A game fit to be tied

In his column in The Charlotte Observer issue of Sunday, August 25, 1996, legendary sports columnist Ron Green wrote the following:

The tie, a vestige of college football’s dinosaur age, is dead, eradicated by long overdue rule changes.

RIP.  Forever.  In a hermetically sealed steel container.   Under a heavy layer of concrete.

The fellow who said a tie was like kissing your sister gave far too much credit to a tie.

But before the 1996 season, the tie was alive and well and living on Saturday afternoons throughout college football.

During the “Golden Age” (1946-1949) of UNC football there were two of these tie games, and both made for interesting ink and airtime.  Morton Collection volunteer Jack Hilliard takes a look back at one of those ties . . . sixty-seven years ago this week.

William &amp; Mary running back Tommy Korzowski (#14) encounters UNC defenders Ken Powell (#53, left end) and possibly Bill Maceyko (#43?). In the left background is Carolina right guard Larry Klosterman, (#80). In the far right background is right tackle Ted Hazelwood (#81). The jersey number for player in the left background is only partially visible, but may be #56; if so, that's right end Mike Rubish. <br />  This is the only negative (cropped for this blog post by the editor) identified by Morton from the 1948 William &amp; Mary versus UNC football game. Another negative from that game was scene made on the sideline, but previously misidentified in published in books as being taken during the 1949 Sugar Bowl. To learn more about that discovery, click on the link in the story below.

William & Mary running back Tommy Korzowski (#14) encounters UNC defenders Ken Powell (#53, left end) and possibly Bill Maceyko (#43?). In the left background is Carolina right guard Larry Klosterman, (#80). In the far right background is right tackle Ted Hazelwood (#81). The jersey number for player in the left background is only partially visible, but may be #56; if so, that’s right end Mike Rubish.
This is the only negative (cropped for this blog post by the editor) identified by Morton from the 1948 William & Mary versus UNC football game. Another negative from that game was scene made on the sideline, but previously misidentified in published in books as being taken during the 1949 Sugar Bowl. To learn more about that discovery, click on the link in the story below.

Three days after Harry Truman defeated Thomas Dewey for the presidency of the United States, The College of William and Mary’s 1947 Southern Conference champion football team rolled into Chapel Hill on Friday, November 5, 1948 as a twenty-point underdog.  They weren’t given much of a chance against the undefeated, nationally third-ranked Tar Heels.  Carolina was riding atop a thirteen-game winning streak, a winning streak that had started ironically against William & Mary on October 18, 1947—the only ’47 loss for W&M.  Despite a defensive front line that averaged 211 pounds per man compared to Carolina’s 205,  I think it’s safe to say that most of the 43,000 Tar Heel fans that jammed into Kenan Stadium on that rainy, gray, windswept Saturday afternoon thought this would be win number 14; the William & Mary team, however, had a different idea.

Game day program from the 6 November 1948 football game between William &amp; Mary and UNC played at Kenan Stadium in Chapel Hill. Pictured on the cover is singer Jo Stafford. The "On the Cover" caption on page 3 says, "Jo's hobby is folk songs and she has set up a $250 award for the student who submits the best collection of them to her." When Hugh Morton was a UNC student, he photographed Stafford along with Tommy Dorsey and the "Pied Pipers" performing during the 1941 "May Frolics" dance at the Tin Can. Also in that photograph is Chuck Lowry, Frank Sinatra, and Buddy Rich. See http://dc.lib.unc.edu/cdm/ref/collection/morton_highlights/id/740.

Game day program from the 6 November 1948 football game between William & Mary and UNC played at Kenan Stadium in Chapel Hill. Pictured on the cover is singer Jo Stafford. The “On the Cover” caption on page 3 says, “Jo’s hobby is folk songs and she has set up a $250 award for the student who submits the best collection of them to her.” When Hugh Morton was a UNC student, he photographed Stafford along with Tommy Dorsey and the “Pied Pipers” performing during the 1941 “May Frolics” dance at the Tin Can. Also in that photograph is Chuck Lowry, Frank Sinatra, and Buddy Rich. (See http://dc.lib.unc.edu/cdm/ref/collection/morton_highlights/id/740.)

Before the opening kickoff, Carolina head cheerleader Norman Sper reminded one and all:

There was booing at Tennessee last week, and we hope that all of you will refrain from such unsportsmanlike conduct.

Sper was referring to a controversial play during Carolina’s 14 to 7 win in Knoxville on October 30th.  Shortly before the end of the second quarter, Tennessee’s Hal Littleford returned a Charlie Justice punt 90 yards for a score, but the play was called back.  Referee Walter Hoffman detected clipping when Chaddie Baker tried to block Hosea Rodgers.  It seemed like all 50,000 fans were upset with the call—so much so that Knoxville Police Chief Joe Kimscy ordered special protection for the game officials when a small crowd surged out of the stands and onto the field.  An action photograph from the Knoxville News–Sentinel clearly showed the infraction.  UNC’s “Alumni Review” titled the picture “The Tennessee Clipper.”)

After a scoreless first quarter, William & Mary recovered a fumble on the Carolina 27 yard line about half way through the second quarter.  Two line plays netted six yards; then on third down, left halfback Tommy Korczowski threw a looping lob-pass into the end zone for co-captain Lou Hoitsma who seemed to be covered by Tar Heels Bill Flamisch and Bill Maceyko.  All three went up for the ball, but Hoitsma made a circus catch. The Indians—W&M’s nickname in 1949, but known today as The Tribe—led 7-0 at the half.

UNC’s special halftime guests were nine outstanding high school bands from across the state. The bands performed several maneuvers including an outline of the state and invited the crowd to join in singing “The Old North State.”

Late in the third quarter, Hosea Rodgers finally scored for the Heels on a one yard run to culminate a 15-play, 76-yard-drive. For the remainder of the third quarter and through the fourth, UNC’s Charlie Justice and W&M’s Jack Cloud tried all the tricks in the book, but defense was the name of the game on this day. Hugh Morton’s photograph of the Carolina bench near the end of the game tells the story with long faces and looks of concern. Then, with time running out and Carolina with the ball at its own 21, Billy Hayes went back to pass.  He spotted Max Cooke at the 28 and let it fly, but William & Mary’s Joe Mark cut in front of Cooke and made the interception. When Hayes finally got Mark on the ground, the ball was at the Carolina 8 . . . just as the gun sounded to end the game. William & Mary’s Jack Cloud immediately ran up to referee Mr. Dandelake pleading for a time out. But, as UNC center the late Joe Neikirk, who was standing beside the referee, liked to tell the story, Dandelake said, “Son, the d— game is over.” Neikirk added “the tie wrecked our season.”

