78_828_San Antonio Blues_Southern Folklife Collection
Two excellent sides for you by the great Jesse Rodgers (first cousin to Jimmie), from Southern Folklife Collection disc call no. 78-828. A successful musician who appeared on the “border-blaster” radio stations XERA and XERN in the late 20s and early 30s, Rodgers career took off in an unexpected direction after Jimmie’s untimely death in 1933. Always looking to repeat past successes, RCA-Bluebird picked up Jesse in hopes he would continue where Jimmie left off, even setting Jesse up to record with the great steel guitarist Charles Kama and his Moana Hawaiians who had recorded previous sides with Jimmie. These two tracks were recorded 28 Feburary 1936 at the Texas Hotel in San Antonio. Kama’s guitar work is superb and his musical arrangement wonderfully compliments the tune. Listen to the solo in the second clip below and note Kama’s masterful accompaniment to Rodger’s blue yodeling. Fantastic. 78_828_Old Pinto, My Pony, My Pal_part1 78_828_Old Pinto, My Pony, My Pal_part2
78_9938_Why do you care
Great pair of pure country tearjerkers from Southern Folklife Collection 78 rpm disc call no. 78-9938. I discovered these numbers thanks to a recent request and gladly spent some time in the studio while the great Red Kirk, known as “The Voice of the Country,” and the phenomenal steel guitar of Jerry Byrd played offered the soundtrack to my morning blues. Recorded in Cincinnati with Jerry Byrd’s String Dusters–Louis Innis on rhythm, Zeke Turner on lead guitar, Red Turner on bass, and Tommy Jackson on fiddle–all great session players that also performed the Midwestern Hayride on WLW. Side two, “It’s Raining in my Heart” is even better.
78_9938_It’s raining in my heart
It was a pleasure to dig into the Southern Folklife Collection‘s two issues of Zygote, an excellent alternative rag out of New York in the early 1970s. I also enjoyed imagining which member of the John Edwards Memorial Foundation originally collected the magazine for the periodical collection. These two issues feature some quality investigative journalism and radical political commentary mixed with record and film reviews, music features, pop-culture criticism, and a psychedelic visual style. The Southern Folklife Collection has but two issues from 1970, this one vol. 1, no. 7, from October 30, and vol. 1, no. 8 from November. If you subscribed for two years you could have picked up the latest Mother Earth LP and the soundtrack to The Strawberry Statement. Plus, Tina Turner and Wayne Cochran (scroll down to the bottom).
*Special guest post by Laura McPherson, UNC-SILS graduate student and SFC assistant*
As we wait with baited breath for the Southern Folklife Collection’s Steel Guitar Symposium and Concert [symposium is free to the public, tickets to the concert are available to purchase] to begin on Saturday, March 23, we’ve scoured our serials holdings to bring y’all some interesting items on the steel guitar, its history, and the musicians who love it.
Jerry Byrd and his steel guitar grace this cover of this 1963 issue of Fretts. The Southern Folklife Collection holds a number of Byrd’s recordings, including Admirable Byrd: The Steel Guitar Music of Jerry Byrd.
Inside the magazine, an article penned by Byrd sets himself as the defendant in a courtroom drama where the prosecutor represents his fans, whose questions run the gamut from “amusing” to “accusing, and abusing.” Later in the article, Byrd claims that the steel guitar is the most controversial instrument and reacts to attempts to standardize the instrument, relegate its use to the genre of country music, and elevate technique above the musicians’s emotional expression.
The SFC also holds Volumes 1-3 of Steel Guitar World Magazine, whose tagline, “Just for the love of steel’en” (or steelin’, depending on the issue), can be seen below on this creative cover from the November 1992 issue.
So whether you call it the pedal steel, slide steel, lap steel, dobro, or just plain steel guitar, swing by the Southern Folklife Collection to check out some of these marvelous magazines and join us on Saturday, March 23, at the ArtsCenter in Carrboro for the final event in the Southern Folklife Collection’s Instrument Series!
