Sun Ra, “Dancing in the Sun”

With the anticipation of the 100th anniversary of Sun Ra’s appearance on Earth from his home in the rings of Saturn on May 29, we have inexplicably been called toward his music in the stacks, most recently to The Heliocentric Worlds of Sun Ra, SFC call number FC21135, a seminal 1965 release from legendary free-jazz and out music label ESP-Disk . Equal parts “unfree free jazz, afrofuturist storytelling, and detours into pop music (e.g. the gorgeous doo-wop track “Somebody’s in Love” or the very-NSFW anti-war lament “Nuclear War“), Sun Ra’s oeuvre defies easy summation. With that said, Heliocentric Worlds is about as good a place to dive into it any. Posted here is the final track from the record, “Dancing in the Sun.” As an added bonus, this particular rip of the record comes from an original (and rare) ESP-Disk pressing–check out those scans of this particularly well-worn copy below the track.

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Photos of the week: life according to Photo-Sound Associates

 

20239_pf0101_01_0002. Lee Hoffman and John Schuyler "Jock" Root at the races. Photo by Aaron Rennert, ca. 1957-1960.  Photo-Sound Associates, Ron Cohen Collection (20239). Southern Folklife Collection, UNC Chapel Hill

20239_pf0101_01_0002. Lee Hoffman and John Schuyler “Jock” Root at the races. Photo by Aaron Rennert, ca. 1957-1960.  Photo-Sound Associates, Ron Cohen Collection (20239).

It’s hard not to get drawn into the Photo-Sound Associates images in the Ron Cohen Collection (20239). My intention is always to grab a quick photo to share on the blog and before I know it, I’ve grabbed six. I started off with the image above including the Caravan magazine founder and renaissance woman Lee Hoffman (ed. note: I recommend reading her website, Ms. Hoffman led a remarkable life) at some car races. I was looking for a different Washington Square Park photo when I saw the image below with the enormous crowd on a spring day. I can’t imagine the sound of that environment in the middle of the city. The street scenes documented by Rennert and photographer Ray Sullivan provide a fascinating look into New York City in the late 1950s. Framing musician Eric Weissberg and his Puch/Allstate 250CC two-stroke motorbike in the distance allows for a wonderful view of the architecture and 1950s automobiles. Finally, the image of Izzy Young through the window at the Folklore Center seemed the perfect way to end the tour along with this tired cat, so sleepy. The folk scene in NYC was a happening place to be in the late 1950s.

20239_pf0102_02_0003. Car races. Photo by Aaron Rennert, ca. 1957-1960.  Photo-Sound Associates, Ron Cohen Collection (20239). Southern Folklife Collection, UNC Chapel Hill20239_pf0102_02_0003. Car races. Photo by Aaron Rennert, ca. 1957-1960. Photo-Sound Associates, Ron Cohen Collection (20239).

 

20239_pf0082_01_0006. Crowd in Washington Square Park, 5 May 1959. Photo by Aaron Rennert. Photo-Sound Associates, Ron Cohen Collection (20239). Southern Folklife Collection, UNC Chapel Hill20239_pf0082_01_0006. Crowd in Washington Square Park, 5 May 1959. Photo by Aaron Rennert. Photo-Sound Associates, Ron Cohen Collection (20239).

 

20239_pf0082_01_0010. Listeners, small boy playing harmonica, Washington Square Park, 5 May 1959. Photo by Aaron Rennert. Photo-Sound Associates, Ron Cohen Collection (20239). Southern Folklife Collection, UNC Chapel Hill20239_pf0082_01_0010. Listeners, small boy playing harmonica, Washington Square Park, 5 May 1959. Photo by Aaron Rennert. Photo-Sound Associates, Ron Cohen Collection (20239).

 

20239_pf0098_01_0013. Eric Weissberg and his Puch/Allstate 250cc two-stroke motorbike. Photo by "LH," ca. 1957-1960.  Photo-Sound Associates, Ron Cohen Collection (20239). Southern Folklife Collection, UNC Chapel Hill20239_pf0098_01_0013. Eric Weissberg and his Puch/Allstate 250cc two-stroke motorbike. Photo by “LH,” ca. 1957-1960. Photo-Sound Associates, Ron Cohen Collection (20239).