Both head coaches weighed in following the game. W&M coach R. N. (Rube) McCray said, “We were definitely not playing for a tie.  We were out to win.”  UNC Head Coach Carl Snavely added,” We were lucky to come out with a tie.”

So, how did William & Mary hold the number three team in the country to a 7-7 tie?  They got only one first down and that was on a penalty, while the Tar Heels got 17.  They completed only 2 passes for a total of 22 yards; Carolina completed 7 for 83 yards.  They gained only 19 yards on the ground, the Heels got 184. Along the way, Carolina lost 3 fumbles and had 4 passes intercepted.  And W&M held UNC’s great All-America Charlie Justice scoreless for the first time during Carolina’s 13-game win streak.  For the answer, the headline in UNC’s The Alumni Review says it all:

Powerful W & M Defense Ends Tar Heel Streak

When the Associated Press football rankings came out on November 8th, Carolina had dropped four places to number 7 and as a number three going into the William & Mary game, they had received 36 first place votes.  Following the game they got only 7.

It’s rare when one considers a tie game to be a great game, but when you check the 1949 William & Mary yearbook, Colonial Echo, you find that the editors considered the tie with Carolina to be the “highlight of the year,” and their 21-yard touchdown pass as the “greatest play of the season.” Authors Wilford Kale, Bob Moskowitz, and Charles M. Holloway, in their 1997 book, Goal to Goal: 100 Seasons of Football at William and Mary, agreed with the yearbook assessment. The yearbook editors additionally pointed out that some newspaper writers even took the W&M touchdown play a step further calling it “the play of the year in the Southern Conference.”

There are two Kenan Stadium records from this game that still stand over half-way through the 2015 season—both achieved by William & Mary’s punter Buddy Lex.  On this day he punted a total of 15 times for a total 645 yards.

It was a classic game, one fit to be tied.

And as for that other “Golden Era” tie mentioned in the opening: it came on September 28, 1946, a 14 to 14 tie with another team from the state of Virginia, VPI (It’s Virginia Tech today).

Epilogue:  Another Tie of Distinction

In January, 1997, I received a letter from Hugh Morton after I sent him a videotape I had made about the ‘47 Sugar Bowl 50th reunion.  Here’s what he said:

“I’ve always considered myself the most loyal Charles Justice fan still around, but I’m having doubts about that. I think maybe you are, or possibly we are tied for that.”

I consider it an extremely high honor to be tied with Hugh Morton for Charlie Justice loyalty.  Just to be mentioned in the same paragraph with Hugh Morton and Charlie Justice is a distinct honor.

222 years old

The University of North Carolina's "Old East" is the first state university building in the United States. William Richardson Davie, founder of the university, laid the building's cornerstone on October 12, 1793. Hugh Morton made this photograph of the residence hall basking in warm sunlight circa 1973.

The University of North Carolina’s “Old East” is the first state university building in the United States. William Richardson Davie, founder of the university, laid the building’s cornerstone on October 12, 1793. Hugh Morton made this photograph of the residence hall basking in warm sunlight circa 1973.

Today marks the 222nd birthday of the University of North Carolina at Chapel Hill.  Want to know more about the history of Old East? Check out a short UNC-produced video about the building.

It’s over

It ain’t over til it’s over.

—Yogi Berra (12 May 1925–22 September 2015)

New York Yankees coach Yogi Berra during an exhibition game against UNC-Chapel Hill baseball team in Boshamer Stadium, April 2, 1979. (Cropped by the editor from a 35mm slide by Hugh Morton.)

New York Yankees coach Yogi Berra during an exhibition game against UNC-Chapel Hill baseball team in Boshamer Stadium, April 2, 1979. (Cropped by the editor from a 35mm slide by Hugh Morton.)

Yesterday saw the passing of one of baseball’s all-time greats, Lawrence Peter “Yogi” Berra.  Like so many other notable people in American history, Berra was a subject of Hugh Morton cameras.  His sideline shot of Berra seen above comes from one of the Tar Heels-versus-Yankees exhibition baseball games played at Boshamer Stadium.

Morton may have made his first photograph of Berra from afar while seated in Yankee Stadium’s right field foul line seats during one of the 1960 World Series games versus the Pittsburgh Pirates.  There are a few surviving 35mm slides from the game along with others slides, one of which Morton labeled, “SCHOOL CHILDREN ON TRIP TO NEW YORK.”  Two of the slides made during the game show Roger Maris and Mickey Mantle at home plate, respectively, and there are a handful of wide-angle views showing of the stadium.  If the scene below is the singing of the National Anthem (which is likely because it’s a Kodachrome stamped “1” by Kodak on the slide mount), then Berra is likely standing behind home plate among the umpires.

Opening scene a 1960 World Series game between the New York Yankees and the Pittsburgh Pirates at Yankee Stadium. (Cropped from a 35mm color slide by the editor.)

Opening scene of a 1960 World Series game between the New York Yankees and Pittsburgh Pirates at Yankee Stadium. (Cropped from a 35mm color slide by the editor.)

The book Hugh Morton’s North Carolina includes a photograph made, according to the caption, in May 1999 of Yogi Berra posed with Richard Cole, then dean of UNC’s School of Journal and Mass Communications, and his granddaughter Lindsay Berra, who received her degree in journalism from the school in 1999.  In that photograph, as in all the photographic prints in the collection, Berra wears a “Fly Ball” tie.  Below is a portrait of Berra by Morton.  Look closely at the tie to get a sense of Berra’s famous sense of humor.

Yogi Berra donning a "Fly Ball" tie and a Tar Heel.

Yogi Berra donning a “Fly Ball” tie and a Tar Heel.

