest.

When the 2008 football season started, I suggested a blog topic.  Since Carolina was playing Notre Dame in Chapel Hill on October 11th, why not look back to the first meeting between the two teams in November of 1949.  Morton’s pictures from that day are classic. Stephen accepted the idea and wrote two really good posts about the game: “The Tar Heels against the Fighting Irish in the Big Apple” and “Justice’s Prayer.”

When the processing team got to the point where they could begin identifying UNC football photographs, I received an email on October 8, 2008, asking if I would like to become a volunteer.  Of course my answer was yes and I began to make weekly Friday visits to the collection starting on October 31, 2008.  Each Friday there would be a group of negatives for me to try to identify. There was something exciting about holding the very negative that had been used to print a newspaper picture that, as a little kid, I had clipped out of the paper and pasted in a scrapbook. I continued those Friday visits until August 17, 2010, and I still make periodic visits to the North Carolina Collection Photographic Archives.

As the football season progressed, it looked like the 2008 Tar Heel team would be going to a bowl game, so I made a second suggestion: Why not do a piece on Carolina’s first bowl game played in the Sugar Bowl on January 1, 1947?  Elizabeth liked the idea and added, “Why don’t you write it?” I was surprised, but agreed to do it, but only if Stephen and Elizabeth would carefully review and edit it.  So on December 22, 2008 my first piece for “V2H” was posted . . . surprisingly enough with very little editing.  At the time I made the suggestion, I thought that Morton photographed that game, but it turned out that weather conditions prevented him from getting there.  Four years later, a post on December 28, 2012 revealed the “Morton mystery” surrounding the ’47 Sugar Bowl.

In early 2009, Elizabeth suggested that I do a piece on Morton’s run for governor. I did that piece, which was posted on March 24, 2009.  By now I was really hooked and I started to look for ideas to write about—and surprisingly I found some. So, on this special day, the day Hugh Morton would have turned 96, this post is the 100th for me.  With special thanks to Bob Anthony, Stephen Fletcher, and Elizabeth Hull . . . it has been a fun ride. I hope it can continue. It is indeed a genuine privilege and honor to help celebrate Hugh Morton’s magnificent photographic work.