 

20239_pf0100_0015. Izzy Young looking in the Folklore Center, 27 July 1959. Photo by Aaron Rennert. Photo-Sound Associates, Ron Cohen Collection (20239). Southern Folklife Collection, UNC Chapel Hill20239_pf0100_0015. Izzy Young looking in the Folklore Center, 27 July 1959. Photo by Aaron Rennert. Photo-Sound Associates, Ron Cohen Collection (20239).

 

20239_pf0097_0003. Photo by "LH," ca. 1957-1960.  Photo-Sound Associates, Ron Cohen Collection (20239). Southern Folklife Collection, UNC Chapel Hill

Tired Cat.Photo by “LH,” ca. 1957-1960. Photo-Sound Associates, Ron Cohen Collection (20239).

Cataloger’s Corner: The Dutch Hop Polka


Weingardt, Dutch Hops, Side A

The SFC has just cataloged two rare 10-inch EPs by Paul Weingardt and the Dutch Hop Boys (Vega Records, 1950, SFC call #s 78-16170, 78-16171. The first of these is pictured left.)

The polka on these records is of a special type known as the “Dutch Hop,” played and danced by the Volga Germans in the Great Plains region of the United States. (Eastern Colorado and western Nebraska are particular hotspots for the dance). The “Dutch” in “Dutch Hop” is thought to have started as a disguised version of the word “Deutsch.” During and after the World Wars, German-Americans were harshly stigmatized—and thus willing to portray their origins as Dutch rather than German.

Compared to standard polka, the Dutch Hop is faster, involves “bouncier” steps, and features a hammered dulcimer in addition to more standard instruments like the violin or the accordion. According to the Polka Page website, poor recording quality sometimes made the dulcimer hard to hear on Dutch Hop records. This may explain why the 1950 Billboard review of Weingardt’s Vega release only mentioned the “alternating accordion and violin.”Weingardt, Side B

In this excerpt from “Katy Katy Polka,” the dulcimer is indeed barely audible–one hears it as a faint plucking sound on the offbeats, at phrase endings, and under the violin solo at around 0:45.

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During his career, Weingardt also recorded with the Alpine Dutch Hoppers, the Alpine Polkadots, and the Polka Kings.

 

Folk Fashion from the Photo-Sound Associates

20239_pf0085_01_0028, Liz White in WNCN studios for the George Lorrie radio show, 25 May 1959. Photo by Aaron Rennert for Photo-Sound Associates. Ron Cohen Collection (20239), Southern Folklife CollectionReally enjoying the fashion of the folk scene in the Photo-Sound Associates photographs lately. We love these images of Liz White wearing an absolutely fabulous belt in the studio at WNCN-New York for George Lorrie’s radio show on May 25, 1959. Photo by Aaron Rennert for Photo-Sound Associates. See more in the Ron Cohen Collection (20239).

20239_pf0085_01_0021, Liz White in WNCN studios for the George Lorrie radio show, 25 May 1959. Photo by Aaron Rennert for Photo-Sound Associates. Ron Cohen Collection (20239), Southern Folklife Collection20239_pf0085_01_0022,Liz White in WNCN studios for the George Lorrie radio show, 25 May 1959. Photo by Aaron Rennert for Photo-Sound Associates. Ron Cohen Collection (20239), Southern Folklife Collection

Opening Friday, “Lard Have Mercy!: 30 years of Southern Culture on the Skids”

SCotS_2014_Ron Liberti Collection_Southern Folklife Collection

We’re putting the final touches on the exhibit. For a preview, see David Menconi’s article in the N&O.

Opening this Friday, the Southern Folklife Collection presents, “Lard Have Mercy! 30 Years of Southern Culture on the Skids.” The exhibit opens Friday, March 14, 2014 at 6PM on the 4th floor of the Wilson Library at UNC-Chapel Hill. The exhibit opening will be followed by a concert at Historic Playmakers Theater featuring none other than Southern Culture on the Skids. Both events occur in conjunction with the annual conference of the International Association for the Study of Popular Music (IASPM) taking place March 13-16 at UNC-Chapel Hill. Silkscreened poster pictured above made by friend of the SFC, Ron Liberti.

See y’all on Friday.