Limited time unfortunately does not permit an in-depth blog post, so below the closing photograph is an excerpt from the Morton collection finding aid for “Berra, Yogi.”  The folder of prints contains posed group shots that include the likes of legendary UNC head basketball coach Dean Smith, sportscaster Dick Vitale, John Swofford during his time as  UNC athletic director, and other unidentified people.  Perhaps some more research can lead to a longer post in the near future.  I’ll close today with a scan made from the first item in the excerpted list—the 120 color roll film negative.

P081_NTCR1_2-6-45_4_1

Roll Film Box P081/120C-1
Envelope 2.6.46-4-1
Berra, Yogi, 1980s?
Color 120 roll film negatives
1 image

Roll Film Box P081/35BW-4
Envelope 2.6.46-5-1
Berra, Yogi and Dr. John Sanders, 17 February 1996
Black and white 35mm roll film negatives
3 images

Roll Film Box P081/35BW-4
Envelope 2.6.46-5-2
Berra, Yogi and granddaughter, 1990s?
Black and white 35mm roll film negatives
4 images

Print Box P081/8

Folder 2.6.46
Berra, Yogi, 1980s-1990s
Black and white and color prints
8 images

Photographs by Hugh Morton: an Uncommon Retrospective in final weeks at Charlotte Museum of History

Charlotte from Grandfather Mountain

Hugh Morton’s favorite photograph of Charlotte, as seen from near the Mile High Swinging Bridge on Grandfather Mountain approximately 87 air miles away. Morton made the photograph in mid-December after a cold front had cleared the air, providing some very rare visibility.

Photographs by Hugh Morton: an Uncommon Retrospective is currently installed at the Charlotte Museum of History though September 30th.  I will be there this Saturday, the 19th, for my exhibition talk titled “Hugh Morton’s Rise to his Photographic Peak.” at 1:00.  If you are in the neighborhood, please visit the museum and say hello!

The Aggies and the Heels: a short history

Carolina will kick off its 2015 home football schedule on Saturday, September 12th when Head Coach Rod Broadway brings his North Carolina A&T Aggies to Kenan Stadium.  It will be the first meeting between the two schools on the gridiron; the men’s basketball programs, however, have met on the hardwood twice (in 2001 and 2003).  Morton Collection volunteer Jack Hilliard takes a look back at those two meetings.

Curtis Hunter and Matt Doherty, teammates on the UNC 1982-83 and 1983-84 basketball teams, chat as coaches before their teams—North Carolina Agricultural and Technical State University and University of North Carolina at Chapel Hill—faced off on February 18, 2003 at UNC's Smith Center.  Another photograph of the former Tar Heels talking court-side can be found in the online collection of Morton photographs.

Curtis Hunter and Matt Doherty, teammates on the UNC 1982-83 and 1983-84 basketball teams, chat as coaches before their teams—North Carolina Agricultural and Technical State University and University of North Carolina at Chapel Hill—faced off on February 18, 2003 at UNC’s Smith Center. Another photograph of the former Tar Heels talking court-side can be found in the online collection of Morton photographs.

Curtis Hunter and Matt Doherty were teammates on UNC Head Basketball Coach Dean Smith’s 1982-83 and 1983-84 teams.  In 2000 each took a head coaching position with teams within the UNC system: Hunter at North Carolina Agricultural and Technical State University and Doherty at University of North Carolina at Chapel Hill.  As was the custom then, and still today, members of the “Carolina Family” often wind up playing each other.  And that was the case with the Tar Heels and the Aggies.  When the two teams met twice in the Smith Center during the early 2000s, photographer Hugh Morton was there on both occasions to document the games.

It was a homecoming of sorts for North Carolina A&T Head Coach Curtis Hunter on December 27, 2001 when he brought his Aggies into the Smith Center to meet coach Matt Doherty’s Tar Heels.  But Hunter realized that his homecoming would need to take a back seat to getting his 1 and 7 team ready to play Doherty’s 3 and 5 Heels.

In a pre-game interview, Hunter said, “To be honest about it, I hadn’t given (coming back to play at UNC) that much thought.  It really hasn’t hit me yet.  Maybe that will all change once the game starts.”  Just minutes before the tipoff, Hunter did notice an old friend seated close by and went over and offered a long embrace.  It was Angela Lee, wife of former Chapel Hill Mayor Howard Lee.  When Curtis played for the Tar Heels, Angela worked in the basketball office.

Game-action photograph by Hugh Morton (cropped by the editor)  from the 2001 UNC vs. NC A&T contest.  Who are the players in the photograph?  Please leave a comment below if you know!

Game-action photograph by Hugh Morton (cropped by the editor) from the 2001 UNC vs. NC A&T contest. Who are the players in the photograph? Please leave a comment below if you know!

With former UNC head coaches Dean Smith and Bill Guthridge looking on, it didn’t take long for all to see that the Tar Heels had brought their A-game.  They led 52 to 31 at the half and equaled that 52 in the second half with a final score of 104 to 66.  Tar Heel senior Jason Capel led the way with 26 points.  In all, Carolina hit 16 three-point shots—one off the school record and two short of the ACC record at the time.  A&T hit only 37.9 percent from the floor and committed 18 turnovers. In his post game interview, Hunter said, “All I know is that we just got beat by 38 points.  So, it’s up to me to come up with ways to help my team play up to its capabilities.”

But wait . . . Curtis Hunter appears to be wearing the same suit and tie in this photograph as he is in the opening photograph, which we have dated as 2003.  Is that a coincidence, planned or otherwise, or was the opening  photograph also made in 2001?  This image, which is not in the online collection, is from a negative envelope with the following identifying information: UNC vs. NC A&T (plus event at Friday Center Institute; 1 roll), December 2001.  There are five basketball images: two game photographs followed by three podium images.  Another Morton mystery is at hand!

But wait . . . Curtis Hunter appears to be wearing the same suit and tie in this photograph as he is in the opening photograph, which we have dated as 2003. Is that a coincidence, planned or otherwise, or was the opening photograph also made in 2001? This image, which is not in the online collection, is from a negative envelope with the following identifying information: UNC vs. NC A&T (plus event at Friday Center Institute; 1 roll), December 2001. There are five basketball images: two game photographs followed by three podium images. Another Morton mystery is at hand!