Another research query to share this week. I found the Standard Program Library 16-inch transcription disc pictured above, call number TR1180 from the Southern Folklife Collection Transcription Discs (#30024), while assisting a patron searching for a recording of a track called “Mussin’ Frets,” a novelty guitar instrumental by the excellent Prairie Ramblers [bio by Greensboro, NC resident Eugene Chadbourne!]. The group coalesced in the 1930s appearing on numerous radio stations before settling down at WLS in Chicago. Featuring mandolinist Charles Chick Hurt, bassist “Happy” Jack Taylor, fiddler Tex Atchison, and Floyd “Salty” Holmes, a multi-instrumentalist and master of the harmonica, the group rose to fame after partnering up with a young Patsy Montana. Comfortable jumping from old-time stringband music, to country, to western swing, they went on to appear in numerous cowboy films with Gene Autry and other singing cowboys before splitting up for good in 1947 (well after Montana left to pursue her solo career). But back to the disc, Here’s “Huckleberry Picnic” to wet your whistle. TR1180_Huckleberry Picnic
Unfortunately, we were unable to locate “Mussin’ Frets,” but fortunately we were able to digitze TR1180 to share with you fine readers and listeners. These recordings feature a Post-War incarnation of the Prairie Ramblers, aka The Westernaires at this time, after Atchison and Holmes had left the band. Rusty Gill, the vocalist on this disc, including the classic cowboy number “Ridin’ Old Paint in the Sky,” was married to Carolyn DeZurik of the remarkable DeZurik Sisters. If any of you have any information about “Mussin’ Frets,’ please do let us know. TR1180_Ridin’ Old Paint in the Sky
If you sing along, Big Slim the Lone Cowboy won’t be so lonely. The Southern Folklife Collection happily welcomes you to learn the “Secret’s“ of our heart. Another classic from the Southern Folklife Collection Song Folios, 1882-1893 (#30006), FL-247. See the remaining contents below. Special thanks to a new Southern Folklife Collection friend in Australia for leading us to this great collection of songs through a research request from almost 10,000 miles away.
Folio of Favorite Radio Songs of Big Slim, The Lone Cowboy. American Music Pub. Co. New York, N.Y. 1946. 27 p. of music.
“Heart Weary and Blue”
“Lone Star Trail”
“Moonlight on the Cabin”
“Never Say Goodbye”
“Only a Rose (From My Mother’s Grave)”
“Patanio, the Pride of the Plain”
“Secrets of My Heart”
“Sunny Side of the Mountain”
“There’ll Never Be a Sweeter Girl Than You”
“There’s Another Mother Angel Up in Heaven”
“You Go Your Way, I’ll Go Mine”
“Don’t Cry Little Girl of Mine”
“Green Grows the Laurel”
“Hazel That Old Gal of Mine”
“Kickin’ My Love Around”
“Oh, Oh, Uhm Uhm”
“Ridin’ Along Singin’ a Song”
“The Letter Edged in Black”
“There’s a Little Winding Road”
“Two Sparkling Blue Eyes”
“When the Shadows Fell on the Prairie”
“Whoa Mule Whoa”
“Yellow Rose of Texas”
It’s Burns Day, and I hope you have been practicing your “Address tae the Haggis.” Folklorist, teacher, author, and friend of the Southern Folklife Collection, Burgin Mathews, hosts a Burns Supper that I will someday be lucky enough to attend, however this year I’ll have to offer the Immortal Memory address to myself in a quiet kitchen. Thankfully I found a wealth of supporting materials in the SFC to assist in my Burns Night activities. The LP pictured above, call no. FC18057, offers a great start with Frederick Worlock reading some of Robert Burns best, including “To a Louse (on seeing one on a lady’s bonnet at church).” Listen to the clip above.
Thanks to inspiration from the SFC’s recent Fiddle Concert and Symposium, I pulled out a record, call no. FC1508, produced by Mark Wilson that features some of his excellent recordings of Cape Breton musician Joseph Cormier. Scottish Violin Music from Cape Breton Island, kicks off with a perfect set of reels for Burns Night, “Haggis; Glennville’s Dirk; Bird’s Nest.” Listen to “Haggis” here:FC1508_Southern Folklife Collection
Your guests will likely need some source material for their Burns recitations after dinner, so you may want to reference The Merry Muses of Caledonia, call no. PR4322.M42 1965, and possibly copy the glossary for those less familiar with the particulars of Scottish vocabulary. (click images to enlarge)
Finally, no Burns Supper is complete without a rousing rendition of Robert Burns most famous and most misunderstood poems, “Auld Lang Syne.” I never imagined that I would someday offer the following advice, but take a cue from Guy Lombardo and His Royal Canadians and pour your heart and soul into the song (it may help if you have a cup of “uisge beatha,” aka the “water of life, aka Scotch whisky, in advance). Sing along won’t you? 45_2046
For auld lang syne, my jo,
for auld lang syne,
we’ll tak a cup o’ kindness yet,
for auld lang syne.