What: “Lard Have Mercy! 30 Years of Southern Culture on the Skids” opening reception

When: 6 p.m. Friday; exhibit on display through Aug. 31

Where: Fourth floor of Wilson Library, UNC-Chapel Hill

Info: 919-962-7105 orwww2.lib.unc.edu/wilson/sfc

Following Friday’s opening reception, Southern Culture on the Skids will play a 7:30 p.m. concert at UNC’s Historic Playmakers Theatre. The show is free, but tickets are required. For details, call 919-548-1203 or the Memorial Hall box office at 919-843-3333.

 

 

Southern Folklife Collection Flamenco photo of the week

Carmen Rivas, photo by Aaron Rennert for Photo-Sound Associates. 20239_pf0022_0023_Ron Cohen Collection, Southern Folklife Collection, UNC Chapel Hill

Stunning photographs made by Aaron Rennert for Photo-Sound Associates, from the Ron Cohen Collection (20239). Shot in New York City, in the late 1950s, the images document a party attended by members of the famed Ballet Español de Ximenez-Vargas. Dancers include (from top to bottom): Carmen Rivas, an unidentified man, Maria Alba (Flamenco dance star who studied with Mariquita Flores and by 1957 or so was dancing with Ximenez-Vargas), and Antonio Hector de Jesus.

Unidentified dancer_photo by Aaron Rennert for Photo-Sound Associates. 20239_pf0022_0001Maria Alba, photo by Aaron Rennert for Photo-Sound Associates. 20239_pf0022_0040_Ron Cohen Collection, Southern Folklife Collection, UNC Chapel HillAntonio Hector de Jesus, photo by Aaron Rennert for Photo-Sound Associates. 20239_pf0022_0035_Ron Cohen Collection, Southern Folklife Collection, UNC Chapel Hill

Photo of the week: Jesse “Lone Cat” Fuller

P673_JesseFuller_John Edwards Memorial Foundation Colleciton, SFC, UNC Chapel HillPromotional photo of the great Jesse “Lone Cat” Fuller from Manny Greenhill’s legendary Folklore Productions. Best known for his song “San Francisco Bay Blues,” Fuller was a renaissance man: appearing in silent films like The Thief of Baghdad, hoboeing cross-country, working in the California shipyards, and playing music. Fuller built his own bass accompaniment, the “fotdella,” and played harmonica and washboard along with his 12-string guitar to make himself a one-man jug band. Fuller died in 1976 in Oakland, California. The image is call no. p673 in the John Edwards Memorial Foundation Collection.

78 rpm disc of the week: McFarland and Gardner

78_11592_McFarland and Gardner_Southern Folklife Collection_UNC Chapel HillSome excellent classic, old-time country from Robert McFarland and Lester Gardner for you readers today. Also known as “Mac and Bob,” the duo met at the Kentucky School for the Blind in the early 1920s and recorded over 200 songs for Brunswick and other labels. They appeared regularly on the WLS Barn Dance for twenty years, retiring in 1950. Originally recorded but rejected by Brunswick, we digitized these two tracks from a disc on the Australian imprint, Regal Zonophone, SFC call no. 78-11592. “The Hut on the Back of the Lot” is at the top of the list for one of my favorite songs of 2014. Life lessons from “Little Ned.” This one’s for dear old Dad.

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Lard Have Mercy! 30 Years of Southern Culture on the Skids

SCOTS1The Southern Folklife Collection is pleased to announce our first exhibit and program of 2014, “Lard Have Mercy! 30 Years of Southern Culture on the Skids.” The exhibit opens Friday, March 14, 2014 at 6PM on the 4th floor of the Wilson Library at UNC-Chapel Hill. The exhibit opening will be followed by a concert at Historic Playmakers Theater featuring none other than Southern Culture on the Skids. Both events occur in conjunction with the annual conference of the International Association for the Study of Popular Music (IASPM) taking place March 13-16 at UNC-Chapel Hill.

“Lard Have Mercy” traces the history of Chapel Hill’s “Legendary Bards of Downward Mobility,” Southern Culture on the Skids (SCOTS). Formed in 1983. SCOTS embody a raucous, sleazy, good-natured, good-time take on Southern traditions and traditional music playing a unique hybrid of Americana, surf, R&B, rockabilly, and swamp pop, driving fans into ecstatic, sweat-drenched paroxysms of joy.

Featuring photography by Kent Thompson and Michael Benson as well as instruments, posters, recordings, and other ephemera from the SCOTS collection in the Southern Folklife Collection.