While Coach Doherty was pleased with his team’s win, he admitted that beating a former teammate in a blowout is not all that gratifying.  “After the game I said to him, ‘Sorry you caught us on a bad night.’  A month ago it could have been a different story.”
Coach Hunter was asked one final time about his homecoming.  “It still hasn’t hit me yet,” he replied.  “Maybe that will happen next year.”

That “next year” would be February 18, 2003.  The second meeting between UNC and A&T didn’t offer coach Curtis Hunter a happy homecoming either.  His team was winless going into the game, having lost 20 games, while Carolina was 13 and 11.

The Tar Heels took control early and wound up hitting 54 per cent over all.  A&T hit 4 threes and had an overall percentage of 34.9. The Greensboro News and Record described the Carolina effort as a “dunk-a-thon,” adding that they also hit 11 three-point shots.  The final score was UNC 93, A&T 57.

In his post-game interview, Coach Doherty said, “I’m sorry it had to be Curtis Hunter, my old teammate, on the other bench. I have a lot of respect for him.”

A couple of weeks later when the 2002–2003 college basketball season ended, UNC and A&T had a combined win total of 20 games: Carolina was 19 and 16, A&T was 1 and 26.  And by the time the 2003-2004 college basketball season rolled around, both UNC Chapel Hill and North Carolina A&T had new head coaches in place.

The slideshow image Morton didn’t photograph

On this day . . . actually night . . . sixty-five years ago, a sporting event played out on Soldier Field in Chicago that would have a tremendous impact on North Carolina sports history.  It was August 11, 1950 when the Chicago College All-Star Game game between the best college players of the 1949 season met the two-time World Champion Philadelphia Eagles.  On this special anniversary, Morton collection volunteer Jack Hilliard looks back at a football game of epic portions.

Photograph of a copy slide set on a light table. Hugh Morton made this copy slide for use in slide talks about Charlie Justice.  The black grease pencil line drawn on the bottom of the image and the lack of halftone dots suggests Morton copied a photographic print.  The slide is part of Slide Lot 014859 in the Hugh Morton collection.

Photograph of a copy slide set on a light table. Hugh Morton made this copy slide for use in his slide talks about Charlie Justice. The black grease pencil line drawn on the bottom of the image, the crude obliteration of some object (maybe a referee’s jersey?) in the upper right side of the image, and the streaks rather than halftone dots within the image all suggest that Morton copied a wire-service print. The slide is part of Slide Lot 014859 in the Hugh Morton collection.

Hugh Morton didn’t attend the 17th annual Chicago College All-Star Game, but he was always acutely aware of its place in North Carolina sports history and in the life of one of his closest friends.  Morton often included a wire service photograph in his slide shows from that historic night—a night that almost wasn’t historic at all.

It was July 17th, 1950 and UNC’s great all-America football star Charlie Justice was seated behind his desk in the Medical Foundation Building on Pittsboro Street in Chapel Hill.  It’s was the first July since 1938 that he wasn’t preparing for the upcoming football season.  Soon after taking the Medical Foundation job, the United States Department of State invited Justice to travel to Germany with coaches Jim Tatum of Maryland, Wally Butts of Georgia, and Frank Leahy of Notre Dame to hold football coaching clinics for the armed forces stationed there.  In order the make the trip, Justice had to turn down an invitation from Arch Ward (sports editor of the Chicago Tribune and founder of the Chicago College All-Star Game) to play in that year’s game.

The overseas trip never happened because of events that began on June 25th, 1950— events that would later become known as the Korean War.  So Justice picked up the phone and called Arch Ward.   He asked Ward if the earlier invitation to play in the All-Star game still stands, saying “I’d like to play.”

Ward explained that he had already selected fifty top-notch players for the contest.  He also pointed out that the rules of the game allowed only four future NFL players from each NFL team, and that he already had four Washington Redskins’ players.  Charlie quickly pointed out that, although he was drafted by Washington, he had no plans to play for them.  Ward finally said, “OK, Charlie, if you’re sure you aren’t planning to play for Washington, and you want to be the 51st player on a 50-man team, come on out.  We’ll let you return punts and kickoffs.”

“I’ve given the Medical Foundation my word and I’ll be right here come football season,” Charlie told Ward.  Justice was on the next flight out.  The banner headline in the Chicago Tribune on July 18th read: “NORTH CAROLINA’S JUSTICE JOINS ALL-STARS.”

A crowd of 90,000 was expected on a clear, cool 60-degree summer evening at Soldier Field.  The two-time World Champion Philadelphia Eagles won veteran NFL referee Emil Heintz’s opening coin-toss, but head coach Earl “Greasy” Neale’s team couldn’t move the ball, thanks to the defensive efforts of All-Stars Clayton Tonnemaker, Leo Nomellini, Don Campora, and Leon Hart.  Justice went in on the punt return team, but the Eagle punt was returned by the All-Stars’ Hillary Chollet to the Stars 46-yard line.  As Charlie started off the field, the All-Star head coach, Eddie Anderson, motioned for him to stay on the field.  Anderson said, “run this first series, Charlie, so we can get an idea of what kind of defense the Eagles will be using . . . it’ll give us an idea of what offense we should use.”

On the first play from scrimmage, quarterback Eddie LeBaron pitched out to Justice around the right side and Charlie was off on a thirty-one yard gain.  Three plays later it was Justice again, this time for twelve more yards.  On the next play All-Star Ralph Pasquariello from Villanova took it over the goal line, and the All-Stars led 7-0. Needless to say, Justice stayed in the game.

On the first play of the second quarter, Justice raced down the sideline for forty-seven more yards.  This All-Star drive stalled, but when they got the ball back on an Eagles’ fumble by Clyde Scott, recovered by Hall Haynes (future Justice Redskins teammate) on the Eagle 40, LeBaron dropped back to pass, eluded three pass rushers and finally rifled a pass from his own 40 to Justice who went the distance for a score.  The play actually covered a total of 60 yards and Winfrid Smith, writer for the Chicago Tribune, described the play as “the greatest pass play in the history of these games.”  Football historian Raymond Schmidt in his 2001 book, Football Stars of Summer said “the All-Stars led the Eagles 14-to-0 at the half and the football world was in shock.”

In the third quarter the Eagles finally scored, but the All-Stars came right back in the fourth with Justice leading the way—this time his 28-yard run plus a 35-yard pass from LeBaron to UNC All-America Art Weiner pass set up Gordon Soltau’s 17-yard field goal that made the final score 17-7.  When the dust settled, the All-Stars had gained 221 yards on the ground—an All-Star record that still stands—and Charlie Justice had carried the ball 9 times gaining 133 yards.  That’s 14.8 yards per carry.  He had runs of 31, 12, 47,  and 28 yards.  His 133-yard total was 48 yards more than the entire Eagle team gained on the ground.  Justice also completed a pass to his UNC teammate Art Weiner for 15 yards and he caught a 35 yard TD pass from LeBaron.

Back in North Carolina, thousands of Tar Heels listened to the game on radio—two of those folks were my dad and me.  We sat in our living room in Asheboro listening to WGBG in Greensboro.  A summer thundershower blew through the Triangle area and caused the Durham Bulls game with the Raleigh Caps to be postponed, thus giving those fans an opportunity to listen as well.

On Saturday August 12th, Charlie heard on the radio that he had been selected the game’s Most Valuable Player and would received the MVP trophy at halftime of the 1951 game.  UNC Coach Carl Snavely would make the presentation.  Newsmen and broadcasters covering the game selected the MVP.  Justice was a 2-to-1 choice over runner-up LeBaron.  Six All-Star linemen got votes.  Justice thought LeBaron should have gotten the MVP award.  Said Charlie, “Eddie deserves it.  He’s a great little quarterback and a fine passer.”

“Never since the MVP voting began in 1938 has the voting been so concentrated,” said Winfrid Smith the next day in the Chicago Sunday Tribune.

A game-action photograph of Justice accompanied a Smith Barrier column on Tuesday, August 15th story naming him the 152nd Greensboro Daily News “Athlete of the Week.”  It was the 6th time Justice had received that honor.  It was this photograph that Morton copied and included in his slide shows over the years.  Though no credit appears in the copy slide nor the Greensboro Daily News, the Sunday, August 13th issue of the Atlanta Journal-Constitution credits Acme Photos.  (Editor’s note: according to the Library of Congress, Corbis purchased the Acme photographic archives.  I searched the Corbis website but this image did not turn up.)

The Charlie Justice photograph made during the 1950 College All Star game, played on August 11th, as it appeared in the sport pages of the Greensboro Daily News on August 15th.

The Charlie Justice photograph made during the 1950 College All Star game, played on August 11th, as it appeared in the sport pages of the Greensboro Daily News on August 15th.

On August 17, 1951, Charlie Justice received the 1950 MVP All-Star trophy, presented by UNC Head Football Coach Carl Snavely.  That presentation was seen live across North Carolina via the Dumont TV network, WBTV in Charlotte, and WFMY-TV in Greensboro.  The TV Network linked 46 stations and the Mutual Broadcasting System (MBS) Radio Network had 528 stations.

Said Snavely of his Tar Heel All-American, “You saw Charlie do in last year’s All-Star game what we saw Charlie do many times . . . what we came to expect Charlie to do every time he got on the football field.  I doubt if there has been a finer all-around player in football than Charlie.”  Charlie’s response was “It’s the highest honor that can come to a football player. . . . I accept the trophy for the entire 50-man All-Star squad. . . . They all should be getting one.”

In a Charlotte Observer column on February 21, 1957 written by Justice, he said,  “…I would say without hesitation that the high spot of my career came in the 1950 All-Star game in Chicago.”

In July, 2004, Hugh Morton was the point man for the Charlie Justice statue that now stands just outside Kenan Stadium.  In a note to Glenn Corley, the architect who designed the statue-area surroundings, Morton said, one of the Justice informational plaques planned for the area should include “what I feel was one of Charlie’s most exciting accomplishments: MVP for the College All-Star game.”  Morton then sent me a note asking, “Can you fill me in on the info of the College All-Stars versus the pros?”

I was honored to fill Morton’s request and today, if you stand in front of the statue, the informational plaque on the far right tells of Justice’s MVP performance of August 11, 1950, sixty-five years ago tonight.

Charlie Justice statue at UNC, photograph by Stephen J. Fletcher, 11 August 2015.

Charlie Justice statue at UNC, photograph by Stephen J. Fletcher, 11 August 2015.

North Carolina is My Home

Charles Kuralt (right) and Loonis McGlohon photographed together by Hugh Morton sometime near the debut of their album titled North Carolina Is My Home.  The photograph appeared in the November 1985 issue of The State accompanying an article written by Charles Heatherly.

Charles Kuralt (right) and Loonis McGlohon photographed together by Hugh Morton sometime near the debut of their album titled North Carolina Is My Home. The photograph appeared in the November 1985 issue of The State accompanying an article written by Charles Heatherly.

On July 4, 1997, North Carolina lost a talented favorite son when Charles Kuralt died in New York City during the early morning hours.  Kuralt is well known for his work in television.  He also wrote and co-wrote about a dozen books, including North Carolina is My Home published in 1986.  Kuralt described that book as “an adapted and expanded and revised and revamped and amended and improved version of a recording about my home state which I wrote with Loonis McGlohon.  I wrote the words, he wrote the music.” 

North Carolina is My Home is also the title of their recording.  In large type on the back of the record jacket, as if it were the album’s subtitle, Kuralt and McGlohon declared the album as “A 400th Birthday Gift To The Tar Heel State.”

Today, on the 31st anniversary of the kickoff of American festivities for the 400th on July 13, 1984, Morton collection volunteer Jack Hilliard and I join forces to take a look at that special birthday present to the state of North Carolina.

“America’s birthday heartache came because we lost one of our heroes that morning—Charles Kuralt.  He was one of us, he believed in us, he loved us.  This rumpled genius taught us that grace, humility, and a time for beauty are, like breathing, life’s essentials.  And life was a joy to be lived and a story to be told.
“He is gone now, but we will remember our champion of humanity—we will always remember.”
— Dr. William Friday, in Commemorative Edition of North Carolina is My Home

It started with a series of telephone calls in early 1983 when North Carolina governor Jim Hunt was planning for the state’s 400th birthday.  Ten years earlier the North Carolina General Assembly created the America’s Four Hundredth Anniversary Committee.  Hunt activated the committee in 1978.  The governor called lots of Tar Heels seeking input for the birthday celebration.  One of those called in 1983 was Charles Kuralt.  As Kuralt pondered the governor’s questions he thought about his old friend, Charlotte musician Loonis McGlohon. who had written the theme music for his CBS television program “On The Road with Charles Kuralt.”