Events are free and open to the public but seating is limited. Concert Tickets will be available via Memorial Hall Box Office (919) 843-3333 the week of March 3rd. More information about the concert below.

Ticket booth opens: 6pm

Doors: 7pm

Concert: 7:30pm

“A HELL RAISING ROCK AND ROLL PARTY” – ROLLING STONE

scotspress

Remembering Pete Seeger

Pete Seeger performing at  Folk Festival at Town Hall, 8 March 1958. Photo by Ray Sullivan for Photo-Sound Associates. 20239_pf0002_0022. Ron Cohen Collection (20239). Southern Folklife Collection. Pete Seeger performing at  Folk Festival at Town Hall, 8 March 1958. Photo by Ray Sullivan for Photo-Sound Associates. 20239_pf0002_0022. Ron Cohen Collection (20239). Southern Folklife Collection.

We were deeply saddened to hear of the passing of Pete Seeger early this morning. Certainly the Southern Folklife Collection could not exist without the singular vision and dedication of remarkable individuals like Pete Seeger. His efforts to collect, preserve, and celebrate the musical heritage of the peoples of the world reflects the core of our mission. We consider it an honor to be able to contribute to the celebration of Seeger’s life and legacy with the resources we hold at Wilson Library and we encourage anyone interested in more research to visit us Wilson Library where the Southern Folklife Collection has hundreds of images, publications, recordings, and manuscript materials documenting Pete Seeger. With such a diverse and extensive career, it was difficult to choose what to share, however these images from the Photo-Sound Associates materials in the Ron Cohen Collection (20239) immediately came to mind.

The first four were made by Ray Sullivan in the late 1950s, after Seeger’s 1957 indictment for standing up to congress and the House Un-American Activities Committee. They all feature Seeger at the heart of the early folk revival in New York City doing what he loved, singing and playing music for people. The final image shows Seeger, Rambling Jack Elliot (in the top hat) and a crew of musicians on the deck of the Clearwater, the sloop Seeger built to advocate for clean water on his beloved Hudson River. We hope you find these images as joyful and moving as we do. Sing a song today for Pete.

Pete Seeger with the Drexel Singers (front row: Lela Royster, Edith Drexel, Elizabeth "Liz" Dargan, and unknown male singer). Folksong '59 at Carnegie Hall, 3 April 1959. Photo by Ray Sullivan for Photo-Sound Associates. 20239_pf0079_01_0028. Ron Cohen Collection (20239). Southern Folklife CollectionPete Seeger with the Drexel Singers (front row: Lela Royster, Edith Drexel, Elizabeth “Liz” Dargan, and unknown male singer). Folksong ’59 at Carnegie Hall, 3 April 1959. Photo by Ray Sullivan for Photo-Sound Associates. 20239_pf0079_01_0028. Ron Cohen Collection (20239). Southern Folklife Collection.

Pete and Mike Seeger. Folksong '59 at Carnegie Hall, 4/3/59. 20239_pf0079_02_0028. Photo by Ray Sullivan for Photo-Sound Associates. Ron Cohen Collection (20239). Southern Folklife Collection.Pete and Mike Seeger. Folksong ’59 at Carnegie Hall, 4/3/59. 20239_pf0079_02_0028.Photo by Ray Sullivan for Photo-Sound Associates. Ron Cohen Collection (20239).Southern Folklife Collection.

Pete Seeger, presumably hootenanny at Carnegie Hall, 22 February 1958. Photo by Ray Sullivan for Photo Sound Associates. 20239_pf0132_02_0006. Ron Cohen Collection (20239). Southern Folklife Collection.Pete Seeger, presumably hootenanny at Carnegie Hall, 22 February 1958. Photo by Ray Sullivan for Photo Sound Associates. 20239_pf0132_02_0006. Ron Cohen Collection (20239). Southern Folklife Collection.

Pete Seeger, Jack Elliott, and crew performing for children on the Clearwater, ca. 1969. Photo-Sound Associates. 20239_pf0201_03_0015. Ron Cohen Collection (20239). Southern Folklife Collection. Pete Seeger, Jack Elliott, and crew performing for children on the Clearwater, ca. 1969. Photo-Sound Associates. 20239_pf0201_03_0015. Ron Cohen Collection (20239). Southern Folklife Collection.