Kuralt telephoned McGlohon.  Kuralt’s section of the book’s introduction begins, “It happened this way . . .” and in it he recalled their conversation going something like this:

  • Kuralt:  I got a call from the Governor.
  • McGlohon:  I know.  So did I.
  • Kuralt:  You got any ideas?
  • McGlohon:  Sure, we’ll make a record.  We’ll give it to all the schools and libraries.
  • Kuralt:  But, I can’t sing.
  • McGlohon:  Right, but you can type.  Start typing.
  • Kuralt:  What’ll I type about?
  • McGlohon:  The mountains, the shore.  Barbecue, moonshine, pine trees, Thomas Wolfe, wild swans, tobacco barns, textile mills, all that stuff.  You know.

So Charles Kuralt began typing what would become a masterpiece.  The first piece to emerge from his typewriter he titled “Roanoke 1584.” Kuralt sent it on its way to McGlohon in Charlotte. McGlohon recalled in his section of the introduction that, “As soon as I read the first page I grabbed a sheet of manuscript paper and headed for the piano to start writing.”  Kuralt noted that from that point forward, he and McGlohon “put the words and music together by letter and by telephone.”

On the record album as published, “Roanoke 1584” is the second track; it begins with music, then Kuralt reads in voice-over:

On a morning in July of the year 1584, two English gentlemen in armor, accompanied by soldiers, well armed, stepped into a small boat from the great ship in which they had crossed the Atlantic. . . . Sunlight flashed from their helmets as their boat was rowed toward shore. . . .

The next piece Kuralt sent to McGlohon was “Backroads and Byways.”  McGlohon’s described that piece as “a bigger challenge.  When you examine Charles’ text on this piece it becomes apparent how much homework and research he did—matching rhymes and turning up little-known anecdotes about the towns and crossroads which North Carolinians call home.”

It also presented McGlohon with a problem.  “Charles, for whatever reason, overlooked my home town, Ayden.  When I wrote him, scolding him for the omission, I included my own bit of homework, rhyming Ayden with Badin and Maiden.  I will take credit for that one line.”

Badin and Ayden
and Maiden and Wise.
Ranger, Granger, Angier and Spies.
Dallas, Frisco and Providence too.
Now where’s the town that’s home to you.

In an interview shortly before his death, Kuralt said the hardest thing about writing is getting started.  With two pieces completed, Kuralt began turning out pages of voice-over text and song lyrics at a rapid rate.  During one of their phone conversations, McGlohon told Kuralt, “North Carolina needs a new state song.  Nobody can sing the old one. So I’ve written a new one.”  He then played it for Kuralt and added, “I’ve got the title: North Carolina is My Home, now you write the rest of the words.”  The song became the title track for the album, which both opens (with vocals by Marlene VerPlank, Mary Mayo, and Jim Campbell) and closes the album (as a “vocal reprise”).

When the music and lyrics were complete, McGlohon invited a group of his musician-friends to the Eras Recording Studio in New York.  Among the group was conductor–arranger Billy VerPlanck, banjo and guitar artist Eric Weisberg, vocalists Marlene VerPlanck, Mary Mayo, and Jim Campbell, along with a select group from the New York Philharmonic. In total, thirty-five musicians contributed to the project.  They recorded their creation between July 16th and 19th, and on the 21st.  Additional material was recorded in Charlotte at Reflection Sound Studio.

Piedmont Airlines produced the album and Charles Heatherly was the project coordinator. A Winston-Salem Journal article noted that Charles Heatherly, Director of Travel and Tourism for North Carolina, made the connection with Piedmont Aviation, Inc. in early 1984.  According to an article Heatherly wrote for the November 1985 issue of The State, Piedmont Airlines funded about $40,000 for the album’s production.

Kuralt and McGlohon finished their masterpiece in time to fall within the state’s official 400th birthday celebration, which lasted from April 27, 1984 to August 18, 1987.  These dates were the 400th anniversaries of the departure of Philip Amandas and Arthur Barlowe Expedition from Plymouth, England and the birth of Virginia Dare.  The album was not, however, an official publication of America’s Fourth Hundredth Anniversary Committee.

North Carolina Is My Home album cover

Two newspapers articles printed on Monday, October 7th state the album had its debut on Sunday, October 6th with a live performance at the Stevens Center at the University of North Carolina School for the Arts in Winston-Salem.  In a Winston-Salem Journal article, Kuralt recalled another snippet from one of his early conversations with McGlohon about their project:

Finally Loonis said, “What we’ll do, we’ll make an album and give it to all the school kids and all the libraries in the state,” and I said, “We will, will we?”

The Burlington Daily Times article was actually about the naming of Howard Cosell to the North Carolina Broadcasters Hall of Fame later that evening, but it included mention of the Kuralt/McGlohon performance. (Morton’s 1985 planner includes both events.)  The album cover features a Hugh Morton photograph, so it comes as no surprise that Hugh Morton was there for both events.  There are three 120-format color negatives of this autumn scene in the Morton collection, but negative used for the album cover is not extant.  Both articles also indicate that the distribution to schools and libraries across the state would be forthcoming.

Here’s the album’s playlist:

SIDE ONE

  1. North Carolina is My Home
  2. Roanoke 1584
  3. Backroads and Byways (Tar Heel Places)
  4. Jazz
  5. Mountain Sampler

SIDE TWO

  1. “…and the Strong Grow Great”
  2. Barbecue Blues
  3. The Farmer
  4. Dinner on the Grounds
  5. Carolina Memories
  6. North Carolina is My Home (vocal reprise)

Currently these songs are available on YouTube.  (Note: they could be removed at any time.)

Charles Kuralt, Loonis McGlohon, and musicians onstage at the Stevens Center in Winston-Salem, NC during a performance of Kuralt and McGlohon's collaborative album of music, narration, and folklore titled North Carolina is My Home.

Charles Kuralt, Loonis McGlohon, and musicians onstage at the Stevens Center in Winston-Salem, NC during a performance of Kuralt and McGlohon’s collaborative album of music, narration, and folklore titled North Carolina is My Home.

North Carolina Is My Home generated interest beyond turntables.  According to McGlohon, “Someone, listening to the album for the first time, said “These words from Charles Kuralt should be in a book to be read and enjoyed over and over.”  McGlohon thought was “a fine suggestion.”  In 1986 East Woods Press in Charlotte published a book with Kuralt’s magnificent lyrics.  Eleven of the book’s approximately seventy-five photographs (it depends on how you count them!) are by Hugh Morton—including a variant view of the scene used on the album cover, but the image is laterally reversed.  (It’s still a classic).  Again, mysteriously, this negative is not in the Morton collection.

Then someone suggested taking the group on the road. Kuralt could certainly identify with that since he had been on the road for CBS News since 1967.  A third printing of the book with a slightly different hard cover fabric in June 1987 also saw the publisher change to The Globe Pequot Press located in Chester, Connecticut. The copyright, however, remained with Fast & MacMillan Publishers.  This printing may likely coincided with book sales at live performances.

Charles Kuralt (left) and Loonis McGlohon posing under sign in Charlotte's Ovens Auditorium at unknown date.

Charles Kuralt (left) and Loonis McGlohon posing under sign in Charlotte’s Ovens Auditorium at unknown date.

The road tour continued with an early 1987 stop at Wright Auditorium on the East Carolina University campus in Greenville.  This concert was unique, because WUNC-TV brought in their TV cameras and videotaped the proceeding, as the East Carolina Symphony Orchestra, under the direction of Robert Hause, provided the musical background for Charles, Loonis, and singers.  A performance at Memorial Hall Auditorium at UNC on January 23rd served as a fundraiser for an endowed chair named in honor of Kuralt’s father, Wallace, in the School of Social Work.

The tour rolled into Greensboro on May 28, 1987.  The historic Carolina Theater was the venue and on this evening Steven Karidoyanes and the Greensboro Symphony Orchestra performed with the featured players. Master of Ceremonies for the evening was my dear friend and executive producer at WFMY-TV, Lee Kinard.  In the afternoon, Kuralt had stopped by the TV station and taped a lengthy interview with Kinard for his morning program.

In a June 14, 1987 interview in the News and Observer, Kuralt recounted that they made the album “for school children, and I keep emphasizing it’s not a very sophisticated piece of work, but gosh there’s demand for it. God help us, we’ve done it in Chicago, and we’re going to do it in Vancouver and London in December.  That’s Piedmont Airlines doing that. They’ve started flying to London so they’re trying to drum up interest in North Carolina amongst the British. I don’t know who’s going to come to it, but we’re going to do it in December.”

As the tour continued, there were stops in Arizona, New York, and other stops up and down the East Coast.  The two performances in London were held at the American Embassy on November 25, 1987 and once again Hugh Morton was there. The tour count was more than fifty.

 Charles Kuralt and North Carolina travel mission in London

In late 1991, the North Carolina Public Television Foundation produced a video of North Carolina is My Home.  Hugh Morton helped the production team select scenes for the production which was offered on the market just before Christmas.  Loonis and Charles appeared on a special edition of North Carolina People with William Friday taped at the Friday Center for Continuing Education on the UNC campus. They promoted the tape . . . proceeds went to public television.

A month before his death, Belmont Abbey College honored Kuralt and McGlohon with honorary degrees.  It was about this same time that the two performed “North Carolina is My Home” for the final time…a performance with the Charlotte Symphony.  The backstage crew knew that something was wrong…the audience never suspected there was a problem.

Then, on July 4, 1997, came the sad news that Charles Kuralt had lost his battle with lupus.  Four days after Kuralt’s death, WUNC-TV carried live the memorial celebration of his life.  At the service, UNC Chancellor Michael Hooker, former governor Jim Hunt, television personality Charlie Rose, Hugh Morton, and former UNC presidents William Friday and C.D.Spangler, Jr. celebrated their friendships with Charles Kuralt.

The North Carolina Symphony’s Brass Ensemble played the theme from “North Carolina is My Home,” and Loonis McGlohon played the music track to the “The Farmer” segment, the one he called his favorite.

Following the presentation from UNC’s Memorial Hall, the station aired an encore videotape performance of “North Carolina is My Home.”

In 1998 The Globe Pequot Press published a commemorative edition of its 1986 book North Carolina is My Home with remembrances from Charles Kuralt’s friends and colleagues.

POSTSCRIPT:

As we wrapped up this piece Jack Hilliard wrote in an email to me, “As I look back on what we have done, it’s ironic that we handled this post much like the way Charles and Loonis handled their effort: I sent you something . . . you added to it and sent it back . . . etc.”  Nice observation, Jack.  We hope our readers enjoy this post!

The information desk of the university

Graduation weekend is upon UNC’s class of 2015, and this year’s graduates will be walking the brick walkways on campus as students for their final times.  These times are special—they’ll look at the old buildings that until now were often taken for granted, but will now take on a new meaning.

Soon after returning to Wilmington from the South Pacific during World War II, Hugh Morton revisited the UNC campus and photographed many of the buildings he grew to know as a student during the autumn of 1939 and the early 1940s.  The November 1946 issue of The Alumni Review featured on its cover a Morton photograph of the Morehead-Patterson Bell Tower—his first credited post-war AR cover.  Its caption read, “The cover picture is another photograph by Hugh Morton ’43, the Wilmington realtor who continues to practice his college hobby of photography.  Recently, he presented to the Alumni Office a half dozen new pictures of familiar campus scenes. . . .”  The photograph of South Hall below appeared in the April 1947 issue of the magazine, and was likely one of those six photographs. Last August, Morton collection volunteer Jack Hilliard wrote a post titled The best of times: the “Golden Era” at UNC (1945-1950) where we featured those photographs.  The online collection of Morton photographs currently contains thirty-seven views of South Building.

In a few months, the incoming class of 2019 will stroll the brick pathways within the stone walls of Carolina, with their own discoveries awaiting them.  Today, Jack recalls his first introduction to South Building and one of its occupants when he was a freshman.

On a side note, if you attend this coming Saturday’s 2015 Spring Reunion Weekend activities, please stop by Wilson Library between 1:00 and 5:00 for our special open house.  Each year I scan approximately 100 negatives from the UNC “Photo Lab” collection made 50 years earlier.  The images run on continuous loop, so you may enter and leave as your schedule permits.  This year features the 1964–1965 academic year.  I will be there and would enjoy meeting readers of A View to Hugh.  During your trip to Wilson Library you will also be able to

This photograph of South Building appeared full-page in the April 1947 issue of The Alumni Review with a caption that noted that the building had been renovated in 1925. "Of the University's 40,000 matriculates and ex-matriculates" it continued, "three-fourths of them knew this view of South Building in their student days." The photograph as published is cropped significantly and rotated clockwise to make the columns more vertical.

This photograph of South Building appeared full-page in the April 1947 issue of The Alumni Review with a caption that noted that the building had been renovated in 1925. “Of the University’s 40,000 matriculates and ex-matriculates” it continued, “three-fourths of them knew this view of South Building in their student days.” The photograph as published is cropped significantly and rotated clockwise to make the columns more vertical.

Most Tar Heels, young and old, will recognize the campus building that stands at 200 East Cameron Avenue. It’s one of the oldest buildings on campus and sits atop Polk Place. Today it has huge columns that face south and frame the front door.  The building currently is used for administrative offices, such as the Office of Chancellor Carol Folt.  Of course, we’re talking about South Building, a true historic symbol of UNC life.

The original design for the building was based on Princeton’s Nassau Hall, and the cornerstone was laid on April 4, 1798. The building was to be the main structure of a proposed quad.  Construction began in 1799, but a shortage of funding and some political wrangling brought that progress to a halt in 1800 and nothing was accomplished for the next three years.  Construction was finally completed in 1814.  At the time of completion, there was a dire need for teaching and living space for the growing university population, so South Building began to fill some of those needs.  The third floor offered much needed dormitory space and future United States President James Knox Polk occupied a room at the southwest corner in 1818.  The second floor housed a “Library and Philosophical Chamber,” as well as the study for University President Joseph Caldwell. Other areas of the building contained classrooms, a chemistry lab, and space for the debating societies.

During the Civil War, South Building sheltered Union cavalry troops who were responsible for major damage to the building. Mrs. Cornelia Phillips Spencer described the destructive scene:

Gangs . . . spend the nights in the Old South Building, rioting, shouting, drinking.  You have no idea of the degradation.  The Halls and Libraries are broken into at all times, and I am told that the Phi Library . . . has its books scattered all over the building.  It makes me heartsick to write about it.

It’s not surprising that on March 20, 1875, upon hearing that the General Assembly had passed the bill for the financial reorganization and support to reopen the university, Mrs. Spencer, accompanied by friends and pupils, climbed to the attic of South Building and rang the bell signaling the glorious reopening.  She was also celebrating her birthday on that March day.

In the 1920s, following the relocation to South Building of the president’s office, the University administration decided the building needed a more authoritative design.

Architect Arthur Nash was brought in to establish the new look.  He enlarged the windows and substituted, in place of the small chimneys, four large ones.  His most important addition was the grand south portico with the four columns that I mentioned earlier.  These changes, completed in 1927, became South Building’s south face that we see today as we stand on the steps of Wilson Library and look across campus.

I recall my first days as an incoming freshman at UNC in the fall of 1958 with my orientation group.  We were taken to South Building and shown where our General College advisers had their offices, most of which were on the second floor.  We were also introduced to a very special lady who sat at a desk in the rotunda.  Her name was Mrs. Gustave Harrer, also known as “The Information Lady.”  During a 20 year period from 1943 until 1963, this gracious and kindly lady helped thousands of students who were worried, puzzled, angry, or lost. Her white hair, her ready-smile, and reassuring manner instantly inspired confidence . . . and she seemed to be able to solve the most difficult of problems. Having been on the Carolina campus since her arrival in Chapel Hill in 1915 when her husband became chairman of the Classics Department, Mrs. Harrer was the perfect choice to greet students and visitors to South Building, “the information desk of the University.”

Looking back at our common future

Happy Earth Day 2015.  Hugh Morton photographed in many places around the globe, but the planet itself was not one of them . . . at least not from outer space.  Looking for an image to post for Earth Day, I searched the online collection for “earth” . . . then “globe” . . . then “global.”  The last search term led to today’s post.

P081_NTBR2_003390_08_crop

Carl Sagan speaking at the 1990 Emerging Issues Forum at North Carolina State University, with North Carolina Governor Jim Hunt standing in the background. (Photograph cropped by author.)

Since 1986 the Institute for Emerging Issues at North Carolina State University has held an annual Emerging Issues Forum.  Hugh Morton attended the forum in February 1990 when the theme was “Global Changes in the Environment: Our Common Future.”  According to the program published after the forum, there were approximately 1,500 attendees.  Featured speakers included Al Gore, 45th Vice President of the U.S.; Carl Sagan, former director of the Laboratory of Planetary Studies at Cornell University; Steve Cowper, former governor of Alaska; and Madeline Kunin, former governor of Vermont.

After searching through the Morton collection finding aid to see what other years he may have attended the forum, it appears that was the only time he went—or at least photographed, but I cannot imagine Morton attending such an event and not taking at least one photograph.  There are 68 negatives from the 1990 forum, filed in three locations in the collection with the following descriptions:

  • Roll Film Box P081/35BW-5, Envelope 2.6.270-5-1: Gore, Al at NCSU Emerging Issues Forum (with Steve Cowper, etc.), 1990, Black and white 35mm roll film negatives, 6 images;
  • Roll Film Box P081/35BW-6, Envelope 2.6.602-5-1: “Sagan, Carl, Governor Jim Hunt, North Carolina State” (Emerging Issues Forum?), 1990s, Black and white 35mm roll film negatives, 6 images; and
  • Roll Film Box P081/35BW-8, Envelope 2.8.7-5-11: Emerging Issues Forum, North Carolina State University, 8-9 February 1990, Black and white 35mm roll film negatives, 56 images.

Scans made from eight of these negatives can be seen in the online collection of Morton photographs.